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No. | ½ñ̾ | Ãø¼Ô |
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1 | ¡ØPossessão e Procissão: Religiosidade Popular no Brazil¡Ù | organizaçao, Hirochika Nakamaki, Américo Pellegrini Filho |
2 | ¡ØFive Hundred Buddhist Deities¡Ù | compiled by Musashi Tachikawa, Masahide Mori, Shinobu Yamaguch |
3 | ¡Ø¥È¥ë¥°¡¼¥È¡¦¥â¥ó¥´¥ë: ¥Û¥Ü¥¯¥µ¥¤¥ëÃϰè¤Î½¸ÃĤòÃæ¿´¤Ë¡Ù | Galina Zoubko |
4 | ¡ØDictionnaire peul-francais¡Ù | editado por Hiroyasu Tomoeda y Luis Millones |
5 | ¡ØLa Tradicion Andina en Tiempos Modernos¡Ù | ÀÐÌÓľƻÊÔ |
6 | ¡Ø¹ñΩ̱²³ØÇîʪ´Û¢: ¼ÄÅÄÅý»ñÎÁÌÜÏ¿¡¡Êä°ä¡Ù | Í̳¤±Ñ |
7 | ¡Ø¡Ö¶â½ñ¡×¸¦µæ¤Ø¤Î½øÀâ¡Ù | ¼þãÀ¸, ÄÍÅÄÀ¿Ç·ÊÔ |
8 | ¡ØÃæ¹ñ¤Ë¤ª¤±¤ë½ô̱²¤Îʸ²½ÊÑÍÆ¤È̱²´Ö´Ø·¸¤ÎưÂÖ¡Ù | editado por Luis Millones, Hiroyasu Tomoeda, Tatsuhiro Fujii |
9 | ¡ØHistoria, religion y ritual de los pueblos ayacuchanos¡Ù | Àп¹½¨»°, ÎÓ·®ÃËÊÔ |
10 | ¡Ø¥¸¥ç¡¼¥¸¡¦¥Ö¥é¥¦¥ó¡¦¥³¥ì¥¯¥·¥ç¥ó¤Î¸¦µæ¡Ù | L. Qurc̆aba¦Ãatur Solong¦Ãod |
11 | ¡Ø¥Á¥ó¥®¥¹¡¦¥Ï¡¼¥óº×ã«: ¨¡ ¥ª¥ë¥É¥¹¡¦¥â¥ó¥´¥ë¤Î¼çºÅ¤¹¤ë·³¿À¥¹¥¥¥ë¥Ç¤ÈȬɴµÜ¤Îº×㫵·Îé ¨¡¡Ù | edited by Tenzin Namdak, Yasuhiko Nagano, Musashi Tachikawa |
12 | ¡ØMandalas of the Bon Religion: Bon Studies 1¡Ù | Pamela J. Stewart and Andrew Strathern |
13 | ¡ØSpeaking for Life and Death: Warfare and Compensation among the Duna of Papua New Guinea¡Ù | Ä«ÁÒÉÒÉ×ÊÔ |
14 | ¡ØÆüËܤˤª¤±¤ë´Ú¹ñʸ²½¤Îɽ¾Ý¡Ù | edited by Samten G. Karmay, Yasuhiko Nagano |
15 | ¡ØNew Horizons in Bon Studies: Bon Studies 2¡Ù | ü¿®¹ÔÊÔ |
16 | ¡Ø¿·¤·¤¤Å¸¼¨µ»Ë¡¤Î³«È¯¤È»Ò¤É¤â¤ÈÇîʪ´Û¤Î¥³¥ß¥å¥Ë¥±¡¼¥·¥ç¥ó¤Ë´Ø¤¹¤ë¸¦µæ¡Ù | Udo B. Barkmann |
