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  1. Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along
  2. &ref(https://m.media-amazon.com/images/M/MV5BMzU4OTc4OTgtNWVjMC00NjUzLWJhYzEtOTVkYWI2YjQ4NjQxXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_SY1000_CR0,0,629,1000_AL_.jpg)
  3. country UK
  4. Release Year 2020

Emmanuel tv. Home Common Metadata Common Ratings Extras and Interactivity Media Manifest Media Manifest Core Media Entertainment Core Asset Ordering and Delivery Media Delivery Core Avails Cross Platform Extras QC Vocabulary API (draft) Best Practices New Concepts Supply Chain 101 This site contains the defintion of EMA Avails Metadata. The Entertainment Merchants Association (EMA) in conjuncation with MovieLabs has defined this format for transfering Avails data from Publishers to Retailers. Avails is an industry term for information about the time, location and business rules relating to offering an asset. Excel Avails and Title List Excel Spreadsheet EMA Avails, Version 1. 9, December 17, 2019 ( Excel) Change Log including older versions and full history ( HTML) Previous Versions, still in use: EMA Avails, Version 1. 8, January 29, 2019 ( Excel) Title List spreadsheet template for SVOD Film and TV, Version 1. 7. 3, July 9, 2018 ( Excel) Avails spreadsheet template for Film and TV, Version 1. 2, August 24, 2017 ( Excel) Avails spreadsheet template for Film and TV, Version 1. 6e2, January 20, 2016 ( Excel) XML Avails and Title List Specification EMA Content Availability Metadata (Avails and Title List) TR-META-AVAIL, Version 2. 5, December 15, 2019 ( PDF) Specification showing changes from version 2. 4 ( PDF) Schema 'avails' Schema Version 2. 5 Schema Location: Schema Documentation ( HTML) Release History A presentation summarizing Avails, Title List and Offer Status v2. 5 updates can be found here ( PDF) XML Release History ( HTML) Validator and Tool Suite Tools are provide for validation (Excel and XML) and for translation between Excel and XML. Information and links to the Validator are here. The Tool Suite, including an online validator are at. OfferStatus Guidance and Best Practices Offer Status is new with Version 2. 5. The following draft Best Practice was also published to illlustrate correct usage in the context of common use cases. Offer Status Guidance and Best Practices, v1. 0-DRAFT, BP-MDDF-OSTAT, December 14, 2019 ( PDF) White Paper on Identifiers A Short Guide to Identifiers for the Digital Supply Chain, December 13, 2017 This document is a summary of how ALIDs, ContentID and EIDR are used in the digital supply chain. It explains key characteristics of each identifier, the roles each is intended to serve, and the interconnections between them. It also provides examples of how to construct ALIDs and ContentIDs from other preexisting IDs, such as an internal house ID or EIDR ID, as well as best practices and guidance for a few common use cases. Libraries and Tools There are currently two means of encoding EMA Avails; one based on Microsoft Excel format and one base on Extensible Markup Language (XML. While Excel is more human-friendly, XML is more easily processed by computers. Ultimately, when all interfaces are computer-to-computer, XML will be the preferred format, but in the meantime, Excel has broad adoption. During this transition period, we want to make it as easy as possible to produce and consume both Excel and XML. To do so, we have created a Java library (mddf-lib) to translate between the two formats. This conversion could happen on either the studio side or the retailer side. MDDF Library and Tool code is available in this GitHub repository: Educational Materials We have created videos that explain concepts. An introduction to Avails can be found? here. Background on idenifiers is here. The full class is? here.
