Patterns of Evidence: The Red Sea Miracle
8.5 out of 10 stars - 567 votes
definition film 136 Patterns of Evidence: The Red Sea Miracle
*
?????
https://stream-flick.com/16711.html?utm_source=see... Server #1
×××××
Published by: David Pitman
Biography Senior Pastor, Addyston Baptist Church; Director, Baptist Faith Missions; Truth without Love leads no one; Love without Truth leads nowhere.
Countries - USA Genre - Documentary Year - 2020 Patterns of Evidence: The Red Sea Miracle is a movie starring Barry Beitzel, Manfred Bietak, and Jason Derouchie. One of the greatest miracles in the Bible is Moses and the Israelites trapped at the sea by Pharaoh's army, when God 26 Votes. “HE PERFORMS WONDERS THAT CANNOT BE FATHOMED, MIRACLES THAT CANNOT BE COUNTED! ” ??????. This Bible-affirming investigation is so large that two films were required. It’s one of the greatest miracles in the Bible; Moses and the Israelites trapped at the sea by Pharaoh’s army when God miraculously parts the waters, rescuing the Israelites and destroying Pharaoh and his chariots. But is there any evidence that it really happened and if so, where? That’s what investigative filmmaker Timothy Mahoney set out to discover 18 years ago and now he is ready to share what’s been uncovered; a controversy between two dramatically different approaches in reading the biblical text. One approach is Egyptian, the other is Hebrew. Both will lead to two very different conclusions on the location of the Exodus crossing site and the cause of the miraculous parting of the sea. What do these different approaches tell us about miracles ? and what do they tell us about God?
Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracle de la grossesse. Both controversial and inspiring, writer/director Mel Gibson was even accused of "making himself God, " by those who disliked the film (not that the accusation makes any sense); for those of us who have found a deeply moving and intimate portrayal of Jesus Christ and His Sorrowful Passion, the story has stayed with us, deepening our faith and our willingness to suffer for our own sins and those of others. The video below contains the entire film, which I will be discussing scene-by-scene below: The moon has long been a pagan symbol of various cults of Satanic worship; why would Mel Gibson’s 2004 drama The Passion Of the Christ open with a pagan image? Because it’s not a pagan image; the cycles of the moon have been used since earliest man to measure time and seasons, hence, on this “night of nights, ” the night of the Last Supper, the moon in its fullness makes the viewer aware of the fullness of time and the fulfillment of the prophecies of the Christ, the Messiah. The darkness and fog covering the garden is indicative of sin covering the world: just as we cannot see what is happening in the garden because of the night and fog, so we cannot see what damage is done to our soul when we sin. All images are high-quality, so please click on any that you might want to study in greater detail and they will enlarge to full-scale and resolution. It is proper that Gibson chose to begin the tale in a garden, because it was in a garden that man’s story began, the Garden of Eden and man’s Fall from Grace; the Garden of Olives begins the story of returning man to God’s Grace, and the Resurrection in the garden signals the completion of the intent. Before we see the lonely figure of Jesus praying alone, we see a tall tree, in full bloom with leaves, and it both invokes the Tree of Knowledge from which Eve and Adam partook of the Forbidden Fruit, and that being the whole purpose of why the Divine Economy had to account for the Sacrifice of Jesus, but also how the bare Tree of the Cross would impart new knowledge to us and make us fruitful in our own journey to salvation. Just as we don’t hear/understand the initial words of Jesus praying because we see the entire story through the eyes of sin (the tree limbs hanging down obscuring the view of Christ) and it is the words of One Wholly Obedient?scared, terrified, yes?but willing to endure the terrible sacrifice for Justice that is demanded. Why is Christ’s robe slipping off his shoulder? His cloak is red, the color of love and martyrdom; His robe is white, the color of purity, and in this case, utter Purity of Obedience. We know, from the writings of the saints, that when we fail in love, we can succeed through obedience (when we don’t want to do something, we can accomplish what must be done because we remind ourselves of Christ’s obedience, and His fear of not wanting to go through what has come before Him is not a sign that His Love for humanity is failing Him, rather, that we, the saints in training would fail in callings we should heed and only obedience would get us through. It’s a simple gesture, but a telling one: just as Christ reaches out for the tree to help steady Himself, and His hands don’t feel the tree there, so Christ reaches out for the support and love of His disciples, and neither are they there. The sleep of the disciples mirrors the sleep of the whole world, the sleep of us even today, because parts of our souls are still submerged in sin, keeping us from being fully “awake” and alive to the call of Christ. The second Peter hears His Voice, Peter and the others awaken, just as, in the spiritual life, when we hear Him call our name, we awaken. When Jesus asks, “Could you not even keep watch with me one hour? ” those of us who go to Maundy Thursday each year and stay until Midnight know the difficulty of staying awake and focused on what we know will happen for our own sakes. But Peter asks what has happened to you? The roles have been reversed: whereas the disciples are used to receiving encouragement from the Lord, now the Lord needs encouragement from them. Why? So He could completely conquer Sin and Death for us, on the way to the Garden of Olives from the Upper Room, Christ’s Divinity was suspended: He endured the entire Passion in His human form with no consolation from His Divine nature, just as we have no consolation in our dark hours. Jesus’ helplessness, so to speak, is what startles Peter, because he’s used to the fully Divine and fully human Jesus, not a suffering Jesus. “Stay here. Watch, … pray. ” What kind of advice is that? Fleeing seems like a much better idea, doesn’t it? Is Jesus telling them