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17 Votes / 2019 / Rotimi Rainwater / Description - Lost in America is a feature documentary on the issue of youth homelessness in America, following director Rotimi Rainwater, a former homeless youth, and his team as they travel the country to shine a light on the epidemic of youth homelessness- highlighting issues like: human trafficking, the foster care system, youth rejected because of their sexuality, domestic violence, abuse, and more. It also examines what many organizations, politicians and other public figures are doing (or not doing) to help these youth. Featuring interviews with Jewel (executive producer), Rosario Dawson (executive producer), Jon Bon Jovi, Halle Berry, Sanaa Lathan and others, the project has captured the attention of dozens of organizations and members of Congress that have since become involved. In addition, the upcoming film campaign has been sponsored by the organization Sands Cares, Las Vegas Sands' giving program. More than a film, Lost in America is a movement. It started with one man's journey to shine a light on the realities of youth living on the streets. Then, a group of filmmakers formed a team dedicated to telling the story of this important journey. Now, this movement is spreading across the country to thousands who are standing with the film to make sure homeless youth are no longer - lost in America / actor - Jewel Kilcher / Country - USA.
Lost in america podcast youtube. Lost in america first. Awesome.? You gotta give Alice credit for re-inventing himself and staying relevant in this time period.? The heavy metal mainstream rock of the late 80s was a great opportunity for him to make a comeback and he nailed it on a bed of nails. Lost in america film. Not bad but the original Spirit version is the best. Lots of memories, when music was made by real musicians. I feel so nostalgic... There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on September 19, 2017 Format: Blu-ray Verified Purchase I love this film! There are so many hilarious scenes throughout the entire film e. g., Albert Brooks with his boss and "Brad", with the check-in clerk at the hotel, with the casino manager, and with the employment office clerk. just to name a few. The movie is short and concise, clocking in at 90 minutes. No "filler" scenes. It keeps moving at a quick pace, thus keeping your interest from one scene to the next. "Lost in America" is in my Top 10 favorite comedies. As for the Blu-ray disc, the clarity and mono sound are as near perfect as you can hope for. The extras are entertaining. But my one complaint is no closed captioning. You would think this would be a basic feature on Blu-ray discs, especially those released by Criterion. In spite of that, I highly recommend this film. But remember, never bet on 22!!!!! Reviewed in the United States on March 18, 2019 Format: DVD Verified Purchase I saw the movie "The Muse" and liked it. It was cheesy but had heart. I became interested in Albert Brooks movies after that and saw this. At first I tried to find it on Netflix, Hulu or YouTube and could not. So I bought it. I did not realize how early it was made from the cover. It is from 1985 so an 80's movie. So the story is that a couple who are unhappy in their lives are moving houses. The husband is hoping for a promotion and the wife tells a coworker that she was in the new house and does not think moving will help them to become happy. The husband does not get the promotion and is so resentful that he gets fired. He convinces his wife to quit her job and they will go off in an RV to Las Vegas, get remarried and then drive to Connecticut to buy a house or something. In Las Vegas, the wife gets in over her head losing their "nest egg" playing Roulette. The husband is pissed and treats his wife like crap. She hitchhikes and he goes after her in the RV. The guy that picked her up is a escaped prisoner with a possible murder warrant so he splits. They make up and drive to the next town where they both get jobs, the wife as an assistant manager at a hot dog joint and him as a crossing guard. While giving someone in the Mercedes he dreamed of owning directions, he realizes that he doesn't want to be "free" on the open road (like in Easy Rider). They both decide to drive to New York where he would beg for his job back. She also finds a job and they are happy. I like the part where he is pissed she lost the money, but the road trip was his idea in the first place. I think this was an honest reaction but shows that they are both responsible for the events. I would have liked it better if they could have not lost the money but realized that working in jobs they aren't happy in is not how to live life. They could have actually discovered themselves and learned to be happy and eventually settle down somewhere. There are scenes meant to be funny that I just did not find funny at all. These include the scene where he is bribing the hotel clerk for a honeymoon suite, the scene where the bell boy shows them the room and where he is talking to the hotel manager. I