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Tomatometers - 7,2 of 10 Stars / Release year - 2019 / 4149 vote / directed by - Marco Bellocchio / Il traditore is a movie starring Pierfrancesco Favino, Luigi Lo Cascio, and Fausto Russo Alesi. The real life of Tommaso Buscetta the so called "boss of the two worlds", first mafia informant in Sicily 1980's / &ref(https://m.media-amazon.com/images/M/MV5BMzgwMGQwZDAtZTNmOC00NDQ3LTlmZTUtYWQwMWM2ZWQyOTBhXkEyXkFqcGdeQXVyOTgxNDIzMTY@._V1_SY1000_CR0,0,629,1000_AL_.jpg)

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Il traditore lasciatemi cantare. Il traditore torrent. Il traditore subtitles. Il traditore trailer english. Il traditore imdb. Il traditore sono un siciliano. Il traditore tipo. Totò Riina uomo di merda. On the eve of the secret departure of Italian mafia boss Tommaso Buscetta (Pierfrancesco Favino), he tells his long-time friend and fellow mafia member Giuseppe “Pippo” Calò (Fabrizio Ferracane) to look after his sons. He departs for Brazil, hoping to start a peaceful life with his new wife Cristina (Maria Fernanda Cândido). So begins Marco Bellocchio’s “Il Traditore” (“The Traitor”), a look into the life of one of the first informants from the Italian mafia who helped indict hundreds of mafia members. Grounded in the Maxi Trial of 1986, the largest anti-mafia trial in history, Bellocchio strays from some historical details, creating an at first enrapturing but ultimately superficial and overextended look into Buscetta’s experiences. Things back in Italy go awry for Buscetta when he receives news of numerous deaths of his former colleagues and ? more upsettingly ? his sons, and is unable to reach Pippo. Bellocchio cuts to scenes of the murders, with a ticking bodycount on the bottom corner of the screen. The Brazilian state police soon catch Buscetta and he’s taken to prison, where he’s tortured for information and eventually handed back to the Italian government. In a crucial turn in history, Buscetta becomes one of the first prominent figures in the mafia to turn informant, giving the state vital and secretive information about his group, Cosa Nostra, which literally translates to “Our Thing” in English (as Busetta explains, that’s what all the members call it, because “The Mafia doesn’t exist. It’s an invention of the press”). As Buscetta stays imprisoned in Italy, he’s questioned by Judge Giovanni Falcone (Russo Alesi), whom he slowly grows to trust. This delicate yet vital relationship plays an enthralling part in the Maxi Trials, one that Bellocchio disappointingly spends little time exploring. Favino delivers a charismatic and captivating performance as Buscetta throughout the film. From his anguish at the loss of his sons to his fury at those who betrayed him, from his lustful passion for Cristina to his seemingly indifferent resignation in becoming an informant, Favino convincingly commands an intense range of emotions. And when he utters unflinchingly, “I’m not scared of dying, I’m not scared of anything, ” it really seems as if he isn’t. His one wish? “To die in my bed. ” Favino’s engaging acting, however, is not enough to create an in-depth look into Buscetta’s character. Bellochio, deftly aware of the political webs he’s playing with through this story, observes most of the other figures from a safe distance. Bellochio vacillates between showing two sides of Buscetta: a womanizing old-time sly mafia member mainly cooperating because he’s left with no choice, and a deeply loyal but vengeful father seeking revenge against those who killed his friends and family. In this way, the audience knows Buscetta is a complicated character, yet Bellochio never gives genuine insight into Buscetta’s exact incentives for supposedly betraying Cosa Nostra. In one of the best rapid-fire dialogue exchanges at Cannesusi, Buscetta and Calo ruthlessly chew each other out in a cross-examination. The dramatic score of