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Biography I'm Dead, @hellusination's wife. Pitch Black multimedia artist and I draw, too. Mother of a cat named Lucky. #nsfl Im more active on my insta: (at) shrug.dead

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47576 votes 8,9 / 10 Writed by: Ales Adamovich Directed by: Elem Klimov brief: After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II

Viet garden. Have you ever had that dream where you're trying to run as hard as you can but don't seem to be moving very fast at all? One scene in this movie is that dream recreated amazingly! This is a Russian war movie about WWII, or rather, about a young boy eager to join the ranks in WWII but is immediately sent through about every torment personal and psychological imaginable.

A lot of it is very visceral, gut-wrenching fear and agony at the atrocities being shown, but at the same time it has this flowing neatness about it. This movie loves the land that's being destroyed around it, the trees and the birds and the sounds, and with long smooth tracking shots it seems to suck in the idea of beauty everywhere it goes. even if the camera is focusing on the charred remains of a still-living but barely comprehensible human being who was torched by the Nazi army. It's also a very subjective based film, dealing almost entirely through the eyes of the young boy who is perfectly acted by a kid much younger than me! In order to increase the pov feel of this film, much time is spent having the characters or faces looking directly into the camera and talking to the audience, something that is effective in a lot of situations anyway but in this film basically traps the audience Clockwork Orange style into sitting and watching every minute of it. - PolarisDiB.

Viet garden restaurant orlando. Critics Consensus As effectively anti-war as movies can be, Come and See is a harrowing odyssey through the worst that humanity is capable of, directed with bravura intensity by Elem Klimov. 96% TOMATOMETER Total Count: 23 Audience Score User Ratings: 8, 488 Come and See (Idi i smotri) Ratings & Reviews Explanation Come and See (Idi i smotri) Photos Movie Info As seen through the eyes of teen-aged protagonist Alexei Kravchenko, the landscape of Byelorussia is devastated by the incursion of Nazi troops in 1943. The genocide perpetrated on the citizens of this region is almost secondary to the rape of the region itself. Despite his disillusionment with humanity, Florya (Kravchenko) emerges from his experiences vowing to survive no matter what comes -- and in so doing, personifies a resilience and dignity. Come and See, originally released as Idi i Smorti, was the winner of the Grand Prix at the 1985 Moscow Film Festival. Rating: NR Genre: Directed By: Written By: In Theaters: Oct 17, 1985 wide On Disc/Streaming: Oct 23, 2001 Runtime: 142 minutes Studio: Kino International Cast News & Interviews for Come and See (Idi i smotri) Critic Reviews for Come and See (Idi i smotri) Audience Reviews for Come and See (Idi i smotri) Come and See (Idi i smotri) Quotes Movie & TV guides.
Great trailler! Great movie. Va et regarder les.

Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy © 1996-2014,, Inc. or its affiliates. I made it halfway, and i got miserable seeing that face over and over and each one different, but the same...
Very good trailer I must watch this. Va et regardez la tv. Va et regarder la vidéo. Va et regarde ça. - ... ... Dude every upload is a blessing. Va regarder en espagnol. Va et regarde les. I saw this film on U-tube and I agree. It is the most powerful film I have ever seen about war. Everyone should see this film to understand what happened during World War II. Brutal depiction of war and the atrocities committed by german forces during ww2.

Va et regarde ici. Va et regarde. Va vis et deviens regarder. Viet garden london. This movie have too much profanity. Va regarder en anglais. I thought the movie was average at best! If you like artsy films, you might like this. There were some very good scenes that were enjoyable to watch, and made it somewhat interesting to watch. But, it had about 2 hours of boring scenes that were not that eventful. I don't want to think how it felt or have some weird imagery, I wanted to see more actual fighting, and how the war was perceived by soldiers not a 12 year old boy The movie was not cohesive at all it reminded my of a Thin Red Line, if you like that movie you would like this. I would imagine most war movie fans would not like this movie. Save your money and pass this one up.