think they should have skipped Las Vegas all together. This movie had potential to be really interesting and I guess they did realize they were happy with each other after losing everything and even though they went back to the same type of jobs they had before, they did learn that earning more money would not make them happy. It did not really point that out and it was really up to interpretation on how to feel about the story. If this were a book or memoir, I think I would have liked it better as it would reveal how they were thinking in different scenes more. This was a good movie, but it's not great and the whole Las Vegas part was not funny to me. In fact, I hesitate to call this a comedy. It's more of something to think about what you would do if you went on a road trip with your spouse and you or they lost your life savings. I think the situation was interesting, but the cheap jokes it tried to get took away from it. Reviewed in the United States on January 7, 2020 Format: Prime Video Verified Purchase By today's standards this is a very slow movie. It's a little more honest and realistic than a lot of movies. It felt at times like more of a drama than a comedy. If you read the title and understand the history of yuppies, and their rise to fame in 85 it makes more sense as a funny and brutal critique of those that have so much then can get rid of it all, only to learn how good they had it in the first place. Perhaps a good message still - millennial or any other privileged generation (read: any in America! ). Reviewed in the United States on April 9, 2019 Format: DVD Verified Purchase This is a fun movie and if you are in the mood to laugh, this will no doubt satisfy the craving. Albert Brooks has a way of turning an everyday situation into a laugh romp starting with his self-deprecating humor and drawing you in to his adventures. Good supporting cast and fun theme ending with it, you'll like it! If you enjoyed some of his other fending Your Life (my absolute favorite of all time! ) and The Muse you will enjoy this equally. Reviewed in the United States on December 6, 2012 Format: Prime Video Verified Purchase This is an Albert Brooks film made in 1985, but much of what is said in the film could take place today. Albert is an up and coming, mobile advertiser with a large firm. He is counting his money and making plans, expecting a big promotion. Except what he is offered is a lateral move to New YorkCity. He is highly offended and acts out, losing his job. He talks his wife, Julie Hagearty into quitting her job, and like the 'Easy Rider', they hit the road looking for adventure. Adventure they find, but not what they expected. After losing their money they end up in Arizona. Albert works a crossing guard for $5. 50'an hour, and his wife is an Assistant Manager in a frankfurter fast food. Her boss is half her age. Neither is satisfied and after a short discussion, they jettison their plans for a new direction. This is a funny film, lots of laughs, but then lots of emotion. Working your way up the corporate ladder, wanting more things and more money. Is it enough? Is this what life is all about, living in a Winnebaggo, traveling the highways? Albert Brooks has long been a comedian I admire. He is full of irony and terrific stories. He really can't be beat. Highly Recommended. prisrob. 12-06-12 Defending Your Life Mother. Top international reviews 5. 0 out of 5 stars A short film about dropping out of society Reviewed in the United Kingdom on April 18, 2015 Format: DVD Verified Purchase A film I've watched many times in my 40 years on earth. I'm not going to add much to the reviews already here, just wanted to recommend the best Albert Brooks film I've seen (still hope to watch Modern Romance someday). Maybe not a classic but obviously I like it and despite the many funny scenes (Las Vegas & Brooks trying to find a highly paid job in a small town), it also works as a road movie. Oh, and Julie Haggerty is priceless! 2 people found this helpful Sending feedback... Thank you for your feedback. Sorry, we failed to record your vote. Please try again Report abuse Funny movie, but it does get a little silly at the end. Reviewed in Canada on November 25, 2013 Format: DVD Verified Purchase I had watched this movie several times years ago with my husband and we have always enjoyed the comedy of the situation. Albert Brooks and Julie Haggerty play their parts well, as a young(ish) couple who leave the rat race to "drop out of society" and see the country. Unfortunately, their first stop is Las I say more? As I said, it does get a little silly at the end, as the movie-maker doesn't quite seem to know how to wrap it up. Other than that it is good for several laughs. I received this product in excellent condition and within the time frame promised. 4. 0 out of 5 stars Four Stars Reviewed in Canada on February 12, 2016 Format: DVD Verified Purchase a TERRIFIC COMIC BROOKS movie. Good philosophy! very funny Reviewed in Canada on August 10, 2014 Format: DVD Verified Purchase competitive pricing, fast delivery, very funny movie Report abuse.
