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Genres: Biography, Drama. release Year: 2020. user Ratings: 5,5 / 10 Star. scores: 21631 votes. India. The man who married her shows that true love still exists in the world. Excellent!?. 312 dislike's shame on you ???????. Chhapaak movie free download hd. I'm very respectful. Laxmi. Mam ???. Even we should put acid on that criminal faces. Chhapaak movie watch online free. Chhapaak Times Of India's Rating 3. 5/5 avg. users' rating 3. 7/5 Rate Movie Cast: Deepika Padukone, Vikrant Massey Direction: Meghna Gulzar Genre: Drama Duration: 2 hours 3 minutes Chhapaak Movie Review Filmfare Times Of India critic's rating: 3. 5/5 Raises a burning issue Laxmi Agarwal is a real-life acid attack survivor. She was brutally attacked by a man while in her teens who threw acid on her when she refused to marry him. From being a helpless victim, she turned into a gritty survivor over the years and later became a crusader for the upliftment of acid attack victims. Deepika Padukone's character Malti is reportedly based on Laxmi's life. The actress hasn't just essayed the lead role, she is one of the producers of the film as well. Deepika Padukone's beauty is legendary and it's a bold move indeed for her to begin her innings as a producer with a film where her face is disfigured almost the entire length. We often accuse our commercial stars of not being serious about their craft and just coasting on their beauty, their charisma and this film show that times are indeed changing. That top commercial stars too are willing to take risks. This isn't a film for the weak-hearted. The viewer isn't spared anything here. Prosthetics and deft makeup ensure that we notice the changes that acid brings on the affected skin in all its brutality. Deepika looks something straight out of a horror film as her skin erodes. The film also shows that regeneration surgery is both time and money consuming. Malti thankfully gets a wealthy benefactor but not everyone is so lucky. The film bats for stricter punishment for the culprits. It also points out that it's dead easy to buy acid in our country and steps should be undertaken to ensure acid isn't readily available over the counter. Also, the judiciary takes its own time reaching a conclusion. It's a long, hard fight in most cases and not only the girls get demotivated by this lethargic pace, but they also lack the financial wherewithal to keep fighting the case over huge periods of time. The film urges that such cases should be fast-tracked, with minimum harassment meted to the aggrieved party by the judiciary and the police. But the film isn't just a gloomy courtroom drama. It also points out that it's important for such girls to stop feeling like a victim. They shouldn't let tragedy rule their entire life. In one scene, Vikrant Massey's character tells Deepika to not look so happy as he's taping an interview. To which she replies that she doesn't want to curb her happiness. Despite being qualified, Malti finds it hard to land a job and the film tells us that we need to be more humane as a society and help towards the rehabilitation of those whose life has been turned into a living hell through no fault of their own. The culprit belongs to the minority community, and director Meghna Gulzar has sensitively handled that issue by not bringing religion into the play here. Kudos to her for that. The film ends on a positive note, with Malti finding love in the form of Vikrant Massey's character, who runs an NGO for acid attack victims. Everyone craves love but unfortunately, like beauty, it's also skin deep. So it's good to show that there are people around who can look beyond that. Playing her most challenging role so far, Deepika Padukone breathes life into every frame. She isn't a superstar playing a super glamorous role here and makes us believe we're watching the travails of a normal girl. Vikrant Massey is a fine actor indeed with a tendency to underplay characters and he's all that and more, playing a man who runs his NGO with the passion of a zealot. Madhurjeet Sarghi too is a delight as the dedicated lawyer who stays with Malti all the way. With another mature, cause-based film in her kitty, Meghna Gulzar has once again shown it's possible to marry art with mart. The statistics showcased in Chhapaak about acid attack victims are horrifying indeed and let's hope the lessons learned from the film help reduce them in the coming years... Trailer: Chhapaak Sreeparna Sengupta, January 9, 2020, 3:32 AM IST critic's rating: Chhapaak Story: The life of a nineteen-year-old girl takes a turn when she is subjected to a