to watch for Judas coming? No, He’s telling them to watch how He submits to the Father’s Will, and to pray to do in their future trials as they will see Him do. Why does Jesus not want the others to see Him in this state? Pride? No, because that is how it is in the spiritual life: what builds up some (in this case, Peter, John and James) would not be beneficial for others (the other Apostles), that is why the path of each saint is destined for heaven, but each path is different. When Peter looks back up at the moon and hears the loud bird screech in the background, that is the call of the bird of death which has been unleashed, and it has been unleashed, as the visual commentary tells us (camera angles and directions) because just as the fullness of time for the Christ to suffer has come, so, too, has the fullness of Judas’ betrayal come. The area separating Judas from the High Priest reminds us, instantly, of the special treatment which Judas has received in being one of only twelve in the entire history of humanity to travel with Jesus and be His intimate friend and numbered among the Apostles. Thirty pieces, as St. Augustine would point out, is the multiplication of 3 (honoring the Trinity) and 10 (the number for the fullness of Grace). It's not a matter of what Judas has gained by selling Christ, but what he has lost, just as each of us lose when we turn to the world instead of to God. Long time readers of this blog should be thinking about the links we have made since October between the defeating of werewolves by anything silver, for the reasons given above, because the man who has become enslaved to his sexual appetites can only be saved by the Word of God, that is, something silver. (For more, please see The Bright Autumn Moon: The Wolf Man). Before anyone speaks, Judas looks behind him; Satan is with him. There are odd aspects to Satan’s presence in the Passion story. Blessed Mary of Agreda and Blessed Anne Catherine Emmerich agree that Satan, up to this point, had not been sure whether Jesus of Nazareth was the Christ, the One who could come into the world and end Satan’s reign. In the Scriptures, whenever a demon would challenge Christ’s authority, or call Christ the “Son of God, ” or make other such reference, it’s not that Satan acknowledged Jesus was the Christ, but was trying to discover if Jesus was the Christ (the Messiah). When Jesus conducted the Last Supper, and Satan could feel the Divine Power transubstantiating the Bread and Wine, Satan knew then that he was about to be defeated; whereas Satan had been using Judas to try and destroy the prophet Jesus of Nazareth, even Satan could see that if Jesus was handed over to suffer and die, He would defeat Satan forever. When Jesus, at the table of the Passover, tells Judas to do what he must, and Judas leaves, Satan actually tries to talk Judas out of betraying Jesus to prevent Jesus’ triumph, but it’s too late, Judas is so bent on his own destruction that even Satan can’t sway him from committing this sin! Why does the priest toss the bag of money to Judas? They know it’s a sin to betray your friend, and don’t want to defile themselves by touching him (consider, if you will, the parable Jesus told of the Good Samaritan: the High Priest wouldn’t touch the wounded man because it would ceremoniously defile them; the wounded man was Adam, symbolically, and the Samaritan who saved him and paid the price for his healing was Christ). The next question: why does Judas drop the money? Because Judas does not have “a grip” on what it is he is doing and is going to happen. Judas stooping down to pick up the money, and his bare feet (feet symbolize the will, so his will to collect the money is “exposed”) mean that he is willing to stoop to collect on what it is he will do. Judas being a thief, then, is juxtaposed against St. Dismas, the “Good Thief, ” because Judas, having traveled with Christ stole even though he knew what he was doing, but Dismas, never having been with Christ, saw in the few agonizing hours they were together that Jesus was Lord. There are lots of deep, fruitful ways of understanding the Mystery of Christ’s sweaty bleeding, but at least one way is that the Temple, wherein Judas and the High Priests, agree to arrest God, is now the “den of thieves” and no longer the Temple; because the Temple was the place where sacrifices were performed, Jesus’ bleeding in the Garden of Olives is a clear sign that now He is the Temple (of which He had spoken earlier) and He is the Sacrifice, being Pure and undefiled which the Temple no longer is because of the great sin that has taken place there, the betrayal of God by His own people. Gibson does something interesting here, he basically changes the story, but it’s still fruitful and instructive. In the original narrative, we are told that an angel comes and comforts Christ; instead, Gibson has Satan come. Knowing that Judas is bent on doing what Judas will do, the devil now tries to tempt Christ away from His Path, but there is another reason this works, too. Even when we want to do God’s will, our own fear and doubt can start undermining us; it’s a blessing from God when Satan shows up to work against
Riveting video, awesome in the true context of the word, you are very privileged to make this journey. Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracle contre. Thanks for the comment. Snow White became a part of the Grimm Brothers' fairy tales in 1812 and was made into a classic, feature length film by the Walt Disney company in 1937. Exactly 200 years later, Mirror, Mirror comes out this weekend (starring Julia Roberts) and Snow White and the Huntsman comes out June 1; as audiences watch the new adaptations (one a comedy, one a drama) the 1937 Walt Disney version is the one most will mentally reference as the film progresses?to spot changes and similarities, inwardly considering Walt Disney's to be the original; what might seem to be changes to the story could, in fact, be citations of the original story which Disney himself changed to create his world that we all know so well. The physical description of Snow White is important because Disney kept it in his adaptation and even parts of her famous costume are retained by both Mirror, Mirror and Snow White and the Huntsman. The Grimm Brothers' tale reads: Once upon a time in midwinter, when