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Liked it 15 vote genre Documentary Country USA average Rating 8,9 of 10 release Year 2019 summary Lost in America is a feature documentary on the issue of youth homelessness in America, following director Rotimi Rainwater, a former homeless youth, and his team as they travel the country to shine a light on the epidemic of youth homelessness- highlighting issues like: human trafficking, the foster care system, youth rejected because of their sexuality, domestic violence, abuse, and more. It also examines what many organizations, politicians and other public figures are doing (or not doing) to help these youth. Featuring interviews with Jewel (executive producer), Rosario Dawson (executive producer), Jon Bon Jovi, Halle Berry, Sanaa Lathan and others, the project has captured the attention of dozens of organizations and members of Congress that have since become involved. In addition, the upcoming film campaign has been sponsored by the organization Sands Cares, Las Vegas Sands' giving program. More than a film, Lost in America is a movement. It started with one man's journey to shine a light on the realities of youth living on the streets. Then, a group of filmmakers formed a team dedicated to telling the story of this important journey. Now, this movement is spreading across the country to thousands who are standing with the film to make sure homeless youth are no longer - lost in America.
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| Roger Ebert March 15, 1985 Every time I see a Winnebago motor home, I have the same fantasy as the hero of "Lost in America. " In my dream, I quit my job, sell everything I own, buy the Winnebago and hit the open road. Where do I go? Look for me in the weather reports. I'll be parked by the side of a mountain stream, listening to Mozart on Compact Discs. All I'll need is a wok and a paperback. In "Lost in America, " Albert Brooks plays an advertising executive in his 30s who realizes that dream. He leaves his job, talks his wife into quitting hers, and they point their Winnebago down that long, lonesome highway. This is not, however a remake of "The Long, Long Trailer. " Brooks puts a different spin on things. Advertisement For example, when movie characters leave their jobs, it's usually because they've been fired, they've decided to take an ethical stand or the company has gone broke. Only in a movie by Brooks would the hero quit to protest a "lateral transfer" to New York. There's something intrinsically comic about that: He's taking a stand, all right, but it's a narcissistic one. He's quitting because he wants to stay in Los Angeles, he thinks he deserves to be named vice president and he doesn't like the traffic in New York. "Lost in America" is being called a yuppie comedy, but it's really about the much more universal subjects of greed, hedonism and panic. What makes it so funny is how much we can identify with it. Brooks plays a character who is making a lot of money, but not enough; who lives in a big house, but is outgrowing it; who drives an expensive car, but not a Mercedes-Benz; who is a top executive, but not a vice president. In short, he is a desperate man, trapped by his expectations. On the morning of his last day at work, he puts everything on hold while he has a long, luxurious telephone conversation with a Mercedes dealer. Brooks has great telephone scenes in all of his movies, but this one perfectly captures the nuances of consumerism. He asks how much the car will cost - including everything. Dealer prep, license, sticker, add-ons, extras, everything. The dealer names a price. "That's everything? " Brooks asks. "Except leather, " the dealer says. "For what I'm paying, I don't get leather? " Brooks asks, aghast. "You get Mercedes leather. " "Mercedes leather? What's that? '' "Thick vinyl. " This is the kind of world Brooks is up against. A few minutes later, he's called into the boss's office and told that he will not get the promotion he thinks he deserves. Instead, he's going to New York to handle the Ford account. Brooks quits, and a few scenes later, he and his wife ( Julie Hagerty) are tooling the big Winnebago into Las Vegas. They have enough money, he conservatively estimates, to stay on the road for the rest of their lives. That's before she loses their nest egg at the roulette tables. "Lost in America" doesn't tell a story so much as assemble a series of self-contained comic scenes, and the movie's next scene is probably the best one in the movie. Brooks the adman tries to talk a casino owner ( Garry K. Marshall) into giving back the money. It doesn't work, but Brooks keeps pushing, trying to sell the casino on improving its image. ("I'm a high-paid advertising consultant. These are professional opinions you're getting. ") There are other great scenes, as the desperate couple tries to find work to support themselves: An interview with an unemployment counselor, who listens, baffled, to Brooks explaining why he left a $100, 000-a-year job because he couldn't "find himself. " And Brooks's wife introducing her new boss, a teenage boy. "Lost in America" has one strange flaw. It doesn't seem to come to a conclusion. It just sort of ends in midstream, as if the final scenes were never shot. I don't know if that's the actual case, but I do wish the movie had been longer and had arrived at some sort of final destination. What we do get, however, is observant and very funny. Brooks is especially good at hearing exactly how people talk, and how that reveals things about themselves. Take that line about "Mercedes leather, " for example. A lot of people would be very happy to sit on "Mercedes leather. " But not a Mercedes owner, of course. How did Joni Mitchell put it? "Don't it always seem to go, that you don't know what you've got, till it's gone. " Reveal Comments comments powered by.