horrific acid attack. But she resolves to fight for justice and reclaim her life. Chhapaak Review: Meghna Gulzar’s ‘Chhapaak’ is inspired by the story of real life acid attack survivor, Laxmi Agarwal, who has become a symbol of strength and inspiration for many women. The film is a fictionalized account with Deepika Padukone playing the central character Malti, who is attacked in broad daylight on the streets of Delhi by a friend of the family, Bashir Khan aka Babbu and his aide. As the narrative chooses a non-linear route, we first meet Malti when she is on a job hunt ? consciously trying to move on from the emotional scars that the heinous crime has left her with. For the physical scars, she has to go through a number of complicated surgeries. In fact, far from the dreams she nursed of being a singer, her life is now an intersection of her work with an NGO for acid victims, her multiple surgeries and her court cases. Yet, the film steers away from melodrama or manipulation, and instead gives us a powerful protagonist whose resolve to fight is punctuated with her determined smiles, the pain in her eyes and her indomitable spirit. As support from her family dwindles owing to her brother’s illness and father’s death, it is Malti’s lawyer Archana (Madhurjeet Sarghi), who stands by her through her arduous journey. From Malti’s PIL to ban the sale of acid to amendments in the acid violence legislation, her team of women lawyers, take on the system. Her other main support comes from Amol (Vikrant Massey), who employs her to work for his NGO. Deepika Padukone is the soul of the film, delivering a brilliant, immersive performance. In fact, there are many scenes where her act will move you to tears ? like the one where she holds up an earring to her face but realizes now she can’t put it on. Or her piercing cry when she sees her face for the first time in a mirror after the attack. And one where she determinedly tells Amol, “Mujhe party karni hain. ” Precisely why Malti’s character is a winner because at no point does she succumb to self-pity. And as Deepika embraces her character completely, her transformation is enhanced through effective prosthetics. Devoid of even a hint of glamour, all we see is Malti throughout. Both Vikrant Massey and Madhurjeet Sarghi pitch in very commendable performances. The story sends out a strong message and is undoubtedly a brave attempt, however the edit seems choppy in places and certain parts of the narrative seem a tad stretched in the second half. The music tracks stand out ? with ‘Chhapaak’ title track and ‘Nok Jhok’ (soundtrack by Shankar-Ehsaan-Loy, lyrics by Gulzar) adding to the poignancy of the mood. ‘Chhapaak’ is not a film that lets you go easy, just as one begins to settle in to think Malti has managed to get better of her perpetrator, it jolts you with a few grim, uncomfortable reminders. ‘Chhaapak’ is a sensitive film with a delicate, yet powerful, handling of a heinous crime against women, and an important story that needs to be heard.
This is not ? a movie ? Review! It's Paid ? promotion???. Chhapaak movie free download filmywap. Chhapaak Story: The life of a nineteen-year-old girl takes a turn when she is subjected to a horrific acid attack. But she resolves to fight for justice and reclaim her life. Chhapaak Review: Meghna Gulzar’s ‘Chhapaak’ is inspired by the story of real life acid attack survivor, Laxmi Agarwal, who has become a symbol of strength and inspiration for many women. The film is a fictionalized account with Deepika Padukone playing the central character Malti, who is attacked in broad daylight on the streets of Delhi by a friend of the family, Bashir Khan aka Babbu and his aide. As the narrative chooses a non-linear route, we first meet Malti when she is on a job hunt ? consciously trying to move on from the emotional scars that the heinous crime has left her with. For the physical scars, she has to go through a number of complicated surgeries. In fact, far from the dreams she nursed of being a singer, her life is now an intersection of her work with an NGO for acid victims, her multiple surgeries and her court cases. Yet, the film steers away from melodrama or manipulation, and instead gives us a powerful protagonist whose resolve to fight is punctuated with her determined smiles, the pain in her eyes and her indomitable spirit. As support from her family dwindles owing to her brother’s illness and father’s death, it is Malti’s lawyer Archana (Madhurjeet Sarghi), who stands by her through her arduous journey. From Malti’s PIL to ban the sale of acid to amendments in the acid violence legislation, her team of