string instruments (Nicola Piovani compiles an excellent soundtrack) gives the scene an operatic effect, and complete with the mafia mobsters in cages around the courthouse and disorder everywhere, Bellocchio creates a scene resembling a zoo more than it does a courthouse, and a hilarious one at that. Cross-examination aside, Favino carries on most of the court scenes with a deadpan expression that conceals his thoughts. Though successful at maintaining a composed presence ? a performance that contrasts with Luigi Lo Cascio’s portrayal of Busetta’s old ally, the comically engaging Totuccio Contorno, who fervently talks back to the caged mobsters in the courthouse ? Bellocchio’s portrayal here again deprives viewers of understanding Buscetta’s motivations for giving testimonies to the state, and whether he foresaw the eventual impact it would have on Cosa Nostra. As enticing as the court scenes are, after a few rounds, Bellocchio gets bogged down in the technicalities of the legal procedures and they start to lose their fresh appeal and comic edge. Again, the time would’ve better spent developing dialogue between Falcone and Buscetta, who takes a backseat as soon as the trial begins, only to never appear again in the film except for a brief farewell scene when Buscetta leaves Italy for the United States under the Witness Protection Program. Perhaps Bellocchio attempts to stay true to the machismo espoused in the Cosa Nostra circles, but his dismissal of female characters in the film is disappointing. Even Francis Ford Coppoola gave more agency to he female characters in “The Godfather” (which was released over 40 years ago), and with this year’s festival so heavily publicizing equal representation, Bellochio seems to be clueless of (or indifferent to) the cultural movement. The women ? sisters, wives, especially Cristina ? are seen mostly as sexual objects, as Bellocchio shows a phone call where Cristina masturbates over the phone to a saudade Buscetta, who’s in jail, as one of the determining factors for Buscetta’s decision to become an informant. Even Buscetta’s sincere declaration that families are “untouchables” to Cosa Nostra is reductive: Just as much as women are protected, they’re also prevented from having any agency or control in family matters, only seen as powerless victims and pawns in the game left to deal with the dire consequences of the men’s actions. Unfortunately, the film goes about 40 minutes too long. Where a natural ending point to the film could’ve been, Bellocchio takes us back into Buscetta’s life, for reasons unclear, as the film recounts historical events in his life without revealing what his earlier incentives were. If anything, Buscetta becomes a more muddled character in result. Even though Bellocchio romanticizes the old Cosa Nostra and Buscetta’s honor to it, “Il Traditore” is a mesmerizing story of crime and betrayal and amusing court scenes ? until it’s not. ?Staff writer Lucy Wang can be reached at Follow her on Twitter @lucyywang22.
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Il traditore tipo film. Il traditore film attore. Il traditore film completo. Il traditore 2019. Tutta gente che oggi si presenta alle commemorazioni nelle date di anniversario delle stragi. Il traditore online subtitrat. I reckon, not sure that this has been televised.

have watched it partly twice cause I fell asleep, seriously. storyline, if any, hard to follow. if you are sufferiing from insomnia I recommend watching it 3 start cause some details were accurate. the end. Il traditore film streaming. Italy, Germany, France, Brazil Synopsis In the early 1980’s, an all out war rages between Sicilian mafia bosses over the heroin trade. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home, scores are being settled and Buscetta watches from afar as his sons and brother are killed in Palermo, knowing he may be next. Arrested and extradited to Italy by the Brazilian police, Buscetta makes a decision that will change everything for the Mafia: He decides to meet with Judge Giovanni Falcone and betray the eternal vow he made to the Cosa Nostra. Director's Biography Born in Bobbio, near Piacenza, Marco Bellocchio had a strict Catholic upbringing ? his father was a lawyer, his mother a schoolteacher. He began studying philosophy in Milan but then decided to enter film school, making his first film, FISTS IN THE POCKET, funded by family members and shot on family property, in llocchio's films include IN THE NAME OF THE FATHER ? a satire on a Catholic boarding school that shares affinities with Lindsay Anderson's IF.... (1972) and MY MOTHER'S SMILE (2002), which told the story of a wealthy Italian artist, a 'default-Marxist and atheist', who suddenly discovers that the Vatican is proposing to make his detested mother a 1995 he directed a documentary about the Red Brigades and the kidnapping of Aldo Moro, entitled BROKEN DREAMS. In 2003, he directed a feature film on the same theme, GOOD MORNING, NIGHT. He finished SORELLE MAI, an experimental film that was shot over ten years with the students of six separate workshops playing themselves. | Directed by: Marco Bellocchio Written by: Marco Bellocchio, Ludovica Rampoldi, Valia Santella, Francesco Piccolo Produced by: Giuseppe Caschetto, Simone Gattoni Cinematography: Vladan Radovic Editing: Francesca Calvelli Production Design: Andrea Castorina Costume Design: Daria Calvelli Hair & Make-up: Alberta Giuliani, Dalia Colli, Lorenzo Tamburini Original Score: Nicola Piovani Sound: Gaetano Carito, Adriano Di Lorenzo Main Cast: Pierfrancesco Favino (Tommaso Buscetta), Maria Fernanda Candido (Cristina Buscetta), Luigi Lo Cascio (Salvatore Contorno), Fausto Russo Alesi (Giovanni Falcone), Fabrizio Ferracane (Pippo Calò) Visual Effects: Rodolfo Migliari European Film?2019 European Director?2019 European Actor?2019 European Screenwriter?2019 EFA Feature Film Selection?2019.

Il traditore watch. Il traditore film completo youtube. Attiva la ? per ricevere i nuovi feed dei video. Il traditore (2019. Il traditore showtimes. Il traditore 2019 streaming. Il traditore film netflix. STUDIO PERITALE PITZIANTI Opera in tutta Italia? in attuazione della L. 4/2013? Opera per l'Autorità Giudiziaria e Studi Legali? cell. 329 8541334 PERIZIE FONICHE e CONSULENZE INFORMATICHE? Tabulati e Celle telefoniche. Il traditore ? trădătorul (2019. Il traditore tipo imdb. Il traditore cast. E' incredibile, praticamente il maxi processo e' un regolamento di conti incruento tra mafiosi.
Il traditore me titra shqip. Il traditore sky. Il traditore scena. Io ho fatto la comparsa in questo film sul serio sono nella scena della comunione purtroppo nn mi vedo ma mi sento dire ad alta voce ciaoooo. Il traditore lo straordinario mondo di gumball. Il traditore scene. Il traditore amsterdam. Il traditore musica. The Traitor has wasted a series of really big opportunities, despite taking two and half very long hours of the viewers' time (definitely too much for the results it achieves.

The Traitor could have been the opportunity to explore in depth the complex and controversial personality of Tommaso Buscetta but the movie barely scratches the surface of this multifaceted character. It could have been the opportunity to dig into the overall role of the "pentiti" of the mafia, the former "men of honour" turned into witnesses for the state; this was a very controversial, ambiguous and surely humanly difficult choice for those people yet again the movie misses its chance. It could have been the opportunity to offer a deep look into a dramatic moment of the contemporary history of the Italian mafia, the bloody 80' and 90's, but these events are presented in a rather fragmented, disjointed manner, bordering sometimes the caricature (like the trial scenes. The one thing to be saved of the movie is Favino's performance, really stunning.

