Katie Morales

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Correspondent Lee Gambin
Biography: Film historian and author


release date: 1944. Brief: In the year leading up to the 1904 St. Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York. genres: Comedy. &ref(https://m.media-amazon.com/images/M/MV5BZWVmZmRlNWQtYzYyMy00ZDljLWE5MjgtNDE5MGVmYTQ5NDk0XkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_UX182_CR0,0,182,268_AL_.jpg). Tomatometers: 7,7 of 10. Stars: Lucille Bremer.

One things for sure, I loved the fashion design for the clothes in west side story.

Just beautiful. Best Musical of All-Time. It typically ranks #2 to Singin in the Rain, but, imo, blows THAT and every other musical out of the water. Still has relevance 55 years later. A masterpiece. Meet Me in St. Louis Theatrical poster Directed by Vincente Minnelli Produced by Arthur Freed Screenplay by Irving Brecher Fred F. Finklehoffe Based on Meet Me in St. Louis by Sally Benson Starring Judy Garland Margaret O'Brien Mary Astor Lucille Bremer Tom Drake Marjorie Main Music by George Stoll Cinematography George J. Folsey Edited by Albert Akst Production company Metro-Goldwyn-Mayer Distributed by Loew's, Inc. Release date November?22,?1944 (St. Louis) [1] February?28,?1945 (United States) Running time 113 minutes Country United States Language English Budget $1, 885, 000 [2] Box office $6, 566, 000 (original release) $12, 800, 000 [3] Meet Me in St. Louis is a 1944 American Technicolor musical film made by Metro-Goldwyn-Mayer. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis, leading up to the opening of the Louisiana Purchase Exposition (more commonly referred to as the World's Fair) in the spring of 1904. [4] [5] The picture stars Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart, and Joan Carroll. The film was adapted by Irving Brecher and Fred F. Finklehoffe from a series of short stories by Sally Benson, originally published in The New Yorker magazine under the title "5135 Kensington", and later in novel form as Meet Me in St. Louis. The film was directed by Vincente Minnelli, who met Garland on the set and later married her. It was the second-highest grossing picture of the year, only behind Going My Way. [6] In 1944, the film was deemed "culturally significant" by the Library of Congress and selected for preservation in the United States National Film Registry. Garland debuted the standards " The Trolley Song ", "The Boy Next Door", and " Have Yourself a Merry Little Christmas ", all of which became hits after the film was released. Arthur Freed, the producer of the film, also wrote and performed one of the songs. Plot [ edit] Margaret O'Brien and Judy Garland in Meet Me in St. Louis The backdrop for the film is St. Louis, Missouri in the year leading up to the 1904 World's Fair. It is summer 1903. The Smith family leads a comfortable upper-middle class life. Alonzo Smith ( Leon Ames) and his wife Anna ( Mary Astor) have four daughters: Rose ( Lucille Bremer), Esther ( Judy Garland), Agnes ( Joan Carroll), and Tootie ( Margaret O'Brien); and a son, Lon Jr. (Henry H. Daniels, Jr. ). Esther, the second eldest daughter, is in love with the boy next door, John Truitt ( Tom Drake), although he does not notice her at first. Rose is expecting a phone call during which she hopes to be proposed to by Warren Sheffield (Robert Sully), and is embarrassed when not only does Warren fail to propose, but the entire family is present as she takes the call during dinner. Esther finally gets to meet John properly when he is a guest at the Smiths' house party, although her chances of romancing him don't go as planned when, after all the guests are gone and he is helping her turn off the gas lamps throughout the house, he tells her she uses the same perfume as his grandmother and that she has "a mighty strong grip for a girl. " Esther hopes to meet John again the following Friday on a trolley ride from the city to the construction site of the World's Fair. Esther is sad when the trolley sets off without any sign of him, but cheers up when she sees him running to catch the trolley mid-journey. On Halloween, Tootie