Debbie Shaw

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1. country Canada
2. &ref(https://m.media-amazon.com/images/M/MV5BZjlhOWE3YjktY2MzOC00ZmQ1LWIwNjgtZmVhZmFjZGExMzgyXkEyXkFqcGdeQXVyMDA4NzMyOA@@._V1_UY113_CR0,0,76,113_AL_.jpg)
3. Jay Roach
4. actor Charlize Theron
5. Writers Charles Randolph
6. 9599 votes

Not gonna watch as I don't want spoilers and haven't seen the films but there is a mini series called the loudest voice based on the same thing. She is without doubt one of the most beautiful women on Earth. I didn't recognise Charliez Theron. ??My favourite leading ladies in one movie. How is it not acceptable for these other men in industry but acceptable for the President of our country and all those that voted for him? MeToo. Is bombshell available on netflix.
&ref(https://drscdn.500px.org/photo/184758259/m%3D2048/v2?sig=ec1e8cf4fff790079ee81744417c9d73bd3b2ee4d7e6407dc75b9cf9c53898a7)
&ref(https://drscdn.500px.org/photo/184758291/m%3D2048/v2?sig=925bf05ed7368dca149bc30b166bee8dfdfd1165b8cfa65a3406c30b7c2dbfce) I cant hear you two over the atrocious music at the beginning. Is bombshell on netflix. Great job Megan you have your big girl pants on. keep up the good work we love ya. This dude talks to her so casually. I would have stuttered, pissed my pants, and walked out in tears. &ref(https://drscdn.500px.org/photo/184758247/m%3D2048/v2?sig=a4c295f5f34f89dd75b66689292bb7bc6f2b9761b1de38a6d67dd21726c5ebf0) Is bombshell still in theaters. Roger Ailes and Bill "loofah" O'Reilly were/are as unpleasant on the inside, as on the outside. Apparently the powerful men and some women (Jeanine Pirro and others) were okay with these men slobbering over women like lions over pork chops. The women they salivated on were intensely attractive in real life and as played by Nicole Kidman, Charleze Theron and Margot Robbie. Some gave into Jabba the Hutt Ailes. Some resisted. Eventually they all found the courage to expose the sexual harassment machine at FOX News. It becomes even more twisted, when you realize how Republicans and Evangelicals constantly virtue signal about how wonderful they are and how disgusting liberal Democrats and the mainstream media is. But, as Megyn Kelly is reminded, FOX News IS the Establishment media today.

If you're a Republican, conservative evangelical or if you voted for Trump, you will reject the entire premise of the film just like you accept the flat earth or Jesus walking with dinosaurs like Fred Flintstone. If you're a pro-facts kinda person, it's a decent flick.