Confermo, la mafia la fa la gente che ancora parla in termini di onore, pentiti spioni etc. La stessa gente che protegge i latitanti. Tommaso Buscetta, “Il Traditore, ” is the most historically- significant mafia informant in world history, a transcontinental gangland powerhouse who brought down mob bosses and crime families in Italy, Brazil and the United States. The fabled Sicilian Mafia in which he was a member was brought to its knees by his cooperation in the 1980s and hasn’t been the same since, in terms of influence and industry. There were roughly 500 arrests and convictions attributed to his testimony in courtrooms around the globe. Born into poverty on July 13, 1928 in the mafia-hotbed region of Palermo, Sicily, Buscetta was the youngest of 17 brothers and sisters. His blood family had no connections to the mafia, but he was raised surrounded by it nonetheless due to its prevalence in the community. It didn’t take long for him to gravitate towards the rackets and the men in town with all the money, power and respect. A mob apprentice as early as the age of 15, Buscetta was “made” into Sicily’s infamous Porta Nuova crime family at just 20 years old in a 1948 ceremony where he took a blood oath to officially enter the ranks of the Sicilian Mafia. Buscetta was a fast learner and known for a razor-sharp acumen in crooked business and a knack for networking. Giuseppe “Pippo” Calo, the Sicilian Mafia’s financial wiz kid and a legend in the Porta Nuova rackets, was an early ally and showed him the ropes. Honing his craft as a Mafioso, Buscetta became an expert in both drug and cigarette smuggling, expanding into Argentina and then Brazil, fronting his black-market business endeavors through a Brazilian glassworks studio. In the 1950s, Buscetta partnered with the cagy Gaetano “Don Tano” Badalementi of Sicily’s Cinisi mob faction and several Badalmenti allies out of Palermo and forged ties with heroin traffickers around the world to build a massive drug pipeline from Europe to New York. He also began accumulating an arrest record that put him squarely on the radar of law enforcement on both sides of the Atlantic Ocean. What became known as the First Mafia War erupted in Palermo in the early 1960s over a lost shipment of heroin, sending mob clans from different regions of the province into a bloody conflict, where old grudges came bubbling to the surface and new feuds coalesced to cause deep fissures in the fabric of the Sicilian underworld. The battle raged from 1961 to 1963 and shook the mafia in Palermo to its very core. On June 20, 1963, a car bomb intended to assassinate a partner of Buscetta’s detonated in the town of Ciaculli and killed seven policemen instead. The bombing was dubbed the “Ciaculli Massacre, ” and brought about the kind of government and judicial scrutiny the Sicilian Mafia had never before encountered in its centuries of existence. There would be 70 fatalities in the First Mafia War, two of them ordered by Buscetta himself in the fallout from the Ciaculli Massacre. Wanted for murder in Palermo, Buscetta fled for the United States. Settling in Brooklyn, he aligned with the American Gambino and Bonanno crime families and oversaw his smuggling networks with their protection and partnership. Sensing the Sicilian authorities were hot on his trail, Buscetta moved to Brazil in late 1970 and underwent facial reconstruction surgery to alter his appearance. His time on the run was coming to an end however and in November 1972, Brazilian police located and arrested him on orders of the Sicilian government, extraditing him to Italy in the days before Christmas. Undeterred by his predicament in a Palermo prison, Buscetta, the man known in both European and South American underworlds as “Don Masino, ” ran his criminal empire from behind bars. Serving eight years for the two murders from the 1960s, he was paroled in the winter of 1980 and immediately returned to Brazil, looking to escape escalating tensions in the Sicilian mafia tied to the rise of Salvatore “Toto the Beast” Riina of the “Corleonesi, ” (the large mob clan from the town of Corleone, Sicily) and Riina’s desire to take control of the entire Sicilian Mafia “Commission” (a board of directors for the country’s biggest mob dons) for himself. Although Buscetta tried to stay out of the fray, seemingly safely tucked away in Brazil, his decision to stay neutral actually pulled him further into the raging fracas and left his own family exposed. His boss in the mafia, “Pippo” Calo, ? by then the Godfather