returns home injured, claiming that John Truitt attacked her. Without bothering to investigate, Esther confronts John, physically attacking him and scolding him for being a "bully. " When Esther returns home, Tootie confesses that what really happened was that John was trying to protect Tootie and Agnes from the police after a dangerous prank they pulled went wrong. Upon learning the truth, Esther immediately dashes to John's house next door to apologize, and they share their first kiss. Mr. Smith announces to the family that he is to be sent to New York City on business and they will all move after Christmas. The family is devastated and upset at the news of the move, especially Rose and Esther whose romances, friendships, and educational plans are threatened. Esther is also aghast because they will miss the World's Fair. An elegant ball takes place on Christmas Eve. Esther is devastated when John cannot take her as his date, due to his leaving his tuxedo at the tailor's and being unable to get it back. She is relieved, however, when her grandfather ( Harry Davenport) offers to take her to the ball instead. At the ball, Esther and Rose plot to ruin the evening of Warren's date and Rose's rival Lucille Ballard ( June Lockhart) by filling up her dance card with losers. But when Lucille turns out to be interested in Lon, leaving Rose and Warren together, Esther switches her dance card with Lucille's and instead dances in Lucille's place with the clumsy and awkward partners. After being rescued by Grandpa, Esther is overjoyed when John unexpectedly turns up after somehow managing to obtain a tuxedo, and the pair dance together for the rest of the evening. Later on, John proposes to Esther and she accepts, but their future is uncertain because she must still move to New York. Esther returns home to an upset Tootie. She is soothed by the poignant "Have Yourself a Merry Little Christmas. " Tootie, however, becomes more upset at the prospect of the family's move and runs downstairs, out into the cold to destroy the snowmen they have made. Mr. Smith sees his daughter's upsetting outburst from an upstairs window. Mr. Smith later announces that the family will not leave St. Louis after all when he realizes how much the move will affect his family. Warren boldly declares his love for Rose, stating that they will marry at the first possible opportunity. On or after April 30, 1904, the family take two horse-drawn buggies to the World's Fair. The film ends that night with the entire family (including John, Lucille, and Warren) overlooking the Grand Lagoon at the center of the World's Fair just as thousands of lights illuminate the grand pavilions. Cast [ edit] Music [ edit] The musical score for the film was adapted by Roger Edens, who also served as an uncredited associate producer. Georgie Stoll conducted the orchestrations of Conrad Salinger. Some of the songs in the film are from around the time of the St. Louis Exposition. Others were written for the movie. " Meet Me in St. Louis, Louis " Kerry Mills and Andrew B. Sterling, 1904 " The Boy Next Door ", Hugh Martin and Ralph Blane, 1944, performed by Judy Garland. " Skip to My Lou ", Traditional, with section sung to the tunes of " Kingdom Coming " and " Yankee Doodle " arranged by Hugh Martin and Ralph Blane, 1944 "I Was Drunk Last Night, " performed by Margaret O'Brien. "Under the Bamboo Tree, " Words and music by Robert Cole and The Johnson Bros., 1902, performed by Judy Garland and Margaret O'Brien. "Over the Banister, " 19th-century melody adapted by Conrad Salinger, lyrics from the 1888 poem "Over the Banisters" by Ella Wheeler Wilcox, adapted by Roger Edens (1944), performed by Judy Garland. " The Trolley Song ", Hugh Martin and Ralph Blane, 1944, performed by Chorus and Judy Garland. "You and I, " Nacio Herb Brown and Arthur Freed, sung by Arthur Freed and D. Markas, dubbing for Leon Ames and Mary Astor. " Goodbye, My Lady Love ", (Instrumental), Joseph E. Howard, 1904. " Little Brown Jug ", (Instrumental), Joseph Winner, 1869. " Down at the Old Bull and Bush, " (Instrumental), Harry von Tilzer, 1903. " Home! Sweet