Ios bombshells. Trailer of Saw 9 madafakers. Is bombshell true. Hahaha Trying to stay relevant. What Steve Jobs threatened, Tim Cook delivers April Fool Apple has launched a new patent assault on its competitors, one that appears to unleash the nukes that Steve Jobs reportedly told his biographer Walter Isaacson he was going to drop on Google's Android. "I'm going to destroy Android, because it's a stolen product, " the late Apple cofounder told the author of the überpopular authorized biography Steve Jobs in a 2010 interview. "I'm willing to go thermonuclear war on this. " Apple's legal team has now filed a patent-infringement lawsuit that hurls a potentially Edward Teller ?level legal challenge at its smartphone and tablet competitors. Or, at minimum, one that opens up a massively profitable licensing opportunity for Cupertino. Apple's SVP and general counsel Bruce Sewell, when announcing the sweeping lawsuit in a rare Saturday call with reporters and analysts, cited not his late boss, Steve Jobs, but his current one, Tim Cook. "As Tim said in 2009, " Sewell reminded us, "'We like competition as long as they don't rip off our IP. And if they do, we will go after anyone who does. We are ready to suit up and go against anyone'. " The patent being asserted by Sewell and his crew is USPTO Patent # 1, 042, 012, first granted to the American Mathematical Society in October 1912, subsequently renewed, then acquired by Apple at an unknown date. The first entry among the patent's Claims describes "A quadrilateral having all four interior angles of 90°, opposite sides that are parallel, and congruent diagonals that bisect each other. " Yes, Apple is asserting a patent on the rectangle. When The Reg pressed Sewell on the validity of patent #1, 042, 012 and the arguable existence of prior art, he defended Apple's legal strategy. "When we sued Samsung in April of last year, " he told us, "one of our assertions was that that company had modified its original design to include 'square icons with rounded corners' that were copied directly from our iOS icons. How much of a legal leap is it from the assertion of owning squares with rounded corners to asserting that we own the rectangle? " Sewell also reminded us of Apple's slide-to-unlock patent-infringment lawsuits, which Motorola lost in Munich and Samsung won in Mannheim, but which still remain up in the air ? although there are signs that a peace treaty may be in the offing. "A 'person familiar with the art', " Sewell told us, using a familiar bit of patentese, "might argue that the concept of sliding something to unlock something has been around since the deadbolts of the Middle Ages. But it seems the Weißbier-sodden Bavarians were more interested in hefting their hearty hulks to the Hofbräuhaus than in debating 'prior art'. " When we pointed out to Apple's general counsel that his company hadn't exactly played fair in a patent-infringment case against Samsung, having changed the shape of an image of the Samsung Galaxy Tab 10. 1 in a court presentation to make it more resemble an iPad, he dismissed our objection. "It's still a rectangle, " he sniffed. "And we own the rectangle. " ® Sponsored: CONTINUOUS LIFECYCLE LONDON 2020.
Is no one going to mention how her door looks like it belongs in a stable. Megan Kelly only wishes she was half as talented and good looking as Charlize is. Is bombshell good.

This is Sodoma. Everything has a consequence. Booooring Film. [Ios] bombshell. Is bombshell available on amazon prime. When I'm hungover, John lithgow in this trailer is my spirit animal. Now THIS is a movie trailer. So we just gonn act like Keke Palmer isnt a reason to watch this movie. ??.
Now that's a solid trailer. I enjoyed watching and it was worthed. Good team-work, good performance, good topic, I felt sorry for Kayla. I think every lady should watch this movie. Couldnt they fix your hair ??♀?all them fly aways. Who cares. The theme & issue centre on one that is very prominent. This true story magnifies the abusive story of sexual harassment & women discrimination which both need to be addressed to the audience as to how corrupt and dirty the workplace can be.

Bombshell approaches its ideas with full throttle by flooding gallons of the controversial contents without meeting its ends. The better thing is that those contents which are presented do not seem to pull the punches. The transparency is out in the air at all times, letting viewers with very sensitive info. Powerful performances by the femme fatales but the one who steals the spotlight is Margot Robbie. Her acting is miles better than Theron & Kidman especially the on-the-phone scene near the end. With a triple threat of female leads, Bombshell is an undeniably good feminism film. This is a movie that gets it right to show its support for the prevalent political movement without forcing the agenda too much of a slap to the viewers watching. Bombshell has unique transitions since its beginning. They opt for many powerful filmmaking techniques to entice the audience as much as possible. The tension is placed in the gray area. The elevator scene is the highlight of heightening its raw tension masterfully. However, the movie overall lacks this aspect mainly due to its pacing. Pacing is the main problem Bombshell is facing. The middle part addresses one of its sub-storytelling in a painfully slow build-up. The final 20 mins opposes it by rushing the plot promptly. Another problem it faces is the connection those three leads have. They don't establish a good interconnected relationship resulting in each of the character's story feels disjointed from one another. Only the third act that the connection starts to develop well. Throughout, there is no background song being played except for two or three scenes. This is the problem, the movie has it so good without no song but when they do, they emerge this bizarre atmosphere because it feels forced to just put the song so suddenly. Verdict: Though Bombshell has its problems to light up its incendiary, it manages to drop the bomb very hard to deal with its worthy subject, its terrific cast who magnify the subject and its enticing story which ticks off better than expected.

