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Year=2019; genre=Comedy; Creator=T.S. Eliot; Abstract=A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life; USA; &ref(https://m.media-amazon.com/images/M/MV5BNjRlNTY3MTAtOTViMS00ZjE5LTkwZGItMGYwNGQwMjg2NTEwXkEyXkFqcGdeQXVyNjg2NjQwMDQ@._V1_UX182_CR0,0,182,268_AL_.jpg) Bàr az enyém is tudna ijet. Ojan édesek a macskák. Szeretem a cicákat. Kedves TheAlexiel! A szereposztásból hiányzik 2 fontos szereplő : Lengelingila és Quaxo ( az ősbemutatón Kishonti és Paudits alakította) Nem tudná megírni, hogy ebben az előadásban kikkel látjuk.
Az élet fontos mondatai: NEKEM tetszik, NEKEM ízlik, ÉN szeretem. A nagy betűkkel nem kiabálok, csak a lényeget próbálom jelezni. Kako kjut. Learn more More Like This Stars: István Pathó, Endre Harkányi, Dorottya Géczy Animation, Comedy Sci-Fi 1 2 3 4 5 6 7 8 9 10 8. 5 / 10 X The Mézga family going a funny adventure around the world without money and ability to speaking other languages. They looking for an old friend who will pay everything. Ilona Györi, Attila Némethy 8. 9 / 10 Animated Hungarian folk tales. Gyula Szabó, Piroska Molnár, György Bánffy 7 / 10 The few-minute long episodes consisted of simple stories in which the rabbit with checkered ears helped one or more of the series' other main characters, four children called Kriszta. See full summary ?? László Helyey, Gabriella Borbás Adventure Romance 7. 9 / 10 In the turmoilous 18th century, young poor Hungarian aristocrat Jonas helps Szaffi, a young pretty gypsy Romani girl and the illegitimate daughter of a Turkish pasha, get the treasure that's owed to her by the right of inheritance. Director: Attila Dargay András Kern, Judit Pogány, Hilda Gobbi 8. 3 / 10 In the series we can follow the fantastic adventures of Mézga Aladár and his dog, Blöki. Fantasy 7. 5 / 10 A traditional Hungarian poetic fairytale that describes the epic adventures of a young shepherd through love, war, magic and death. Marcell Jankovics György Cserhalmi, Anikó Nagy, Erzsi Pártos History 7. 4 / 10 1552, the great Turkish Empire wants to conquer Europe, and the world. The last stand is Hungarian Kingdom, and the castle of Eger. The brave soldiers decides they will fight till the end of their lifes. Zoltán Várkonyi István Kovács, Vera Venczel, Imre Sinkovits Crime 7. 1 / 10 Hungarian action comedy taking place in 1991. This film is part of the series written, directed and starred by Istvan Bujtor which are loosely connected to each other by the main characters. See full summary ?? István Bujtor István Bujtor, László Kozák, András Kern 8. 4 / 10 Story of a mischievous outspoken kid in a small Hungarian town. Sándor Mihályfy Imre Olvasztó, Róbert Koltai, Teri Horváth This funny crime/comedy was the beginning of the Csöpi&Kardos-films (starring István Bujtor and András Kern. Directors: Gyula Mészáros, László Bánhidi Edit Storyline In the series we can see the every days of Frakk, the fear of cats. Plot Summary Add Synopsis Details Release Date: 23 December 1972 (Hungary) See more ?? Company Credits Technical Specs See full technical specs ??.
And I expected a catastrophic failure. Songs nonsensical. Length too long. cgi abysmal. on the plus side every other poor film I've ever seen in my life now doesn't seem as bad. so every cloud. Ojan cukik nekem van hat cica ès imàdom öket ????????. Published on May 9, 2013 Macskák musical 1. felvonás 18. születésnapi előadás 2001. 03. 25. Szereplők: Grizabella - Bencze Ilona Old Csendbelenn - Póka Balázs Munkustrapp - Kautzky Armand Gimb-Gömb - Kökényessy Ági Bombalurina - Détár Enikő Micsel Rumli - Barabás Kiss Zoltán Ben Mickering - Weil Róbert Mindlevery - Ladinek Judit Cassandra - Póka Éva Elvisz Trén - Laklóth Aladár és Cseke Péter Az ódon padláson minden évben egyszer macskabált rendeznek. Összegyűlnek a környék nagyon is emberi tulajdonságokat hordozó macskái, hogy eldalolják, eltáncolják az életüket. A Macskák a világ musical színpadának legnagyobb sikere, amelyet a Madách Színház - a szerzők véleménye szerint is - a londoni és a New York-i Broadway előadásaival egyenértékű színvonalon mutatott be. Ez a felvétel a magyar előadás 18. születésnapján készült. Nem teljesen szokványos előadás vendég szereplőkkel.
