Miles Quinn

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Toby Harvard; A man in his thirties travels to a remote cabin to reconnect with his estranged father; 5659 Votes; Comedy; Duration: 1hours, 36minutes; Stephen McHattie. Coditation. The movie looks great and it's technically well made but the characters don't have much depth to them and the plot isn't all too intriguing or meaningful, so it ends up just meandering along.

Dodi time on station. What a Directorial Debut from our own Ant Timpson! Dark, irreverent, downright laugh out loud hilarious and some superb characterisation.

What starts innocently enough, takes twisted turn after twisted turn in a journey that had me enthralled after a steady opening. This film certainly left an impression. Elijah Wood perfectly cast and Michael Smiley, one of my favourite actor's (The Lobster) almost unrecognisable and with some of the most hilarious dialogue I've ever heard. This will create conversation for sure and I hope Timpson enjoys the success this film deserves. Just a shame it wasn't shot on these shores. Can't wait for feature Director credit number two, Mr T.

Do c4 91i tati help. DoÄ?i tati. Do c4 91i tati end. Dođi tatihou. (The Wellington premiere with Ant Timpson and Emma Slade giving Q&A)

O.M.G. That was, as expected, an Incredibly Strange movie. (Ant Timpson is best known in New Zealand for the Incredibly Strange film festival, which began in 1994 with the likes of Plan Nine from Outer Space.) Elijah Wood's character, Norval, is aptly named. He is an innocent nerd, called to visit his estranged-since-childhood father at a remote and beauiful house on the shore of Vancouver Island. The father (Stephen McHattie) is creepy from the get-go (think Jack Nicholson in The Shining. I'll say no more but nothing is as it seems and the movie is a roller coaster ride of extreme tension and release, extreme violence, and a generous slab of (black, of course) comedy. Just suspend your belief enough to erase the words "We've got to get you to hospital" from your memory. I didn't stay for all the Q&A because they talked at length about technical details, but Timson based the movie on his own experience with the death of his father, which was Pretty Strange. It'll never be a blockbuster, but it'll be a cult favourite for years to come.

Do c4 91i tati battery. Dodi tier approval. Dodi time and attendance. Though he made only a handful of films, director, writer, and actor Jacques Tati ranks among the most beloved of all cinematic geniuses. With a background in music hall and mime performance, Tati steadily built an ever-more-ambitious movie career that ultimately raised sight-gag comedy to the level of high art. In the surrogate character of the sweet and bumbling, eternally umbrella-toting and pipe-smoking Monsieur Hulot, Tati invented a charming symbol of humanity lost in a relentlessly modernizing modern age. This set gathers his six hilarious features? Jour de fête, Monsieur Hulot¡Çs Holiday, Mon oncle, PlayTime, Trafic, and Parade ?along with seven delightful Tati-related short films. Jour de fête 1949 In his enchanting debut feature, Jacques Tati stars as a fussbudget of a postman who is thrown for a loop when a traveling fair comes to his village. Even in this early work, Tati was brilliantly toying with the devices (silent visual gags, minimal yet deftly deployed sound effects) and exploring the theme (the absurdity of our increasing reliance on technology) that would define his cinema. Monsieur Hulot¡Çs Holiday 1953 Monsieur Hulot, Jacques Tati¡Çs endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati¡Çs masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom. Mon oncle 1958 Slapstick prevails again when Jacques Tati¡Çs eccentric, old-fashioned hero, Monsieur Hulot, is set loose in Villa Arpel, the geometric, oppressively ultramodern home of his brother-in-law, and in the antiseptic plastic hose factory where he gets a job. The second Hulot movie and Tati¡Çs first color film, Mon oncle is a supremely amusing satire of mechanized living and consumer society that earned the director the Academy Award for best foreign-language film. PlayTime 1967 Jacques Tati¡Çs gloriously choreographed, nearly wordless comedies about confusion in an age of high technology reached their apotheosis with PlayTime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the lovably old-fashioned Monsieur Hulot, along with a host of other lost souls, into a baffling modern world, this time Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, PlayTime is a lasting record of a modern era tiptoeing on the edge of oblivion. Trafic 1971 In Jacques Tati¡Çs Trafic, the bumbling Monsieur Hulot, kitted out as always with tan raincoat, beaten brown hat, and umbrella, takes to Paris¡Çs highways and byways. In this, his final outing, Hulot is employed as an auto company¡Çs director of design, and accompanies his new product (a ¡Ècamping car¡É outfitted with absurd gadgetry) to an auto show in Amsterdam. Naturally, the road there is paved with modern-age mishaps. This late-career delight is a masterful demonstration of the comic genius¡Çs expert timing and sidesplitting knack for visual gags, and a bemused last look at technology run amok. Parade 1974 For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment. Created for Swedish television (with Ingmar Bergman¡Çs legendary director of photography Gunnar Fischer serving as one of its cinematographers), Parade is a touching career send-off that recalls its maker¡Çs origins as a mime and theater performer. For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Created for Swedish television (with Ingmar Bergman¡Çs legendary director of photography Gunnar Fischer serving as one of its cinematographers), Parade is a touching career send-off that recalls its maker¡Çs origins as a mime and theater performer.

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Published by: jaxan jfb
Info: #UNREAL 1994 ? Kim Jongin of @weareoneEXO.