These two men need a real job. Im excited for this movie so much. That's my daughters name. I have it tattooed on my chest. Is bombshell factual. How does she physically look like her. I mean, it's kelly herself plays this role. I couldnt recognize Charlize ?. Back to the pixie haircut! It suits her best, better than the curly bob everyone is wearing, she really stands out in short hair. Charlize top 10 legs. &ref(https://drscdn.500px.org/photo/184758239/m%3D2048/v2?sig=8f7931388af09d490152ce9b84028bffcb442157916ba4201dcabecefabef40c) And why it’s not enough December 23, 2019 Both Kayla and Jess are composites?characters meant to tell the stories of women who could not speak for themselves. Lionsgate The best scene of Bombshell, the based-on-a-true-story dramatization of sexual harassment at Fox News, is one that never really happened. In it, Kayla, a young and ambitious producer at the network, gets an opportunity that doubles as currency at Fox News: a private meeting with Roger Ailes, the chairman and CEO. Knowing that he has the power to make her career in journalism?less aware, at the time, that he also has the power to break it?Kayla sits on Ailes’s couch, thrilled. She tells Ailes about her career. He listens for a moment. And then he gives her an order: “Stand up and twirl for me. ” Kayla is confused. She is uncomfortable. But she does as she’s asked. She gives a quick spin, her mouth frozen in a tight smile, attempting to make light of the move. The camera focuses on her face. Ailes?his initial warmth growing colder as he issues commands?asks her to hike up the bottom of her dress. She resists. He asks again. Finally, she complies, as the interaction she had thought was a job interview congeals into something else. She pulls up the hem of her dress. Ailes, played by John Lithgow, breathes heavily. She pulls the dress up higher, her hands trembling, until her underwear is exposed. The scene is intimate. It is invasive. It is painful to watch. That’s in part because it is shot so unsparingly. But it is also because the assault Bombshell ’s camera depicts is not physically violent. The abuse here is psychological. Kayla, without realizing it, has walked into a battle for her dignity. The writer Jill Filipovic explained the scene’s power like this: “Reading about sexual harassment dulls it. Seeing it is a crucial reminder of how repulsive and destructive Ailes, and sexual harassers like he was alleged to be, can be. ” So it is notable, in that regard, that the woman in the scene is one of the characters in Bombshell who is not based on a specific person. Kayla Pospisil, played by Margot Robbie, is instead a composite figure?a woman woven from the stories of multiple real-life people. She is the product of a literature review, basically: Kayla’s experiences in the film are summaries of several of the allegations made about Ailes in sexual-harassment lawsuits that Fox News employees brought against the network. Her character is also informed by interviews Bombshell ’s filmmakers conducted with many of the women who made those claims. While nondisclosure agreements have kept many of those women publicly silent, Kayla, in a sense, gives them a voice. Kayla is one of three women at Bombshell ’s center; the other two are Megyn Kelly (Charlize Theron) and Gretchen Carlson (Nicole Kidman). Bombshell is a work of uncanniness. Starting with the makeup that transformed Theron into Kelly, the film’s pleasures and its indictments come in large part through its painstaking re-creations of real-life people. Kayla, though, suggests the limitations of the simulacrum. It is revealing that one of the main characters, in this film that has marketed itself as a retelling of the sexual-harassment story at Fox News, is a work of fiction. But Bombshell is primarily Kelly’s story. She is the one who is capable of breaking the movie’s fourth wall, speaking directly to the audience. She is the one whose arc, in the film, bends the most sharply. There is an inherent challenge in that arrangement: To tell the story of workplace sexual harassment through the experience of Megyn Kelly is … to tell the story of workplace sexual harassment through the experience of Megyn Kelly. It is to have a tale told by a narrator who is, if not fully unreliable, then deeply fraught. Read: Megyn Kelly’s original sin Bombshell nods to that tension. It features a brief clip of one of Kelly’s more infamous on-air moments: her glib insistence that “ Santa just is white. ” The film also features, along the way, assorted acknowledgments of the Fox News complicity machine?chief among them, representations of the many women at the network who had succeeded within its rigged system and who therefore had a vested interest in maintaining that system as it was. (If you are not a fan of Jeanine Pirro, the Fox News host who recently wrote a book titled Liars, Leakers, and Liberals: The Case Against the Anti-Trump Conspiracy, Bombshell provides several scenes that will leave you feeling fully vindicated. ) But the main way the film