Amanda Callahan

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&ref(https://m.media-amazon.com/images/M/MV5BZjgyYjBiZGYtMWUyZS00NDUwLWFlZDAtMGQ2NTQzZDExOTYzXkEyXkFqcGdeQXVyNjUxMDQ0MTg@._V1_SY1000_CR0,0,629,1000_AL_.jpg). audience score 28558 votes. country Japan. runtime 92 minutes. Directed by Satoshi Kon. Yoshiaki Umegaki, Shôzô Îzuka. Tôkyô goddofâzâzu Download free. I will admit right at the start, I'm not a big fan of subtitled anime. I always prefer to watch with an English dub track, unless the dub is really bad. I prefer to watch what is happening on the screen rather than having to constantly flick between the picture and the words.

For this reason, I put off watching Tokyo Godfathers for a long time. I had seen Satoshi Kon's other releases. I found Perfect Blue very uncomfortable to watch. Millennium Actress used clever storytelling but I felt a bit too distant from the story itself (I suspect this was because there were a lot of Japanese cultural and historical references in it. Then I found Paranoia Agent and thought it was excellent (despite the strange ending. In the end I bit the bullet and watched Tokyo Godfathers and wished I hadn't put it off for so long. The story may be a little unconventional, both for anime films and also Christmas films, but Kon makes it work. This film will certainly go on my "must watch at Christmas" list, along with Nightmare Before Christmas (another unconventional animated Christmas film. Some reviewers have criticised the number of coincidences that occur in the story, but personally I feel that the viewer can interpret this however they want to. If you believe in a higher power you can take the numerous references to 12-25 and the event that saves Hana as an indication that a higher power is pulling the strings. If you don't believe in such things, you can take it as serendipity or just a story with several happy endings. The film itself is a little different from Kon's other works. It doesn't try to blur the line between fantasy and reality (except for one short dream sequence. Despite the subject matter (three homeless people) it's actually a pretty happy film on the whole, with only a couple of slightly unpleasant scenes. It'll make you laugh, it'll make you cry, it'll make you go "awww. I do still hope that one day this film will be re-released with an English dub track. But even with subtitles the dialogue moves slow enough that you can take in the film and the subtitles without feeling you're having to rush your reading or that you're missing some beautiful visuals. I am now eagerly awaiting seeing Kon's next film - Paprika.

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I was able to see "Tôkyô Godfathers" at its premiere in New York. Sadly, the film was not added to the IMDb until months later, so I've had to sit on my comments for some time.

I'm a big fan of director Satoshi Kon. Both of his previous films feature stories and issues not normally seen in animated films. "Godfathers" continues this happy trend and goes even further by covering subjects not normally associated with Japan, period. Homelessness, immigrants, and homosexuality all play key elements in this tale. Perhaps the biggest difference here is the comedy, something Kon's previous films did not approach. "Perfect Blue" was a dark thriller and "Sennen Joyû" was more of a tearjerker. "Godfathers" is played for laughs, which for me weakened the movie a little bit. Some of the more outrageous moments made the other theatergoers crack up, but I felt it was a little too silly at times. While I would describe "Tôkyô Godfathers" as the weakest of Kon's three films to date, that's hardly a knock since his first two are among my favorites. "Godfathers" was just missing something, but I still openly recommend it to anyone, regardless of your disposition towards anime.

The person who recommended this to me compared it to John Ford's John Wayne western with a Christmas setting, 3 Godfathers. Well, the two can't be compared although I do rate them equal quality-wise. However this Japanesee animated film takes a completely different slant on the story of three people coming across a baby to be cared for during the Christmas season. Other reviewers have done a great job at pointing out the various aspects of this, but I was most impressed by the use of animation. This just is not the type of story you would expect to be animated, but the animation is skillful and goes places that live action doesn't. This probably won't interest the typical anime fan, but it stands up very well.

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