17 | ¡ØLANDNUTZUNG UND HISTORISCHE RAHMENBEDINGUNGEN IN DER AUSSEREN MONGOLEI / MONGOLISCHEN VOLKSREPUBLIK (1691-¡Ù | editado por Luis Millones, Hiroyasu Tomoeda, Tatsuhiko Fujii |
18 | ¡ØDesde afuera y desde adentro: Ensayos de etnografia e historia del Cuzco y Apurimac¡Ù | edited by Yasuhiko Nagano, Randy J. LaPolla |
19 | ¡ØNew Research on Zhangzhung and Related Himalayan Languages: Bon Studies 3¡Ù | ²£»³×¢»ÒÊÔ |
20 | ¡ØÃæ¹ñ¤Ë¤ª¤±¤ë̱²ʸ²½¤ÎưÂ֤ȹñ²È¤ò¤á¤°¤ë¿ÍÎà³ØÅª¸¦µæ¡Ù | Àп¹½¨»°, À¾»³ÆÁÌÀÊÔ |
21 | ¡Ø¥Ø¥ê¥Æ¡¼¥¸¡¦¥Ä¡¼¥ê¥º¥à¤ÎÁí¹çŪ¸¦µæ¡Ù | edited by Yoshitaka Terada |
22 | ¡ØTranscending Boundaries : Asian Musics in North America¡Ù | Àп¹½¨»°, ¿¿Èľ¼É×ÊÔ |
23 | ¡Ø¥¨¥³¥Ä¡¼¥ê¥º¥à¤ÎÁí¹çŪ¸¦µæ¡Ù | edited by Samten G. Karmay, Yasuhiko Nagano |
24 | ¡ØA Catalogue of the New Collection of Bonpo Katen Texts: Bon Studies 4¡Ù | edited by Samten G. Karmay, Yasuhiko Nagano |
25 | ¡ØA Catalogue of the New Collection of Bonpo Katen Texts ¨¡ Indices: Bon Studies 5 ¡ÚSER 24¤È25¤ÎPDF¥Õ¥¡¥¤¥ë¡Ù | ÃæËÒ¹°°ôÊÔ |
26 | ¡ØÆüÊÆ¶¦ºÅ¤ÎŸ¼¨¤Ë¤ª¤±¤ë³Ø½¬¥×¥í¥°¥é¥à¤È¥Ü¥é¥ó¥Æ¥£¥¢³èư¡Ù | Paul Kazuhisa Eguchi |
27 | ¡ØNdaa Biy Marva'en The Narrative of a Giziga Pastor¡Ù | edited by Shigeharu Sugita et al. |
28 | ¡ØGlobal Digital Museum (GDM) for Museum Education on the Internet¡Ù | Sam-Ang Sam |
29 | ¡ØMusical Instruments of Cambodia¡Ù | »§¿Î³ÊÆüðÕ, ¾®Ä¹Ã«Íµª |
30 | ¡ØÀij¤¾Ê¥â¥ó¥´¥ë²̱¯ʸ²½¤Ë¤ª¤±¤ë»ñÎÁ¤È¤½¤Î²ò¼á: ¥Ê¥¹¥È¥Ë¡¼¡¦¥¸¥ë¡¦¥¢¥ë¥Û¡¼¥é¥Ï¡¦¥Ð¥ä¥ë¤ò»öÎã¤Ë¡Ù | ¿ùËÜÎÉÃËÊÔ |
31 | ¡ØÊ¡²»¤ÈʸÌÀ²½¤Î¿ÍÎà³ØÅª¸¦µæ¡Ù | [edited by] Samten G. Karmay, Yasuhiko Nagano |
32 | ¡ØThe Call of the Blue Cuckoo: An Anthology of Nine Bonpo Texts on Myths and Rituals: Bon Studies 6¡Ù | º´¡¹ÌÚ»ËϺÊÔ |
33 | ¡ØÀè»Ë¼íÎĺν¸Ê¸²½¸¦µæ¤Î¿·¤·¤¤»ëÌî¡Ù | º´¡¹ÌÚ»ËϺÊÔ |