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February 28, 2020 3:34PM PT Through his labor-of-love documentary, Rotimi Rainwater compassionately chronicles the country¡Çs urgent crisis of youth homelessness. You might feel a sense of shame watching Rotimi Rainwater ¡Çs ¡È Lost in America, ¡É an expansive documentary look at the issue of youth homelessness in a country where the problem seems unthinkable, and its victims are so often invisible. You are likely to ask yourself how many times you have passed by a homeless child and did not quite see them. The statistics are scary: According to a recent study, nearly 4. 2 million kids live out on the streets due to heartbreaking reasons which Rainwater examines in his caring film, chronicling his six-year journey across 15 cities to grasp the breadth of the epidemic. One thing will be certain after tagging along that trip with him: Your eyesight will never skip over the homeless youth again. That is mostly thanks to Rainwater¡Çs approachable prose ? not a feat of filmmaking perhaps, but an absorbing act of compassion nevertheless. As a person who once was homeless himself (an experience that informed his 2013 narrative feature ¡ÈSugar¡É), Rainwater moves through ¡È Lost in America ¡É with hard-earned assurance, having an insider¡Çs view into the suffering millions of kids encounter every day, with scores of them dying on a daily basis. (At the end of the film, the writer-director tells us for context that over the time it takes to watch his movie, one homeless youth passes away. ) He also receives generous amounts of help from the power of celebrity, as Tiffany Haddish, Jon Bon Jovi, Halle Berry, Sanaa Lathan, Miley Cyrus, Jewel and Rosario Dawson (the last two also being executive producers) appear throughout the film with insights and suggestions. While their words don¡Çt add up to anything groundbreaking, their towering presence might just be what sells the film to the general public, both in theaters and on streaming platforms. Elsewhere, Rainwater demonstrates that he must have watched a few Michael Moore documentaries, walking away from them with effective ideas to send off waves of shock and distress among the audience. He applies them generously to his output ? like Moore, Rainwater often narrates and over-explains his scenes, plugs himself into almost all the interviews and dramatizes the story¡Çs transitions by emphasizing them through voiceover. He also stops random people on the street and puts them on the spot with their misinformation. (In one of those instances, he exposes an enormous public misconception around why young people live on the streets: many falsely seem to think it¡Çs by choice or to do drugs. ) This overt hand-holding oversimplifies the material to a degree, but keeps us engaged. Still, some of the writer-director¡Çs less-than-elegant artistic choices matter very little when the homeless kids themselves take over with their own stories, each marked with unspeakable trauma. Rainwater sees patterns in their history and smartly organizes his film around various groups of homeless teens: those failed by the dysfunctional foster care system (Haddish herself identifies as ¡Èa foster care survivor¡É), others preyed on by sex traffickers or rejected by families due to their sexual orientation, and so on. (More than 40% of all homeless kids are LGBTQ youth, figures inform. ) We meet the likes of Calub, a transgender boy unwelcome by his parents; Crystal, who shares her harrowing account of being chained and sold for sex; Makayla and Conner, a couple who experience a traumatic miscarriage and cruel treatment by the healthcare staff while out in the streets; and others that somberly recall heartbreaking accounts of rejection, abuse and even rape. While listening to the kids, Rainwater makes sure we see the humanity and future potential in each and every one, treating his subjects with the respect they deserve. For larger context, we also get a mini lesson on the history of homelessness in America, a phenomenon a lot more recent than most people might think. Armed with factual numbers and talking-head experts, Rainwater ties its upsurge back to the ¡Ç80s, when Gordon Gekko-esque greed became the society¡Çs main value stream under the Reagan presidency. He then examines the contemporary government¡Çs elongated inaction, while a few senators such as Vermont¡Çs Patrick Leahy and North Dakota¡Çs Heidi Heitkamp fight the good fight to curb the countrywide crisis. ¡ÈLost in America¡É offers us a chance to be a part of these efforts, too. No contribution is too small, Rainwater and his subjects remind us. Not even a minor act of kindness like giving a warm, welcoming smile to a kid who could use the dignifying acknowledgement.
Lost in america's best. When The Stoopidity Tolerance Go High I put this song to bring it down. Lost in america by candelario. Still waiting to hear the song Alice Cooper from the band Poison. Edit Storyline Lost in America is a feature documentary on the issue of youth homelessness in America, following director Rotimi Rainwater, a former homeless youth, and his team as they travel the country to shine a light on the epidemic of youth homelessness- highlighting issues like: human trafficking, the foster care system, youth rejected because of their sexuality, domestic violence, abuse, and more. It also examines what many organizations, politicians and other public figures are doing (or not doing) to help these youth. Featuring interviews with Jewel (executive producer), Rosario Dawson (executive producer), Jon Bon Jovi, Halle Berry, Sanaa Lathan and others, the project has captured the attention of dozens of organizations and members of Congress that have since become involved. In addition, the upcoming film campaign has been sponsored by the organization Sands Cares, Las Vegas Sands' giving program. More than a film, Lost in America is a movement. It started with one man's journey to... Written by Caroline Head Plot Summary | Add Synopsis Details Release Date: 10 May 2018 (USA) See more ? Also Known As: Lost in America Box Office Opening Weekend USA: $6, 798, 1 March 2020 Cumulative Worldwide Gross: $8, 410 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Connections References Sugar (2013) See more ?.