the snowflakes were falling like feathers from heaven, a queen sat sewing at her window, which had a frame of black ebony wood. As she sewed she looked up at the snow and pricked her finger with her needle. Three drops of blood fell into the snow. The red on the white looked so beautiful that she thought to herself, "If only I had a child as white as snow, as red as blood, and as black as the wood in this frame. " Soon afterward she had a little daughter who was as white as snow, as red as blood, and as black as ebony wood, and therefore they called her Little Snow-White. And as soon as the child was born, the queen died. It's mid-winter, so things have been cold and are going to stay cold, and the idea of a queen sewing is a prime image of the spiritual life, because each of us is called to be royalty in our souls but this woman is royalty in the material world; when we have success in life, we undoubtedly turn to the spiritual and want more out of life than just the material, and what it is we are to be sewing? The bridal gown, the "new man" that Christ calls each of us to put on, on the gown of virtue and love. The queen getting distracted by what happens outside the window is why she pricks her finger: when we don't follow the dictates of the spiritual life and look to the physical world instead we only hurt ourselves. Knowing she became distracted, and recognizing the spiritual qualities she herself should have been exercising (more on that in a moment) she wants to have a child that will accomplish spiritually what she was not able to do in the physical world, the material world. A child as white as the snow is a child both pure and full of faith (the color white) and steadfast in that faith and purity (the snow, winter signaling the time of hardship that won't overcome faith). As the Disney version says, when the queen has dipped the apple into her poison, "The symbol on the skin of what lies beneath! " because Snow White's skin is white and pure, so is she in her soul (and conversely for the queen). A child red as blood means she is the expression of perfect love: red is the color of love because our blood is red and when we love to the utmost, we are willing to spill our blood, so a child red as blood means a child made completely of love (no rebellion like a teenager). "Black as the wood in this frame" of the window reminds us that windows are the symbol of contemplation and meditation; when we are in deep levels of meditation, we are dead (black) to ourselves, we are aware of serving others and fulfilling our duties in life, and by so doing, that feeds our ability to mediate and become self-aware (the frame around the window). The queen dies as soon as the child is born because we "cannot serve both mammon and God, " i. e., the world and the spirit. Snow White is the "fairest in the land" because she has the greatest virtue that adds to the greatest beauty, or makes even a ugly woman beautiful, if she so practices virtue. Little Snow White, the original Grimm Brothers' tale, can be read here for free; it's only a couple of pages and quite interesting. As we review Walt Disney's Snow White and the Seven Dwarfs, I will be referencing significant changes Disney made to the story (I had originally intended to also post on the 1997 film Snow White: A Tale Of Terror which has some interesting aspects to it, and I will mention it from time to time, but not specifically post on it; it is available for instant viewing on Netflix). As I mentioned, the original Snow White tale is only a couple of pages, but we are presented with an entire book here. Why? It was a rather standard device Disney used for many feature-length films, including The Sword and the Stone, The Wind in the Willows, The Legend of Sleepy Hollow, (I think The Jungle Book), etc., but the importance is a referencing an authority, an author, someone who no longer exists, but their story from antiquity does exist (we will discuss this at greater length next week with The Ten Commandments) is an aesthetic response, the idea of us being children again and someone opening our favorite book to read to us, but there is also the validation that the story to be told is published, preserved for all ages and hence of value. This introduction to the story is also important because in the featurette for Mirror, Mirror, the dwarfs decide to "skip the story book" opening and just get on with the story, which is a reflection of our cynicism today; but Snow White and the Seven Dwarfs knows everything exists within a context, and this intro in writing of what that context is lets us know what that context is. The blue fabric upon which the book rests symbolizes the "wisdom" being offered up for our consideration in the pages; how do we know that? The book, like our heroine, is white, so that contained therein is pure and faithful, it can be trusted; it is also edged in gold, symbolizing royalty, and in this case, the "royal wisdom" that will bring us all to happiness if we heed it, like Snow White, or ruin, like the queen, if we don't. In 1937, when Snow White and the Seven Dwarfs was released, who was poor and dressed in rags? Everyone. The Great Depression was in full-swing, and there was unprecedented unemployment and food lines; like Snow White, most Americans were hoping for that thrill of true love that would get the heartbeat going again and lead the country out of the dark times. But an economic and historical analysis doesn't explain why the film is so timeless; we might argue it's the great artistry of the illustrations, but with advances in computer animation nearly every day, wouldn't that make Snow White seem old and worthless? (Not that I would ever argue that). It will be a fruitful exercise for us to consider the presentation of the queen's castle pictured here, and compare it to the one we will see in Mirror, Mirror and Snow White and the Huntsman. In this picture, we don't see any decay or ruin: the kingdom looks beautiful and lovely (unlike what we are going to be seeing in the two new versions). Is that to demonstrate that the queen is a good ruler, and her subjects prosper? No, it's to show us the "image of health" so when we see the queen, we know she' s not it. This play on opposites is also at work in the two queens this year: they will be dressed to the nines in rich