Home! ", (Instrumental), Henry Bishop, 1823/1852. " Auld Lang Syne ", (Instrumental) " The First Noel ", (Instrumental) " Have Yourself a Merry Little Christmas ", Hugh Martin and Ralph Blane, 1944, performed by Judy Garland. The lyrics for "Have Yourself A Merry Little Christmas" were originally different. The lyricist, Hugh Martin, wrote opening lyrics which were deemed too depressing by Judy Garland, Tom Drake, and Vincente Minnelli (they were: "Have yourself a merry little Christmas / It may be your last / Next year we may all be living in the past"), so Martin changed the lyrics. (Years after the movie's release, additional lyric changes were made for Frank Sinatra, who objected to the song's generally downbeat tone. The most notable changes included "Next year" becoming "From now on", "Once again, as in olden days / Happy golden days of yore / Faithful friends that were dear to us / Will be near to us once more" becoming "Here we are, as in olden days / Happy golden days of yore / Faithful friends that are dear to us / Gather near to us once more", and "Someday soon we all will be together / If the fates allow / Until then we'll just have to muddle through somehow" becoming "Through the years we all will be together / If the fates allow / Hang a shining star upon the highest bough". This revised version is the one now most commonly performed. ) Deleted song [ edit] Garland's pre-recording of "Boys and Girls Like You and Me" survives today, but the cut film footage has been lost. This song was originally composed by Rodgers & Hammerstein for their Broadway musical Oklahoma! but cut prior to its opening. [7] [8] Reception [ edit] Upon its 1944 release, Meet Me in St. Louis was a massive critical and commercial success. During its initial theatrical release, it earned a then-massive $5, 016, 000 in the US and Canada and $1, 550, 000 elsewhere resulting in a profit of $2, 359, 000. [2] The film was a New York Times Critics' Pick: after seeing it at the Astor Theatre, Bosley Crowther called it "a warm and beguiling picturization based on Sally Benson's memoirs of her folks... The Smiths an
When I heard them say 23rd March I was little shocked as I am listening to this on 24th March... But when he said it's already 24th March and she started Good Morning, it was goosebumps moment... Wow... ??????. @Duke535 It is a beautifully directed scene. Thank you so much for stopping by and for sharing your thoughts. I noticed a young Bob McGrath, before his Sesame Street days. RIP Mitch, My dad always said one of the best things he did in life was to sing with you for 5 years. I hope we can see alot more of the shows.
I wish I knew why this song is never played on radio stations. The movie should be shown this time of year also. She was so talented. The Woolworth building ??? You darn millenials killed that. Whenever watching this I always notice how Judy just drops that bad of sweets off the trolley. Might be doing this for Drama Club. It's funny watching this because they actually spent the rest of their lives together and died 18 days apart?. Don't let Ariana Grande see this. 44 Posted by 13 days ago 2 comments 94% Upvoted Log in or sign up to leave a comment log in sign up Sort by level 1 2 points ? 13 days ago St Louis Olympic marathon was best ever, change my mind level 1 1 point ? 13 days ago Isnt the 1904 one where there was a hobo running who got food poisoning from bad apples, and the "winner" was literally carried to the finish line? More posts from the HistoryMemes community Continue browsing in r/HistoryMemes r/HistoryMemes History memes and jokes go here. Our Discord Server can be found in the sidebar below. 1. 5m History experts 4. 9k Researching history Created Sep 17, 2012 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved.