34 | ¡Ø³«¤«¤ì¤¿·Ï¤È¤·¤Æ¤Î¼íÎĺν¸¼Ò²ñ¡Ù | Â翹¹¯¹¨ÊÔ |
35 | ¡Ø¥Þ¥ë¥Á¥á¥Ç¥£¥¢¤Ë¤è¤ë̱²³Ø¡Ù | ±àÅÄľ»ÒÊÔ |
36 | ¡Ø¹çÀ®ÁǺà¤ÈÇîʪ´Û»ñÎÁ¡Ù | Àп¹½¨»°, °ÂÊ¡·ÃÈþ»ÒÊÔ |
37 | ¡Ø´Ñ¸÷¤È¥¸¥§¥ó¥À¡¼¡Ù | edited by Samten G. Karmay et al. |
38 | ¡ØA Survey of Bonpo Monasteries and Temples in Tibet and the Himalaya: Bon Studies 7¡Ù | ºê»³ÍýÊÔ |
39 | ¡Ø¾ÃÌÇ¤Î´íµ¡¤ËÉΤ·¤¿¸À¸ì¤Î¸¦µæ¤Î¸½¾õ¤È²ÝÂê¡Ù | edited by Dan Martin et al. |
40 | ¡ØA Catalogue of the Bon Kanjur: Bon Studies 8¡Ù | ¾®Ä¹Ã«ÍµªÊÔ |
41 | ¡Ø¥â¥ó¥´¥ë¹ñ¤Ë¤ª¤±¤ë20À¤µª: ¼Ò²ñ¼çµÁ¤òÀ¸¤¤¿¿Í¤Ó¤È¤Î¾Ú¸À¡Ù | §Ù§à§ç§Ú§à§Ø §ï§Þ§ç§ï§ä§Ô§ï§ã§ï§ß §ª. §§ç§Ñ§Ô§Ó§Ñ§ãү§â§ï§ß |
42 | ¡ØThe Twentieth Century in Mongolia: Interviews About the Way to Socialism¡Ù | editado por Luis Millones, Hiroyasu Tomoeda, Tatsuhiko Fujii |
43 | ¡ØTradición popular: Arte y religión de los pueblos del norte del Perú¡Ù | Ä«ÁÒÉÒÉ×, Îӻ˼ù, ¶â¹áÍèÊÔ |
44 | ¡Ø2002ǯ¥½¥¦¥ë¥¹¥¿¥¤¥ë ¨¡ ¸¦µæ¤ÈŸ¼¨¤Îɾ²Á ¨¡¡Ù | ¹¾¸ý°ìµ× |
45 | ¡ØËÌÉô¥«¥á¥ë¡¼¥ó¡¦¥Õ¥ë¥Ù²¤Î̱´ÖÀâÏÃ: ¥¢¡¼¥À¥Þ¡¼¥ïÃÏÊý¤È¥Ù¥Ì¥¨ÃÏÊý¤ÎÏá٠| ´ß¾å¿·¼ÊÔ |
46 | ¡Ø³¤Íλñ¸»¤ÎÍøÍѤȴÉÍý¤Ë´Ø¤¹¤ë¿ÍÎà³ØÅª¸¦µæ¡Ù | Robert Garfias |
47 | ¡ØMusic: the Cultural Context¡Ù | Takashi Irimoto |
48 | ¡ØThe Eternal Cycle: Ecology, Worldview and Ritual of Reindeer Herders of Northern Kamchatka¡Ù | edited by Peter J. Matthews, Jun Akamine |
49 | ¡ØResearch Writing in Japan: Cultural, Personal and Practical Perspectives¡Ù | ²£»³×¢»ÒÊÔ |
50 | ¡Ø¾¯¿ô̱²¤Îʸ²½¤È¼Ò²ñ¤ÎưÂÖ: ¨¡Å쥢¥¸¥¢¤«¤é¤Î»ëÅÀ¨¡¡Ù | À¾»³ÆÁÌÀÊÔ |
51 | ¡ØÊ¸²½°ä»º¥Þ¥Í¥¸¥á¥ó¥È¤È¥Ä¡¼¥ê¥º¥à¤Î¸½¾õ¤È²ÝÂê¡Ù | §¹§å§ß§Ö§â §®. §´§Ñ§Ü§ã§Ñ§Þ§Ú ; §â§Ö§Õ§Ñ§Ü§ä§à§â §á§â§à§Ö§Ü§ä§Ñ §³§Ú§â§à §³§Ñ§ã§Ñ§Ü§Ú |