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Mám to jako vyzvánění v mobilu ?. Slyšeli ste někdy slovo RÝM. E Em Emm Emma I love you Emma??. I remembered Joey tribbyani reading little women for the first time. (Redirected from Emma (2020 film) Emma. Theatrical release poster Directed by Autumn de Wilde Produced by Tim Bevan Eric Fellner Graham Broadbent Pete Czernin Screenplay by Eleanor Catton Based on Emma by Jane Austen Starring Anya Taylor-Joy Johnny Flynn Bill Nighy Music by Isobel Waller-Bridge David Schweitzer Cinematography Christopher Blauvelt Edited by Nick Emerson Production companies Perfect World Pictures Working Title Films Blueprint Pictures Distributed by Focus Features Release date February?14,?2020 (United Kingdom) February?21,?2020 (United States) Country United Kingdom United States Language English Emma. is an upcoming comedy - drama film directed by Autumn de Wilde and written by Eleanor Catton. It is based on the 1815 novel of the same name by Jane Austen. The film stars Anya Taylor-Joy, Johnny Flynn and Bill Nighy. It is scheduled to be released in the United Kingdom on February 14, 2020, and in the United States on February 21, 2020, by Focus Features. Synopsis [ edit] Emma Woodhouse, handsome, clever and rich" meddles in the romantic affairs of her friends and loved ones. Cast [ edit] Anya Taylor-Joy as Emma Woodhouse Johnny Flynn as George Knightley Bill Nighy as Mr. Woodhouse Mia Goth as Harriet Smith Miranda Hart as Miss Bates Josh O'Connor as Mr. Elton Callum Turner as Frank Churchill Rupert Graves as Mr. Weston Gemma Whelan as Mrs. Weston Amber Anderson as Jane Fairfax Tanya Reynolds as Mrs. Elton Connor Swindells [1] Production [ edit] In October 2018, Anya Taylor-Joy was cast in the film adaptation of Emma, with Autumn de Wilde making her directorial debut with the film. [2] In December 2018, Johnny Flynn joined the cast of the film. [3] In March 2019, Bill Nighy, Mia Goth, Josh O'Connor, Callum Turner, Miranda Hart, Rupert Graves, Gemma Whelan, Amber Anderson and Tanya Reynolds joined the cast of the film. [4] Alexandra Byrne will be providing costume design for the film. [5] Filming [ edit] Principal photography began on March 18, 2019. [6] 7] Release [ edit] It is scheduled to be released in the United Kingdom on February 14, 2020, and in the United States on February 21, 2020. [8] References [ edit] Focus Features. "Emma Cast & Crew. Retrieved December 8, 2019. ^ Kit, Borys (October 25, 2018. Anya Taylor-Joy to Star in Jane Austen Adaptation 'Emma' Exclusive. The Hollywood Reporter. Retrieved October 29, 2018. ^ D'Alessandro, Anthony (December 20, 2018. Johnny Flynn Joins Focus Features-Working Title's 'Emma. Deadline Hollywood. Retrieved March 2, 2019. ^ Grater, Tom (March 21, 2019. Bill Nighy, Mia Goth, Josh O'Connor, Callum Turner board 'Emma' for Working Title, Blueprint (exclusive. Screen International. Retrieved March 21, 2019. ^ Alexandra Byrne. Independent Talent. Retrieved 2019-05-14. ^ Production Weekly" PDF. Production Weekly. No.?1123. December 20, 2018. p.?19. Retrieved January 28, 2019. ^ de Wilde, Autumn (March 18, 2019. DAY ONE of production complete. Retrieved March 19, 2019. I am thrilled to announce that I am directing Jane Austens ”Emma” starring @anyataylorjoy for @focusfeatures @workingtitlefilms. screenplay by eleanorcatton. photo by @anyataylorjoy. emmafilm. “Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. ”. emma #hansomecleverandrich ^ Emma. Launching Films. Retrieved August 22, 2019. External links [ edit] Emma. on IMDb.
His words and voice just tear into your soul. God I love everything about him. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates. A bit of a part 2 from when the last time I did this, anyway heres some more of mine: ?In every art class Larry has taken, hes always passed with a perfect A ?Trucy has accidentally called Maya “mom” and Pearl has accidentally called Phoenix “dad” before, both Maya and Phoenix are secretly joyful of that fact ?Kay and Sebastian both view Edgeworth as another father to them ?Gumshoe sacrifices his own money to buy food for any homeless person he meets ?Edgeworth has written Steel Samurai fanfiction and has it hidden away in his secret safe ?Oldbag and Victor Kudo used to date when they were younger ?Klavier takes the whole prosecutors office (Plus Ema) for monthly karaoke nights And finally ?Maya and Phoenix have been to the top of the Grand Tower without Trucy or Pearl knowing because they know about the rumors and it would fully confirm their suspicions which Maya and Phoenix are trying to keep a secret.
I think emma needs to date someone not into social media so she doesnt get used for “clout” and to keep it private. its probably harder to go thru this with everyone talking about it too. anyway aaron is cancelled. Couldn't be happier that Stay Human played Helena from MCR when she walked out ? Havent heard that song in about 10 years. Emma mackey speaking french. Emma shapplin. Aneb přišel jsi s něčím úplně jinym a hned je to parádní, chytne za srdce a udělá úsměv ?. pocta všem dědečkům i tobě. Emma blackery. So he's one of those people who call her annoying even tho she's just being herself... 16:07 HIS LAUGH IS WHAT MY LAST BRAIN CELL SOUNDS LIKE AT 3 AM WHEN I SHOULD BE STUDYING.
“Such news” ahhh that phrase and all of a sudden i realize its Miranda :D.