clothes, while their subjects languish in poverty. The evil queens will look wealthy and beautiful while the subjects poor and miserable. Incorporating strong opposites in films allows an easier comparison--that doesn't even have to be articulated--for the audience to understand how the "balance" of justice will be swayed by the hero and why. When there is a story that achieves the timeless quality, it's because it's about something that is timeless, and that is the soul. (I know there are readers who will say I am reading into this story what I want to; regardless, Snow White does say a prayer when she's spending the night at the seven dwarfs' house, and that verbal verification of Snow White "being in communion with God, " allows us to understand God answering her prayers in the tradition by which?God works). The window of the castle wherein the Evil Queen and Snow White live. This castle is an earthly castle (juxtaposed with the castle in the clouds at the end after the prince awakens Snow White) and hence an indication of the worldly. The window where our attention is focused is one of the chambers of the evil queen where her mirror is kept. Women being in tall towers of the castle are a typical mainstay of fairy tales and legends, and--just as with houses--castles symbolize the soul: what a soul guards and cherishes (the way a castle is a fortress, what is that soul defending within itself? ) or what is being kept within. The windows of a castle (are few because of defense purposes) so there is not much "reflection" going on (this castle invokes the Norman style of architecture most, which were heavily fortified). Self-meditation and reflection are a large aspect of the story, therefore, since there are not many windows--only a magical mirror--we know the queen's castle is built upon a rock that is as hard as her heart, and it keeps her in so she doesn't have to meditate or grow, but only grow cold towards others. The opening shot of the castle isn't to let us know that Snow White and the Seven Dwarfs is a fairy tale, it's to let us know that we are about to be given a royal lesson on what life is and what each of us should know about living. Fairy tales are the secular parables often validating the Biblical parables taught by Christ, just employing a different method of decoding (with two editions of Snow White coming out this year, two versions of Hansel and Gretel and Jack and the Giant Killer, not to me
This morning i started reading exodus (for the first time) and tonight i happened to watch this video out of nowhere. Thank you for your contribution. Got my ticket. Shalom. Our Father which art in heaven Glory to you and your son our Lord Jesus Christ. Thank you for Ron all the dedication you are to God work. All others that are thieves God know who they are he will judges them, for it is not our will to judge, but for God it will be done. Peace and blessing unto Ron and all his belove family! Stay strong and humble. Peace and blessing unto all.
Oh God make away where seems to be no way to meet my Adam the love of my life ????. Thank You Here From Richie From Boston.
Was blown away by what you have uncovered. Outstanding work. In an other you tube clip, they actually found the pharaohs chariot wheels on the sea bed. So how come mainstream archeology don't acknowledge these finds. SHAHULHAMEED. Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracle.
I put all my trust in you my lord, yo doing amazing things jesus. This is astonishing. Until now, I thought that there really was no proof for the exodus story. But now, I cant believe the shocking amount of evidence that has just been ignored! Baruch Hashem this guy brought this all to light. Jesus=Yasua al-Kalima (the Word) was Ilah (EL) ??? ?????? ???. This is exciting to see! I am glad they are protecting all of these sites because if there had been lots of tourists, it would not be this nice. This was amazing. Thank you! I wish Mary Nell would do a whole bunch of these videos since she knows so much about Ron &?ALL of his discoveries. We need to get this on record, on youtube asap. It would be great if Danny would agree to do some videos too with everything he knows, since he was there on some of the digs. Time is short & souls need to be saved.
Even powerful archeological evidence such as this, mout sinai, the ruins of Sodom and Gomorrah, and Noah's ark will never be enough to sway skeptics and scoffers. Jesus performed many miracles in full view of hundreds of witnesses, including giving sight to the blind and making cripples walk. And raising lazarus from the dead. Even then, seeing the supernatural power of God in the flesh was not enough for many to accept jesus as the messiah. Visual proof only demands further investigation and those who investigate are often persuaded or threatened to come to false conclusions that support the establishments scientific model. Researchers who support creationism are shunned by the secular community and never get the media exposure or recognition that they deserve. Suppressed Archeology is a very real deception that hides the truth from the public eye. People don't realize the lengths that have been gone to in order keep some of the most fantastic and important archeological discoveries concealed from people. There is a massive coverup and misinformation campaign to hide anything that prooves creationism that has been going on since the early 20th century. The illuminati groups behind this want the masses to believe what they tell them to believe. Their evolution model would be utterly destroyed if the truth came out. One day it will, jesus said that there is nothing secret that will not be made known to all the world.
Are these the 'chariot wheels' that Ron Wyatt found? You know, the ones discounted even by Answers in Genesis as fraudulent? The ones when pressed by scientists to examine, curiously disappeared - never to be seen again. 5:21 sayid jarrah. Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracles.
8.5 out of 10 stars - 567 votes
definition film 136 Patterns of Evidence: The Red Sea Miracle 
?????
https://stream-flick.com/16711.html?utm_source=see... Server #1
×××××
Published by: David Pitman
Biography Senior Pastor, Addyston Baptist Church; Director, Baptist Faith Missions; Truth without Love leads no one; Love without Truth leads nowhere.