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Lost in america 1985. Lost in america. Lost in america albert brooks. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy © 1996-2014,, Inc. or its affiliates. Lost in america film. RESTORING HOPE IN AMERICA’S FORGOTTEN CITIES a new documentary from filmmaker Christopher F. Rufo America Lost is a feature documentary that explores life in three “forgotten American cities”?Youngstown, Ohio, Memphis, Tennessee, and Stockton, California. The film reveals the dramatic decline of the American interior through a combination of emotional personal stories and thoughtful conservative commentary. Filmmaker Christopher F. Rufo spent five years gathering these intimate portraits of Americans on the edge, including an ex-steelworker scrapping abandoned homes to survive, a recently incarcerated father trying to rebuild his life, and a single mother dreaming of escaping her blighted urban neighborhood. Ultimately, despite these grave challenges, the film offers a glimpse of hope for rebuilding America’s families and communities from the bottom up. CONSERVATIVE SOLUTIONS TO POVERTY The crisis of American poverty goes deeper than economics and public policy?it strikes at the very heart of family, community, and spiritual life. The solution is not just to restore the economies of our forgotten cities, but to rebuild our families and communities from the bottom up. HOST A COMMUNITY SCREENING Nonprofits, churches, businesses, and student groups are showing America Lost and leading the discussion on poverty in their local communities. We’ve created the Community Screening Kit to give organizations an easy-to-use resource for hosting a screening of the film and community discussion about poverty, family, and upward mobility. The kit includes a DVD and digital download of the film, 21-page screening and discussion guide, digital files for the poster and marketing materials, and a public performance license for one location. Sign up now to host a screening of America Lost and start changing the conversation on poverty in your community. PURCHASE THE EDUCATIONAL DVD Universities, libraries, and schools are using America Lost to lead the conversation on poverty ? and make the film available through their library catalogues. The Educational DVD includes a physical DVD, digital download of the film, educational guide, and academic license for physical and digital library circulation. Purchase the Educational DVD to add America Lost? to your collection. BRING THE FILM TO A THEATER NEAR YOU If you’d like to host a theatrical screening of the film for your organization, our team can book the film in a local theater, set up the ticketing system, and help you promote the screening to your community. This is a great option for nonprofits, churches, businesses, and public policy centers that want to host a premium event or fundraiser for their members. We set up the logistics, you promote the event, and we all make an impact. Please reach out to our team to learn more about hosting a theatrical screening in your community.? BOOK THE DIRECTOR AS A SPEAKER Christopher F. Rufo is a documentary filmmaker, contributing editor at City Journal, and research fellow at Discovery Institute’s Center on Wealth, Poverty, & Morality. His America Lost presentation weaves together insights from making the film, political analysis about our “lost American cities, ” and strategies to restore poor American communities from the bottom up. He’s spoken to groups as large as 10, 000 people, connecting with audiences and engaging them in thoughtful Q&A sessions after screening the film. Please reach out to our team to book Christopher for your next conference, meeting, or special event. PURCHASE THE FILM Join hundreds of organizations that are changing the conversation on poverty with? America Lost For personal home-use only. Immediate access to the film. No public performance or academic license. Also available on Amazon. For personal home-use only. DVD and streaming video. For nonprofits, churches, businesses, and student groups. Streaming and digital download of the film. 19-page discussion guide and marketing materials. Public performance license for one location. For university libraries and educational institutions. 10-page educational guide. Academic library license for one institution. DO I REALLY NEED TO PURCHASE A LICENSE TO SHOW THE FILM? WHAT TYPE OF LICENSE DO I NEED TO PURCHASE? I'D LIKE TO SHOW THE FILM AT MULTIPLE CHAPTERS, BRANCHES, OR LOCATIONS OF MY ORGANIZATION. WHAT SHOULD I DO? Yes. If you’re showing the film anywhere outside your home, you?must purchase the appropriate license. We review all purchases to confirm correct licensing?please don’t get caught cheating. The Community Screening Kit is for nonprofits, businesses, churches, advocacy organizations, and community groups. The Educational DVD is for schools, libraries, colleges, and universities.? The Community Screening Kit and Educational DVD include a license for one location only. If you’d like to show the film at multiple locations, you must purchase a separate kit for each screening. If you would like to purchase multiple kits at a discounted rate, please contact our team directly at rufo [at] Email our team directly at rufo [at] WATCH THE AMERICA LOST DOCUMENTARY.
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