?? ?? ?????? ????? ???? ??? ??? ????? ??? ????? ??? ?? ???? ????? ?? ??? ??? ??? ??????? ?????? ?? ??? ????? ??? ?????? ??? ???? ??? ???? ??? ???? ???? ?? ?? ?? ????? ????? ?? ?? ?? ??? ???? ???? ????. Nominated for 1 Golden Globe. Another 1 win & 8 nominations. See more awards ?? Learn more More Like This Drama, Romance 2 3 4 5 6 7 8 9 10 8 / 10 X Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in. See full summary ?? Stars: Dominic Cooper, Charity Wakefield, Hattie Morahan 7. 5 / 10 Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside. See full summary ?? Director: Adrian Shergold Sally Hawkins, Alice Krige, Anthony Head Comedy 6. 6 / 10 While matchmaking for friends and neighbours, a young 19th Century Englishwoman nearly misses her own chance at love. Douglas McGrath Gwyneth Paltrow, James Cosmo, Greta Scacchi 8. 6 / 10 North and South is a four part adaptation of Elizabeth Gaskell's love story of Margaret Hale, a middle class southerner who is forced to move to the northern town of Milton. Daniela Denby-Ashe, Richard Armitage, Tim Pigott-Smith 7. 3 / 10 A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart. Jon Jones Geraldine James, Michael Judd, Julia Dearden 7. 1 / 10 At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral. See full summary ?? Patricia Rozema Frances O'Connor, Jonny Lee Miller, Alessandro Nivola 8. 9 / 10 While the arrival of wealthy gentlemen sends her marriage-minded mother into a frenzy, willful and opinionated Elizabeth Bennet matches wits with haughty Mr. Darcy. Colin Firth, Jennifer Ehle, Susannah Harker 8. 3 / 10 A young governess falls in love with her brooding and complex master. However, his dark past may destroy their relationship forever. Ruth Wilson, Toby Stephens, Lorraine Ashbourne 6. 3 / 10 At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but. See full summary ?? Iain B. MacDonald Julia Joyce, Douglas Hodge, Maggie O'Neill 7. 6 / 10 Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites. Ang Lee Emma Thompson, Kate Winslet, James Fleet Mystery 8. 2 / 10 This mini-series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison. See full summary ?? Claire Foy, Matthew Macfadyen, Tom Courtenay 8. 1 / 10 The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend. Francesca Annis, Justine Waddell, Bill Paterson Edit Cast Series cast summary: Romola Garai... Emma 4 episodes, 2009 Michael Gambon... Mr. Woodhouse Jonny Lee Miller... Mr. Knightley Jodhi May... Anne Weston. Robert Bathurst... Mr. Weston Louise Dylan... Harriet Smith Blake Ritson... Mr. Elton Tamsin Greig... Miss Bates Valerie Lilley... Mrs. Bates Dan Fredenburgh... John Knightley Poppy Miller... Isabella Knightley Laura Pyper... Jane Fairfax 3 episodes, 2009 Rupert Evans... Frank Churchill Jamie Glover... Henry Knightley Joshua Jones... James Knightley Jefferson Hall... Robert Martin Veronica Roberts... Mrs. Goddard Christina Cole... Augusta Elton 2 episodes, 2009 Liza Sadovy... Mrs. Cole Eileen O'Higgins... Miss Martin 1 Sarah Ovens... Miss Martin 2 Storyline Emma Woodhouse (Romola Garai) seems to be perfectly content, to have a loving father for whom she cares, friends, and a home. But Emma has a terrible habit, matchmaking. She cannot resist finding suitors for her friends, most of all Harriet Smith (Louise Dylan. Emma is desperate for Harriet to find happiness, but every suitor she finds for her friend ends up attracted to Emma. But is Emma so focused on Harriet's happiness that she is not considering her own happiness in love? Written by Mel from the Untied Kingdom Plot Summary Add Synopsis Taglines: Love knows no boundaries. And neither does she. Details Release Date: 24 January 2010 (USA) See more ?? Company Credits Technical Specs Runtime: 240 min (4 parts) See full technical specs ?? Did You Know? Connections Version of Emma ?(1948) See more ? Soundtracks The Bluebells of Scotland Written by Dora Jordan Sung by Romola Garai and Rupert Evans See more ?.
Jste nejlepší! Zbožňuju vaše písničky! Ke každé z nich mám nějakou vzpomínku. 兩?的小寶寶詞彙量已經到這個程度了啊?!!我兩?時只會依依啊啊的哈哈. Gael Garcia Bernal reteams with Pablo Larrain, his director on 'No' and 'Neruda. starring with newcomer Mariana Di Girolamo in this marital drama set in the reggaetón dance world. Following an accomplished English-language debut with Jackie, Pablo Larrain returns to his native Chile with his first contemporary drama, Ema. Set in the cinematically little-seen seaport of Valparaiso, this twisted story of both a marriage and an artistic collaboration thrown into crisis by a problematic adoption, and a young mother's byzantine plan to put things right, regrettably is also a rare misstep for the director. A work of self-conscious experimentalism that's too stilted and distancing to invite involvement, it gets some mileage out of the pulsating rhythms of reggaetón street dance but otherwise is so fragmented it lacks forward motion. The striking opening shot shows a city street at night with a suspended traffic light in flames, and fire is at the heart of the family's troubles as well as a recurring visual motif in the film. After adopting an orphan from Colombia named Polo (Cristian Suarez) modern dance choreographer Gaston (Gael Garcia Bernal) and his wife Ema (Mariana Di Girolamo) a dancer who performs