of Porta Nuova ? had backed Toto Riina’s power play to seize the Commission by force and his former partner Don Tano Badalamenti was ousted from his seat on the Commission and kicked out of the country, relocating to the United States. Riina had Badalamenti and Buscetta’s allies in Palermo, mafia bosses, Stefano “Il Falco” Bontade and Salvatore Inzerillo, gunned down within two weeks of each other in the spring of 1981 and as a result, the Second Mafia War, more commonly referred to in Sicily as the Great Mafia War, was ignited. The Second Mafia War dwarfed the First Mafia War in terms of body count and would turn into a war on the state, an assault aimed at the very people tasked with putting Riina and his fellow mob czars in prison. There were more than 1, 000 murders linked to the feud. And even from in-hiding in Brazil, as hard as he attempted to refrain from picking a side, Buscetta couldn’t avoid being dragged into the war, its cruelty paying him a visit in the most ruthless of ways, viciously ripping through his family tree in a systematic slaughter. This unprompted attack on his loved ones planted the seeds of doubt that would soon blossom into full-fledged disillusionment and his historic cooperation. On September 11, 1982, Buscetta’s two oldest sons, Benedetto and Antonio, disappeared in Palermo. They were slain on Riina’s orders ? strangled to death by Salvatore Cancemi? for their father’s refusal to engage in the warfare and his decision to leave Sicily upon being paroled, something Riina interpreted as a sign of disloyalty and weakness. Buscetta’s brother, brother-in-law, son-in-law and four of his nephews, were murdered shortly thereafter, soon driving Buscetta into the eager and waiting arms of the Italian government. Buscetta was arrested in San Paulo on October 23, 1983 and once again extradited back to Italy, where he attempted suicide by ingesting a bottle of barbiturates he had stolen from the prison infirmary. Having escaped death by his own hand, Buscetta experienced a long-awaited epiphany and decided to betray his oath to the Sicilian Mafia and begin his life as a “Pentito” or informant. From his hospital bed, he requested to speak to the famous Anti-Mafia Judge Giovanni Falcone, who was without question the No. 1 nemesis for every major mob figure operating in Italy at that time, and quickly cut a deal for himself. Falcone debriefed Buscetta for six straight weeks in the summer of 1984 and he provided a treasure trove of groundbreaking intelligence regarding the Sicilian Mafia’s structure, both the First and Second Mafia Wars, international narcotics trafficking and dozens of unsolved homicides dating back decades on multiple continents. Later on, in the 1990s, he would lift the veil on the rampant corruption in the corridors of power in the Italian government and shine a light on the fact that the mafia, in many ways, ran a shadow administration to benefit racketeers and black- market influence-peddlers stationed around the country. The written confession he ended up signing was 3, 000 pages in length. Buscetta arranged for himself to be placed in the U. S. Federal Witness Protection Program in exchange for help breaking up the so-called “Pizza Connection” heroin smuggling operation which stretched from Sicily to a string of mobbed-up pizza parlors in New York and New Jersey and was headed by his old pal Don Tano Badalamenti. Buscetta’s epic testimony began in late 1985 at Badalamenti’s trial in Manhattan, where Badalamenti and 20 co- conspirators were found guilty ? the first batch of defendants to fall prey to Buscetta as a star witness. Hundreds more would follow. The crown jewel of Buscetta’s testimony though occurred the following year at the storied “Maxi Trial” in Palermo. Because of invaluable information provided by Buscetta, the Giovanni Falcone-led prosecution landed the indictment of 475 mob chiefs, caporegimes and soldiers and finally proved the existence of the Sicilian Mafia once and for all. His own Godfather, Pippo Calo, was one of the government’s prize catches. Buscetta took the stand at the Maxi Trial in 1986 and testified against 19 dons, unspooling the secrets of how the mafia, in essence, ruled the entire country, through a series of bribes, kickbacks and bullish enforcement tactics. He laid out the structure of the Commission and detailed the inner-workings and hierarchies of every crime family in Sicily. One of the dons at the defense table, Luciano Leggio, the longtime boss of the Corleonesi and Toto Riina’s partner, even