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Bandes-annonces Casting Critiques spectateurs Critiques presse Photos VOD Blu-Ray, DVD Spectateurs 3, 0 2 notes dont 1 critique noter: 0. 5 1 1. 5 2 2. 5 3 3. 5 4 4. 5 5 Envie de voir Rédiger ma critique Synopsis et détails Distributeur - Voir les infos techniques Regarder ce film Voir toutes les offres DVD BLU-RAY Acteurs et actrices Casting complet et équipe technique Critique Spectateur Une comédie décalée des années 80. Film culte aux USA, mais pratiquement inconnu en France. Un jeune coule de N. Y. en assez de sa vie faite de stress. Il se fait viré injustement de son job. Cela les incitent alors à tout laisser tomber et partir à l'aventure. Ils vendent tous leurs actifs, et s'achètent un Mini Bus pour un départ à Las Vegas. Malheureusement l'héroine dans une nuit de folie flambe toutes leurs économies. Ils se... Lire plus 1 Critique Spectateur Photo Si vous aimez ce film, vous pourriez aimer... Voir plus de films similaires Pour découvrir d'autres films: Les meilleurs films de l'année 1985, Les meilleurs films Comédie, Meilleurs films Comédie en 1985. Commentaires.
Alice Cooper Rocks. ??. A classic Desmond Child tune. A belter ??. Lost in america quotes. Lost in america pepper. Lost in america by dave barry. Lost in america netflix. Lost in america by candelario lesson plan pdf free printable template word. Lost int. american. Run my greasy penis, Up your greasy spine Awesome lyrics! Awesome visual too! Alice Cooper is a legend. 3:33 It's the man, Chris Farley. RIP. Lost in America Theatrical release poster Directed by Albert Brooks Produced by Marty Katz Written by Albert Brooks Monica Johnson Starring Albert Brooks Julie Hagerty Music by Arthur B. Rubinstein Cinematography Eric Saarinen Edited by David Finfer Production company The Geffen Company Distributed by Warner Bros. Release date March?15,?1985 (U. S. ) Running time 91 minutes Country United States Language English Box office $10, 179, 000 Lost in America is a 1985 satirical road comedy film directed by Albert Brooks and co-written by Brooks with Monica Johnson. The film stars Brooks alongside Julie Hagerty as a married couple who decide to quit their jobs and travel across America. Plot [ edit] David and Linda Howard are typical 1980s yuppies in California who are fed up with their lifestyle. He works in an advertising agency and she for a department store. But after he fails to receive a promotion he was counting on and is instead asked to transfer to the firm's New York office, David angrily insults his boss and is fired. He coaxes his wife to quit her job as well and seek a new adventure. The Howards decide to sell their house, liquidate their assets, drop out of society, "like in Easy Rider ", and travel the country in a Winnebago recreational vehicle. They leave L. A. with a "nest egg" of a hundred thousand dollars but do not get very far. The plan goes awry when Linda loses all their savings playing roulette at the Desert Inn Casino in Las Vegas, where a desperate David tries in vain to persuade a casino manager to give the money back as a publicity gimmick. With nowhere to go, the couple quarrels at Hoover Dam, then ends up in Safford, Arizona. David unsuccessfully applies for a delivery job at a local pharmacy and resorts to an employment agency. After a counselor obnoxiously reminds him that he was fired from his high-paying job in advertising, David accepts the best position available ? as a crossing guard, taunted by local school kids. Linda, meanwhile, finds employment as the assistant manager at the local Der Wienerschnitzel, working under a kid half her age. Only a few days after beginning their pursuit of the dream of dropping out of society, David and Linda are living in a trailer park, almost broke, working dead end jobs and accountable to brats. They decide that it is better to get back to their old lifestyle as soon as possible. They point the Winnebago toward New York, where David begs for his old job back. Cast [ edit] Albert Brooks as David Howard Julie Hagerty as Linda Howard Maggie Roswell as Patty Michael Greene as Paul Dunn Garry Marshall as Casino Manager Donald Gibb as Ex-Convict Charles Boswell as Highway Patrolman Brooks originally did not want to direct himself and had wanted Bill Murray for the part of David Howard. [1] Reception and awards [ edit] Lost In America received mostly positive reviews from critics and holds a 97% rating on review aggregator Rotten Tomatoes, based on 32 reviews, with the consensus; "A satire of the American fantasy of leaving it all behind, Lost in America features some of Albert Brooks' best, most consistent writing and cultural jabs. " [2] The film was a commercial success, though not a blockbuster. The film's script won the National Society of Film Critics award for Best Screenplay. The film is number 80 on Bravo's "100 Funniest Movies". It is recognized by American Film Institute on these lists: 2000: AFI's 100 Years... 100 Laughs ? #84 [3] Home media [ edit] Warner Home Video initially released the film on VHS and Laserdisc in 1985 and reissued it twice on video, in 1991 and 1997. The film made its DVD debut on April 3, 2001, and was made available for streaming on Netflix on July 1, 2016. Criterion released the Blu-ray on July 25, 2017. References [ edit] External links [ edit] Lost in America on IMDb Lost in America at Rotten Tomatoes Lost in America at Box Office Mojo Lost in America: The $100, 000 Box an essay by Scott Tobias at the Criterion Collection.
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Lost in America
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