with his company, hit a wall with the kid's destructive behavior. Following an arson incident where Polo set fire to their home, leading to severe facial disfigurement for Ema's sister, they have put the preteen boy back into the adoption system. The visually exciting excerpts of the large dance ensemble performing a piece by Gaston against an elaborate lighting backdrop that throbs like a radioactive planet, or developing a new work in which percussionists move among the dancers with drums strapped to their backs, make for arresting punctuation. But from the start, the choppy dramatic scenes impart the barest splinters of information in a frustrating puzzle that takes way too long to piece together, making Ema play like an avant-garde theater piece you never want to see. This is a movie far too pleased with its tricksy structure and a heightened acting style that lurches between archness and solemnity. With her punky, androgynous appearance and aggressive manner, Di Girolamo plays Ema as an emotional enigma. But her conflicted thoughts about giving up Polo are revealed when she visits the adoption agency official (Catalina Saavedra) who pulled strings to get the couple a child. The woman angrily advises her to forget the kid and move on, telling her some people are not cut out to be mothers, especially when the going gets tough. Ema and Gaston blame each other for their parenting failure, driving a bitter wedge into their marriage, while members of the dance company and Ema's colleagues at the school where she teaches young children to use their bodies for physical expression simply regard her as an uncaring mother. This causes her to quit the job she loves. Only the tight-knit girl posse with whom she cuts loose in muscular reggaetón routines remain mostly loyal to her. All the elements are present in the script by Guillermo Calderon (the director's co-writer on The Club and Neruda) Larrain and Alejandro Moreno for a raw reflection on family, art and desire in which psychosexual melodrama, Greek tragedy and absurdist dark comedy collide, at times in mischievously amusing scenes. But the approach is so irritatingly mannered that the human pain at the center of the story feels artificial. Everything about Ema is such a pose that even the performance of a talented actor like Bernal, who did memorably intense work for Larrain in Neruda and No, comes off as dull and uninflected. The chief exception is a terrific scene in which he explodes at Ema and her reggaetón sisters in a furious rant that shreds their perceptions of empowerment through eroticized dance. As the story progresses, there is unquestionably a perverse fascination in its outré development, and Larrain certainly deserves credit for refusing to play it safe at this stage of his distinguished career. I'm probably giving too much away, but what the heck… Ema forges independent connections with Polo's new parents ? firefighter Anibal (Santiago Cabrera) and divorce lawyer Raquel (Paola Giannini) ? seducing both and setting in motion her own bizarre campaign to liberate everyone from constricting convention and push the restart button on her family plan. The quest includes a hedonistic sequence in which Ema recruits her dance besties to give Raquel a group thrill, though this seems as much a heterosexual male fantasy as an organic expression of the power of female sexuality. Polo, who is first glimpsed almost 40 minutes into the movie and thereafter figures only marginally, remains a cipher; his troubled history is secondary to the tiresomely circuitous blather of Ema, Gaston and everyone else. For a long stretch of the action, the boy seems entirely forgotten. The key rewards of Ema are its slinky visuals. Longtime Larrain cinematography collaborator Sergio Armstrong's camera snakes around the actors with mesmerizing grace when it's not locked in monotonous face-forward close shots. And there's impressive scope in dance interludes staged at various points around the city, capturing choreographer Jose Vidal's carnal moves with tremendous energy ? in vast industrial spaces, by the port, on basketball courts or nestled in the densely populated hills among a maze of apartment blocks. Nicolas Jaars inventive score is used to interesting, if sometimes overly portentous effect, often sounding like it's been slowed down and filtered through dense fog. But the insurmountable issue with Ema is its cold disconnect between form and content. Any heart the story might have accessed is sacrificed to directorial fussiness and characters both remote and unsympathetic. Coming from such a consistently strong filmmaker, it's a maddening disappointment. Production company: Fabula Cast: Mariana Di Girolamo, Gael Garcia Bernal, Paola Giannini, Santiago Cabrera, Cristian Suarez, Catalina Saavedra Director: Pablo Larrain Screenwriters: Guillermo Calderon, Pablo Larrain, Alejandro Moreno Producer: Juan De Dios Larrain Executive producers: Rocio Jadue, Mariane Hartard Director of photography: Sergio Armstrong Production designer: Estefania Larrain Costume designers: Muriel Parra, Felipe Criado Music: Nicolas Jaar Editor: Sebastian Sepulveda Choreographer: Jose Vidal Venue: Venice International Film Festival (Competition) Sales: Match Factory, CAA 102 minutes.