Itt ücsörgök éppen a szobámban, és próbálom fújni a karikákat. Próbálok eggyé válni a szerteszét ágazó füstökkel, és úgy érzem mindegyikben megtalálom az otthonom. Ahogyan szól ez a zene, és gondolataim melankóliában is bár, de mégis nyugalmat találnak. Kalapál a szívem minden pillanatban, mikor újraindítom, de úgy érzem ez kell. Ez egy ilyen korszak. És ha nem is vagyok éppen egy önfeledt vidám hippi hangulatomban, látom, hogy milyen szép világban élek. Alig várom, hogy élőben is hallhassam, sörözhessek egy jót pár hasonló világú emberkével. Mert rohadt jó lesz az is. De addig aludjunk még.
Cats Logo by Really Useful Group Music Andrew Lloyd Webber Basis Old Possum's Book of Practical Cats by T. S. Eliot Premiere 11?May 1981; 38 years ago: New London Theatre, London, England, U. K. Productions Multiple productions worldwide Awards Laurence Olivier Award for Best New Musical Tony Award for Best Musical Tony Award for Best Book of a Musical Tony Award for Best Original Score Cats is a sung-through musical composed by Andrew Lloyd Webber based on the 1939 poetry collection Old Possum's Book of Practical Cats by T. Eliot. It tells the story of a tribe of cats called the Jellicles and the night they make the "Jellicle choice. deciding which cat will ascend to the Heaviside Layer and come back to a new life. The musical includes the well-known song " Memory " as sung by Grizabella. As of 2019, Cats remains the fourth-longest-running Broadway show and the sixth-longest-running West End show. Lloyd Webber began setting Eliot's poems to music in 1977 and the compositions were first presented as a song cycle in 1980. Producer Cameron Mackintosh then recruited director Trevor Nunn and choreographer Gillian Lynne to turn the songs into a complete musical. Cats opened to positive reviews at the New London Theatre in the West End in 1981 and then to mixed reviews at the Winter Garden Theatre on Broadway in 1982. It won numerous awards including Best Musical at both the Laurence Olivier and Tony Awards. Despite its unusual premise that deterred investors initially, the musical turned out to be an unprecedented commercial success, with a worldwide gross of US3. 5 billion by 2012. The London production ran for 21 years and 8, 949 performances, while the Broadway production ran for 18 years and 7, 485 performances, making Cats the longest-running musical in both theatre districts for a number of years. Cats has since been revived in the West End twice and on Broadway once. It has also been translated into multiple languages and performed around the world many times. Long-running foreign productions include a 15-year run at the Operettenhaus in Hamburg that played over 6, 100 performances, as well as an ongoing run in a purpose-built theatre in Japan that has played over 10, 000 performances since it opened in 1983. Cats started the megamusical phenomenon, establishing a global market for musical theatre and directing the industry's focus to big-budget blockbusters, as well as family- and tourist-friendly shows. The musical's profound but polarising influence also reshaped the aesthetic, technology, and marketing of the medium. Cats was adapted into a direct-to-video film in 1998, and a feature film adaptation by Tom Hooper followed in 2019. Background [ edit] Cats is based on T. Eliot 's 1939 poetry book Old Possum's Book of Practical Cats, with the songs in the musical consisting of Eliot's verse set to music by Andrew Lloyd Webber. [1] The musical is unusual in its construction; along with Eliot's poems, music and dance are the main focus of the show at the expense of a traditional narrative structure. [2] Musicologists William Everett and Paul Laird described Cats as "combining elements of the revue and concept musical. 3] The plot centres on a tribe of cats called the Jellicles, as they come together at the annual Jellicle Ball to decide which one of them will ascend to the Heaviside Layer (their version of heaven) and be reborn into a new life. [4] The bulk of the musical consists of the different contenders being introduced, either by themselves or by other cats. [5] Poems [ edit] T. Eliot's poetry provided most of the lyrics for Cats Old Possum's Book of Practical Cats is a collection of light poetry about cats that Eliot had originally written for his godchildren in the 1930s. Due to the rhythmic nature of Eliot's work, there had been previous attempts before Cats at setting his poems to music, though none of these attempts had been met with much critical or commercial success. [6] Musicologist John Snelson wrote of the poems: They] provided excellent material for musicalization, as Eliot's style in this collection is reminiscent of a popular lyricist. The poet uses repeated catch phrases, strong hooks, steady rhythm and outrageous, attention-grabbing, witty rhymes, which are the ingredients of every well-crafted popular lyric. [7] Most of the lyrics in Cats were taken from Old Possum's Book of Practical Cats with very minor alterations. Supplementary verses from unpublished poems by Eliot were adapted for "Grizabella: The Glamour Cat" and "The Journey to the Heaviside Layer" while the song "The Moments of Happiness" was taken from a passage in Eliot's The Dry Salvages. Cats director Trevor Nunn and lyricist Richard Stilgoe provided the remaining lyrics, namely for the opening number "Jellicle Songs for Jellicle Cats" and the most famous song from the musical " Memory. The former was written by Nunn and Stilgoe and was modelled after an unpublished poem by Eliot titled "Pollicle Dogs and Jellicle Cats" while the latter was written by Nunn based on another Eliot poem titled "Rhapsody on a Windy Night. 