52 | ¡Ø§¬§å§Ý§î§ä§å§â§ß§à§Ö §ß§Ñ§ã§Ý§Ö§Õ§Ú§Ö §ß§Ú§Ó§ç§à§Ó¡Ù | ±àÅÄľ»Ò, ¹ñΩ̱²³ØÇîʪ´ÛÊÔ |
53 | ¡Ø¹ñΩ̱²³ØÇîʪ´Û¹ñºÝ¥·¥ó¥Ý¥¸¥¦¥à: ¡Ö»æ¤Î¼ãÊÖ¤ê¤ò¹Í¤¨¤ë¡×¡Ù | edited by Yukiya Kawaguchi, Kenji Yoshida |
54 | ¡ØSYMPOSIUM AFRICA 2001: Representing African Art and Cultures¡Ù | ´ØÍºÆó, ÌÚ¼½¨ÍºÊÔ |
55 | ¡ØÆ£°æÎ¶É§¶µ¼øÂà´±µÇ°¥·¥ó¥Ý¥¸¥¦¥àÊó¹ð½ñ: ¡ÖÎò»Ë¤Î»³Ì®¨¡ÆüËܿͤˤè¤ë¥¢¥ó¥Ç¥¹¸¦µæ¤Î²ó¸Ü¤ÈŸ˾¨¡¡×¡Ù | ¿¹ÌгÙͺÊÔ |
56 | ¡Ø¹ñΩ̱²³ØÇîʪ´Û¤ò³èÍѤ·¤¿°Ûʸ²½Íý²ò¶µ°é¤Î¥×¥í¥°¥é¥à³«È¯¡Ù | Samten G. Karmay |
57 | ¡ØFeast of the Morning Light (Bon Studies 9)¡Ù | ÏÂÅÄÀµÊ¿, ¹¾¸ý°ìµ× ; ¿Í´Öʸ²½¸¦µæµ¡¹½¹ñΩ̱²³ØÇîʪ´ÛÊÔ½¸ |
58 | ¡Ø¥¬¡¼¥ÊÅìÉô½£¡¢¥¹¥Õ¥à¡¦¥Ç¥£¥¹¥È¥ê¥¯¥È¤Ë¤ª¤±¤ë°åÎŤȿ©À¸³è¤Ë´Ø¤¹¤ë¼ÂÂÖÄ´ººÊó¹ð¡Ù | ÀÐÀîÜÆµÈ ; ¿Í´Öʸ²½¸¦µæµ¡¹½¹ñΩ̱²³ØÇîʪ´ÛÊÔ½¸ |
59 | ¡Ø¥¯¥Ã¥¯»þÂå¤Î¥Ý¥ê¥Í¥·¥¢¨¡Ì±Â²³ØÅª¸¦µæ¨¡¡Ù | edited by Tenpa Yungdrung et al. |
60 | ¡ØBonpo Thangkas from Khyungpo: Bon Studies 10¡Ù | À¾»³ÆÁÌÀÊÔ |
61 | ¡ØÊ¸²½°ä»º¥Þ¥Í¥¸¥á¥ó¥È¤È¥Ä¡¼¥ê¥º¥à¤Î»ý³²Äǽ¤Ê´Ø·¸¹½Ãۤ˴ؤ¹¤ë¸¦µæ¡Ù | ¿ùËÜÎÉÃËÊÔ |
62 | ¡Ø¥¥ê¥¹¥È¶µ¤ÈʸÌÀ²½¤Î¿ÍÎà³ØÅª¸¦µæ¡Ù | ÄÍÅÄÀ¿Ç·ÊÔ |
63 | ¡ØÃæ¹ñ¡¦ÅìÆî¥¢¥¸¥¢ÂçΦÉô¤Î¹ñ¶Ãϰè¤Ë¤ª¤±¤ë½ô̱²ʸ²½¤ÎưÂÖ¡Ù | ¾±»ÊÇî»Ë, ¶âÈþÁ±ÊÔ |
64 | ¡ØÂ¿Ì±Â²ÆüËܤΤߤ»¤«¤¿ ¡½ÆÃÊÌŸ¡Ö¿¤ß¤ó¤¾¤¯¥Ë¥Û¥ó¡×¤ò¤á¤°¤Ã¤Æ¡Ù | edited by Yoshitaka Terada |
65 | ¡ØAuthenticity and Cultural Identity¡Ý Performing Arts in Southeast Asia¡Ù | §¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß |
66 | ¡Ø§´§â§å§Õ§í §° §®§°§¯§¤§°§§ª§ª §ª §Õ§Ý§ñ §®§°§¯§¤§°§§ª§ª §´§à§Þ 1¡Ù | §¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß |
67 | ¡Ø§´§â§å§Õ§í §° §®§°§¯§¤§°§§ª§ª §ª §Õ§Ý§ñ §®§°§¯§¤§°§§ª§ª §´§à§Þ 2¡Ù | ²£Àî¸ø»Ò, ºû¸¶Î¼ÆóÊÔ |
68 | ¡Ø¥â¥Î¤Ë¸«¤ëÀ¸³èʸ²½¤È¤½¤Î»þÂå¤Ë´Ø¤¹¤ë¸¦µæ: ¡½¹ñΩ̱²³ØÇîʪ´Û½ê¢¤ÎÂ缤·¤²¥³¥ì¥¯¥·¥ç¥ó¤òÄ̤·¤Æ¡½¡Ù | ²£Àî¸ø»Ò, ºû¸¶Î¼ÆóÊÔ |