Countries - USA Genre - Documentary Year - 2020 Patterns of Evidence: The Red Sea Miracle is a movie starring Barry Beitzel, Manfred Bietak, and Jason Derouchie. One of the greatest miracles in the Bible is Moses and the Israelites trapped at the sea by Pharaoh's army, when God 26 Votes. “HE PERFORMS WONDERS THAT CANNOT BE FATHOMED, MIRACLES THAT CANNOT BE COUNTED! ” ??????. This Bible-affirming investigation is so large that two films were required. It’s one of the greatest miracles in the Bible; Moses and the Israelites trapped at the sea by Pharaoh’s army when God miraculously parts the waters, rescuing the Israelites and destroying Pharaoh and his chariots. But is there any evidence that it really happened and if so, where? That’s what investigative filmmaker Timothy Mahoney set out to discover 18 years ago and now he is ready to share what’s been uncovered; a controversy between two dramatically different approaches in reading the biblical text. One approach is Egyptian, the other is Hebrew. Both will lead to two very different conclusions on the location of the Exodus crossing site and the cause of the miraculous parting of the sea. What do these different approaches tell us about miracles ? and what do they tell us about God?
Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracle de la grossesse. Both controversial and inspiring, writer/director Mel Gibson was even accused of "making himself God, " by those who disliked the film (not that the accusation makes any sense); for those of us who have found a deeply moving and intimate portrayal of Jesus Christ and His Sorrowful Passion, the story has stayed with us, deepening our faith and our willingness to suffer for our own sins and those of others. The video below contains the entire film, which I will be discussing scene-by-scene below: The moon has long been a pagan symbol of various cults of Satanic worship; why would Mel Gibson’s 2004 drama The Passion Of the Christ open with a pagan image? Because it’s not a pagan image; the cycles of the moon have been used since earliest man to measure time and seasons, hence, on this “night of nights, ” the night of the Last Supper, the moon in its fullness makes the viewer aware of the fullness of time and the fulfillment of the prophecies of the Christ, the Messiah. The darkness and fog covering the garden is indicative of sin covering the world: just as we cannot see what is happening in the garden because of the night and fog, so we cannot see what damage is done to our soul when we sin. All images are high-quality, so please click on any that you might want to study in greater detail and they will enlarge to full-scale and resolution. It is proper that Gibson chose to begin the tale in a garden, because it was in a garden that man’s story began, the Garden of Eden and man’s Fall from Grace; the Garden of Olives begins the story of returning man to God’s Grace, and the Resurrection in the garden signals the completion of the intent. Before we see the lonely figure of Jesus praying alone, we see a tall tree, in full bloom with leaves, and it both invokes the Tree of Knowledge from which Eve and Adam partook of the Forbidden Fruit, and that being the whole purpose of why the Divine Economy had to account for the Sacrifice of Jesus, but also how the bare Tree of the Cross would impart new knowledge to us and make us fruitful in our own journey to salvation. Just as we don’t hear/understand the initial words of Jesus praying because we see the entire story through the eyes of sin (the tree limbs hanging down obscuring the view of Christ) and it is the words of One Wholly Obedient?scared, terrified, yes?but willing to endure the terrible sacrifice for Justice that is demanded. Why is Christ’s robe slipping off his shoulder? His cloak is red, the color of love and martyrdom; His robe is white, the color of purity, and in this case, utter Purity of Obedience. We know, from the writings of the saints, that when we fail in love, we can succeed through obedience (when we don’t want to do something, we can accomplish what must be done because we remind ourselves of Christ’s obedience, and His fear of not wanting to go through what has come before Him is not a sign that His Love for humanity is failing Him, rather, that we, the saints in training would fail in callings we should heed and only obedience would get us through. It’s a simple gesture, but a telling one: just as Christ reaches out for the tree to help steady Himself, and His hands don’t feel the tree there, so Christ reaches out for the support and love of His disciples, and neither are they there. The sleep of the disciples mirrors the sleep of the whole world, the sleep of us even today, because parts of our souls are still submerged in sin, keeping us from being fully “awake” and alive to the call of Christ. The second Peter hears His Voice, Peter and the others awaken, just as, in the spiritual life, when we hear Him call our name, we awaken. When Jesus asks, “Could you not even keep watch with me one hour? ” those of us who go to Maundy Thursday each year and stay until Midnight know the difficulty of staying awake and focused on what we know will happen for our own sakes. But Peter asks what has happened to you? The roles have been reversed: whereas the disciples are used to receiving encouragement from the Lord, now the Lord needs encouragement from them. Why? So He could completely conquer Sin and Death for us, on the way to the Garden of Olives from the Upper Room, Christ’s Divinity was suspended: He endured the entire Passion in His human form with no consolation from His Divine nature, just as we have no consolation in our dark hours. Jesus’ helplessness, so to speak, is what startles Peter, because he’s used to the fully Divine and fully human Jesus, not a suffering Jesus. “Stay here. Watch, … pray. ” What kind of advice is that? Fleeing seems like a much better idea, doesn’t it? Is Jesus telling them to watch for Judas coming? No, He’s telling them to watch how He submits to the Father’s Will, and to pray to do in their future trials as they will see Him do. Why does Jesus not want the others to see Him in this state? Pride? No, because that is how it is in the spiritual life: what builds up some (in this case, Peter, John and James) would not be beneficial for others (the