Ahmad Demissie

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• About The Author: China Lion Film
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User rating: 6,8 of 10 stars; Genre: Drama; Release date: 2019; runtime: 2H 12 Minute; Ling Zhang; China. 因思念很深的情感，方能詮釋~如果雲知道~輕輕擁有，毫無壓力，卻刻骨銘心. Awesome song ????. 那?候我?班的音?老?不好好按教程上?，?是要教我?通俗音?，就放了?首歌... 的确是一教就忘不了了. December 21, 2019 8:16PM PT A Chinese émigré travels New Zealand with his wife's ashes, reliving their relationship, in Feng Xiaogang's shamelessly mushy weepie. To international audiences more accustomed to the relative restraint of China’s arthouse exports, “Only Cloud Knows, ” a slab of toothcrackingly sentimental mooncake from regular national box-office conqueror Feng Xiaogang, might come as a bit of a surprise. This episodic, determinedly winsome love story, told in honeyed flashback, follows a grieving husband as he journeys to the places of significance to his beloved, dead wife across their adoptive New Zealand homeland. The locations are stunning, the actors attractive and Feng ? initially a comedy director, though he’s branched out in recent years to historical epics like “Back to 1942” and dramas like 2017’s record-breaking “Youth” ? did not get where he is without learning a thing or two about playing an audience’s responses. So while your rational mind is rebelling against its more shameless manipulations, your hands may well be scrabbling through your bag for tissues, napkins, store receipts, candy wrappers ? anything to mop up a flood of saltwater tears so deep, it’s possible a whole pod of whales (a recurring motif) lives within it. It starts with a shellshocked Sui Dongfeng, aka Simon ( Huang Xuan, from Feng’s “Youth”) moving soundlessly through his Auckland home trying to summon the ghost of his pretty wife, Yun Luo aka Jennifer ( Yang Caiyu, also from “Youth”). She does briefly appear, but after a chaste hug and a bit of tidying (misty though its view of fateful, soulmate-style love is, the film has a fairly retrograde idea of a woman’s role) and slips away again, leaving Simon bereft. And so he embarks on his very, very sentimental journey, though New Zealand’s picturesque North and South Islands, to revisit the places where they made such sweet memories, and to scatter her ashes. Although this modern-day journey is the film’s basic narrative, it is really just a framing device for a movie that, like Simon, lives in the past. And so the real tale is told in two gluttonous series of flashbacks of which, awkwardly, the first is set later in time, detailing the newlyweds moving to a small town called Clyde and opening a Chinese restaurant, while the second covers the couple’s meet-cute as young immigrants to Auckland from Beijing. These reminiscences are suspended in the amber romance of DP Zhao Xiaoding’s outrageously pretty photography, petted ceaselessly by Dong Gang’s omnipresent, emotive score, and usually cued by someone happening into a slant of golden light, assuming a faraway look and saying, “I remember the very first time I met her…” If Dong’s music spares us a harp glissando to transport us into the past, it’s almost the only trick in the old-school melodrama box it does not use. The most curious facet of “Only Cloud Knows” might just be its incuriosity. Despite an evident entrancement with the ribbons of roadways that trail through New Zealand’s rolling hills, and the cattle-dotted fields that surround the couple’s new home, there is very little here that approaches anything like commentary on the struggles or rewards of the Chinese expatriate lifestyle in New Zealand. Though we know they both grew up in Beijing, we never find out exactly why either moved away, much less why specifically to this far-flung land. In Clyde they make exactly one local friend, Melinda (Lydia Peckham), a sparky waitress with an adventurous spirit whose world travels occasionally give Jennifer a little sigh of envy. The rest of their time is spent making the restaurant a success, doing nice little things for each other and playing with their smart, scruffy, rescue dog, Blue. At this point, their oddly self-contained life is one of such picture-perfect tweeness that we’d know tragedy ? human and canine ? awaited even if the lightly portentous minor-key piano accompaniment didn’t basically skywrite that fact across the massive South Island heavens. Across this and the earlier time frame, in which Jennifer and Simon meet while both renting rooms from kindly widow Mrs Lin (Feng regular Fan Xu), the film traces their friction-free relationship with plodding fidelity. But though the story is loosely based on the real-life experience of one of Feng’s close friends and collaborators ? or maybe because of that ? it feels ethereally divorced from reality. Jennifer, despite Yang Caiyu’s best efforts and unerring ability to locate the loveliest light to gaze sadly into, is a sliver of a character, whose air of haunted melancholy, and need for “protection” are frequently mooted, but never really explained, until the film’s unsatisfying coda. That final revelation is, however, delivered by the wonderful Zhao Shuzhen, so beware that just when you might have put away the tissues for good, the grandmother from “The Farewell” is going to show up to wring a few more out of you. Schematic and manipulative as it is, as a kind of team-effort between the New Zealand Tourist Board and whatever the Chinese equivalent of Hallmark is, “Only Cloud Knows” is, in the moment, undeniably effective at jerking tears. If it does anything like the numbers that Feng’s films have done in the past, expect reports of mass dehydration. The Sundance Film Festival is fighting a battle that’s been building for several years, and what it’s fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. It’s some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of [... ] When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times?obituary. “He had far too few scruples about who [... ] After three weeks in theaters, Sony’s “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made $291 million globally to date, pushing it past previous franchise record holder, 2003’s “Bad Boys II” and its $271 million haul. The first entry, 1995’s “Bad Boys, ” [... ] World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at London’s Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p. m. [... ] “1917, ” Sam Mendes’ World War I survival thriller, dominated at the 73rd British Academy of Film and Television’s Film Awards with seven wins including best film and best director. “Joker, ” meanwhile, which went into the BAFTAs with the most nominations, 11, won three awards including best actor for Joaquin Phoenix. “Parasite” picked up two awards. ] Every summer, more than 1, 000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up. In 2017, the program attracted attention for all the wrong [... ] Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend. Studios consider Sunday’s NFL championship a dead zone at movie theaters since the Super Bowl is the most-watched TV event of the year. And 2020 proved no exception. Overall ticket sales [... ].