Free stream die t c3 b6richten jungfrauen lyrics. Derzeit tritt ein Problem beim Filtern der Rezensionen auf. Bitte versuchen Sie es später noch einmal. Rezension aus Deutschland vom 30. März 2016 Format: Prime Video Verifizierter Kauf "Meet Me in St. Louis" ist ein wunderschöner Film für Fans von Film-Musicals oder Filmklassikern im Allgemeinen. Auch wenn der Film in Deutschland nicht so bekannt wie in den USA sein mag, so kennt doch jedermann sicherlich "Have Yourself a Merry Little Christmas", das aus genau diesem Film kommt. Und es ist auch der Film, bei dessen Dreharbeiten sich Hauptdarstellerin Judy Garland und Regisseur Vincente Minnelli kennen und lieben gelernt haben. Diese offenbar positive Stimmung am Filmset hat sich auch auf "St. Louis" ausgewirkt, der so ausgelassen und unverblümt fröhlich daherkommt wie nur wenige Filme - und dabei auch so auf ganzer Linie überzeugt. Es geht, kurz gesagt, um die Familie Smith: Um den geplanten Umzug nach St. Louis, die Liebesbeziehungen der beiden älteren Töchter, den morbiden Vorlieben der jüngsten Tochter Tootie, usw. Das alles spielt 1902/1903 vor der Kulisse der Weltausstellung in St. Louis. Nun klingt die Handlung zunächst recht gewöhnlich und vielleicht sogar leicht kitschig, aber die Geschichten in einem guten Drehbuch alle unterhaltsam miteinander verwoben worden. Es wohl war die Sehnsucht nach einer besseren Zeit damals - 1944 - als die Welt im Krieg lag, die aus diesem Film spricht. Die möglichen Verkitschung umschifft "Meet Me in St. Louis" auch sehr geschickt, indem Vincente Minnelli diesen Kitsch im Film mit einem feinen Sinn für Ironie überhöht, wohlwissend und weise genug, dass so harmonisch und schön nie eine Stadt, Nachbarschaft oder Familie zu irgendeiner Stadt gewesen sein kann. Auch nicht St. Was die Reise nach der Hollywoodschen Version von St. Louis wirklich reisenswert macht, sind die knallbunten Farben des im Technicolor-Verfahren gedrehten Filmes, die teilweise die Qualität von Gemälden haben und oft außergewöhnlich schön sind. Man merkt, wie sehr die liebevollen, prächtigen Kostüme und die aufwendigen Kulissen auf die bestmögliche Wirkung der Farbe im Kinosaal abgestimmt wurden, 1944 war Farbe ja noch etwas besonderes im Kino, und das wurde hier voll und ganz ausgenutzt. In der Halloween-Episode des Filmes, wo die junge Tootie einen angeblich bösartigen Nachbarn erschrecken soll, geht der Film sogar in Richtung Horrorfilm (allerdings ohne wirklich verschreckend zu wirken), wo Minnelli weniger mit den hellen Farben der Pallette, sondern auch mit düsteren Bildern und Kontrasten arbeitet. Aber nicht nur der "Meet Me in St. Louis" an sich besitzt hohe Schauwerte, auch die Hauptdarstellerin Judy Garland sieht hier wohl besser aus als je zuvor und je danach. Der verliebte Minnelli wird sie wohl ins rechte Bild gerückt haben, was ihm sicherlich nicht schwerfiel... In den effektiv besetzten weiteren Rollen wirken gekonnte Darsteller wie u. a. Margaret O'Brien, Mary Astor, Harry Davenport, Majorie Main und Chill Wills mit. Wie bei vielen Hollywood-Produktionen dieser Studioära, als die großen Filmstudios wie MGM noch Hollywood beherrscht haben, ist auch die Qualität der technischen Inszenierung sogar noch aus heutiger Sicht durchgänig gut, da wirklich Profis am Werk waren. Ein weiterer Vorzug des Filmes sind die vielen schönen Musical-Nummern, die teilweise aus der Zeit um 1900 stammen und teilweise eigens für den Film von 1944 komponiert wurden. Nicht umsonst gilt "Meet Me in St. Louis" ja noch immer als eines der besten Film-Musicals aller Zeiten, da es in der fröhlichen, aber geschmackvollen und niveauvollen Unterhaltung ein rundum gelungenes Werk ist. Rezension aus Deutschland vom 1. Januar 2019 Format: Prime Video Verifizierter Kauf Bei der Bestellung habe ich leider nicht aufgepasst. Die von Amazon angebotene Version war in deutsch ohne Möglichkeit zu englisch zu wechseln. Ein Film in dem Judy Garland deutsch spricht ist für mich ungenießbar so, nach etwa 3 Minuten, habe ich mein Leiden ein Ende gesetzt und abgeschaltet. Leider wurde es also zu einer reinen Geldverschwendung, denn ich weiß nicht wie ich so eine Bestellung rückgängig machen soll. Rezension aus Deutschland vom 4. Februar 2019 Format: DVD Verifizierter Kauf Sehr schöner Film, läuft einwandfrei und an der DVD-Hülle nur eine minimale Macke. Lieferung erfolgte, dafür, dass sie aus dem Ausland erfolgte, sehr schnell. Rezension aus Deutschland vom 6. Juni 2004 Format: DVD Verifizierter Kauf "Meet Me in