other Apostles), that is why the path of each saint is destined for heaven, but each path is different. When Peter looks back up at the moon and hears the loud bird screech in the background, that is the call of the bird of death which has been unleashed, and it has been unleashed, as the visual commentary tells us (camera angles and directions) because just as the fullness of time for the Christ to suffer has come, so, too, has the fullness of Judas’ betrayal come. The area separating Judas from the High Priest reminds us, instantly, of the special treatment which Judas has received in being one of only twelve in the entire history of humanity to travel with Jesus and be His intimate friend and numbered among the Apostles. Thirty pieces, as St. Augustine would point out, is the multiplication of 3 (honoring the Trinity) and 10 (the number for the fullness of Grace). It's not a matter of what Judas has gained by selling Christ, but what he has lost, just as each of us lose when we turn to the world instead of to God. Long time readers of this blog should be thinking about the links we have made since October between the defeating of werewolves by anything silver, for the reasons given above, because the man who has become enslaved to his sexual appetites can only be saved by the Word of God, that is, something silver. (For more, please see The Bright Autumn Moon: The Wolf Man). Before anyone speaks, Judas looks behind him; Satan is with him. There are odd aspects to Satan’s presence in the Passion story. Blessed Mary of Agreda and Blessed Anne Catherine Emmerich agree that Satan, up to this point, had not been sure whether Jesus of Nazareth was the Christ, the One who could come into the world and end Satan’s reign. In the Scriptures, whenever a demon would challenge Christ’s authority, or call Christ the “Son of God, ” or make other such reference, it’s not that Satan acknowledged Jesus was the Christ, but was trying to discover if Jesus was the Christ (the Messiah). When Jesus conducted the Last Supper, and Satan could feel the Divine Power transubstantiating the Bread and Wine, Satan knew then that he was about to be defeated; whereas Satan had been using Judas to try and destroy the prophet Jesus of Nazareth, even Satan could see that if Jesus was handed over to suffer and die, He would defeat Satan forever. When Jesus, at the table of the Passover, tells Judas to do what he must, and Judas leaves, Satan actually tries to talk Judas out of betraying Jesus to prevent Jesus’ triumph, but it’s too late, Judas is so bent on his own destruction that even Satan can’t sway him from committing this sin! Why does the priest toss the bag of money to Judas? They know it’s a sin to betray your friend, and don’t want to defile themselves by touching him (consider, if you will, the parable Jesus told of the Good Samaritan: the High Priest wouldn’t touch the wounded man because it would ceremoniously defile them; the wounded man was Adam, symbolically, and the Samaritan who saved him and paid the price for his healing was Christ). The next question: why does Judas drop the money? Because Judas does not have “a grip” on what it is he is doing and is going to happen. Judas stooping down to pick up the money, and his bare feet (feet symbolize the will, so his will to collect the money is “exposed”) mean that he is willing to stoop to collect on what it is he will do. Judas being a thief, then, is juxtaposed against St. Dismas, the “Good Thief, ” because Judas, having traveled with Christ stole even though he knew what he was doing, but Dismas, never having been with Christ, saw in the few agonizing hours they were together that Jesus was Lord. There are lots of deep, fruitful ways of understanding the Mystery of Christ’s sweaty bleeding, but at least one way is that the Temple, wherein Judas and the High Priests, agree to arrest God, is now the “den of thieves” and no longer the Temple; because the Temple was the place where sacrifices were performed, Jesus’ bleeding in the Garden of Olives is a clear sign that now He is the Temple (of which He had spoken earlier) and He is the Sacrifice, being Pure and undefiled which the Temple no longer is because of the great sin that has taken place there, the betrayal of God by His own people. Gibson does something interesting here, he basically changes the story, but it’s still fruitful and instructive. In the original narrative, we are told that an angel comes and comforts Christ; instead, Gibson has Satan come. Knowing that Judas is bent on doing what Judas will do, the devil now tries to tempt Christ away from His Path, but there is another reason this works, too. Even when we want to do God’s will, our own fear and doubt can start undermining us; it’s a blessing from God when Satan shows up to work against
Riveting video, awesome in the true context of the word, you are very privileged to make this journey. Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracle contre. Thanks for the comment. Snow White became a part of the Grimm Brothers' fairy tales in 1812 and was made into a classic, feature length film by the Walt Disney company in 1937. Exactly 200 years later, Mirror, Mirror comes out this weekend (starring Julia Roberts) and Snow White and the Huntsman comes out June 1; as audiences watch the new adaptations (one a comedy, one a drama) the 1937 Walt Disney version is the one most will mentally reference as the film progresses?to spot changes and similarities, inwardly considering Walt Disney's to be the original; what might seem to be changes to the story could, in fact, be citations of the original story which Disney himself changed to create his world that we all know so well. The physical description of Snow White is important because Disney kept it in his adaptation and even parts of her famous costume are retained by both Mirror, Mirror and Snow White and the Huntsman. The Grimm Brothers' tale reads: Once upon a time in midwinter, when the snowflakes were falling like feathers from heaven, a queen sat sewing at her window, which had a frame of black ebony wood. As she sewed she looked up at the snow and pricked her finger with her needle. Three drops of blood fell into the snow. The red on the white looked so beautiful that she thought to herself, "If only I had a child as white as snow, as