Emma and ellie. Emmanuelle chriqui. How is this “the worst video ever” she didnt do anything you guys should actually be offended by. I came here after seeing this on sc, you people are so immature its sad. Roger Ebert August 9, 1996 “Emma” is the fourth recent version of an Austen novel, after “ Persuasion, ” “Sense and Sensibility” and the TV adaptation of “ Pride and Prejudice. ” (As a bonus, the Beverly Hills comedy “ Clueless ” was based on the same story. It is not about very much- about the romantic intrigues of a small group of people who will all more or less have to marry one another sooner or later, if they haven't already. Either you are in sympathy with this material or you are not. I had to smile at an undergraduate's review of the movie, posted on the Internet, which complains that “a parade of 15 or 20 or 8 billion supporting characters waltzes through the scenes. Each is called Mister or Miss or Mrs. Something, and each of them looks and acts exactly the same (obnoxious. ” I am not sure you can look obnoxious, but never mind. It may be that young people in a permissive age do not have sympathy for a movie in which a busybody matchmaker spends her days trying to pair off unwilling candidates for matrimony. Yet in its high spirits and wicked good humor, “Emma” is a delightful film- second only to “Persuasion” among the modern Austen movies, and funnier, if not so insightful. Advertisement Gwyneth Paltrow sparkles in the title role, as young Miss Woodhouse, who wants to play God in her own little patch of England. You can see her eyes working the room, speculating on whose lives she can improve. She takes as a project Harriet Smith ( Toni Collette) a respectable young woman of imperfect pedigree, insisting that she marry the Rev. Elton ( Alan Cumming. Miss Smith would much sooner marry a local farmer, but Emma won't hear of it. When the poor farmer sends Miss Smith a letter of proposal, she shows it to Emma, who sniffs, “It is a good letter. One of his sisters must have helped him. ” Miss Smith is so uncertain of herself that she turns down the farmer, only to discover that the Reverend doesn't love her- he loves Miss Woodhouse (“I have never cared for Miss Smith, ” he tells Emma, “except as your friend”. This should be a lesson for Emma, but she'll need more than one. Stories like this are about manners, nuance and the way that one's natural character tugs against the strict laws of society. In a time when most people traveled little and diversion was largely limited to local parties, three-volume novels and church services, gossip was the great pastime. Local characters were prized because they gave you someone to talk about, and “Emma” has its share, most delightfully Mrs. Elton ( Juliet Stevenson) who praises herself incessantly by quoting others (of her musical talent, she says, “I myself don't call it great. I only know that my friends call it so”. Other local color is provided by Miss Bates and her deaf mother, Mrs. Bates. (They are played by Sophie Thompson and Phyllida Law, who are Emma Thompson's sister and mother. Miss Bates says everything three times and Mrs. Bates never hears it, and when Emma is unforgivably rude to poor Miss Bates it is the upright Mr. Knightley ( Jeremy Northam) her brother-in-law, who dresses her down, giving her a stern lecture on her responsibilities under the class system. Emma thinks of Knightley as a brother. She is interested in the Reverend not at all. There is a dashing young bachelor in the neighborhood named Frank Churchill ( Ewan McGregor) who seems cast as her beau (he rescues her when her carriage gets mired in the river, and again when she is threatened by gypsies. But he has other plans, too, and in the fullness of time Austen sees that everyone gets what they deserve, or in Emma's case perhaps rather more. Reveal Comments comments powered by.
Emma hill. Emma walton hamilton. Já chci jít za svým snem a pořád večer chodím ven se dívat na měsíc a poslouchám tuhle písničku já chci svýho snu dosáhnout a věřím si... 4:42 when you take a sip of tea and it is at that just perfect temperature ?? ?. Emma coburn. Emma daumas. Emma trailer 2020. Emma drobna. Emma laird. Emma digiovine. Emma chamberlain workout. Vorrei proprio vedere il viso o il fisico delle MISS o dei MISTER che criticano tanto esteticamente oppure le movenze di EMMA ; facile così quando si è dietro ad una tastiera,sembra siano tutte modelle e ballerini. magari guardarsi ogni tanto allo specchio prima ???. I think the large Lady Dior is Amazing. Enjoy. Emma corrin. Emma bloomberg. Sei bella prima dentro e poi fuori sei un dolce incanto che Dio ti benedica tanta salute e soprattutto con tanta pace.