women lawyers, take on the system. Her other main support comes from Amol (Vikrant Massey), who employs her to work for his NGO. Deepika Padukone is the soul of the film, delivering a brilliant, immersive performance. In fact, there are many scenes where her act will move you to tears ? like the one where she holds up an earring to her face but realizes now she can’t put it on. Or her piercing cry when she sees her face for the first time in a mirror after the attack. And one where she determinedly tells Amol, “Mujhe party karni hain. ” Precisely why Malti’s character is a winner because at no point does she succumb to self-pity. And as Deepika embraces her character completely, her transformation is enhanced through effective prosthetics. Devoid of even a hint of glamour, all we see is Malti throughout. Both Vikrant Massey and Madhurjeet Sarghi pitch in very commendable performances. The story sends out a strong message and is undoubtedly a brave attempt, however the edit seems choppy in places and certain parts of the narrative seem a tad stretched in the second half. The music tracks stand out ? with ‘Chhapaak’ title track and ‘Nok Jhok’ (soundtrack by Shankar-Ehsaan-Loy, lyrics by Gulzar) adding to the poignancy of the mood. ‘Chhapaak’ is not a film that lets you go easy, just as one begins to settle in to think Malti has managed to get better of her perpetrator, it jolts you with a few grim, uncomfortable reminders. ‘Chhaapak’ is a sensitive film with a delicate, yet powerful, handling of a heinous crime against women, and an important story that needs to be heard.
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Chhapaak movie tax free. Best movie. Chhapaak movie songs free download. Chhapaak full movie free online. Chhapaak movie online free. Chhapaak online free movie. I cant express how im feeling sister just hatsoff to your courage love you. Chhapaak movie free. Critics Consensus No consensus yet. 86% TOMATOMETER Total Count: 14 Audience Score Verified Ratings: 91 Chhapaak Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Chhapaak Videos Photos Movie Info Malti (Deepika Padukone) was attacked with acid on a street in New Delhi, in 2005. Through her story, the film makes an attempt to understand the on-ground consequences of surviving an acid attack in India, the medico-legal-social state of affairs that transpires after the acid has been hurled and the face is irreparably burnt. Rating: NR Genre: Directed By: Written By: In Theaters: Jan 10, 2020 limited Runtime: 122 minutes Studio: FIP Cast Critic Reviews for Chhapaak Audience Reviews for Chhapaak Chhapaak Quotes News & Features.
Very very very nice song ??????????????????????. 'Though it's a story of inspiration, Meghna Gulzar's Chhapaak is not the kind of film you walk out feeling entertained or ecstatic about, ' says Sukanya Verma. More than half a decade ago, a monster threw chemical on my friend's face because he wanted to punish her for breaking up with him. The episode injured her eye, altered her appearance, smashed her confidence and changed the entire course of her life. It was front page news in the national newspapers and the subject of speculation as some came out in support while others loose talked. Naturally, it was a deeply traumatic time for her and it took a lot of pep talk, courage and trust before she could move ahead. She left the city, pursued further studies, found another job and began anew. If you meet her today, you'll never guess this is her story. People don't dwell on their misfortune, but there's no undo switch for certain experiences. It's as Tolkien wrote: 'There are some things that time cannot mend. Some hurt that goes too deep, that have taken hold. ' Learn to live with it should not be anybody's only choice. Malti's ordeal (Deepika Padukone) is even more horrifying. Though it's a story of inspiration, Meghna Gulzar's Chhapaak is not the kind of film you walk out feeling entertained or ecstatic about. Inspired by acid attack survivor Laxmi Aggarwal's true story, it's an uneasy reminder of the constant state of vulnerability a woman lives through all her life, where not even a shred of her aatma or anatomy is safe from the likelihood of violation. If anything, the worrying statistics before its end credits reveal a substantial jump in instances of acid violence. Meghna Gulzar documents Chhapaak 's grim reality barefacedly without losing sight of its character's quiet determination to fight the reasons that make such heinous crimes possible in the first place. It opens with scenes of protest, no different from the ones storming the country right now underscoring a perennial