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genres - Comedy. writer - Michelangelo Antonioni, Tullio Pinelli. Runtime - 83Minutes. Federico Fellini. Country - Italy. &ref(https://m.media-amazon.com/images/M/MV5BMzNhYzQzNTctZWFmMy00MWQ3LTg4YmUtMjU2NjY4NTNmZjM4XkEyXkFqcGdeQXVyNTA1NjYyMDk@._V1_UY113_CR0,0,76,113_AL_.jpg) No Streaming Options Available Most recommended streaming services Your favorites, all in one place. Disney + Pixar + Marvel + Star Wars + Nat Geo Stream exclusive Disney+ Originals Stream now or download and go watch 7 days free Get unlimited access to the largest streaming library with limited ads Watch on your favorite devices Switch plans or chanel anytime watch now Primetime + late-night hits Exclusive original series Stream Live TV 24/7 Anytime, Anywhere, Across Devices watch free for 7 days Synopsis The White Sheik (Italian: Lo sceicco bianco) is a 1952 Italian romantic comedy film directed by Federico Fellini and starring Alberto Sordi, Leopoldo Trieste, Brunella Bovo and Giulietta Masina. Written by Fellini, Tullio Pinelli, Ennio Flaiano and Michelangelo Antonioni, the film is about a man who brings his new bride to Rome for their honeymoon, to gain an audience with the Pope, and to present his wife to his family. When the young woman sneaks away to find the hero of her romance novels, the man is forced to spend hour after painful hour making excuses to his eager family who want to meet his missing bride. The White Sheik was filmed on location in Fregene, Rome, Spoleto and Vatican City. Cast & Crew Director: Federico Fellini Writer: Michelangelo Antonioni, Federico Fellini, Ennio Flaiano Similar films You've Got Mail 14, G, PG, ATP, A, 6, S, B 1998 Comedy.
In The White Sheik (1952) Federico Fellini's first directorial effort (he co-directed Variety Lights with Alberto Lattuada the previous year) he drew upon his experiences as a journalist and script writer to tell a bittersweet story about a provincial newlywed couple vacationing in Rome for their honeymoon. Wanda, the young bride, is a naive romantic, prone to impulsive behavior and passionate fantasies. She is also an avid fan of fotoromanzi (a comic book with photo captions instead of cartoon drawings) and is secretly infatuated with "The White Sheik. the hero of her favorite series. Her husband Ivan is her complete opposite: conservative, unspontaneous and overly concerned about social respectability. Shortly after their arrival in Rome, the couple is soon parted, with the bride heading off to the publishing office of Blue Romance to meet her idol while her husband frantically scours the city for her. Like many of his subsequent films, The White Sheik explores a subject which would become a recurring motif in Fellini's movies - the clash between illusion and reality. In the course of their misadventures in Rome, both the husband and his new bride see their hopes and dreams dashed: Ivan is forced to face his own unrealistic expectations of marriage while Wanda finally sees her "White Sheik" exposed for what he really is - a petty and unglamorous third-rate actor. By the film's end, the couple is reconciled with a more realistic view of their martial responsibilities yet Fellini's final scene is ironic, suggesting that both characters are still clinging to their foolish illusions. Producer Carlo Ponti initially proposed The White Sheik as a project for Michelangelo Antonioni who had previously made an acclaimed documentary about the fotoromanzi entitled L'amorosa menzogna (The Loving Lie, 1949. Fellini and Tullio Pinelli were hired to write the screenplay but their initial script didn't please Antonioni and eventually the project was passed on to another producer, Luigi Rovere, who encouraged Fellini to direct it himself. The first obstacles Fellini had to overcome were his casting choices. Alberto Sordi was not popular with Italian moviegoers at the time yet the director insisted that he was perfect for "The White Sheik. Although Peppino De Filippo, his original choice for the part of Ivan, was rejected, Fellini's second choice, Leopoldo Trieste, was approved. Trieste was a well-known writer, not a professional actor, but the director decided to cast him after they met at a screening room at Cinecitta Studios. Brunella Bovo, who was a young and relatively unknown actress, won the role of Wanda and Fellini cast his wife, Giulietta Masina, in a small part, playing a prostitute called Cabiria. The director would later build an entire film around this character - Nights of Cabiria - which won his wife international acclaim and garnered the film