Emma movie. Emma plays pretend. This happened in Bath, UK. Emma mae jenkins. Ema film poster Directed by Pablo Larraín Produced by Juan de Dios Larraín Written by Guillermo Calderón Alejandro Moreno Starring Mariana Di Girolamo Gael García Bernal Paola Giannini Santiago Cabrera Music by Nicolás Jaar Cinematography Sergio Armstrong Edited by Sebastián Sepúlveda Production companies Fabula Release date August?30,?2019 ( Venice) Running time 102 minutes [1] Country Chile Language Spanish Ema is a Chilean drama film, directed by Pablo Larraín, from a screenplay by Guillermo Calderón and Alejandro Moreno. It stars Mariana Di Girolamo, Cristian Suares, Gael García Bernal, Paola Giannini and Santiago Cabrera. It had its world premiere at the Venice Film Festival on August 30, 2019. Cast [ edit] Mariana Di Girolamo as Ema Gael García Bernal as Gastón Giannina Fruttero Josefina Fiebelkorn Paula Hofmann Paula Luchsinger Antonia Giesen Catalina Saavedra Mariana Loyola Susana Hidalgo Cristian Felipe Suarez Production [ edit] In August 2018, it was announced Mariana Di Girolamo, Gael García Bernal, Paola Giannini, Santiago Cabrera, Giannina Fruttero, Josefina Fiebelkorn, Paula Hofmann, Paula Luchsinger, Antonia Giesen, Catalina Saavedra, Mariana Loyola and Susana Hidalgo had joined the cast of the film, with Pablo Larraín directing from a screenplay by Guillermo Calderón and Alejandro Moreno. Juan de Dios Larraín will serve as producer on the film under his Fabula banner. [2] 3] Filming [ edit] Principal photography began in August 2018. [4] Release [ edit] It had its world premiere at the Venice Film Festival on August 31, 2019. [5] It will also screen at the Toronto International Film Festival on September 9, 2019. [6] Critical response [ edit] On review aggregation website Rotten Tomatoes, Ema holds an approval rating of 83% based on 36 reviews, with an average rating of 6. 93/10. 7] On Metacritic, the film has a weighted average score of 72 out of 100, based on 12 critics, indicating "generally favorable reviews. 8] References [ edit] "Ema. Venice Film Festival. Retrieved July 25, 2019. ^ Kohn, Eric (5 August 2018. Pablo Larraín Is Shooting a New Movie With Gael García Bernal in Chile ? Exclusive. IndieWire. Retrieved 5 August 2018. ^ Gonzalez, Rodrigo (4 August 2018. Ema, the new movie by Pablo Larraín. Retrieved 5 August 2018... Ema' Pablo Larraìn sta girando un nuovo film in Cile con Gael Garcìa Bernal. Awards Today. 5 August 2018. Retrieved 5 August 2018. ^ Anderson, Ariston (July 25, 2019. Venice Film Festival Unveils Lineup (Updating Live. The Hollywood Reporter. Retrieved July 25, 2019. ^ Lang, Brent (July 23, 2019. Toronto Film Festival: Joker. Ford v Ferrari. Hustlers' Among Big Premieres. Variety. Retrieved July 23, 2019. ^ Ema (2019. Rotten Tomatoes. Fandango Media. Retrieved 11 January 2020. ^ Ema reviews. Metacritic. CBS Interactive. Retrieved 23 September 2019. External links [ edit] Ema on IMDb Ema, official international Trailer.
Emma jalamo. Emmanuel sanders. Emma kenney. I LOVE YOU GUYS SO MUCH YOUR THE BEST. DREAM COUPLE. I love watching her old vids where she's not like best friends with the Dolan twins and James and she talks about them like they're unattainable ??. Emma and jannie. You looked so pretty in all of the outfits I love you so much Emma keep doing what your doing??. Emma chamberlain twitter. Emmanuel college. Emma marie. Powered by AFI Brief Synopsis A housekeeper faces unexpected snobbery when she marries her boss. Cast & Crew SEE ALL CAST AND CREW Additional Details MPAA Ratings: Premiere Info: not available Release Date: 1932 Production Date: Clarence Brown's production none available Color/B&W: Black and White Distributions Co: Metro-Goldwyn-Mayer Distributing Corp. Sound: Mono (Western Electric Sound System) Production Co: Metro-Goldwyn-Mayer Corp. Duration(mins) 70 or 73 Country: United States Duration(feet) Duration(reels) 8 Leonard Maltin Ratings & Review LEONARD MALTIN MOVIE RATING LEONARD MALTIN MOVIE REVIEW: User Ratings & Review This title has not been reviewed. Be the FIRST to write a review by CLICKING HERE > User Reviews: Recommend: Cinema History: Cinematography: Lead Performers: Supporting Cast: Director: Screen Play: Music Score: Title Sequence: MORE REVIEWS. POST YOUR OWN RATINGS> User Ratings: Emma > good (but short) flick... ja661 2020-02-05 I could swear I've seen the plot of this movie done over two or three times. But this version is very well done. Dressler makes the film. Generally I. MORE> Good movie, hated the grown children! Linda 2019-09-29 Man, what a bunch of ungrateful siblings! Emma raised them since they were children and when their widowed father marries her some 20 years later, the. MORE> emma kevin sellers 2016-07-02 Kind of a mushy, clunky movie. Lots of tear jerking sentimentality, and attempts at comedy that range from ok (the airplane "tutor" to yawningly. MORE> MORE REVIEWS. POST YOUR OWN REVIEW>