short supply of sensitivity chips among people in power. I find the quality in heaps in Meghna Gulzar though sensitivity comes naturally to her and shows in her storytelling aesthetics and gentle handling of ill-quipped characters confronting complex situations. The soft-spoken film-maker has a keen eye for noting the uncomfortable truths without crying hoarse about it. Be it to observe a hierarchy in crime where rape and acid violence are pitted against one another or society's discriminating attitude alternating between callousness and pity. She jumps headlong in Chhapaak. When we first meet Malti, it's been years since the attack and she's desperately seeking a job that will support her family. Pain and practicality go hand in hand, a certainty Meghna Gulzar bluntly puts across in her straightforward show of police procedure, medical rehabilitation and courtroom procedure. Though not one for in-your-face drama, she does stress on the environment of insensitivity, caste politics, misogyny by throwing in scenes that intensify the tragedy, the taunts or the thin rope a family's walking as they fall apart. ' Poora phone ladkon ke phone number se bhara pada hai, ' remarks a lady cop and reads out a list of male names revealing a deep-rooted, problematic view of holding a woman responsible for provoking crime. Contrary to some reports, Meghna Gulzar hasn't changed the attacker's religious identity nor does she play it down as evident from the sheer malevolence exhibited by a burkha -clad figure. But it is never an excuse for communal colouring or demonisation. In Meghna Gulzar's balanced worldview, there is still some room for all that is good and fair. Cruelty has left her disfigured, but compassion has given her wings. Malti receives generous patronage from her father's influential and affluent employer, her lawyer and assistant are single-minded in their fight for justice that calls to amend obsolete laws. Malti's all-woman support system inspires her to crusade for fellow survivors and raise funds through the NGO she works for alongside journalist-turned-activist Amol (Vikrant Massey). Their breezy interactions offer a rare glimpse into Malti's person. As strongly she feels about acid ban, she wants to live a little too. Just because she has gone through a harrowing time, does it mean it should be her only identity round the clock? There is a lovely scene that puts Amol's pessimistic progressive in his place. Chhappak conveys her strain in the most basic of things. It's in the gaze of everyday world where even a guy offering you to go ahead in the queue barely feels like chivalry and the only people she hangs out with have suffered the same fate. It's confining and discriminating. How Malti learns to drop the veil and stop caring about the stares is a goal at which Chhapaak gently and gradually arrives. If Raazi took a detailed look into a character's tormented morality and angst, Chhappak gives weightage to the cause. It is as much about individual suffering as it is about craving dignity and normalcy in life. The nature of her scarring is already so acute, brooding on in any further would be inhuman, exploitative and Gulzar firmly abstains from it. Malti's screams, when the attack happens or on discovering the extent of damage, will echo in your ears for a long, long time. That too feels like a luxury when she innocently asks the plastic surgeon if he can make her a 'ear' next? Deepika Padukone puts herself out there like never before both in physicality and inwardness. A portrayal marked by changing dynamics where prolonged misery and gradual progress converge in ways you need to know but not necessarily notice. Her devastating transformation is akin to watching a wounded bird in agony. As she slowly but surely takes a flight towards purpose, Deepika gains in heft and heart. If her co-star Vikrant Massey embodies a dour faced, wry-natured activist in Fabindia kurta s quite effectively, Madhurjeet Sarghi as the upright lawyer behind Malti's triumph steals every scene she is in with her power packed display of empathy and ethicality. Chhapaak is solid, uncomfortable viewing, but it is also meditative and meandering. Towards the latter portions, it wanders off a bit unsure about the direction it wants to take -- a personal story, a public story or catch a breath in Meghna Gulzar's verse. The process of healing, physical and psychological is slow, painful and expensive. As is the course of its long and arduous legal battle. Chhapaak 's to-and-fro timeline, penned by Meghna Gulzar and Atika Chohan, travels between decades to highlight the struggle as well as acknowledge