Laura Hill

You're not pretty, and you'll never be pretty. Doesn't Matter. You have something much better. You have style. mon dieu j'adore cette femme ??. The Times of Bill Cunningham Watch stream new albums.

Well it happened, we scored 15 points, we’re tied for last and we…we looked pretty okay! 2 plays into our offensive season and I was already sure that Ewrech Flowchart was going to ruin the entire season from right tackle. He still may, he’s very bad at football and stuff, but he settled in and only had a horrible game, not a game ruining game. It was, overall, a pretty good look at what our team is going to be. Pat Shoutsandmurmurs has faced Jason Garrett once before, as the HC of the Cleveland Brownsound. He had to roll out Brandon Weeden and Trent Richardson. Wait, just take a minute and remember that, IN YOUR LIFETIME, that was a starting QB/RB combo in the NFL. Fucking hell mate (read that with an accent. ) And guess what? He took it to overtime but eventually lost. This was the Romo, Bryant (when he was good, ) Witten, Austin, and Jones Cowboys. In case you wondered, Garrett is a fucking dud. He should be a movie extra football coach who just walks around in montages clapping his stupid pale hands. NFC EAST ROUNDUP The Eagles are good. Foles is hot dog shit during the regular season. That defense is just as scary as it was last year. Ajayi will be a huge key to that offense. Can his knee be a regular knee all year though? Sproles is toast, he’s finally showing his age and size and maybe his nipples if you ask nicely. They miss Jeffrey and they miss Carson but Carson will take some time to get back even when he is back because he hasn’t thrown to his guys in a while. They still have a stupid logo, they still have turd fans, and I still hate them. Fun fact: Nick Foles and Doug Pederson both put out books that nobody wanted this offseason. Seriously though, it's a great thing because those books have helped to raise Philly's literacy rate to nearly 4%. Washington looks… damn it, I think Alex Smith is the best QB they’ve had in a long time. They looked really good. I’ve never been a Cousins fan. The big FA QBs were Kirk Cousins/overpaid, Cace Ketchup/not very good, Jimmy Marcopolo/unproven|overpaid, and Alex Smith…who is steady as fuck, doesn’t turn the ball over, suddenly has the best offensive line he’s had in a long time (possibly ever) and has 2 very good TE’s…remember what he did with Travis Kelce? If A IR Jordan stays healthy (I know that “if” looks like it’s regular size but it’s HUGE! ) he’s going to destroy this season. Adrian Peterson looks pretty damn good too, fortunately they're coached by a Gruden so the wheels will fall off at some at least we can hope that. Point is, it’s a 3 way race, Eagles are the best of the bunch, we are still largely a question mark as are the Native’s. If either of us, the New York Good Guy Giants or the Washington Scumbags turn into a good team ? both very likely, this could be a very interesting and fun race. Did I forget a team? Oh right…we’ll get to them here shortly. “Dear Readers Moment of the Week. ” Dear readers, you’ll remember last week when I said how much I like Myles Jack and how good I think he’ll be and then he had a pick 6 so, dear readers, fuck that guy. (But seriously, he's so much fun to watch. It's like if Luke Keyclub was even more athletic and didn't have 43 concussions. ) What we learned/already knew The offense goes through Odell. If we were a plane he'd be the pilot. Eli is obviously the black box because he survives everything but it also answers the age old question of why we don't make the entire plane out of the black box; Eli as a WR could be covered by most defensive lineman. Saquon is going to be a largely boom or bust player, play by play. In part because of our line and in part because he’s wont to take it to the house on every run. But you know what, he can actually do it. The dude has power, speed, balance, vision, and Ereck Flowjo…so all things are possible. I think he'll shatter Tiki's records but it's going to come on a lot of strings that look like this; -3, 2, -1, 15, 1, 1, 3, 42, etc. forever. Shep is better than Steve Giants Smith and could very well be better than Victor Cruz but in a totally different way. Evan Engram still has problems actually catching the ball. Other than that he's not a very good blocker so he's perfect for the modern NFL. Eli Manning moved around really well. Usually he runs like a flip-flop wearing dad at a BBQ play-chasing a child who "stole his wiener. " He