Feng Xiaogang’s soulful drama is set largely in New Zealand where an expat widower looks back on his life Dir: Feng Xiaogang. China. 2019. 132 mins China’s perennial box office king Feng Xiaogang may be widely associated at home with his own particular brand of scatological comedy, but there are more strings to his directorial bow. Following his last flat-out farce Personal Tailor (2013), Feng made the formally experimental social critique I Am Not Madame Bovary (2016), then the nostalgic coming-of-age drama Youth (2017), both of which travelled widely overseas, and he now tries his hand at romantic drama with Only Clouds Know. Based on a true story involving one of Fengs’s colleagues and mostly set in the tranquil New Zealand countryside, it’s an earnest, episodic tearjerker revolving around a relatable central couple. While it may not prove to be one of Feng’s biggest hits, some of which have set local admissions records, Only Cloud Knows is sure to perform well with mature domestic audiences while its idyllic vision of rural overseas life could lure a millennial crowd seeking a cinematic respite from China’s hustle and bustle. Receiving a day-and-date international release from China Lion, the film could be warmly embraced by the disaspora, particularly throughout Australasia given it is based around an Auckland-based expatriate Sui Dongfeng (Huang Xuan), first seen as he comes to terms with the recent passing of his beloved wife, Luo Yun (Yang Caiyu). Fulfilling her request that her ashes be divided and left in four places of deep personal significance, he sets off on a journey that spans New Zealand and China. The first stop is Clyde, a rural town where the couple lived for fifteen years, with the road trip prompting the first of several extended flashbacks. We learn that they had relocated from the city to open a Chinese restaurant and settled comfortably into the local community, becoming close friends with waitress Melinda (Lydia Peckham) whose enthusiastic personality ensures plenty of repeat business. Over the years, they weather their share of setbacks, with the passing of time marked by advertisements for the restaurant’s annual anniversary specials. At one point, Yun asks Dongfeng if he would ever consider living somewhere else. He seems to think they already have the perfect life, but she is quietly harboring frustrations beneath a fairly contented surface. As a take on the Chinese diaspora, Feng doesn’t shy away from some of the difficulties, and occasional prejudices, posed by overseas living but largely portrays cultural assimilation as a smooth process through the shared experiences of an appealing couple. Although less wry than the director’s usual male protagonists, Dongfeng is another practical type who sees the world as it is (“The mouth is king, if you can’t fill it, who cares what your eyes and ears want? ”) but cheerfully tries to make the best of every situation. Like previous Feng heroines, Yun wrestles with her agency, occasionally demonstrating an independent, determinist streak yet ultimately conforming to a traditional role. Huang and Yang, both of whom starred in Youth, soon establish a tender rhythm. Feng and cinematographer Zhao Xiaoding take full advantage of New Zealand’s scenic splendor, lovingly portraying small town life in bright or earthy tones, with plenty of landscape shots to accentuate the peacefulness. Within the context of mainstream crowd-pleasers, Feng has taken on the mantle of ecological crusader, emphasising the ravishing vistas of Hainan Island in If You Are the One 2 (2010) and using the coda of Personal Tailor to make a plea to save China’s natural environment before it’s too late. While his previous statements have been arguably undermined by their association with China’s booming leisure culture (protagonists were wealthy tourists or business travellers), the couple here is less well-heeled. Scenes depicting such wonders as the beauty of the Southern Lights and whale watching at Kaikoura transcend postcard territory to convey an everyday yearning for a glimpse of the extraordinary. Given that China’s romantic dramas have a propensity for outright melodrama, often through tragic twists, it’s refreshing that Zhang Ling’s screenplay is so resolutely low-key. Only Cloud Knows doesn’t exactly reinvent the wheel as the catharsis of the final act hinges on revelations, but what could have been rather mournful instead becomes a poignant celebration of life thanks to Feng’s deft handling of patently sincere material. Production companies: Alibaba Pictures, Mayla Medi, Emperor Motion Pictures, Huayi Brothers International sales: Emperor Motion Pictures, ( US distribution: China Lion) Producers: Hu Xiaofeng, Matt Noonan Screenplay: Zhang Ling Production design: Wang Kuo Editing: Zhang Qi Cinematography: Zhao Xiaoding Music: Dong Gang Main cast: Huang Xuan, Yang Caiyu, Lydia Peckham, Xu Fan, Zhang Hongjie.