red as blood, and as black as the wood in this frame. " Soon afterward she had a little daughter who was as white as snow, as red as blood, and as black as ebony wood, and therefore they called her Little Snow-White. And as soon as the child was born, the queen died. It's mid-winter, so things have been cold and are going to stay cold, and the idea of a queen sewing is a prime image of the spiritual life, because each of us is called to be royalty in our souls but this woman is royalty in the material world; when we have success in life, we undoubtedly turn to the spiritual and want more out of life than just the material, and what it is we are to be sewing? The bridal gown, the "new man" that Christ calls each of us to put on, on the gown of virtue and love. The queen getting distracted by what happens outside the window is why she pricks her finger: when we don't follow the dictates of the spiritual life and look to the physical world instead we only hurt ourselves. Knowing she became distracted, and recognizing the spiritual qualities she herself should have been exercising (more on that in a moment) she wants to have a child that will accomplish spiritually what she was not able to do in the physical world, the material world. A child as white as the snow is a child both pure and full of faith (the color white) and steadfast in that faith and purity (the snow, winter signaling the time of hardship that won't overcome faith). As the Disney version says, when the queen has dipped the apple into her poison, "The symbol on the skin of what lies beneath! " because Snow White's skin is white and pure, so is she in her soul (and conversely for the queen). A child red as blood means she is the expression of perfect love: red is the color of love because our blood is red and when we love to the utmost, we are willing to spill our blood, so a child red as blood means a child made completely of love (no rebellion like a teenager). "Black as the wood in this frame" of the window reminds us that windows are the symbol of contemplation and meditation; when we are in deep levels of meditation, we are dead (black) to ourselves, we are aware of serving others and fulfilling our duties in life, and by so doing, that feeds our ability to mediate and become self-aware (the frame around the window). The queen dies as soon as the child is born because we "cannot serve both mammon and God, " i. e., the world and the spirit. Snow White is the "fairest in the land" because she has the greatest virtue that adds to the greatest beauty, or makes even a ugly woman beautiful, if she so practices virtue. Little Snow White, the original Grimm Brothers' tale, can be read here for free; it's only a couple of pages and quite interesting. As we review Walt Disney's Snow White and the Seven Dwarfs, I will be referencing significant changes Disney made to the story (I had originally intended to also post on the 1997 film Snow White: A Tale Of Terror which has some interesting aspects to it, and I will mention it from time to time, but not specifically post on it; it is available for instant viewing on Netflix). As I mentioned, the original Snow White tale is only a couple of pages, but we are presented with an entire book here. Why? It was a rather standard device Disney used for many feature-length films, including The Sword and the Stone, The Wind in the Willows, The Legend of Sleepy Hollow, (I think The Jungle Book), etc., but the importance is a referencing an authority, an author, someone who no longer exists, but their story from antiquity does exist (we will discuss this at greater length next week with The Ten Commandments) is an aesthetic response, the idea of us being children again and someone opening our favorite book to read to us, but there is also the validation that the story to be told is published, preserved for all ages and hence of value. This introduction to the story is also important because in the featurette for Mirror, Mirror, the dwarfs decide to "skip the story book" opening and just get on with the story, which is a reflection of our cynicism today; but Snow White and the Seven Dwarfs knows everything exists within a context, and this intro in writing of what that context is lets us know what that context is. The blue fabric upon which the book rests symbolizes the "wisdom" being offered up for our consideration in the pages; how do we know that? The book, like our heroine, is white, so that contained therein is pure and faithful, it can be trusted; it is also edged in gold, symbolizing royalty, and in this case, the "royal wisdom" that will bring us all to happiness if we heed it, like Snow White, or ruin, like the queen, if we don't. In 1937, when Snow White and the Seven Dwarfs was released, who was poor and dressed in rags? Everyone. The Great Depression was in full-swing, and there was unprecedented unemployment and food lines; like Snow White, most Americans were hoping for that thrill of true love that would get the heartbeat going again and lead the country out of the dark times. But an economic and historical analysis doesn't explain why the film is so timeless; we might argue it's the great artistry of the illustrations, but with advances in computer animation nearly every day, wouldn't that make Snow White seem old and worthless? (Not that I would ever argue that). It will be a fruitful exercise for us to consider the presentation of the queen's castle pictured here, and compare it to the one we will see in Mirror, Mirror and Snow White and the Huntsman. In this picture, we don't see any decay or ruin: the kingdom looks beautiful and lovely (unlike what we are going to be seeing in the two new versions). Is that to demonstrate that the queen is a good ruler, and her subjects prosper? No, it's to show us the "image of health" so when we see the queen, we know she' s not it. This play on opposites is also at work in the two queens this year: they will be dressed to the nines in rich clothes, while their subjects languish in poverty. The evil queens will look wealthy and beautiful while the subjects poor and miserable. Incorporating strong opposites in films allows an easier comparison--that doesn't even have to be articulated--for the audience to understand how the "balance" of justice will be swayed by the hero and why. When there is a