wrestles with the complications of its own story is by eliding them. Kelly may be the star of the show; Kayla, however, is its moral center. (Carlson?who was the first to come forward with allegations of sexual harassment against Ailes?is something of the side character in the trio. ) The scene between Kayla and Ailes is what roots the film as it explores the legal battle that led to Ailes’s ouster from the network. It is through Kayla that the horrors and humiliations of sexual harassment are brought to the film’s screen. “I’ve never filmed anything as excruciating, ” Bombshell ’s director, Jay Roach, said of that interaction. It’s understandable, in some ways, that the character doing that work in the film would be fictional. My colleague Conor Friedersdorf, writing after the publication of the report about an unnamed woman’s sexual experience with Aziz Ansari and the New Yorker story “Cat Person, ” argued that fiction can be functional. Invented stories, he suggested, could be the most efficient way to talk about the things so many people wanted to be talking about when it came to those stories: the gray areas of consent; sex that is bad not in a criminal sense, but in another way. The benefit of “Cat Person” was that those discussions could be had about people who did not exist. Fiction affords a kind of freedom. Read: ‘Cat Person’ and the impulse to undermine women’s fiction Nonfiction brings complications. Megyn Kelly, with her glib comments about Santa and blackface and “ thug mentality ”?with all the work she did to build up the network that has helped bring America so low?is a notably difficult vehicle for discussions of justice. But Kayla Pospisil is not. Kayla is no more and no less than what Bombshell tells us she is. She makes few demands, of her screenwriters or of her audience. She brings none of the baggage that comes with a real existence. In some ways, that’s a productive thing. Robbie’s performance is masterful, and Kayla’s lack of specificity makes her an apt stand-in for the many people at Fox News who are not part of the story Bombshell is telling. But Kayla, a figure informed by everyone and therefore by no one, also makes the movie smoother and easier than it might be. The character frees the film of the obligations that come with telling true stories about real people. That freedom, however, also allows a story about sexual harassment to wander, at times, into the realm of the fanciful. You can see this in another composite character in the film: Kayla’s best friend at the network, Jess Carr, played by Kate McKinnon. McKinnon has described her character as a “closet liberal and closet gay woman. ” Her presence allows Bombshell to point out that Fox News is a more complicated place than its broadcasts might make it seem. But McKinnon’s character allows Bombshell to do something else, as well: to serve up a scene in which Jess and Kayla are lying in Jess’s bed, ostensibly having slept together. Was the scene between these two composite characters making a point about the secret lives of women? Maybe. Would Laura Mulvey also have some things to say about it? Probably. Bombshell is rendered in the style of Vice and The Big Short (its screenwriter, Charles Randolph, also wrote the screenplay for the latter). Here, too, are wide-ranging tragedies expressed through an aesthetic that verges on cartoonish. The film?its pun of a title offers a hint at what’s to come?has a kaleidoscopic quality. It is primary-colored and stylized and dizzying. It is, like the cable-news network that is its subject and its setting, shiny and hectic. But Bombshell ’s message, for all that, is straightforward: All women, no matter their politics, deserve to work in environments that are respectful and safe. That is an important argument, and Kayla, ambitious and vulnerable and fictional, expresses it well. Kelly and Carlson, however, complicate it considerably. Those women, as real and historical figures, have contributed to the rise of a network that has often made a mockery of the very things Bombshell celebrates: collaboration, courage, justice. Fox News has made its reputation and its money by delighting in division?by insisting that some women are more deserving than others. That is the uncomfortable fact of this film. Kayla helps Bombshell elide it. What would the film have looked like had her character not been part of its universe?had Bombshell reckoned more directly with its real and deeply flawed heroines? It wouldn’t have been as sleek. But it might have been more revealing. We want to hear what you think about this article. Submit a letter to the editor or write to Megan Garber is a staff writer at The Atlantic, where she covers culture.
Republicans are no better,saving and loan theft,911,Iraq war lies. They all are bad. Is bombshell a movie. Couldnt help but notice that they are all wearing pants. One thing you can't deny, Margot Robbie is a goddess.

This movie broke my heart for the non existing relationship I have ??.

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