an Oscar for Best Foreign Language Film of 1957. Even though Fellini had co-directed a feature the previous year, he was extremely nervous on his first day of shooting The White Sheik. According to Peter Bondanella in The Films of Federico Fellini: A flat tire delayed his arrival on the set but gave the young man the opportunity to pray for guidance at a roadside church. Unfortunately, in the church Fellini saw a catafalque he understandably interpreted as a bad omen. He spent the entire first day on his set walking around on the beach in the sun, pretending to his crew and producer that he was deep in thought, while actually trying to imagine how the directors for whom he had written scripts would have resolved the scene's technical complexities: Rossellini, the inimitable, the unpredictable, came to mind almost exclusively. How would Roberto have done it. " Luckily, Fellini took control of the situation on the second day, improvising a scene in which Wanda is taken out to sea by "The White Sheik" on his "pirate boat. From that point on, his judgment never faltered and he began to develop some of the techniques which would become the hallmarks of his style: the use of music (by Nino Rota) to establish the emotional state of his characters, ironic juxtapositions of images, and satiric humor (when Wanda attempts to drown herself by jumping into the Tiber River, she only succeeds in getting stuck in the ankle-deep mud. When The White Sheik finally premiered at the Venice Film Festival, the audience responded favorably but the Italian critics dismissed it as a failure since it didn't cater to their political agendas (for one thing, the movie didn't comply with previous neorealism standards set by Rossellini's films. In Fellini: A Life by Hollis Alpert, the director was quoted as saying, Perhaps it was ahead of its time. It's an ironic story, and Italians don't like irony - sarcasm and buffoonery, but not irony. Even more unfortunate, The White Sheik was poorly distributed by a small company that went bankrupt, preventing American audiences from seeing the film for many years. Now it is seen by some critics like John Simon as "an early masterpiece" from the director but more importantly this film marked the beginning of Fellini's creative collaborations with a core group of talented people - the cinematographer Otello Martelli, composer Nino Rota, the writers Tullio Pinelli and Ennio Flaiano, and his actress wife, Giulietta Masina. In 1977, actor Gene Wilder directed and starred in a loose remake of The White Sheik entitled The World's Greatest Lover but it was only a pale imitation of the original. Producer: Luigi Rovere Director: Federico Fellini Screenplay: Michelangelo Antonioni, Federico Fellini, Ennio Flaiano, Tullio Pinelli Art Direction: Raffaello Tolfo Cinematography: Arturo Gallea Film Editing: Rolando Bebedetti Original Music: Nino Rota Principal Cast: Brunella Bovo (Wanda Cavalli) Leopoldo Trieste (Ivan Cavalli) Alberto Sordi (Fernando Rivoli) Giulietta Masina (Cabiria) Lilia Landi (Felga) Ernesto Almirante (Director) Fanny Marchio (Marilena Vellardi. BW-84m. by Jeff Stafford VIEW TCMDb ENTRY.
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I recently viewed this movie and was left in awe at the sheer awfulness that this film portrayed. You would actually have to compliment the writers for making such a disgusting film, because to my knowledge no being who had any semblence of dignity could be capable of making such a horrible movie. Translations from the attempt at italian in this movie were terrible. In conclusion, avoid this film at all costs. One of Italys great modern directors, Federico Fellini was a larger-than-life maestro who created an inimitable cinematic style combining surreal carnival with incisive social critique. While his most popular?and accessible?film, the darkly nostalgic childhood memoir Amarcord, is a great entryway into his oeuvre, 8?, a collage of memories, dreams, and fantasies about a directors artistic crisis, is perhaps his masterpiece. In his early career, Fellini was both a screenwriter for neorealist pioneer Roberto Rossellini and a newspaper caricaturist in postwar Rome, competing influences he would bring together with startling results. After such early works as I vitelloni, Fellini broke away from neorealisms political strictures with the beloved La strada, and from there boldly explored his obsessions with the circus, societal decadence, spiritual redemption, and, most controversially, women, in such films as Nights of Cabiria, Juliet of the Spirits, and And the Ship Sails On.