Videos Learn more More Like This Animation | Adventure Fantasy 1 2 3 4 5 6 7 8 9 10 6. 5 / 10 X On a post-apocalyptic Earth, a wizard and his faire folk comrades fight an evil wizard who's using technology in his bid for conquest. Director: Ralph Bakshi Stars: Bob Holt, Jesse Welles, Richard Romanus Drama Sci-Fi 8. 2 / 10 A guide leads two men through an area known as the Zone to find a room that grants wishes. Andrei Tarkovsky Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn Comedy Crime 7. 5 / 10 After being released from prison, Billy is set to visit his parents with his wife, whom he does not actually have. This provokes Billy to act out, as he kidnaps a girl and forces her to act as his wife for the visit. Vincent Gallo Vincent Gallo, Christina Ricci, Ben Gazzara A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. Ingmar Bergman Max von Sydow, Gunnar Björnstrand, Bengt Ekerot Biography History The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev. Anatoliy Solonitsyn, Ivan Lapikov, Nikolay Grinko Action In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each him. Akira Kurosawa Tatsuya Nakadai, Akira Terao, Jinpachi Nezu Thriller 8. 1 / 10 In a decrepit South American village, four men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe. Henri-Georges Clouzot Yves Montand, Charles Vanel, Peter van Eyck A nurse is put in charge of a mute actress and finds that their personae are melding together. Bibi Andersson, Liv Ullmann, Margaretha Krook An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England. Stanley Kubrick Ryan O'Neal, Marisa Berenson, Patrick Magee 8. 7 / 10 When a ronin requesting seppuku at a feudal lord's palace is told of the brutal suicide of another ronin who previously visited, he reveals how their pasts are intertwined - and in doing so challenges the clan's integrity. Masaki Kobayashi Akira Ishihama, Shima Iwashita 8. 3 / 10 A bureaucrat tries to find a meaning in his life after he discovers he has terminal cancer. Takashi Shimura, Nobuo Kaneko, Shin'ichi Himori Mystery The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter. Toshirô Mifune, Machiko Kyô, Masayuki Mori Edit Storyline The feature film directed by Elem Klimov, shot in the genre of military drama. The action takes place on the territory of Belarus in 1943. In the center of the story is a Belarusian boy, who witnesses the horrors of the Nazi punitive action, turning from a cheerful teenager into a gray-haired old man for two days. Written by Peter-Patrick76 () Plot Summary Add Synopsis Details Release Date: 17 October 1985 (Hungary) See more ?? Also Known As: Come and See Box Office Cumulative Worldwide Gross: $96, 908 See more on IMDbPro ?? Company Credits Technical Specs Runtime: 142 min 105 min (heavily cut) See full technical specs ?? Did You Know? Trivia The film's literal English translation from the Russian wording "Idi i smotri" is "Go and look" but the film is more commonly known in English as "Come and See" instead. See more ? Goofs Many of the vehicles seen in this film are not the German standard Opel-Blitz truck nor the Kubelwagen car. Instead they are clearly post-World War II Soviet vehicles with slapped-on German Army markings. See more ? Connections Referenced in Sardonicast: 1917, Come and See ?(2020) See more ? Soundtracks Blue Danube Written by Johann Strauss Jr. See more ?.