直到今天再听?是被吸引住，百听不?. 歌?也??的扣住心深?. Waheguru Ji.

Cool video. Dang, so many actors I love in this movie. Also, I absolutely adore this concept :D. Wow, amazing place and great song too! This is really a great for filming. Thumbs up and happy Sunday Phillip. Please like for Amrit man. Gud one ?. Kon kon 2020 ch sun reha Hit like ??. 有太多太多回憶　哽住呼吸. Lee jin wook. what a beautiful smile. ?. 很久沒聽這首了 偶然聽到郁可唯的版本又回來回味. The amazing thing about this movie is that han hyo joo could manage to give a strong chemistry with each actors and actresses, despite the tiny screentimes they had. She's talented.

唉. 回頭看現在的歌都不知道在唱什麼. Videos Learn more More Like This Directors: Lu Liu, Shen Zhou Stars: Xun Liu, Suxi Ren, Min Tang Crime | Drama Thriller 1 2 3 4 5 6 7 8 9 10 6. 8 / 10 X Desperate measures are taken by a man who tries to save his family from the dark side of the law, after they commit an unexpected crime. Director: Sam Quah Yang Xiao, Zhuo Tan, Joan Chen Mystery Romance 6. 4 / 10 'Gone With The Light' is a 2019 Chinese sci-fi thriller, revolves around a group of people that disappear after a mysterious light falls upon the city, leaving the survivors to try and unravel the mystery. Runnian Dong Bo Huang, Luodan Wang, Zhuo Tan History An anthology film consist of 7 short stories directed by several different directors, which are based on 7 moments since the founding of People's Republic of China. Qianyuan Wang, Hao Ou Sherlock on the Plains is an absurd comedy film produced by Rao Xiaozhi and directed by Xu Lei. The film tells that a super-British house was flipped over, a friend Shuhe came to help with... See full summary ?? Lei Xu Shuhe Su, Chaoying Xu, Zhanyi Zhang 7. 5 / 10 A bullied teenage girl forms an unlikely friendship with a mysterious young man who protects her from her assailants, all while she copes with the pressures of her final examinations. Derek Tsang Dongyu Zhou, Jackson Yee, Fang Yin Adventure Comedy Zheng Xu Zheng Xu, Quan Yuan, Bing Jia 6 / 10 When the windshield of his commercial airplane shatters at 30, 000 feet in the air, a pilot and his flight crew work to ensure the safety of the passengers and land the plane. Andrew Lau Hanyu Zhang, Hao Ou, Jiang Du 6. 5 / 10 A struggling father agrees to run a scam in which he convinces a camgirl to marry him. Ao Shen Chengpeng Dong, Yan Liu, Zixian Zhang Certificate: 18+ 6. 9 / 10 A gangster on the run sacrifices everything for his family and a woman he meets while on the lam. Yi'nan Diao Ge Hu, Lun-Mei Kwei, Fan Liao 5. 9 / 10 When his space shuttle flight has an accident, an astronaut remembers the lessons his father taught him growing up. Chao Deng, Baimei Yu Yu Bai, Suxi Ren 6. 1 / 10 The kidnapper is so inept that his businessman target takes over the operation and recruits him to run three operations for him. Fei Li You Ge, Shan Qiao, Wei Zhao Edit Storyline The film revolves around a Chinese man who returns to New Zealand following the death of his wife and begins to discover that she harbored a number of secrets. Plot Summary Add Synopsis Details Release Date: 20 December 2019 (USA) See more ?? Also Known As: Only Cloud Knows Box Office Cumulative Worldwide Gross: $23, 426, 341 See more on IMDbPro ?? Company Credits Technical Specs See full technical specs ??.
I can totally see Hollywood rereleasing this with amarican actors. Endlessss??.