the support. Monsters abound as does humanity when compassionate folk rally around her in the form of doctors, lawyers, well-wishers demonstrating the power of collective altruism in society. Sometimes a tad overzealously and overcompensating in its depiction of the lawyer's husband in an extraordinarily understanding light. Chhapaak gets its casting (Gautam Kishanchandani) down pat. The editing (Nitin Baid) is seamless. The camerawork (Malay Prakash) breathes the mood through all its hues and highs. The ageing and passing of time isn't specifically striking but Deepika's physical transformation by make-up artist Clover Wootton is simply exceptional. ' Usne mera chehra badla hai, mann nahi, ' believes Malti. Truly the only ' manns ' that need to change are the ones that empowers such atrocity. Rediff Rating: Sukanya Verma is the Principal Movie Reviewer for. She can be contacted at mailto_sukanyaverma@.
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Chhapaak movie free download. Chhapaak movie online watch free. January 10, 2020 6:37PM PT Director Meghna Gulzar and Indian superstar Deepika Padukone are affecting without excess in this fact-based drama about the aftermath of a horrible crime. There’s a scene late in “ Chhapaak, ” writer-director Meghna Gulzar ’s stirringly crafted and intelligently uplifting fact-based drama, where Malti (Deepika Padukone), the survivor of a horrific assault, tentatively expresses her warm feelings to Amol (Vikrant Massey), the crusading activist who has taken up the cause of women who have suffered similar attacks. But, true to form for this fiery idealist, Amol gruffly interrupts her romantic overtures. “This stuff, ” he insists, “belongs in the movies. ” It’s tempting to read the exchange as Gulzar’s meta commentary on her own movie, which scrupulously avoids the emotional and stylistic extremes that, for better or worse, have come to define much of contemporary Indian cinema (and not just for Western audiences). To put it another way: If you walk into “ Chhapaak ” expecting typical Bollywood razzamatazz, you may be disappointed. There are no lavish production numbers, no exhilarating romantic interludes, no slo-mo acrobatics of any sort ? and only two songs, neither of which are sung by anyone onscreen. On the other hand, if you’re up for a conventional yet compelling tale of an exceptional young woman who overcomes brutish mistreatment and regains control of her destiny, you won’t miss the usual song-and-dance at all. Working with co-writer Atika Chohan, Gulzar has taken a reasonable amount of dramatic license in telling the real-life story of Laxmi Agarwal, a 15-year-old New Delhi girl who, in 2005, was splashed with acid and hideously disfigured by a thirtysomething man whose stalkerish advances she had rebuffed. In “Chhapaak, ” the victim is slightly older, and known as Malti. Although Gulzar presents the attack early in the film ? shockingly, but with sympathetic discretion ? she doesn’t explicitly detail motivation for the crime until a third-act flashback. In the meantime, she smartly focuses on Malti’s efforts to will herself out of despair and depression, undergo a series of restorative surgeries, and press a legal case against her attacker. Malti’s chief allies are Archana Bajaj (Madhurjeet Sarghi), a crusading attorney who rails against a national legal system that appears to treat acid assaults on women (a commonplace crime in India) as scarcely worse than misdemeanors, and the aforementioned Amol, the type of single-minded zealot who would serve as buzzkill at a party celebrating a legal victory because, well, he didn’t think the ruling went far enough. (It speaks volumes about Vikrant Massey’s underlying charisma that his character doesn’t come across as a complete pill. ) Occasionally calling to mind socially conscious Warner Bros. melodramas of the 1930s, “Chhapaak” repeatedly emphasizes how ludicrously easy it is (or at least was, until recently) for acid-tossers to procure their assault weapon of choice throughout India. Worse, as attorney Bajaj explains in a key scene that is all the more potent for being so matter-of-factly subdued, the attackers are able to avoid appropriately long prison sentences because, according to the criminal code, throwing acid at someone is no more heinous than dousing them with hot tea. (A nice touch: Bajaj has ample time to do her crusading because her husband, played by Anand Tiwari, assumes without complaint most of the day-to-day parenting responsibilities for their daughter ? whose growth, not incidentally, is a primary indication of time passages in the film. ) As Malti, Indian