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  • Published by: Media Boozer
  • Resume: The alcoholic sister network of @MovieBoozer - Everything in her world is a drinking game.
  • Tomatometer - 8 / 10
  • Creator - Matthew Pope
  • &ref(https://m.media-amazon.com/images/M/MV5BMjkxNDQxZWYtZTBjOS00YjQ5LTk4ODgtMGFkODMyYTI2NTljXkEyXkFqcGdeQXVyODUwMjI3MzU@._V1_UY190_CR0,0,128,190_AL_.jpg)
  • Star - Elisabeth Röhm, Will Patton
  • USA
  • 28 votes

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Great to see David Dastmalchian getting a leading roll. Interesting premise. This kinda same concept as ‘House at the end of the street with Jennifer Lawrence. Anyone knows that movie. Rising Creek Als eine Frau aus Versehen einen anderen Menschen tötet und das Unglück vertuschen will, gerät sie zunehmend in Konflikt mit ihrem Gewissen, das sie dazu drängt, den Leichnam des Getöteten zu dessen Familie zurückzubringen. Trailer Bilder Rising Creek Rising Creek Rising Creek Kommentare Dein Name Deine E-Mail-Adresse Dein Kommentar Hilfe zum Textformat CAPTCHA Diese Sicherheitsfrage überprüft, ob Sie ein menschlicher Besucher sind und verhindert automatisches Spamming. Weitere Filme von Matthew Pope Weitere Filme mit Bethany Anne Lind Will Patton Wendy and Lucy Radioflash (2019) Halloween (2018) Boarding School (2018) The Girl Megan Leavey Princess Kaiulani Ein Aufstand alter Männer Swamp Thing (TV-Serie, 2019) The November Man Elisabeth Röhm Blood Father The Tribes of Palos Verdes American Hustle (2013) Wish Upon Officer Down Chlorine Joy - Alles außer gewöhnlich (2015) Trafficked Transit (2012).
February 27, 2020 10:39PM PT A desperate woman’s good intentions make a bad situation much worse in this tense and twisty Southern noir thriller. In the opening moments of “ Blood on Her Name, ” an arrestingly twisty and suspenseful Southern noir thriller in the tradition of “One False Move, ” we’re introduced to Leigh, the working-class protagonist played by Bethany Anne Lind, with a jarring close-up that is at once explicit and ambiguous. Her face is battered, her breathing is labored, and she appears to have just gotten the worst of it in a fight. But, then again, maybe not the very worst of it. The bloodied man lying in front of her, we quickly learn, isn’t just unconscious or injured; he is seriously dead. And even before she pauses before completing a 911 call, it’s quite clear that, whatever the reason for the guy’s recent quietus, Leigh views his inconvenient corpse as incriminating evidence. This is the first of several wrong decisions ? most, but by no means all, made by Leigh ? that propel the fatalistic narrative director Matthew Pope and co-writer Don M. Thompson have devised for “Blood on Her Name, ” a film that remains relentlessly absorbing for all of its compact 83-minute length largely because it places its audience in the position of helpless witnesses to a slow-motion trainwreck. Pope and Thompson shrewdly structure their story so that, right from the start, we’re prompted to have a rooting interest in Leigh, even before we know for certain exactly how culpable she is for ? well, for what? A self-defense killing? A crime of passion? A violent conclusion to a criminal co-conspiracy? We learn the truth only gradually, as the filmmakers slowly unveil the motives of Leigh and other characters in the manner of someone slowly, almost tauntingly, peeling an onion. But, again, they persuade us to be instinctively sympathetic toward Leigh, thereby making it all the more nerve-wracking when she tries ? belatedly, ill-advisedly ? to do the right thing. If it seems like I’m being a tad evasive about plot particulars, well, that’s only because I am. Your enjoyment of “Blood on Her Name” likely will be inversely proportionate to how much you know about it ahead of time. Leigh ? played by Lind throughout the movie with exceptionally compelling and emotionally precise skill ? owns the none-too-successful small-town garage where the act of violence takes place, and she’s anxious to move the body as quickly as possible, as far away as possible. But she has a change of heart before she dumps it into a nearby lake. Rather, she feels that the dead man’s girlfriend and teenage son are entitled to have some sense of closure, or at least find comfort in the knowledge that the guy didn’t simply abandon them. So she stashes the corpse in a shed at the trailer park where they reside, and leaves behind an anonymous note expressing regret. It’s a decent thing to do, but also a terribly self-incriminating mistake. And to make matters worse, the note isn’t the only thing she leaves behind. As Leigh’s mistakes accumulate, we’re periodically given jigsaw-piece revelations about why she is doing what she’s doing, and how much what she’s done in the past is an impetus. The info comes mostly through her contacts with such vividly defined supporting characters as Ryan (Jared Ivers), her teenage son, whose own violent behavior could make him a prime suspect; Richard (Will Patton), her estranged father, a sheriff who’s willing to bend and break a few laws to protect his daughter; Rey (Jimmy Gonzales), a mechanic who appears to be Leigh’s sole remaining employee at her failing business; and Dani (Elisabeth Rohm), the victim’s girlfriend, who turns out to have more than a little in common with Leigh. The interactions and miscalculations interlock with what feels like the inevitability of unforgiving fate. At the same time, however, you are never not aware that one smart move could possibly forestall disaster. Everything leads inexorably to a dead-solid-perfect