St. Louis" ist eines der besten Musical aller Zeiten mit einer bezaubernden Judy Garland. Die Lieder sind echte Ohrwürmer, allen voran der Titelsong, "Skip to my Lou", "The Trolley Song" und das sehr häufig zu Weihnachten gespielte "Have yourself a merry little Christmas". Wenn Judy Garland anfängt zu singen läuft einem ein kalter Schauer über den Rücken, sie ist der Star in diesem Film und keiner kann ihr die Show stehlen. Im Gegensatz zu anderen Musical aus der MGM Zeit ist dieses nicht zu bieder oder zu kitschig, stattdessen gibt es sehr viele humorvolle aber auch einige traurige Stellen. Auf gar keinen Fall sollte man sich die deutsche Synchronisation antun. Es ist zwar nett dass es überhaupt eine gibt, aber die ganze Atmosphäre wird gnadenlos zunichte gemacht. Dann lieber das englische Original mit deutschen Untertiteln. Als Extra gibt es eine Einleitung von Liza Minelli, eine reine Musikspur (überflüssig, man kann genauso gut zu den Liedern vorspringen), nette Kommentare der Filmmacher und ein witziges s/w Video von 1941 mit "The Martins" die ihren Song "Skip to my Lou" aufführen. Rezension aus Deutschland vom 9. Januar 2010 Format: DVD Verifizierter Kauf In den USA ist dieser Klassiker aus MGMs "Arthur Freed Unit" wesentlich populärer als bei uns. Das mag daran liegen, dass es keine nennenswerte Handlung im üblichen Sinn gibt, auch lassen Gesellschaftskritik oder historische Bezüge zu wünschen übrig. Weiterhin fehlen Action oder sonstige Spektakel. Warum sollte man diese "Schmonzette" also unbedingt gesehen haben? Antwort: Weil sie einfach zeitlos schön ist! Die Familie eines Juristen, Mitglied einer erfolgreichen überregionalen Anwaltskanzlei, im St. Louis der Jahre 1903 und 1904. Die Weltausstellung steht vor der Tür - aber das ist auch schon der einzige historische Bezug, ansonsten spielt sich alles wie auf einer Theaterbühne im Wesentlichen vor ein und derselben Hauskulisse ab, von der Stadt sieht man praktisch nichts. Es geht um die im 19. Jahrhundert so beliebten "Backfisch-Geschichten", heute würde man Teenager-Storys sagen. Die "Handlung" beruht auf Kurznovellen von Sally Benson, deren Höhepunkte für das Drehbuch zusammengefasst wurden. Die jüngste Tochter ist aufsässig, die älteste unglücklich verliebt, die mittlere lernt die Liebe erst kennen, es wird Streiche gespielt, auf Bällen getanzt und geflirtet, der Großvater weiß auf alles eine Antwort, die Mutter hat viel Verständnis und der Vater ist gar nicht so streng, wie er sich gerne gibt. Alles nichts Besonderes - wären da nicht Produzent Arthur Freed, Regisseur Vincente Minelli und Hauptdarstellerin Judy Garland beteiligt gewesen (sowie die prachtvolle Farbausstattung dank Technicolor). Spätestens, wenn man beim herzzerreißenden Lied "Have Yourself a Merry Little Christmas" verschämt zum Taschentuch greifen muss, weiß man, warum man sich das alles 108 Minuten anschaut, ohne sich eine Sekunde zu langweilen. Zum Schluss ist man innerlich erwärmt, wie es keinem Glühwein gelingt! Rezension aus Deutschland vom 12. Januar 2018 Format: DVD Verifizierter Kauf Ein sehr schöner und romantischer Spielfilm. Die Musik ist hinreißend und Judy Garland spitze. Als Geschenk geeignet oder zum selber schenken. :) Rezension aus Deutschland vom 4. November 2016 Format: Prime Video Verifizierter Kauf Einfach ein toller Klassiker, den ich mir immer wieder anschauen könnte... Der Trolley Song hängt mir immer noch in den Ohren! Kann ich nur weiter empfehlen. Ein Muss für jeden Liebhaber von classic Movies! Die besten internationalen Rezensionen 5, 0 von 5 Sternen MEET ME IN ST. LOUIS [1994] [Deluxe Limited Edition DigiBook] [Blu-ray] Rezension aus dem Vereinigten Königreich vom 16. Juli 2014 Verifizierter Kauf MEET ME IN ST. LOUIS [1994] [Deluxe Limited Edition DigiBook] [Blu-ray] [US Import] M-G-M’s Glorious Love Story With Music! M-G-M’s Big Happy-Hearted Hit! St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. Seventeen-year old Esther has fallen in love with John, the boy next door who has just moved in. He, however, barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transferred to a nice position in New York, which means that the