Movies | ¡ÆThe Times of Bill Cunningham¡Ç Review: Another New York Snapshot Sarah Jessica Parker narrates a documentary about this former New York Times personality and street photographer. Credit... Harold Chapman/Greenwich Entertainment The Times of Bill Cunningham Directed by Mark Bozek Documentary 1h 14m Mark Bozek had a no-brainer opportunity when he landed an interview with Bill Cunningham, the New York Times street photographer and self-described ¡Èfashion historian. ¡É Cunningham was renowned for his eye and his minimalist personal style ? a signature blue French worker¡Çs jacket ? and his bicycle, replaced dozens of times over the years, that enabled him to shoot on the go. This talking-head footage is a promising start that ultimately leads to a less than illuminating documentary. Bozek built this movie around that interview, from 1994. It finds its subject animated, punctuating his sentences with a toothy grin as he talks about his Roman Catholic upbringing, his early days at the fashion house Chez Ninon and his humble apartment in the old Carnegie Hall Studios. The film is peppered with rare archival photos ? including many of Cunningham¡Çs own ? and narrated by the New York fashion icon Sarah Jessica Parker (a too on-the-money choice), whose voice-over delivery here lacks her playful ¡ÈSex and the City¡É wink. Bozek¡Çs first feature, which he started working on right after Cunningham¡Çs death in 2016, comes nearly a decade after Richard Press¡Çs superior vérité-style profile, ¡ÈBill Cunningham New York. ¡É While ¡ÈThe Times of Bill Cunningham¡É touches on many of the same topics, it makes one startling departure with this speculation: ¡ÈWhile the attention that was brought to him via a growing number of accolades and a popular documentary in 2011 may have brought him some degree of lifetime achievement, it is more likely he regretted it, ¡É Parker says in the film. In an attempt to distinguish his documentary from the other, Bozek delivers what feels like an unnecessary low blow. The Times of Bill Cunningham Not rated. Running time: 1 hour 14 minutes.
Interesting outfit choice on the part of the interviewer. Good grief. I remember her from Ozark. She's so gorgeous. When I was a Jr. in high school we had to pick a famous person, and write a biography of them. I chose Linda, got an A on the paper, and still have it today over 40 years later. Free the times of bill 2017. Free the times of bill movie. NYT, probably not a good idea to let dinosaurs review modern high fashion.
A great always. as often like tatsuo presses on the trigger, it's no wonder he needs so many SD cards. Free the times of billy the kid. Who gives a crap as to whether she is intimidating. She's extremely talented at what she does, bottom line. If she were cruel, unethical or assaulted people, then yea, that would be unacceptable. However, who gives two craps as to whether she smiles enough. I rarely smile in public, not because I'm mean, but b/c I'm often in thought. People need to stop being so nosy and judgmental. Back off and let people do their thing.
Often, at work, people will say something like, Anybody could have done that.?? My response is, Yeah, anyone' could've done it, but nobody did. I'm not sure what level of interaction, if any, that Bill Cunningham had with his subjects (and, if he did have interaction with 50% of them, just getting people in NYC to stop, take 5 minutes) and, go stand over there, in the sunshine, by the loading dock' is a talent in itself. I'm middle-aged now, but I can remember buying The Sunday New York Times, mainly to see his work, back in the early 1990's.?? I am assuming that the Times paid him.? If so, the guy had a DREAM job. walk around NYC and attend fashion shows all over the world, taking photos.??? 'Anybody COULD have done it, but to my knowledge he was THE first, or certainly, one of the first, to get paid to this type of work. Was he the greatest photographer of the 20th Century?? I don't think he was in the top 100, but again, kudos to him for finding a way to get paid to DO it.