story that achieves the timeless quality, it's because it's about something that is timeless, and that is the soul. (I know there are readers who will say I am reading into this story what I want to; regardless, Snow White does say a prayer when she's spending the night at the seven dwarfs' house, and that verbal verification of Snow White "being in communion with God, " allows us to understand God answering her prayers in the tradition by which?God works). The window of the castle wherein the Evil Queen and Snow White live. This castle is an earthly castle (juxtaposed with the castle in the clouds at the end after the prince awakens Snow White) and hence an indication of the worldly. The window where our attention is focused is one of the chambers of the evil queen where her mirror is kept. Women being in tall towers of the castle are a typical mainstay of fairy tales and legends, and--just as with houses--castles symbolize the soul: what a soul guards and cherishes (the way a castle is a fortress, what is that soul defending within itself? ) or what is being kept within. The windows of a castle (are few because of defense purposes) so there is not much "reflection" going on (this castle invokes the Norman style of architecture most, which were heavily fortified). Self-meditation and reflection are a large aspect of the story, therefore, since there are not many windows--only a magical mirror--we know the queen's castle is built upon a rock that is as hard as her heart, and it keeps her in so she doesn't have to meditate or grow, but only grow cold towards others. The opening shot of the castle isn't to let us know that Snow White and the Seven Dwarfs is a fairy tale, it's to let us know that we are about to be given a royal lesson on what life is and what each of us should know about living. Fairy tales are the secular parables often validating the Biblical parables taught by Christ, just employing a different method of decoding (with two editions of Snow White coming out this year, two versions of Hansel and Gretel and Jack and the Giant Killer, not to me
This morning i started reading exodus (for the first time) and tonight i happened to watch this video out of nowhere. Thank you for your contribution. Got my ticket. Shalom. Our Father which art in heaven Glory to you and your son our Lord Jesus Christ. Thank you for Ron all the dedication you are to God work. All others that are thieves God know who they are he will judges them, for it is not our will to judge, but for God it will be done. Peace and blessing unto Ron and all his belove family! Stay strong and humble. Peace and blessing unto all.
Oh God make away where seems to be no way to meet my Adam the love of my life ????. Thank You Here From Richie From Boston.
Was blown away by what you have uncovered. Outstanding work. In an other you tube clip, they actually found the pharaohs chariot wheels on the sea bed. So how come mainstream archeology don't acknowledge these finds. SHAHULHAMEED. Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracle.
I put all my trust in you my lord, yo doing amazing things jesus. This is astonishing. Until now, I thought that there really was no proof for the exodus story. But now, I cant believe the shocking amount of evidence that has just been ignored! Baruch Hashem this guy brought this all to light. Jesus=Yasua al-Kalima (the Word) was Ilah (EL) ??? ?????? ???. This is exciting to see! I am glad they are protecting all of these sites because if there had been lots of tourists, it would not be this nice. This was amazing. Thank you! I wish Mary Nell would do a whole bunch of these videos since she knows so much about Ron &?ALL of his discoveries. We need to get this on record, on youtube asap. It would be great if Danny would agree to do some videos too with everything he knows, since he was there on some of the digs. Time is short & souls need to be saved.
Even powerful archeological evidence such as this, mout sinai, the ruins of Sodom and Gomorrah, and Noah's ark will never be enough to sway skeptics and scoffers. Jesus performed many miracles in full view of hundreds of witnesses, including giving sight to the blind and making cripples walk. And raising lazarus from the dead. Even then, seeing the supernatural power of God in the flesh was not enough for many to accept jesus as the messiah. Visual proof only demands further investigation and those who investigate are often persuaded or threatened to come to false conclusions that support the establishments scientific model. Researchers who support creationism are shunned by the secular community and never get the media exposure or recognition that they deserve. Suppressed Archeology is a very real deception that hides the truth from the public eye. People don't realize the lengths that have been gone to in order keep some of the most fantastic and important archeological discoveries concealed from people. There is a massive coverup and misinformation campaign to hide anything that prooves creationism that has been going on since the early 20th century. The illuminati groups behind this want the masses to believe what they tell them to believe. Their evolution model would be utterly destroyed if the truth came out. One day it will, jesus said that there is nothing secret that will not be made known to all the world.
Are these the 'chariot wheels' that Ron Wyatt found? You know, the ones discounted even by Answers in Genesis as fraudulent? The ones when pressed by scientists to examine, curiously disappeared - never to be seen again. 5:21 sayid jarrah. Yesmovies BRRip high definition Patterns of Evidence: The Red Sea miracles.
- https://gumroad.com/l/putlocker9-free-movie-patter...
- https://seesaawiki.jp/gokusei/d/%26%238249%3bFull%...
- https://bakunmaru.amebaownd.com/posts/8023891
- Patterns of Evidence: The Red Sea Miracle Watch Full Streaming Online
- https://mitokegime.amebaownd.com/posts/8021493
- https://seesaawiki.jp/jizeise/d/%26%238222%3bgostr...
- seesaawiki.jp/biyoshitsu/d/Patterns%20of%20Evidence%20The%20Red%20Sea%20Miracle%20Free%20DVD5%20yifyTorrents%20720p(hd)%20englis
- Watch Movie Patterns of Evidence: The Red Sea Miracle openload 123movies 1080i(hd)
- https://seesaawiki.jp/shisanto/d/Without%20Registe...
- kumu.io/inopcimerd/patterns-of-evidence-the-red-sea-miracle
コメントをかく