family has to leave St. Louis just before the start of the St. Louis 1904 World's Fair. FILM FACT: Awards and Nominations: Academy Awards®: Nominated: Best Cinematography for Color. Nominated: Best Music and Scoring of a Musical Picture. Nominated: Best Music and Song for Ralph Blane and Hugh Martin for "The Trolley Song. " Nominated: Best Writing for a Screenplay. Academy Juvenile Award: Margaret O'Brien. Cast: Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Leon Ames, Tom Drake, Marjorie Main, Harry Davenport, June Lockhart, Henry H. Daniels Jr., Joan Carroll, Hugh Marlowe, Robert Sully, Chill Wills, Sidney Barnes (uncredited), Joe Cobb (uncredited), Victor Cox (uncredited), Donald Curtis (uncredited), Kenneth Donner (uncredited), Mary Jo Ellis (uncredited)
Spoilers!

At the turn of the century, everyone is getting ready for the St. Louis fair, even though it's in a years time. This absolutely class film stars the likes of Judy Garland (The Wizard Of Oz) and Margaret O' Brien (Little Women/1942 version) who was the first ever child star. This film starts in spring with a happy family staring around at the boy next door and holding house paties and singing such great tunes as "The Bamboo Tree" a new boy as (Garland's film family) the Smith's had only lived there 2 days (or vice versa) then to christmas as "Tootsie" O'Brien) throws a snowball at the man down the road and shouts "I hate you Mr Braukoff" absolute class! One of the best films ever.

Judy Garland stars in this iconic musical that starts off really strong and falls kind of flat towards the end. I think the biggest reason for this was there were only like one or two songs in the second half of the film, and for a musical, that was pretty disappointing?especially because the songs that the movie did have were done so well. Aside from that, I think Garland’s performance was great, and I particularly liked the awkward chemistry and the constant handshakes (kind of triggered my hyperhidrosis a bit though lol) between her and John Truett when they first meet. However, I think the real star of the movie was the seven-year-old Margaret O’Brien, who not only sang some of her own songs (and duets with Judy Garland) but was a fantastic child actress throughout, and really added some emotional intensity to some of the scenes?particularly towards the end when she tries to destroy all the snowmen. The structure of the movie?a bunch of vignettes centered around the four seasons as the family anticipates the World Fair, was…interesting. I normally like non-traditional story lines, but it just seemed kind of forced here. I will say, however, the transition to start each vignette?the picture of the painting that gets zoomed in on and turns into the scene, was really cool and impressive for 1944. Overall, Meet Me in St. Louis definitely has its moments?I think “The Trolley Song” is one of the most recognizable tunes of all time?but the second half just pumps the brakes on all the excitement. It’s definitely worth a watch, but I wouldn’t go in with super high expectations. Let me know your thoughts if you've seen it! I watch a lot of movies and write about them. If you want to read more, you can check out my dumbass blog at.
What a wonderfully done movie and the cast as well. I just can't believe a talent like her only did four movies for Hollywood, thank you very much for sharing. Young Angela Lansbury. That man would not be able to keep up with that trolley who they goofin.

Ingrid Bergman had such a luminous beauty, a beauty that isn't seen in today's actresses. Why aren't politics and pretty much any argument or debate done in epic song and dance numbers? They would be so much more interesting. A community devoted to the discussion and appreciation of classic cinema and its many subcategories including silent film, pre codes, film noir, and westerns. For the purposes of this sub, we define this era as ending in the early to mid 1960s, when the studio system collapsed. So please keep this in mind when posting and try to remain on topic. Except she was like 23 when this was filmed.

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