The White Sheik (1952) Directed by Federico Fellini Run Time - 86 min., Countries - Italy, MPAA Rating - NR AllMovie Rating 6 User Ratings ( 0) Your Rating Overview ↓ Review Cast & Crew Releases Showtimes The White Sheik ( Lo Sceicco Bianco) Fellini 's first solo flight as director, is a gentle lampoon of the idolatry heaped upon movie stars. An impressionable young bride, Wanda ( Brunella Bovo) accompanies her husband Ivan ( Leopoldo Trieste) on a dull honeymoon, full of meetings with family members and the papal father. Bovo fantasizes over matinee idol Fernando Rivoli, AKA The White Sheik ( Alberto Sordi) the hero of a photo strip comic. She repeatedly drifts away from her husband and back, in periodic attempts to find The Sheik, ultimately repairing to the location site where Sordi 's latest film, The White Shiek, is in production. Her inevitable disillusionment with the vainglorious Sordi is intercut with her husband's comic (and desperate) attempts to explain his wife's absences at family gatherings to his disgruntled relatives. After a comically inept suicide attempt, Bovo and Trieste are reunited. Featured in the cast is Fellini 's wife Giuletta Masina as a prostitute named Cabiria, who'd be given a vehicle of her own, Nights of Cabiria, in 1955. Based on "an idea" by Michelangelo Antonioni, The White Sheik was the main inspiration for Gene Wilder's The World's Greatest Lover (1977. Characteristics Keywords husband-and-wife, marital-problems, movie-star, newlywed, stars [celebrities] suicide-attempt, film-set Attributes High Artistic Quality.
Watch Stream De witte seiki. Watch Stream De witte seiko. Are you a Yankee fan? A Madonna die-hard? Or better yet a Justin Biebers zealot? By having sports or entertainment idols we develop a perfect extension of our identity. You might say, an aspired identity full of good looks, talents and fortunes. In this parallel worlds dynamics, whatever happens to your subject of admiration in their world is immediately mirrored to your life. Since everyone associates you with a recent win of your team or artist, now youve become a winner too. And yes, the opposite is also true… Federico Fellinis first film as a director delves deeper into the implications of idolizing heroes of the Fumetti ? photo novels ? that were very popular during the 40s in Italy. The film, a clever comedy, tells the story of a newly wed couple that arrives to Rome to meet the husbands relatives. What the husband Ivan ( Leopoldo Trieste) doesnt know is that his wife, Wanda ( Brunella Bovo) a Fumetti fan had been exchanging letters with the White Sheik ( Alberto Sordi) her favorite Fumetti hero, who invites her to meet him in Rome. The hoplessly enamored Wanda ends up on a remote set location 30 km away from Rome. In essence, trashing her husbands carefully planned visit, leaving him worried-sick and in constant need of excusing her absence to his relatives. The result is a comic, yet a touchy story, in which Fellini also introduces us to Cabiria, the compassionate prostitute who consoles poor Ivan, played by Fellinis wife Giulietta Masina. Her fine performance served as the basis for her lead role in 1957 Nights of Cabiria. I especially liked the funny wide eye-popping routine that both Ivan and Wanda employ. Yet, each for two different ends. Ivan for expressing shock transformed into anger over the disappearance of his wife. And Wanda for experessing awe morphed into a dreamy look when she meets the White Sheik (Sordi) for the first time. She made it! She crossed the boundaries of her mandane reality and made it to her heros fantasy world. The film is blessed by the sensitive soundtrack of Maestro Nino Rota, Fellinis loyal collaborator throughout his film career. The circus-like music during the beach scene that serves as set location for filming the photo novel ? is strong and whimsical. This scene is important because it demonstrates the fake boundaries between reality and fantasy, when creating entertainment content. The galore of celebrities on camera is flanked by their human vulnarability munching on a sandwich during a lunch break or when The White Sheik (Sordi) is reduced to tears after fighting with his wife. The films message is clear. We all like to carry various idols ? our perfect alter-egos that may compensate for our human imperfections. But in reality, obviously no one is perfect including these idols that the media is daily selling us basking in eternal stardust. Who is your White Sheik.
