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Duration - 1 H, 7 minutes Description - Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band Genre - Documentary tomatometer - 7,9 / 10

The doors break on thru - a celebration of ray manzarek review. Ray is amazing, seriously. Densmore is an awesome whole band is Fkn awesome.

Essa banda é fantástica ??. Ray the MAN. shows why he was the cool my to the MAN. The doors 3a break on thru- a celebration of ray manzarek wallpaper.

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The west is the Best. Cojer con mi ex, fumando porro y escuchando estos temas fue lo mejor que me paso en la vida. The doors 3a break on thru - a celebration of ray manzarek wallpaper. The doors 3a break on thru - a celebration of ray manzarek gif. Product description The surviving members of the Doors did a savvy thing with this hourlong session of VH-1 Storytellers, first broadcast in early 2001. Knowing that they could never replace their late and legendary frontman, Jim Morrison, the Doors (Ray Manzarek, Robbie Krieger, and John Densmore) invited vocalists from a variety of hot bands to offer their own interpretations of eight classic Doors hits. The spectre of Morrison looms over the entire set, reminding us that the charismatic, leather-clad Lizard King could never, ever be matched in terms of vocal style, depth, and heart-rending soul. It's best, then, to let these admiring young rockers enjoy this opportunity to pay reverent homage, and they do it with considerable skill. Above it all, the remaining Doors form a solid trio, still lighting fire to songs they've performed thousands of times. Patrick Monahan (from Train) kicks off with a sharp rendition of "Love Me Two Times, " and the Cult's Ian Astbury tries (almost successfully) to bring a medley of "Whiskey Bar/Backdoor Man" up to Morrison's level. The highlight comes from Days of the New's Travis Meeks, whose performance of "The End" is fresh, impassioned, and altogether triumphant. Nearly as good is Stone Temple Pilots' Scott Weiland (clearly a Morrison worshipper), who burns through "Break On Through" and "Five to One" with adequate fervor. Creed's Scott Stapp closes with "Light My Fire" (proving that the original is still untouchable) and a rafter-rattling "Roadhouse Blues. " Each performance is noteworthy, and die-hard Doors fans shouldn't miss this latter-day celebration. Younger listeners who are less aware of Morrison's legacy are best served, in the long run; they get the best of both worlds, old and new. --Jeff Shannon The surviving members of the Doors did a savvy thing with this hourlong session of VH-1 Storytellers, first broadcast in early 2001. --Jeff Shannon.
The doors 3a break on thru- a celebration of ray manzarek youtube. The doors revival. Me parecen re boludos los que ponen - alguien en 2019. O sea loco, si la escuchan. Que ganan pareciendo tan vírgenes.
The Crystal ship is one of my favorite doors song with a piano composition that sounds coupled with an organ, it was way ahead of it's time, baroque and classically influenced, real art, it would make a great horror movie soundtrack, even a requiem, its morbid and brilliant.
Densmore is an amazing drummer and musician. The doors break on thru - a celebration of ray manzarek. Love you Jim, will see ya' soon, 4 more years. Harpsichord makes it sound so elegant and sexy. The Doors: Break on Thru - A Celebration of Ray manzarek. A legend... ???. The doors 3a break on thru - a celebration of ray manzarek design. The doors jim morrison. The doors break on thru - a celebration of ray manzarek trailer. Robbie's extended solos. 8:25 my favourite things and 9:15 Eleanor rugby. The doors 3a break on thru- a celebration of ray manzarek design.
As if I have only just discovered this. ??. I always think of the first scene of the movie apocalypse now whenever I hear this song. Not the strongest of singers, the only other singer ive enjoyed them play with was scott wieland he was pretty good on vh1 story tellers im not really into the other singers they have used, even Ian astbury I though he was trying too hard to be jim. The doors 3a break on thru- a celebration of ray manzarek canvas. “ Is everybody in? ” John Densmore of the Doors asked the crowd gathered Friday night at the Fonda Theatre in Hollywood. Standing beside him was his old friend and musical partner, guitarist Robby Krieger, who added, “ Let the ceremony begin. “ The words were lifted from the band’s 1970 tune “Celebration of the Lizard, ” arriving halfway into a night of music marking the birthday