Jackie Davis

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2. summary=A loner and cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds connection with a Chinese immigrant (Orion Lee). The men collaborate on a business, although its longevity is reliant upon the participation of a wealthy landowner's prized milking cow
3. scores=79 Votes
4. directed by=Kelly Reichardt
5. 121 min
6. Star=Orion Lee

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Wow. You had to one up her by putting that dedication at the end. Fandor. More like Fanwindow. &ref(https://images.unsplash.com/photo-1543569127-e37955416288?ixlib=rb-1.2.1) "First Cow" redirects here. For the upcoming film, see First Cow (film). Pauline Wayne was a Holstein cow that belonged to William Howard Taft, the 27th President of the United States. Also known as "Miss Wayne", Pauline was not Taft's first presidential cow: she replaced the lesser-known "Mooly Wooly", which provided milk for the First Family for a year and a half before suddenly dying in 1910, reportedly after eating too many oats. [1] Taft and his wife, Helen Herron Taft, had growing children, and Taft was a notoriously large eater; accordingly, Mooly Wooly was replaced by Pauline Wayne. Wisconsin senator Isaac Stephenson bought Pauline Wayne for Mrs. Taft. [2] The four year-old cow was pregnant and gave birth to a male calf named "Big Bill" (after the President), which was later sent to a Maryland farm. [1] Pauline Wayne became a popular showpiece at the International Dairymen’s Exposition in Milwaukee in 1911. Pauline Wayne was being shipped to the show in a private train car that was attached to a whole train of cattle cars bound for the Chicago stock yards. The cow went missing for two days because a train switch crew had mistakenly switched Pauline’s car. The attendants who found Pauline Wayne convinced the stock yard that this was indeed the President’s cow, and she was saved "from the bludgeon of the slaughterer. " [1] [3]. From 1910 to 1913, Miss Wayne freely grazed the White House lawn. [4] She was the last presidential cow to live at the White House and was considered as much a Taft family pet as she was livestock. When Taft left office, she was shipped to Wisconsin. [5] Her Bovine Blue Book number was 115, 580. The origin of the name "Pauline Wayne" is unknown; however, the New York Times noted that she was "a member of the great Wayne family of Holsteins. " [4] See also [ edit] United States presidential pets References [ edit] ^ a b c Powell, Mark J. (January 7, 2017). "The President's Cow Is Missing! ". Retrieved November 21, 2017. ^ Anthony, Carl Sferrazza (2005). Nellie Taft: The Unconventional First Lady of the Ragtime Era, pp. 239-40. Harper Collins. ISBN ? 0-06-051382-9. ^ Pauline Wayne, President Taft’s Famous Cow ^ a b "White House Cow Arrives. - Pauline Wayne, 3d, Comes Safely from Wisconsin - A Calf Expected" (PDF). The New York Times. November 4, 1910. Retrieved January 15, 2017. ^ "Taft Cow on Retired List. - Pauline Wayne Goes Back to Her Old Wisconsin Farm" (PDF). February 2, 1913. Retrieved January 15, 2017. External links [ edit] Pauline Wayne, Presidential Cow.
Cool video. Nobody told me there will be a dragon looool ????. Directed by Kelly Reichardt Written by Kelly Reichardt and Jon Raymond Starring John Magaro, Orion Lee, Toby Jones, and Ewen Bremner Synopsis Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner’s prized milking cow. From this simple premise Reichardt constructs an interrogation of foundational Americana that recalls her earlier triumph Old Joy in its sensitive depiction of male friendship, yet is driven by a mounting suspense all its own. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.
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