Gadzove ?? nezapomeňte pivo v ruce a nevtipny humor. 1:32 he really loved that feeling of submission Gerda gave him. God hes an amazing actor. chills. whole scene gave me chills. Emma bunton. Emma VHS cover Directed by Diarmuid Lawrence Produced by Sue Birtwistle Written by Andrew Davies Based on Emma by Jane Austen Starring Kate Beckinsale Samantha Morton Samantha Bond Mark Strong Music by Dominic Muldowney Distributed by United Film and Television A&E Television Network Meridian Broadcasting Release date 24?November?1996 (UK) 16?February?1997 (USA) Running time 107 minutes Country United Kingdom Language English Budget 2. 5 million Jane Austen 's Emma is an adaptation of the 1815 novel of the same name. It was adapted for the British television network ITV in 1996, directed by Diarmuid Lawrence and dramatised by Andrew Davies, the same year as Miramax 's film adaptation of Emma starring Gwyneth Paltrow. This production of Emma stars Kate Beckinsale as the title character, and also features Samantha Morton as Harriet Smith and Mark Strong as Mr. Knightley. Davies had recently adapted another Austen novel as the successful 1995 television serial Pride and Prejudice for BBC when he proposed to adapt the novel Emma for the network. BBC had already made such an agreement with another screenwriter however, leading Davies to approach ITV. Emma received generally positive reviews from critics, who believed it to be superior to the 1996 Miramax film. Most focused on Beckinsale's performance as a positive highlight. It aired on ITV on 24 November 1996 and garnered an estimated 12 million viewers. It also was broadcast on the American channel A&E on 16 February 1997. Plot [ edit] Miss Emma Woodhouse of Hartfield lives in the small town of Highbury, and is young, pretty, and rich. Though she has decided she will never marry, Emma takes credit for matchmaking her friend and former governess, Miss Taylor, to the widower Mr. Weston. Emma decides to organize marriages for others of her acquaintance, despite friendly warnings not to meddle from Mr. Knightley, who is both an old friend, her brother-in-law, and the wealthy owner of Donwell Abbey. Emma resolves to marry her new friend, a pretty orphan named Harriet Smith, to the young parish priest Mr. Elton. This fails once Emma realizes to her horror that Elton desires to marry her instead. New arrivals come to Highbury, including young orphan Miss Fairfax and Elton's new pretentious wife. Frank Churchill, the handsome son of Mr. Weston, also arrives generating interest and gossip. Emma, so sure of her ability to judge the feelings of others, believes that Frank wishes to marry her. Eventually the town discovers that Frank and Miss Fairfax have been secretly engaged, while Emma comes to recognize her true feelings for Mr. Knightley. Cast [ edit] Production [ edit] Andrew Davies adapted Jane Austen 's 1815 novel Emma for television. Previously, he was the screenwriter for the successful 1995 BBC TV serial Pride and Prejudice starring Jennifer Ehle and Colin Firth. Davies offered to adapt Emma for the BBC, but it had already commissioned Sandy Welch as screenwriter. Michael Wearing, BBC head of drama serials, stated "It was a very, very difficult situation. I had already commissioned Sandy Welch, one of our BBC writers, to do Emma. We really were in a fix. 1] In response, Davies and his team successfully made an offer to BBC's rival, ITV. Pride and Prejudice ' s entire production team reportedly joined Davies when he began adapting Emma. [2] 1] It was his second adaptation of an Austen novel. [3] The production reportedly cost 2. 5 million, and was shot during the summer of 1996. [1] Filming [ edit] Broughton Castle, Banbury ? (Donwell Abbey) Sudeley Castle, Gloucestershire ? (Donwell Abbey exteriors) Stanway House, Stanway, Gloucestershire, Cheltenham, Gloucestershire ? (Donwell Abbey interior) Trafalgar Park, Salisbury ? (Hartfield) Dorney Court, Dorney, Buckinghamshire ? (Randalls) Lacock, Wiltshire ? (Highbury Village) Thame Park, Oxfordshire ? (Abbey Mill Farm, Hartfield interiors, etc. ) Themes and analysis [ edit] Film critics have studied Emma for its depiction of class. In a contribution for the 2007 book Literary Intermediality: The Transit of Literature Through the Media Circuit, Lydia Martin noted that unlike the 1996 theatrical film starring Paltrow, Davies' Emma displays a "realistic, or even naturalistic, approach by focusing on the lower classes in which Jane Austen never really took any interest. 4] Indeed, adds Carole Dole, reminders of Highbury's class divisions are scattered throughout" the production. Davies provides social context with fleeting scenes of the lower classes in a neutral, educational way ? unlike the 1995 film Persuasion, Emma does not encourage viewers to identify with the servants. [5] Release [ edit] Emma was broadcast on 24 November 1996 on ITV, garnering an estimated 12 million viewers. [6] 7] Emma was also broadcast on the American channel A&E on 16 February 1997. [8] It was released on DVD in 1999. The adaptation re-aired in 2007, as part of ITV 's Jane Austen Season, 9] and as part of PBS Masterpiece's Jane Austen marathon on 23 March 2008. It was also aired on 27 December 2008, as a series of Christmas "specials" on BBC One. Reception [ edit] Many reviewers positively compared the TV drama to the 1996 feature film starring Paltrow. People ' s Tom Gliatto found it to be superior to the 1996 film, attributing this to Beckinsale's performance: Paltrow played the part with a swanlike haughtiness. Beckinsale is vibrantly girlish and romantic. And she looks smashing in Empire-waist dresses. 