superstar Deepika Padukone relies less on exceptionally convincing makeup than straight-from-the-heart conviction to give her multifaceted performance the solid ring of truth. Neither she nor Gulzar resort to undue yanking of heartstrings while charting the evolution of Malti’s resolve and recognition of her self-worth. At the same time, however, Padukone brings welcome touches of infectious humor and tart sassiness to the character, particularly while dealing with Amol and interacting with real-life acid-maimed women who appear (most notably, and affectingly, during a train trip) in bit parts. Two observations on the film’s structure are in order. First: When the audience finally gets to see the untouched beauty of Malti in the third-act flashback, we’re brutally reminded of the sheer monstrousness of her attacker, just at the perfect time to make the film’s resolution even more satisfying. On the other hand, be forewarned: The epilogue is quite capable of slapping the smile right off your face. “Scare Me, ” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny (Ruben and Aya Cash of “You’re the Worst”), hole up in a snowbound cabin swapping scary tales by the fireplace. 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This film should be sent for official entry from India for Oscar award in Los is Modi.
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Very very very nice song ??????????????????????. 'Though it's a story of inspiration, Meghna Gulzar's Chhapaak is not the kind of film you walk out feeling entertained or ecstatic about, ' says Sukanya Verma. More than half a decade ago, a monster threw chemical on my friend's face because he wanted to punish her for breaking up with him. The episode injured her eye, altered her appearance, smashed her confidence and changed the entire course of her life. It was front page news in the national newspapers and the subject of speculation as some came out in support while others loose talked. Naturally, it was a deeply traumatic time for her and it took a lot of pep talk, courage and trust before she could move ahead. She left the city, pursued further studies, found another job and began anew. If you meet her today, you'll never guess this is her story. People don't dwell on their misfortune, but there's no undo switch for certain experiences. It's as Tolkien wrote: 'There are some things that time cannot mend. Some hurt that goes too deep, that have taken hold. ' Learn to live with it should not be anybody's only choice. Malti's ordeal (Deepika Padukone) is even more horrifying. Though it's a story of inspiration, Meghna Gulzar's Chhapaak is not the kind of film you walk out feeling entertained or ecstatic about. Inspired by acid attack survivor Laxmi Aggarwal's true story, it's an uneasy reminder of the constant state of vulnerability a woman lives through all her life, where not even a shred of her aatma or anatomy is safe from the likelihood of violation. If anything, the worrying statistics before its end credits reveal a substantial jump in instances of acid violence. Meghna Gulzar documents Chhapaak 's grim reality barefacedly without losing sight of its character's quiet determination to fight the reasons that make such heinous crimes possible in the first place. It opens with scenes of protest, no different from the ones storming the country right now underscoring a perennial short supply of sensitivity chips among people in power. I find the quality in heaps in Meghna Gulzar though sensitivity comes naturally to her and shows in her storytelling aesthetics and gentle handling of ill-quipped characters confronting complex situations. The soft-spoken film-maker has a keen eye for noting the uncomfortable truths without crying hoarse about it. Be it to observe a hierarchy in crime where rape and acid violence are pitted against one another or society's discriminating attitude alternating between callousness and pity. She jumps headlong in Chhapaak. When we first meet Malti, it's been years since the attack and she's desperately seeking a job that will support her family. Pain and practicality go hand in hand, a certainty Meghna Gulzar bluntly puts across in her straightforward show of police procedure, medical rehabilitation and courtroom procedure. Though not one for in-your-face drama, she does stress on the environment of insensitivity, caste politics, misogyny by throwing in scenes that intensify the tragedy, the taunts or the thin rope a family's walking as they fall apart. ' Poora phone ladkon ke phone number se bhara pada hai, ' remarks a lady cop and reads out a list of male names revealing a