The White Sheik Director: Federico Fellini Cast: Alberto Sordi, Brunella Bovo, Leopoldo Trieste, Giulietta Masina MPAA rating: Not rated Studio: Janus Films First date: 1952 US DVD Release Date: 2003-04-29 In Federico Fellini's 8 1/2 (1963) Italian film director Guido Anselmi struggles to simultaneously resolve his messy personal life and break through an artistic block that's preventing him from starting his next film. In the course of his existential search for truth and meaning in his life, Guido sifts through his childhood memories, fantasies, and dreams, which Fellini weaves into a stream-of-consciousness narrative that continually shifts between the objective or "real" world and the subjective, interior world of his protagonist's mind. In the final scene, the two worlds are joined together as Guido reconciles his inner struggle and comes to terms with both his life and his art. The fusion of the real and the imaginary is also at the center of Fellini's first and one of his most underrated films, The White Sheik (1952. In this comical, sentimental tale of an ill-fated Roman honeymoon, Fellini had evidently not yet fully realized (or perhaps was in the process of working through) the vital role the imaginary plays in our lives. Like Guido, The White Sheik 's Wanda (Brunella Bovo) has a life-changing wake-up call when she crosses the line into the imaginary. But while Guido's fantasy life helps him attain a higher power of self-awareness, it is the shattering of Wanda's romantic illusions that makes her realize how living out one's fantasies is a dangerous business. Wanda's plunge into reality begins upon her arrival in Rome with her new husband, the fastidious Ivan Cavalli (Leopold Trieste) who has their two-day trip, including the consummation of their marriage, planned down to the minute. His plan to introduce Wanda to his relatives is disrupted when the bride sneaks out to meet her idol, Fernando Rivoli (Alberto Sordi) the actor who portrays "The White Sheik. a popular fotoromanzi character. An equivalent to the modern daytime soap opera, fotoromanzis were weekly magazines featuring stories of romance and high adventure in the form of photographs laid out in a comic book style. Wanda, a hopeless romantic, lives vicariously through the magazine. As she explains to the editor, I wait all week for my issue of your magazine to arrive. That's when my real life begins. When she meets the Sheik on the set of his latest photo-romance, she assumes another persona entirely and introduces herself as "Passionate Dolly. the name she signed to her fan letters. She finally crosses the line separating reality and illusion when she accepts an invitation by Rivoli to appear in the magazine as one of his harem girls. When the Sheik shows his true colors and tries. but fails. to seduce her, Wanda is devastated and ashamed to the point of becoming suicidal. Cross-cutting between a distraught Wanda and a confused Ivan, who is frantically searching for his wife and trying to keep his cool while hiding the fact that she has disappeared from his relatives, Fellini offers a satisfying blend of pathos and comedy. It's difficult not to feel sorry for the naïve Wanda when the Sheik makes his true intentions clear, or the otherwise unemotional Ivan as he pours his heart out about his missing wife to a pair of prostitutes (one of whom, Cabiria, played by Giulietta Masina, would be the focus on Fellini's The Nights of Cabiria. At the same time, Fellini has great fun exposing the artifice of the fotoromanzi by showing how little passion, let alone creativity, on the part of the actors and the crew, goes into the magazines' production. Yet these pleasures pale next to Trieste's skillful performance as Ivan. The wide-eyed actor's transformation from a control-freak to a downtrodden man overwhelmed by the loss of his wife, while at the same time trying to hide the truth from his relatives, is masterful. Fellini's producer wanted a comic actor for the part, but the director insisted on casting Trieste, an unknown writer at the time with little acting experience, because his personality closely resembled that of the character. He does, indeed, embody the role. The Criterion DVD includes exclusive interviews with both Bruno and Trieste, who passed away this past January at the age of 85 (Sordi died in February. Trieste describes in comical detail his first meeting with Fellini and his reluctance to take on the role, such that the director ended up tailoring the character more specifically to his personality. In the film's sentimental ending, the reunited couple is seen heading, along with Ivan's relatives, toward St. Peter's for an audience with the Pope. Wanda assures her husband that she is still innocent and pure and, with tears in her eyes, tells Ivan, You're my White Sheik. Nevertheless, the doubtful look on his face leaves the audience wondering if perhaps Ivan will ever be able to fulfill the role. But perhaps it is Fellini telling us that he is uncertain about what the future might hold for Wanda and Ivan and maybe there's nothing wrong with having a little fantasy in our lives, as long as we stick close to home.