10] Gliatto also positively commented on Davies' script for "captur[ing] not just Austen's light charm but the pinpricks of her social criticism. 10] Caryn James of The New York Times added that in a story with an unlikeable heroine, Beckinsale "walks [the] fine line beautifully. She] is plainer looking than Ms. Paltrow's, and altogether more believable and funnier. She came to the role well prepared, after playing another socially self-assured comic figure in the recent film Cold Comfort Farm. 11] James also lauded the screenplay for doing "a deft job of letting viewers pick up the social cues that Emma misses" and for indicating why Emma and Knightley are well-suited for each other. [11] Writing for The Washington Post, Megan Rosenfeld praised the production and especially saved positive comment for Beckinsale, whom she called perhaps "the best [Emma] of all" the previous adaptations of the novel. The actress, Rosenfeld opined, looks at home in the dresses, cavernous houses and rolling countryside of Austen's 19th-century England, and yet seems modern in her alertness and in her way of not being intimidated by men. Her Emma gives you the confidence that any mischief she may get into can probably be undone. 12] Gerard Gilbert of The Independent agreed, writing that Beckinsale "has the right mixture of sassiness, nosiness and self-satisfaction. 13] John Carman of the Los Angeles Daily News wrote that "at times, Emma seems to be a Melrose Place for the drawing-room set. He also noted it to be "scrumptiously filmed. calling it "a feast for the eyes and a balm for the heart. 14] The Daily Herald however gave a negative review, and believed it was the worst of the three versions released. The reviewer still praised it for being "natural, faithful and likable. but criticized Strong as miscast. Davies, remarked the newspaper, has written a pithy, direct Emma that, unlike his script for Pride and Prejudice, clocks in at a fraction of the time it takes to read the book. 15] Accolades [ edit] Award Category Recipients and nominees Result British Academy Television Awards [16] Best Make Up/Hair Mary Hillman Nominated Barcelona International Television Festival Best Fiction Mini-Series Emma Won Primetime Emmy Awards [17] 18] Outstanding Art Direction for a Miniseries or a Special Don Taylor (production designer) Jo Graysmark (art director) John Bush (set decorator) Outstanding Costumes for a Miniseries, Movie or a Special Jenny Beavan References [ edit] a b c Garner, Clare (14 July 1996. TV drama kings fall out over Jane Austen. The Independent. Archived from the original on 11 April 2013. Retrieved 10 March 2013. (subscription required) Cohen, Julie (6 September 1996. Battle of the Bodice Rippers. Daily Mail. (subscription required) Watson, Louise. "Jane Austen's Emma (1996. BFI Screenonline. Retrieved 10 March 2013. ^ Martin, Lydia (2007. Jane Austen on Screen: Deference and Divergence. In Maddalena Pennacchia Punzi (ed. Literary Intermediality: The Transit of Literature Through the Media Circuit. Peter Lang. p.?67. ISBN ? 978-3039112234. ^ Dole, Carole M (2002. Austen, Class, and the American Market. In Greenfield, Sayre N (ed. Jane Austen in Hollywood. University Press of Kentucky. p.?71. ISBN ? 978-0-8131-9006-8. ^ Gibson, Owen (10 November 2005. ITV calls in Jane Austen to halt slide in ratings. The Guardian. Retrieved 10 March 2013. ^ Three Jane Austen dramas for ITV. BBC News. 10 November 2005. Retrieved 10 March 2013. ^ Greenfield, Sayre N. Troost, Linda V. (2001. p.?1. ISBN ? 978-0-8131-9006-8. ^ Irvine, Chris (14 September 2009. Jane Austen's recent adaptations. The Daily Telegraph. Retrieved 10 March 2013. ^ a b Gliatto, Tom (17 February 1997. Picks and Pans Review: Emma. People. Retrieved 10 March 2013. ^ a b James, Caryn (15 February 1997. An 'Emma' Both Darker And Funnier. The New York Times. Retrieved 10 March 2013. ^ Rosenfeld, Megan (16 February 1997. Emma' nations of Life; A&E's Take on Austen's Matchmaker Rings True. The Washington Post. Archived from the original on 11 June 2014. (subscription required) Gilbert, Gerard (23 November 1996. Television preview. subscription required) Carman, John (15 February 1997. Emma' a thoughtful, visual feast. Los Angeles Daily News. Archived from the original on 9 March 2016. Retrieved
Emmanuel lewis. Emma boettcher. Nejlepší <3. Just came back from Ad Astra, thought it was quite good, Id give it a 7/10. The cinematography was amazing, Pitt portrays a very stoic character, there are times when you can see him trying to suppress emotions as the character which are nice subtle moments. Its a slow burner though, but does make you question some things throughout. There are several sequences that I found to be really well shot and directed as well, like the moon buggy sequence. I feel like she's having a mental breakdown every second of this video. Emma mackey french. Emma chota. Emma chamberlain. Love this scene. Emma morano. Emmanuelle vaugier. Ok i actually tried the jack in the box curly fries because of this video, and they are actually the BOMB like so good 300000/10.
Emma and wendy. Emmanuel deshawn aranda. 10:30 her face tho.

Najs pekný text aj pesnicka :3

Emma marrone. Emma king. Emma pretend play youtube. Emma lahana. Emma macdonald. Omg. i love it. ?.

9.4/ 10stars

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