Viet garden orlando. Mas trucho. A great movie. Thank you to all the men and women who has or is severing, fighting for our freedom. May God bless you all. Va et regarde à vue. (Band of Brothers) . 8. Film Reference Films Hi-Ik Idi i Smotri - Film (Movie) Plot and Review (Come and See) USSR, 1985 Director: Elem Klimov Production: Byelarusfilm, Mosfilm; Sovcolor; running time: 142 minutes. Production manager: J. Tereshenko; screenplay: Ales Adamovich, Elem Klimov, based on works by Ales Adamovich, including The Khatyn Story and A Punitive Squad; photography: Alexei Rodionov; editor: V. Belova; assistant director: V. Pondchevni, Z. Rogozovskaya; production designer: Viktor Petrov; music: Oleg Yanchenko; music editor: M. Blank; costumes: E. Semenova; sound; V. Mors. Cast: Alexei Kravshenko ( Florya); Olga Mironova ( Glasha); Liubomiras Laucevicius, Vladas Bagdonas, Victor Lorents. Publications Articles: Diaz Torres, D., " Ven y mira, " in Cine Cubano (Habana), no. 114, 1985. Variety (New York), 17 July 1985. Portal, M., "Klimov, un cinéaste visionnaire" in Jeune Cinéma (Paris), November-December 1985. Strick, P., Monthly Film Bulletin (London), March 1987. LeFanu, M., "Partisan" in Sight and Sound (London), Spring 1987. Bassan, R., and M. Martin, Revue du Cinéma (Paris), May 1987. Goethals, Piet, " Idi I smotri: die Leiden des jungen Florya, " in Film en Televisie + Video (Brussels), no. 371, April 1988. Makkonen, V. -P., "Elem Klimov elokuviensa takana, " in Filmihullu (Helsinki), no. 6, 1988. Noel, J., and D. Fischer, "Viens et vois, " in Les Cine-Fiches de Grand Angle, vol. 15, no. 105, May 1988. Simons, Jan, "Beeld van de oorlog, " in Skrien (Amsterdam), no. 174, October-November 1990. Youngblood, D. J., "Post-Stalinist Cinema and the Myth of World War II: Tarkovskii's Ivan's Childhood (1962) and Klimov's Come and See (1985), " Historical Journal of Film and Television (Abingdon), vol. 14, no. 4, 1994. Interviews: Cinéma (Paris), 23 September 1987. Donets, L., "Preodolenie, " in Iskusstvo Kino (Moscow), no. 5, 1995. * * * is set in Byelorussia in 1943, and tells the story of German atrocities against the population through the eyes of a young boy, Florya, who, at the start of the film, joins the partisans. Whilst he is away his entire village, including his mother and little sisters, are butchered by the Germans. Returning with a partisan girl, Glasha, he discovers the awful truth, an event which virtually unhinges him. Roaming through the bleak Byelorussian countryside with an everdwindling band of displaced people, he eventually witnesses the German destruction of the village of Perekhody and the slaughter of its inhabitants?an event from which he narrowly escapes with his own life. The German unit responsible is caught and destroyed by the partisans, whom Florya, now aged almost beyond recognition by his terrible experiences, rejoins. The events portrayed in have been drawn from at least three separate books by Ales Adanovich (who also worked on the screenplay), so that, as Philip Strick put it, "what has been reconstructed is a symbolic tragedy, drawing together a multiplicity of terrible episodes into one condensed nightmare. " Indeed, an end credit tells us that there were 628 Perekhodys in Byelorussia, but new evidence unearthed since the fall of the Soviet Union suggests there were far more. Likewise a good deal of recent work emanating from Germany itself?and, in particular, a major exhibition in Hamburg in 1995?has cast a great deal of doubt on the conventional view that atrocities on the Eastern Front were carried out by the SS and various ill-assorted non-German Nazis, whilst the professional Wehrmacht got on with the job of being ordinary soldiers. So whilst it may indeed be the case, as some critics have complained, that will do little to foster good East-West relations, its representation of German soldiery in Byelorussia as glorying in the most vile and degraded behaviour imaginable, at least has the virtue of historical accuracy, and of puncturing the assiduously cultivated myth of the dutiful Wehrmacht. has aptly been described as an "epic of derangement, " and long before the horrors of Perekhody are presented in 25 almost unbearable minutes, the spectator has been submerged in a world that seems to have gone stark raving mad. Whether in the opening scene, in which two boys dig for buried guns in a bleak, Beckett-like landscape of sand dunes; Florya and Glasha's agonised struggle through a swamp to reach an encampment of lamenting women surrounding a charred, but still living, body; or the picaresque cross-country journey to find food, accompanied by a death's-head-like effigy of Hitler, in which only Florya survives just, this is a film informed with the spirit of Goya's The Disasters of War. Philip Strick has drawn a parallel with the "fevered expressionism" of Chukrai's Ballad of a Soldier and Kalatozov's The Cranes are Flying, and whilst it is true that there are plenty of bravura sequences involving long, mobile, hand-held shots, there is nothing particularly heroic about the vision of war on offer here. Indeed, from the moment Florya leaves home?not entirely willingly?it is presented as one long, utterly brutalising experience which leaves him looking like a wizened old man. In the early scene at the partisan camp in which the partisans are photographed in an heroic group pose, and the soundtrack fills with a patriotic song, it's as if Klimov is actually poking fun, not at the partisans themselves of course, but at the conventionalised image which they acquired in the post-war Soviet Union. The sense of derangement is massively augmented by the film's remarkably orchestrated soundtrack. Aural distortion is present right from the start, when one of the boys looking for guns addresses the camera in a voice that seems to have come straight out of The Exorcist. It becomes much more pronounced, however, after the scene in which the partisan camp is bombed, which causes damage to Florya's hearing. From then on in the soundtrack is what Strick has described as a "stunning tinnitus of distorted tones, " in particular making great play with variations on and treatments of the drone of the lone aircraft which reappears throughout the film like the sword of Damocles circling overhead. Not since Raging Bull or The Texas Chainsaw Massacre have the expressive possibilities of the soundtrack been exploited to such devastating effect. ?Julian Petley.
@ownederdjones: Well, if you see Russians dress up as Germans, getting drunk and than burn down some villages you do recognise that it is in fact some cheap propaganda flick, dont you think. LET ME HEAR YOUR WAR CRY AAAAAAAH. Va regarder votre.

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