deep-rooted, problematic view of holding a woman responsible for provoking crime. Contrary to some reports, Meghna Gulzar hasn't changed the attacker's religious identity nor does she play it down as evident from the sheer malevolence exhibited by a burkha -clad figure. But it is never an excuse for communal colouring or demonisation. In Meghna Gulzar's balanced worldview, there is still some room for all that is good and fair. Cruelty has left her disfigured, but compassion has given her wings. Malti receives generous patronage from her father's influential and affluent employer, her lawyer and assistant are single-minded in their fight for justice that calls to amend obsolete laws. Malti's all-woman support system inspires her to crusade for fellow survivors and raise funds through the NGO she works for alongside journalist-turned-activist Amol (Vikrant Massey). Their breezy interactions offer a rare glimpse into Malti's person. As strongly she feels about acid ban, she wants to live a little too. Just because she has gone through a harrowing time, does it mean it should be her only identity round the clock? There is a lovely scene that puts Amol's pessimistic progressive in his place. Chhappak conveys her strain in the most basic of things. It's in the gaze of everyday world where even a guy offering you to go ahead in the queue barely feels like chivalry and the only people she hangs out with have suffered the same fate. It's confining and discriminating. How Malti learns to drop the veil and stop caring about the stares is a goal at which Chhapaak gently and gradually arrives. If Raazi took a detailed look into a character's tormented morality and angst, Chhappak gives weightage to the cause. It is as much about individual suffering as it is about craving dignity and normalcy in life. The nature of her scarring is already so acute, brooding on in any further would be inhuman, exploitative and Gulzar firmly abstains from it. Malti's screams, when the attack happens or on discovering the extent of damage, will echo in your ears for a long, long time. That too feels like a luxury when she innocently asks the plastic surgeon if he can make her a 'ear' next? Deepika Padukone puts herself out there like never before both in physicality and inwardness. A portrayal marked by changing dynamics where prolonged misery and gradual progress converge in ways you need to know but not necessarily notice. Her devastating transformation is akin to watching a wounded bird in agony. As she slowly but surely takes a flight towards purpose, Deepika gains in heft and heart. If her co-star Vikrant Massey embodies a dour faced, wry-natured activist in Fabindia kurta s quite effectively, Madhurjeet Sarghi as the upright lawyer behind Malti's triumph steals every scene she is in with her power packed display of empathy and ethicality. Chhapaak is solid, uncomfortable viewing, but it is also meditative and meandering. Towards the latter portions, it wanders off a bit unsure about the direction it wants to take -- a personal story, a public story or catch a breath in Meghna Gulzar's verse. The process of healing, physical and psychological is slow, painful and expensive. As is the course of its long and arduous legal battle. Chhapaak 's to-and-fro timeline, penned by Meghna Gulzar and Atika Chohan, travels between decades to highlight the struggle as well as acknowledge the support. Monsters abound as does humanity when compassionate folk rally around her in the form of doctors, lawyers, well-wishers demonstrating the power of collective altruism in society. Sometimes a tad overzealously and overcompensating in its depiction of the lawyer's husband in an extraordinarily understanding light. Chhapaak gets its casting (Gautam Kishanchandani) down pat. The editing (Nitin Baid) is seamless. The camerawork (Malay Prakash) breathes the mood through all its hues and highs. The ageing and passing of time isn't specifically striking but Deepika's physical transformation by make-up artist Clover Wootton is simply exceptional. ' Usne mera chehra badla hai, mann nahi, ' believes Malti. Truly the only ' manns ' that need to change are the ones that empowers such atrocity. Rediff Rating: Sukanya Verma is the Principal Movie Reviewer for. She can be contacted at mailto_sukanyaverma@.