69 | ¡Ø¥°¥í¡¼¥Ð¥ë²½¤È´Ú¹ñ¼Ò²ñ¡½¤½¤ÎÆâ¤È³°¡Ù | Ä«ÁÒÉÒÉ×, ²¬ÅĹÀ¼ùÊÔ |
70 | ¡Ø¥Ù¥È¥Ê¥à¤Î¹õ¥¿¥¤¼óÎΰ첤ηÏÉèʸ½ñ¡Ù | ³ß±Ê¿¿º´É×, ¥«¥à¡¦¥Á¥ç¥ó |
71 | ¡Ø¥â¥ó¥´¥ë¹ñ¤Ë¤ª¤±¤ë20À¤µª¡Ê2¡Ë: ¼Ò²ñ¼çµÁ¤òÆ®¤Ã¤¿¿Í¤Ó¤È¤Î¾Ú¸À¡Ù | ¾®Ä¹Ã«ÍµªÊÔ |
72 | ¡Ø£Ø£Ø §Ù§å§å§ß§í §®§à§ß§Ô§à§Ý§é§å§å§Õ (2)¡Ù | §â§Ö§Õ§Ñ§Ü§ä§à§â §ª. §§ç§Ñ§Ô§Ó§Ñ§ãү§â§ï§ß, §¬§à§ß§Ñ§Ô§Ñ§ñ §À§Ü§Ú |
73 | ¡Ø¹ñΩ̱²³ØÇîʪ´Û¸¦µæ¥Õ¥©¡¼¥é¥à: 2004ǯ¥¤¥ó¥ÉÍÎÃÏ¿ÌÄÅÇȺҳ²: ÈïºÒÃϤθ½¾õ¤ÈÉü¶½¤Ø¤Î²ÝÂê¡Ù | ÎÓ·®ÃËÊÔ |
74 | ¡Ø§´§â§å§Õ§í §à §®§à§ß§Ô§à§Ý§Ú§Ú §Ú §Õ§Ý§ñ §®§à§ß§Ô§à§Ý§Ú§Ú §´§à§Þ 3 (§é§Ñ§ã§ä§î 1)¡Ù | §¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß |
75 | ¡Ø§´§â§å§Õ§í §à §®§à§ß§Ô§à§Ý§Ú§Ú §Ú §Õ§Ý§ñ §®§à§ß§Ô§à§Ý§Ú§Ú §´§à§Þ 3 (§é§Ñ§ã§ä§î 2)¡Ù | §¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß |
76 | ¡ØA Lexicon of Zhangzhung and Bonpo Terms: Bon Studies 11¡Ù | compiled by Pasar Tsultrim Tenzin et al. |
77 | ¡ØTransnational Migration in East Asia¡ÝJapan in a Comparative Focus¡Ù | edited by Shinji Yamashita et al. |
78 | ¡Ø¥Ý¥¹¥È¼Ò²ñ¼çµÁ¿ÍÎà³Ø¤Î¼ÍÄø¤ÈÌò³ä¡Ù | ¹âÁÒ¹À¼ù, º´¡¹ÌÚ»ËϺÊÔ |
79 | ¡ØA Lexicon of the rGyalrong bTsanlha Dialect: ¡ÝrGyalrong-Chinese-Tibetan-English¡Ù | bTsan lha Ngag dbang Tshul khrims |
80 | ¡Ø¥¹¥È¥ê¡¼¥È¤Î¿ÍÎà³Ø: ¾å´¬¡Ù | ´Øº¬¹¯ÀµÊÔ |
81 | ¡Ø¥¹¥È¥ê¡¼¥È¤Î¿ÍÎà³Ø: ²¼´¬¡Ù | ´Øº¬¹¯ÀµÊÔ |
82 | ¡ØÅÏòí¡Ê¥ï¥¿¥ê¥¬¥é¥¹¡Ë¤Î¥¢¡¼¥Á¡Ê1903-2002¡Ë: ¥¸¥§¥µ¥Ã¥×ËÌÂÀÊ¿ÍÎÄ´ºº¤òÄɻ¾Ú¤¹¤ë¡Ù | ëËܰìÇ·, °æ¾å¹É°ìÊÔ |
83 | ¡Ø°Ü̱¤È¤È¤â¤ËÊѤï¤ëÃϰè¤È¹ñ²È¡Ù | ¾±»ÊÇî»ËÊÔ |
84 | ¡Ø¥É¥á¥¹¥Æ¥£¥±¡¼¥·¥ç¥ó ¡½¤½¤Î̱²À¸Êª³ØÅª¸¦µæ¡½¡Ù | »³ËܵªÉ×ÊÔ |
85 | ¡Ø·ò¹¯¡¦°åÎÅ¡¦¿ÈÂΡ¦À¸¿£¤Ë´Ø¤¹¤ë°åÎÅ¿ÍÎà³Ø¤Î±þÍѳØÅª¸¦µæ¡Ù | ÇÈÊ¿·ÃÈþ»ÒÊÔ |
86 | ¡ØÇßܪÃéÉ×ÃøºîÌÜÏ¿¡Ê1934-2008¡Ë¡Ù | ÇßܪÃéÉ×, µÚÀʸ, ¾¾¸¶Àµµ£ÊÔ |