also definitely uses the word wiener with zero sense of irony. Although, I have to say when the play is designed to roll he’s always done that well and this year seems to be the same. I love seeing him outside of a pocket, because he's my falling star and it's been a long rainy day of 3-5 seasons. We don’t have a 3rd WR and it probably doesn’t matter. If anything it forces Shoutsandmurmurs to be even more creative. We lack a pass rush, especially without OV. He’s probably back this week and I’d look for him to be on a pitch count, really coming in as a pass rusher. I'm guess on both of those because I don't know shit. OH WOW!!! THAT MEANS I'M LIKE A REAL SPORTS REPORTER!! Do sports reporters ask themselves questions all the time just so they can answer them? Yes, they do. Can I do that to make myself seem legit? Yes, I guess I can. Betcher’s defense is going to mix it up. They’re going to line up however the fuck they want, with whomever the fuck they want and it’s going to keep QB’s guessing. Keep us guessing. Apple can play well at times and it’s shocking. It shouldn't be shocking but let's just admit it, it's shocking. Our LBs can’t cover…still…forever. We also will let QBs rever. It doesn’t matter who coaches our special teams because we stink at returning and we’re only decent at covering. I watched the Dullard Cowfucks and learned the following They stink. Finally, they will be the worst team in the division this year. Now, don’t get me wrong, they could absolutely still lay it on us in a very bad way, but don’t mistake that for them being good. Zeke is a fat Ewok…still. And I hate him. What is he eating in his fake bowl? Whatever it is it probably gets all up in his fat guy beard. Seriously, how does he have abs and looks like a pudgy little kid on the back of the bus eating paste? How is it possible that he's clearly a fat infant with a beard who has a 6 pack and runs like the wind that Patrick Swayze sang about? I have a strong suspicion that Zeke smells like a fat guy. They do not have a WR other than Cole Barely. He seriously is their only option. He has absolutely put a firecracker in a cats ass in his lifetime. There is no question. And you can't fool me most redneck thing you could do is release a rap album to pretend you aren't a redneck. Also, we get 've heard Eminememem before. Dak isn’t great. But he’s also pretty good. His (duck) feet will be a problem. It’s always a problem for us, no matter the QB, no matter the DC, no matter the year. Ever since I saw Randal Cunningham in an Eagles uniform I’ve seen us allow QBs to run fucking wild. Their line has taken 12 steps backwards. And they aren't drop steps either. FOOTBALL HUMOR IS THE WORST KIND OF HUMOR. Their defense on the other hand has improved greatly somewhat. They can rush the passer. They have good LBs, who can cover. They could actually finish with a top 10 D and a bottom 10 O, I think the later of those is very likely. My wife tells me I have a bottom 10 D but what does she know? It really depends on if they can fix their offensive line and if they can cover people with their no-name corners. WHEN THE GIANTS OFFENSE HAS THE BALL It’s going to be a lot of quick passes because Flowers sucks, Meh is just as bad and Halitosis can barely even snap the ball. Also, Solder is overpaid for what he is while Hernandez is a rookie who looked like a rookie against Jacksonville. Although, Jacksonville is a better defensive front, the best defensive front. I’m not saying our line isn’t improved from last year, they certainly had their moments ? Eli’s pocket when he missed Odell deep was perfect, one of the best pockets he’s had in years. They had other moments too, like the first series. As frustrated as many of you are watching Flowers that is how I feel watching Solder. I expect it from Flowers. Solder is going to be frustrating for me. He's just not that great. He's a slightly above average player and it's so god damn frustrating that slightly above average is, for as at this point, the best lineman we've had in a long ass time. Look for Odell to go off. He and Shepard are the offense right now, not to discount Barkley but we’ll get to him in a minute. We’re going to be a pass to run team. That was clear based on the fronts that Jacksonville used against us, they basically said; “go ahead Barkley, beat us” and we didn’t. They lined up to play the pass all day. And why wouldn’t they? Barkley may end up being a generational talent, Odell is already a generational talent, we think people don’t know about