denouement that suggests a perfect moral for this drama about desperate characters driven to extremes: Once you’re well along on the road to perdition, it may not be a good idea to attempt a detour. Leaders of the Directors Guild of America have approved a three-year?successor deal to the DGA master contract, triggering a ratification vote by the 18, 000 members. The DGA national board announced Saturday that it had approved the deal unanimously. The guild revealed that the agreement includes a significant increase in residuals for high-budget streaming content, pension, [... ] In “Last and First Men, ” Tilda Swinton is the literal voice of the future: a disembodied narrator from the hyper-evolved “eighteenth species” of humanity, calmly but desolately reaching out to us from a world some way past 2, 000, 000, 000 A. D. Given that we always suspected as much about Tilda Swinton, it’s a comforting choice: the one [... ] The Cinequest Film & Creativity Festival will push back its second week of programming to August due to concerns over the coronavirus. Co-founders Halfdan Hussey and Kathleen J. Powell made the announcement in a statement released on Saturday. “We want to make clear that our very first concern is for the health and well-being of [... ] Disney-Pixar’s fantasy film “Onward” is dominating North American moviegoing this weekend, opening with $40 million at 4, 310 locations, estimates showed on Saturday. The figure is at the low end of pre-release forecasts, which had pegged “Onward” for a launch in the $40-45 million range. The movie centers on a pair of teenage elf brothers ? [... ] The American Film Institute has postponed its Life Achievement Award gala due to concerns over the spread of coronavirus. The annual ceremony, set this year to honor Julie Andrews, was scheduled to take place April 25 at the Dolby Theatre in Los Angeles. The event will be rescheduled for a date in early summer. “AFI’s [... ] Dave Bautista’s “My Spy” is moving its North American release date back a month to April 17 in order to take advantage of a recently cleared slot for the family comedy. After “No Time to Die” was pushed from April 10 to November due to the coronavirus slowing the global box office, “Trolls World Tour” [... ] Remi Chayé’s “Calamity, a Childhood of Martha Jane Cannary, ” Benoît Chieux’ “Sirocco and the Kingdom of the Winds” and “They Shot the Piano Player, ” from Fernando Trueba and Javier Mariscal, were among projects which caught attention at this week’s 22nd Cartoon Movie, which ran March 3-5 in the French port city of Bordeaux. The presentation [... ].
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Free Watch Blood on Her name search. Time left: 80 years Talks back to mother Time left: About 10 seconds. So youre telling me this ISNT the dollhouse thing from pll. Thats Gabby. She looks great. VOTE NOW 0 1 2 3 4 5 6 7 8 9 10 Play Sound Please enter your birth date to watch this video: You are not allowed to view this material at this time. | Release Date: February 28, 2020 | Not Rated Summary: A woman's panicked decision to cover up an accidental killing spins out of control when her conscience demands she return the dead man's body to his family. Genre(s): Drama, Thriller, Crime Rating: Not Rated Runtime: 85 min Cary Darling Feb 28, 2020 By Metascore By User Score More From Blood on Her Name.

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Free watch blood on her name search. Free watch blood on her name generator. Asobi asobase brought me here. Free Watch Blood on Her name registration. Movies | ‘Blood on Her Name’ Review: Haste Disposal A panicked single mother finds getting rid of a dead body isn’t so easy in Matthew Pope’s greasy thriller. Credit... Vertical Entertainment Blood on Her Name Directed by Matthew Pope Crime, Drama, Thriller 1h 25m We’re introduced to Leigh (Bethany Anne Lind) in her dank auto shop, gazing, panic-stricken, at the body of a man and his spreading pool of blood. The murder, she will later claim, was in self-defense; but, instead of burning, burying or drowning the corpse ? an oversight her estranged father (Will Patton), the town sheriff, will furiously berate her for ? Leigh wraps it neatly in plastic sheeting and drives it to the man’s home. “He’s in the shed, ” reads the note she leaves in the mailbox for his son and girlfriend. “I’m sorry. ” Such is the setup for “Blood on Her Name, ” a greasy thriller from Matthew Pope that, notwithstanding Lind’s impressive, high-anxiety performance, plays like a checklist entitled “How Not to Get Away With Murder. ” Everything Leigh does is stupid, from her carelessness with fingerprints and jewelry, to her inability to keep her mouth or her facial expressions under control. Her teenage son (Jared Ivers) is on parole, his father is in jail, and Leigh has a habit of popping pills and alienating those ? like her concerned mechanic (Jimmy Gonzales) ? who want to help. Oppressively dark and unrelentingly intense, “Blood on Her Name” packs down-and-dirty performances, and a few surprises, into a tight 85 minutes. Almost everyone here is morally compromised, if not completely lawless, and the movie creates a world where poverty and violence are genetic inheritances. Pope and his co-writer, Don M. Thompson, are most interested in what happens when conscience gets the better of common sense, and human decency asserts itself over the will to survive. In that sense, Leigh’s incompetence isn’t a burden: It’s a kind of hope. Blood on Her Name Not rated. Running time: 1 hour 25 minutes.
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