87 | ¡ØPalauan Children under Japanese Rule: Their Oral Histories¡Ù | Maki Mita |
88 | ¡Ø§¡§ß§ß§à§ä¡¥ §Ü§Ñ§ä§Ñ§Ý§à§Ô §Ñ§â§ç§Ú§Ó§ß§í§ç §Þ§Ñ§ä§Ö§â§Ú§Ñ§Ý§à§Ó §á§à §Ò§å§â§ñ§ä§ã§Ü§à§Þ§å §ê§Ñ§Þ§Ñ§ß§Ú§Ù¡Ù | §Ñ§Ó§ä§à§â-§ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§î, §°§Ý§î§Ô§Ñ §¡. §º§Ñ§Ô§Ý§Ñ§ß§à§Ó§Ñ ; §â§Ö§Õ§Ñ§Ü§ä§à§â, §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ |
89 | ¡ØÅÚÊýµ×¸ùÆüµ I¡Ù | ÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ |
90 | ¡Ø¿ÍÎà³ØÅªÈæ³ÓºÆ¹Í¡Ù | ½Ð¸ýðý, »°ÈøÌÊÔ |
91 | ¡Ø§°§¥§ª§¯ §¯§¡§²§°§¥ : §´§²§ª §³§µ§¥§¾§¢§½¡Ù | §®.§£. §®§à§ß§Ô§å§ê |
92 | ¡Ø§´§µ§£§¡ §£§¦§¬ §³§±§µ§³§´§Á §±§°§³§§¦ §¬§Ñ§â§â§å§ä§Ö§â§ã§Ñ §Ú §®§Ö§ß§ç§Ö§ß-§·§Ö§Ý§î§æ§Ö§ß§Ñ¡Ù | §®.§£. §®§à§ß§Ô§å§ê |
93 | ¡ØUne version rgyalrong de l¡Çépopée de Gesar Gyarong Studies 1¡Ù | Guillaume Jacques, Chen Zhen ; edited by Yasuhiko Nagano |
94 | ¡ØÅÚÊýµ×¸ùÆüµ¶¡Ù | ÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ |
95 | ¡ØBonpo Thangkas from Rebkong (Bon Studies 13)¡Ù | edited by Bon brgya dge legs lhun grub rgya mtsho et al. |
96 | ¡ØSocialist Devotees and Dissenters: Three Twentieth-Century Mongolian Leaders¡Ù | interviews conducted by Yuki Konagaya and I. Lkhagvasuren ; translated by Mary Rossabi ; edited and compiled by Morris Rossabi |
97 | ¡Ø³¤ÍδĶÊÝÁ´¤Î¿ÍÎà³Ø¡½±è´ß¿å°èÍøÍѤȹñºÝ¼Ò²ñ¡Ù | ¾¾ËÜÇîÇ·ÊÔ |
98 | ¡Ø§´Ө§£§¥-§®§°§¯§¤§°§ §ª§· §´§°§§¾ §¢§ª§¹§ª§¤¡Ù | edited by Urianhai L. Terbish, Urianhai T. Chuluun-Erdene |
99 | ¡ØResearch Notes on the Zhangzhung Language by Frederick W. Thomas at the British Library (Bon Studies 14) (¡Ù | edited by Tsuguhito Takeuchi, Burkhard Quessel, Yasuhiko Nagano |