1 nomination. See more awards ?? Edit Storyline Who would have thought that only moments after arriving at Rome for their honeymoon, the young and pure bride, Wanda, would sneak out of the room, leaving her fastidious groom, Ivan, all alone? Obsessed with the masculine Fernando Rivoli- the hero of her favourite romantic photo-novel, The White Sheik- Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result- perplexed by Wanda's strange disappearance, and unable to disclose the news to his family- Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their eleven o'clock appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds? Written by Nick Riganas Plot Summary, Plot Synopsis Taglines: Incredibly Sweet and Charming Film! See more ?? Details Release Date: 25 April 1956 (USA) Also Known As: The White Sheik Box Office Cumulative Worldwide Gross: 44, 597 See more on IMDbPro ?? Company Credits Technical Specs Sound Mix: Mono, Mono (Western Electric Recording) See full technical specs ?? Did You Know? Trivia This film has a 100% rating based on 11 critic reviews on Rotten Tomatoes. See more ? Connections Referenced in Wild Man Blues ?(1997) See more ?.
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Critics Consensus No consensus yet. 100% TOMATOMETER Total Count: 14 75% Audience Score User Ratings: 2, 626 The White Sheik (Lo sceicco bianco) Ratings & Reviews Explanation The White Sheik (Lo sceicco bianco) Photos Movie Info The White Sheik (Lo Sceicco Bianco) Fellini's first solo flight as director, is a gentle lampoon of the idolatry heaped upon movie stars. An impressionable young bride, Wanda (Brunella Bovo) accompanies her husband Ivan (Leopoldo Trieste) on a dull honeymoon, full of meetings with family members and the papal father. Bovo fantasizes over matinee idol Fernando Rivoli, AKA The White Sheik (Alberto Sordi) the hero of a photo strip comic. She repeatedly drifts away from her husband and back, in periodic attempts to find The Sheik, ultimately repairing to the location site where Sordi's latest film, The White Shiek, is in production. Her inevitable disillusionment with the vainglorious Sordi is intercut with her husband's comic (and desperate) attempts to explain his wife's absences at family gatherings to his disgruntled relatives. After a comically inept suicide attempt, Bovo and Trieste are reunited. Featured in the cast is Fellini's wife Giuletta Masina as a prostitute named Cabiria, who'd be given a vehicle of her own, Nights of Cabiria, in 1955. Based on "an idea" by Michelangelo Antonioni, The White Sheik was the main inspiration for Gene Wilder's The World's Greatest Lover (1977. Rating: NR Genre: Directed By: Written By: In Theaters: Apr 25, 1952 limited On Disc/Streaming: Apr 29, 2003 Runtime: 86 minutes Studio: Producers Distributing Corporation Cast Critic Reviews for The White Sheik (Lo sceicco bianco) Audience Reviews for The White Sheik (Lo sceicco bianco) The White Sheik (Lo sceicco bianco) Quotes News & Features.
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