Shepard but DCs across the league know about Shepard, and Engram, despite how much he loves to drop passes, is a threat from everywhere on the field. You can try to stop those three or you can take away the run. And let’s be honest about the run, it’s going to be much, much better than it’s been in a long time but most teams will love the idea of having 4 down lineman and 2 LBs or 3 and 3 or whatever, 6 guys up front. That means they will have one on one matchups with our offensive line and most defenses will believe they can win those. Why wouldn’t they believe that? ( NOTE AND SPECIAL AWARD I have to take a moment to award the “My Hardest Dick Moment of the Game” award to Shurmurmur for telling Tiki at halftime that we were going to; “change our protections in the 2nd half” and then ACTUALLY DOING IT!!! We saw Chad Wheelie out there a lot and a lot of chipping, and overall much better line play in the 2nd half. It was amazing. We had all heard rumors of “half time adjustments” but I thought they were merely a r October 12, 2018 6:50PM PT The celebrated New York Times on-the-street fashion photographer gets a documentary portrait that movingly captures what made him unique. In “ The Times of Bill Cunningham, ” the late New York Times fashion photographer Bill Cunningham appears before us as a blissed-out aging choirboy. He sits in his small apartment, surrounded by file cabinets jammed with his work, a geek in his element, with a shock of gray hair and two jutting front teeth that give him a big rabbity smile so eager it’s giddy ? and the thing is, he means it. That antic grin lights up the room. “The Times of Bill Cunningham” is the second documentary to be made about the Times’ legendary on-the-street photographer and shutterbug of society, and it contains a revealing story about the first, “Bill Cunningham New York. ” That film was released in 2011, when Cunningham was in his early eighties (he died in 2016), and it was a profile made with his ardent approval and cooperation. So you’d assume that he might have wanted to attend the New York premiere of it. But no. He skipped the premiere, and for good measure never bothered to see the movie. Instead, when the early spring evening that should have been his red-carpet moment was happening, Cunningham was out doing what he always did: gliding through the New York streets on his trademark bicycle, looking for ordinary people to photograph ? and not-so-ordinary people, though the beauty of Cunningham’s work is that he never made the distinction. He didn’t see it, so he didn’t make it. In one of his typical Sunday photo collages, you might encounter five different images of women on the street, each photographed wearing the same dress, all looking quite different in it, next to a shot of a celebrity strolling along in that same dress. But you’d always have to do a double take before you said, “Oh, look, it’s Claire Danes, ” because Cunningham lent each figure the graceful mystery and radiance of a celebrity. On his weekly page, everybody was a star. Cunningham himself became a star, though only reluctantly, in the most head-ducking and self-effacing way. He thrived on being behind the camera and behind the scenes, as he had since the 1940s, when he arrived in New York from his native Boston to work at Bonwit Teller. There’s now a full-scale genre of fashion-world documentaries, a category that found its commercial niche around a decade ago, with the release of “Valentino: The Last Emperor. ” But something that has struck me over the last year is that there’s a special, intoxicating quality to movies that excavate the fashion demimonde prior to the 1960s ? in other words, the “Phantom Thread” era or before. It might be Warhol doing his shoe drawings in the ’50s, or Cecil Beaton inventing the ’30s fairy-tale kingdom according to Vogue, or (in this case) Bill Cunningham, a sharply grinning young man of the most innocent flamboyance, from a conservative working-class Irish Catholic family, coming to New York and deciding to become a milliner, all because he thought that women’s hats could be like something out of a dream. “The Times of Bill Cunningham” is built around an extended interview Cunningham gave in 1994 to a reporter named Mark Bozek (who’s the director of the film). The interview was supposed to be 10 minutes long, but Cunningham, then 65, just kept talking. He was one of those lucky individuals who’d discovered the secret of a happy existence: If you love what you do and do what you love, you’ll never work a day in your