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Chhapaak movie free download. Chhapaak movie online watch free. January 10, 2020 6:37PM PT Director Meghna Gulzar and Indian superstar Deepika Padukone are affecting without excess in this fact-based drama about the aftermath of a horrible crime. There’s a scene late in “ Chhapaak, ” writer-director Meghna Gulzar ’s stirringly crafted and intelligently uplifting fact-based drama, where Malti (Deepika Padukone), the survivor of a horrific assault, tentatively expresses her warm feelings to Amol (Vikrant Massey), the crusading activist who has taken up the cause of women who have suffered similar attacks. But, true to form for this fiery idealist, Amol gruffly interrupts her romantic overtures. “This stuff, ” he insists, “belongs in the movies. ” It’s tempting to read the exchange as Gulzar’s meta commentary on her own movie, which scrupulously avoids the emotional and stylistic extremes that, for better or worse, have come to define much of contemporary Indian cinema (and not just for Western audiences). To put it another way: If you walk into “ Chhapaak ” expecting typical Bollywood razzamatazz, you may be disappointed. There are no lavish production numbers, no exhilarating romantic interludes, no slo-mo acrobatics of any sort ? and only two songs, neither of which are sung by anyone onscreen. On the other hand, if you’re up for a conventional yet compelling tale of an exceptional young woman who overcomes brutish mistreatment and regains control of her destiny, you won’t miss the usual song-and-dance at all. Working with co-writer Atika Chohan, Gulzar has taken a reasonable amount of dramatic license in telling the real-life story of Laxmi Agarwal, a 15-year-old New Delhi girl who, in 2005, was splashed with acid and hideously disfigured by a thirtysomething man whose stalkerish advances she had rebuffed. In “Chhapaak, ” the victim is slightly older, and known as Malti. Although Gulzar presents the attack early in the film ? shockingly, but with sympathetic discretion ? she doesn’t explicitly detail motivation for the crime until a third-act flashback. In the meantime, she smartly focuses on Malti’s efforts to will herself out of despair and depression, undergo a series of restorative surgeries, and press a legal case against her attacker. Malti’s chief allies are Archana Bajaj (Madhurjeet Sarghi), a crusading attorney who rails against a national legal system that appears to treat acid assaults on women (a commonplace crime in India) as scarcely worse than misdemeanors, and the aforementioned Amol, the type of single-minded zealot who would serve as buzzkill at a party celebrating a legal victory because, well, he didn’t think the ruling went far enough. (It speaks volumes about Vikrant Massey’s underlying charisma that his character doesn’t come across as a complete pill. ) Occasionally calling to mind socially conscious Warner Bros. melodramas of the 1930s, “Chhapaak” repeatedly emphasizes how ludicrously easy it is (or at least was, until recently) for acid-tossers to procure their assault weapon of choice throughout India. Worse, as attorney Bajaj explains in a key scene that is all the more potent for being so matter-of-factly subdued, the attackers are able to avoid appropriately long prison sentences because, according to the criminal code, throwing acid at someone is no more heinous than dousing them with hot tea. (A nice touch: Bajaj has ample time to do her crusading because her husband, played by Anand Tiwari, assumes without complaint most of the day-to-day parenting responsibilities for their daughter ? whose growth, not incidentally, is a primary indication of time passages in the film. ) As Malti, Indian superstar Deepika Padukone relies less on exceptionally convincing makeup than straight-from-the-heart conviction to give her multifaceted performance the solid ring of truth. Neither she nor Gulzar resort to undue yanking of heartstrings while charting the evolution of Malti’s resolve and recognition of her self-worth. At the same time, however, Padukone brings welcome touches of infectious humor and tart sassiness to the character, particularly while dealing with Amol and interacting with real-life acid-maimed women who appear (most notably, and affectingly, during a train trip) in bit parts. Two observations on the film’s structure are in order. First: When the audience finally gets to see the untouched beauty of Malti in the third-act flashback, we’re brutally reminded of the sheer monstrousness of her attacker, just at the perfect time to make the film’s resolution even more satisfying. On the other hand, be forewarned: The epilogue is quite capable of slapping the smile right off your face. “Scare Me, ” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny (Ruben and Aya Cash of “You’re the Worst”), hole up in a snowbound cabin swapping scary tales by the fireplace. 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