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The great New York Times photographer Bill Cunningham, who died in 2016 at age 87, liked to call himself a ¡Èfashion historian, ¡É a surprisingly stodgy term for someone whose street eye for everyday style ? whether highborn or low-cost, chic or cheeky ? suggested a roving cultural omniscience. In what people wore, he seemed to know (and loved showing us) who we were. But in that self-descriptor there¡Çs more than a hint of charming self-effacement about his devotion and talent, and it¡Çs a personality trait on full, winning display in a lively, previously unseen 1994 interview that¡Çs the archival center of an equally spirited new documentary about him, ¡ÈThe Times of Bill Cunningham, ¡É a first feature made by the man heard off-camera questioning him in the footage, Mark Bozek. (The third voice you¡Çll hear throughout is Sarah Jessica Parker as narrator. ) This is the second documentary about Cunningham, coming nearly a decade after Richard Press¡Ç verité on-the-job portrait, the justly acclaimed 2011 film ¡ÈBill Cunningham New York. ¡É But Bozek¡Çs doesn¡Çt feel like a rehash, primarily because of how front-and-center its subject is in all his boyish ebullience, the lit-up eyes and toothy smile animating story after story about how a hat-making Boston boy from a conservative Catholic household became a sought-after milliner in high-society designer circles post-World War II and eventually the Olympus-sporting, bicycling chronicler of flamboyance under the sun and finery at night. Cunningham¡Çs beguiling openness, coupled with as many estate-sanctioned photographs from his collection as Bozek can squeeze into the brisk running time, easily overcome a general roughness of assembly ? some jarring music cues, choppily edited montages and an unfortunately discordant instance of name-checking the earlier doc (via Parker¡Çs narration) in a way that sounds begrudging and mildly insulting. (We¡Çre told, with no evidence, that the spotlight from that film¡Çs hoopla discomfited Cunningham, but we also get the choice nugget that at the premiere he chose to stay outside and snap attendees. ) Bozek¡Çs background is as a shopping network honcho ? the Bradley Cooper character in David O. Russell¡Çs ¡ÈJoy¡É is him ? so it¡Çs not surprising he knows the entertainment value in centering a biodoc around a warm, engaging figure telling his own life story. Cunningham¡Çs early days creating toppers for moneyed women and famous names who oozed personal style, his catching Paris fashion shows while stationed in France with the Army, and rubbing elbows with living legends at his cramped Carnegie studio (Brando, Bernstein, Mailer) make for an effervescently anecdotal bildungsroman. Though Cunningham¡Çs reputation as an equal-opportunity fashion chronicler is legion, he definitely knew what he did and didn¡Çt like. He preferred the sidewalk to runways when looking for how fashion permeated society, natural elegance to camera-conscious posers, and the fashion-conscious to the style-expedient. He viewed many Hollywood stars as illusory figures of superficial glamour who didn¡Çt know how to dress in real life, save Gloria Swanson, who ¡Ècame close. ¡É His gushing excitement over the privilege of his front-line perch for fashion¡Çs ever-changing mirror to the world ? whether it¡Çs a Diana Vreeland Met exhibit, covering every gay pride parade since the first, or the earthshaking 1973 Battle of Versailles show ? is matched only by the poignance of his occasional weepiness whenever a question of Bozek¡Çs addresses Cunningham¡Çs own emotions. At the time Bozek filmed him, AIDS was devastating the fashion world, and a scheduled 10-minute sit-down became an extended, enthusiastic interview until Bozek ran out of videotape. It¡Çs fair to assume one reason is that even in so modest a super fan of the sartorial as Cunningham, his recognizing that life, like fashion, is both monumental and fleeting was enough to get a passionate witness talking, sometimes through tears. And for that, we can be grateful for a record such as ¡ÈThe Times of Bill Cunningham. ¡É 'The Times of Bill Cunningham' Not rated Running time: 1 hour, 14 minutes Playing: Starts Feb. 21, Arclight Hollywood; Laemmle Royal, West Los Angeles; Laemmle Playhouse 7, Pasadena; Laemmle Town Center 5, Encino.
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