life. The Cunningham we meet took this ethos to a purified Buddhist extreme. He went out to shoot pictures every day, reveling in the discovery of each moment, and he got invited to some very fancy parties, but apart from that he led a spartan existence. In the ’50s, he moved into one of the fabled studios above Carnegie Hall and occupied that privileged but monastic space until the day he died. It was like a highbrow version of the Chelsea Hotel, and we hear great stories about how Marlon Brando, who also had a studio there, would hide out in Cunningham’s to get away from all the girls who were mobbing him, or how Cunningham rubbed shoulders with figures from Martha Graham to a naked house-guesting Norman Mailer. Cunningham speaks neurotically quickly, still with a trace of his Boston accent, and the quality he communicates is an openness to any inspiration. The secret of his photography, he says, wasn’t aesthetic talent; it was closer to having a detective’s eye. That’s why, on the sidewalk, he was always able to spot people like Boy George or ? in a historic moment ? the aging reclusive Greta Garbo, who hadn’t been photographed for decades. He was a man of the moment. When Bozek asks Cunningham, late in the film, if he is ever sad about anything, without saying a word he puts his head down and silently begins to weep. Just like that. A little later, he tells us that he’s thinking of all the friends he lost to AIDS. Cunningham found a place in the fashion world, working for the designers who dressed Jackie Kennedy, but it wasn’t until someone gave him a camera that he found his calling. He had the talent to be a designer, but by temperament he was an observer. He first demonstrated that in his fashion-world commentary for Women’s Wear Daily, which read like gossip written by someone without a catty bone in his body; it was dish served by a man who loved life. He preserved that voice in the short passages he wrote alongside the weekly street gallery that became one of the most popular and iconic destinations in the Sunday New York Times.?The movie is filled with his images, many never published in the Times, and you can feel the pleasure he took in shooting each one of them. “The Times of Bill Cunningham” is only 74 minutes long, yet it’s a snapshot of a life that leaves you grateful for having encountered it. Cunningham insists he wasn’t an artist, and in a way the movie recognizes that he was right. He was a natural photographer who anticipated the digital era, but his gift wasn’t so much for crafting impeccable images. It was a talent for living that he expressed through his lens. He was a reporter who forged his own unique beat: the beauty of other people. Scarlett Johansson and Florence Pugh take center stage in the new “Black Widow” trailer that dropped at the 54th Super Bowl. Details are scarce on the next Marvel movie, directed by Cate Shortland, but new footage shows Black Widow’s life before she was an Avenger. Diving into the back story of Johansson’s character Natasha Romanoff, [... ] Tom Cruise has made an enemy in the newest “Top Gun: Maverick” trailer, which premiered during the 54th annual Super Bowl on Sunday. “My Dad believed in you, I’m not going to make the same mistake, ” says Miles Teller who is playing Bradley “Rooster” Bradshaw, son of Nick “Goose” Bradshaw, deceased wingman to Cruise’s character. [... ] The Sundance Film Festival is fighting a battle that’s been building for several years, and what it’s fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. It’s some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of [... ] When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times?obituary. “He had far too few scruples about who he [... ] After three weeks in theaters, Sony’s “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made $291 million globally to date, pushing it past previous franchise record holder, 2003’s “Bad Boys II” and its $271 million haul. The first entry, 1995’s “Bad Boys, ” [... ] World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at London’s Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p. m. ] “1917, ” Sam Mendes’ World War I survival thriller, dominated at the 73rd British Academy of Film and Television’s Film Awards with seven wins including best film and best director. “Joker, ” meanwhile, which went into the BAFTAs with the most nominations, 11, won three awards including best actor for Joaquin Phoenix. “Parasite” picked up two awards, [... ].

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