1] Creation [ edit] Inception [ edit] Lloyd Webber began composing the songs in late 1977 as a songwriting exercise, partly because Eliot's book had been a childhood favourite and partly to see if he could write music to predetermined lyrics. The compositions were performed privately for friends but Lloyd Webber had no further intentions for them at the time. After his song cycle Tell Me on a Sunday was televised by the BBC in early 1980, Lloyd Webber began to consider using his musicalization of Eliot's poems in the same vein for a televised concert anthology. [8] He approached producer Cameron Mackintosh to explore possible avenues for the songs. [9] Practical Cats, as the show was then called, was first presented as a song cycle at the 1980 summer Sydmonton Festival. The concert was performed by Gemma Craven, Gary Bond and Paul Nicholas. Eliot's widow and literary executor, Valerie, was in attendance and brought along various unpublished cat-themed poems by Eliot. One of these was "Grizabella the Glamour Cat" which, although rejected from Eliot's book for being "too sad for children" gave Lloyd Webber the idea for a full-blown musical. [10] He explained: The musical and dramatic images that this created for me made me feel that there was very much more to the project than I had realised. I immediately decided that I needed the support of another to encourage me to re-work my settings and to see if a dramatic whole could be woven from the delightful verse that I was now to be allowed to develop. [8] Lloyd Webber thus decided to turn Practical Cats into a musical, co-produced by Mackintosh and the Really Useful Group 's Brian Brolly. [10] Development [ edit] Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed the overture and "The Jellicle Ball" incorporating analog synthesizers into these orchestrations to try to create a unique electronic soundscape. [11] Meanwhile, Mackintosh recruited Nunn, the then artistic director of the Royal Shakespeare Company (RSC) to direct Practical Cats. Nunn was an unusual choice as he was considered "too high-brow" for musical theatre, 12] but Mackintosh felt that a "pedigree" director was needed to ensure Valerie Eliot's approval of the project. [13] After much persuasion, Nunn came on board and was joined by his RSC colleagues, choreographer Gillian Lynne and set and costume designer John Napier. [9] 14] Nunn initially envisioned Practical Cats as a chamber piece for five actors and two pianos, which he felt would reflect "Eliot's charming, slightly offbeat, mildly satiric view of late-1930s London. 15] However, he relented to Lloyd Webber's more ambitious vision for the musical. [15] Nunn was also convinced that for the musical to have the wide commercial appeal that the producers desired, it could not remain as a series of isolated numbers but instead had to have a narrative through line. [14] He was therefore tasked with piecing the self-contained poems together into a story. [16] Nunn wrote about the significance "Grizabella the Glamour Cat" had on the construction of the narrative: Here in eight lines Eliot was describing an intensely recognizable character with powerful human resonances, while introducing the themes of mortality, and the past, which occur repeatedly in the major poems. We decided that if Eliot had thought of being serious, touching, almost tragic in his presentation of a feline character, then we had to be doing a show which could contain that material, and the implications of it. Furthermore, we would have to achieve the sense of progression through themes more than incidents. [17] An event called the Jellicle Ball was referenced by Eliot in the poem "The Song of the Jellicles" while a cat version of heaven known as the Heaviside Layer was mentioned in one of his unpublished poems. Nunn expanded on these concepts by conceiving the Jellicle Ball as an annual ritual in which the cats vie to be chosen to ascend to the Heaviside Layer, thus giving the characters a reason to gather and sing about themselves in the musical. He also added the element of rebirth as a play on the idea that cats have nine lives. [1] One of Nunn's stipulations for agreeing to direct Practical Cats was that actress Judi Dench would be cast in the musical. Lloyd Webber was happy to oblige given her credentials and so Dench joined the company in the dual roles of Grizabella and Jennyanydots. Former Royal Ballet principal dancer Wayne Sleep was offered the part of Mr. Mistoffelees after Lloyd Webber and Mackintosh attended a performance by his dance troupe, one of the many dance showcases they saw in preparation for the musical. Casting for the other roles began in November 1980, with auditions held across the UK for dancers who could also sing and act. The
???????????. Minden, amire egy macskának szüksége lehet, macskaeledel, macska játékok, macska fekhely, macska kaparófa, macskaszállító kosár, macska párna, macska WC, minden termék raktáron van és azonnal elvihető. Macskafelszerelés, macska kiegészítők, minden, ami a cicának kell - nálunk kedvező áron vásárolhatsz, garantált a gyors szállítás. 0:45-nél leestem a székről a röhögéstől XD. Nagyon jó.