100 | ¡ØÅÚÊýµ×¸ùÆüµ·¡Ù | ÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ |
101 | ¡ØAltai Uriankhains Historical and Ethnographical Investigation Late XIX - Early XX centuries¡Ù | Ichinkhorloo Lkhagvasuren |
102 | ¡Ø¡Ö¾ã³²¤Î¤Ê¤¤¼Ò²ñ¡×¤Ë¤à¤±¤Æ ¡½ ¥¦¥§¥ë¥Ó¡¼¥¤¥ó¥°¤Ø¤ÎÌ䤤¤È¥Î¡¼¥Þ¥é¥¤¥¼¡¼¥·¥ç¥ó¤Î¼ÂÁ© ¡½¡Ù | ÎëÌÚ¼·ÈþÊÔ |
103 | ¡Ø¥Þ¥À¥¬¥¹¥«¥ëÃϰèʸ²½¤ÎưÂÖ¡Ù | ÈÓÅÄÂîÊÔ |
104 | ¡ØÅ쥢¥¸¥¢¤Î̱²¥¤¥á¡¼¥¸ ¡½ Á°¶áÂå¤Ë¤ª¤±¤ëǧ¼±¤ÈÁê¸ßºîÍÑ¡½¡Ù | ÌîÎÓ¸ü»ÖÊÔ |
105 | ¡ØBuddhist Fire Ritual in Japan¡Ù | Madhavi Kolhatkar, Musashi Tachikawa |
106 | ¡Ø¾ðÊó²½»þÂå¤Î¥í¡¼¥«¥ë¡¦¥³¥ß¥å¥Ë¥Æ¥£ ¡½ICT¤ò³èÍѤ·¤¿Ãϰè¥Í¥Ã¥È¥ï¡¼¥¯¤Î¹½ÃÛ¡Ù | ¿ùËÜÀ±»ÒÊÔ |
107 | ¡ØA Herder, a Trader, and a Lawyer: Three Twentieth-Century Mongolian Leaders¡Ù | interviews conducted by Yuki Konagaya and I. Lkhagvasuren ; translated by Mary Rossabi ; edited and introduced by Morris Rossabi |
108 | ¡ØÅÚÊýµ×¸ùÆüµ¡¡¸¡Ù | ÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ |
109 | ¡ØÀ¾ÆîÃæ¹ñ¾¯¿ô̱²¤Î ʸ²½»ñ¸»¤Î¡È¤¤¤Þ¡É¡Ù | ÄÍÅÄÀ¿Ç·ÊÔ |
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121 | ¡ØMongolia's transition from socialism to capitalism : four views ¡Ù | Morris Rossabi(ed.) |
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129 | ¡ØInternational Workshop on Asian Museums and Museology in Thailand : Asian museums and museology 2014¡Ù | Naoko Sonoda(eds.) |
130 | ¡ØÇßܪÃéÉ×¤ÎÆâ¥â¥ó¥´¥ëÄ´ºº¤ò¸¡¾Ú¤¹¤ë ¡Ù | Õ±¿Î³ÊÆüðÕÊÔ |
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133 | ¡ØAn audiovisual exploration of Philippine music : the historical contribution of Robert Garfias ¡Ù | Terada Yoshitaka(ed.) |
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