of their late collaborator, keyboardist Ray Manzarek, who died of cancer in 2013. The surviving Doors led a two-hour concert recreating some of the band’s most beloved songs with a cast of friends including members of Foo Fighters, Stone Temple Pilots, Jane’s Addiction, X, Gov’t Mule and Dead Sara. The memorial show began coming together just two weeks ago, Krieger said from the stage. Manzarek had been gone over two years, and a planned live tribute by Krieger and Densmore had yet to happen. With Manzarek’s birthday again?approaching, the guitarist said, “Ray has been haunting me. ” In the lobby was a silent auction, featuring a Gibson SG autographed by Krieger and prints of Henry Diltz photographs from the Morrison Hotel album cover session. Proceeds would go to the Stand Up to Cancer charity for cancer research. On keyboards for most of the night was Rami Jaffee of the Wallflowers and Foo Fighters. Sitting in on the occasion’s?most crucial position, he opened the night with the funky, festive organ riff from “When the Music’s Over. ” At the mic was Gov’t Mule’s Warren Haynes, as the crowd shouted along to the chant, “We want the world and we want it now! ” Krieger and Densmore, both white-haired and four decades past their final gig with late frontman Jim Morrison, shared a smile and fist-bump after the first song. Densmore took turns at the drum throne with Stephen Perkins of Jane’s Addiction. “Back in the day, ” Densmore explained, “I blew my ears out bashing those cymbals. ” Foo Fighters drummer Taylor Hawkins sang “Alabama Song (Whisky Bar), ” his foot up on the monitor, hitting the right tone and swagger. It was followed by “Love Me Two Times, ” as Perkins pummeled and Jaffee recreated Manzarek’s baroque solo. On bass was Robert DeLeo of Stone Temple Pilots. Before leaving the stage, Hawkins described the former Doors in rehearsal the day before, still slipping into their original groove: “They sound like they never got off the stage. ” Aside from the remaining Doors, the artists with the longest collaboration with Manzarek were Exene Cervenka and John Doe of the band X. In the early 1980s, the keyboardist embraced another generation of challenging?L. A. rock by producing X’s acclaimed first four albums and played organ on several tracks. Onstage Friday, Doe said that on X’s early tours, fans would sometimes shout, “Where’s Ray? ” Doe and Cervenka performed the Doors’ stormy “Soul Kitchen, ” with Perkins pounding the drums and guitarist Brian Ray ripping up a Billy Zoom-tweaked riff. They followed with X’s “Nausea. ” “I was lucky to be a human being on he planet when the Doors were around, ” Cervenka said. “I think the Doors changed culture forever. ” Singing on Willie Dixon’s “Backdoor Man” was a forceful Emily Armstrong of Dead Sara, barking and strutting across the stage. Krieger ignited some?bluesy electric bottleneck on “Moonlight Drive, ” the first song the band ever played together. Doe returned to sing “Riders on the Storm, ” and joked, “This is a top-three song to drive 80 miles an hour. ” Densmore was back on drums, Perkins on shimmering percussion, while Krieger mingled cascading melody with Jaffee. One of the night’s peak performances came from L. /New York singer-songwriter Andrew Watt, tapping into the unpredictable energy of Morrison during “L. Woman. ” He arrived drinking from a bottle of wine, hair to his shoulders and clapped to the beat. He barked the lyrics and fell to the floor to deliver a heavy breathing mantra of “Mr. Mojo risin'” then leapt into the crowd for a few moments of crowd surfing. For the Doors, there had been disagreements and lawsuits for years over use of band’s name?and licensing, but the night was all good memories from their shared history. Densmore noted the special?connection between Morrison and Manzarek, who met in the Sixties as UCLA film students: “Ray saw something in Jim before anybody. ” Krieger remembered a 3 a. m. phone call from Morrison: “Robbie, me and Pam took too much acid. You gotta come over. ” The night’s encore was “Light My Fire, ” returning most of the night’s singers and players. It was one of the Doors’ biggest hits and is the first song Krieger ever wrote, but he spoke only of Manzarek’s contribution. “It might be the most iconic Ray solo ever, ” Krieger said, then added, “actually, the most iconic organ solo ever. ” As the performers slowly exited the stage, the crowd began shouting a spontaneous “Happy Birthday” to the late keyboardist. Densmore and Krieger returned alone at centerstage, and took a bow together one more time.