acted as his own attorney. The two-year legal saga was the largest, most successful mob trial the world had ever seen, resulting in hundreds of convictions and lifelong prison sentences and made Buscetta a hero in law enforcement circles in Europe and the United States. Falcone became a living martyr, knowing his work dismantling the mafia would eventually culminate in his demise. He was assassinated in a 1992 car bombing just four months after the Maxi Trial convictions were confirmed on appeal. Buscetta was given a new identity and lived out his final years quietly with his third wife Maria Cristina in Miami, Florida ? they had fallen in love in Buenos Aires when Buscetta arrived in Brazil in 1970. Stricken with cancer in the late 1990s, Buscetta died on April 2, 2000 at 7
By Marco Bellocchio In the early 1980’s, an all out war rages between Sicilian mafia bosses. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home in Italy, scores are being settled, and Buscetta’s allies are killed off one after another. Arrested and then extradited by the Brazilian police, Buscetta makes a decision that will change the entire story of the Mafia: He decides to meet with Judge Falcone and betray the eternal vow he made to the Cosa Nostra. From teenage rebellion to religious institutions to political subversion, the films of Italian director Marco Bellocchio have explored the social and political contradictions of his country. His prolific 50-year career has been closely intertwined with the complexities and discrepancies of Italian history. Bellocchio’s works are known for being politically-engaged and often attacking symbols of Italian conformism. His darkly funny debut feature, 1965‘s FISTS IN THE POCKET, about an existentially-tormented teenager, is often credited with having anticipated the youth rebellion that would shake the foundations of Italian society. Throughout the 70s, Bellocchio‘s cinema explored the political tumult of the time. He denounced religion with 1971’s IN THE NAME OF THE FATHER and the military with 1976’s VICTORY MARCH. From the 80s on, Bellocchio’s films have often focused on coming to terms with a personally and politically turbulent past. He has questioned ideologies and moral issues and fought to make sense of his characters’ motives. He has confronted the conflict between the Church and the radical Left without aligning himself with either. His films compose a rich, fascinating and humane investigation of Italian life, whether modern or historical. Bellocchio was born in Piacenza, Italy, in 1939. In 1959, he suspended his studies in philosophy at Milan’s Catholic University to enroll at the Experimental Center for Cinematography in Rome. He made several short films in the early 60s and studied at London’s Slade School of Fine Arts. Bellocchio was awarded the Golden Lion for Lifetime Achievement at the Venice International Film Festival in 2011. Filmography: 2019 The Traitor 2016 Sweet Dreams (Fai bei sogni) 2015 Blood of My Blood 2012 Dormant Beauty (Bella Addormentata) 2010 Sorelle Mai 2009 Vincere 2006 The Wedding Director (Il Regista Di Matrimoni) 2003 Good Morning, Night 2002 My Mother 's Smile (L'Ora Di Religione) 1999 The Nanny(La Balia) 1997 The Prince of Homburg (Il Principe Di Homburg Di Heinrich von Kleist) 1994 The Butterfly's Dream(Il Sogno Della Farfalla) 1991 The Conviction (La Condanna) 1988 The Witches 'Sabbath (La Visione Del Sabba) 1986 Devil in the Flesh (Diavolo In Corpo) 1984 Henri IV(Enrico IV) 1982 The Eyes, The Mouth (Gli occhi, La Bocca) 1980 A Leap in the Dark (Salto Nel Vuoto) 1977 Il Gabbiano 1976 Victory March (Marcia Trionfale) 1972 Slap the Monster on Page One (Sbatti Il Mostro In Prima Pagina) 1971 In the Name of the Father(Nel Nome Del Padre) 1967 Chin a Is Near (La Cina è vicina) 1965 Fists in the Pocket (I Pugni In Tasca) Pierfrancesco Favino Maria Fernanda Cândido? Nicola Calí? Luigi Lo Cascio? Fabrizio Ferracane Fausto Russo Alesi?? Directed by: Marco Bellocchio Screenplay: Marco Bellocchio, Ludovica Rampoldi, Valia Santella, Francesco Piccolo Director of Photography: Vladan Radovic Production Sound Mixer: Gaetano Carito, Adriano Di Lorenzo Original Music: Nicola Piovani Costume Designer: Daria Calvelli Art Director: Andrea Castorina Editor: Francesca Calvelli Composer: Nicola Piovani Production Companies: IBC Movie, Kavac Film with Rai Cinema, Ad Vitam Production, Match Factory Production, Gullane Entretenimento format DCP / colour / 1. 85:1 / 5. 1 length 153 min. original languages Italian, Portuguese.
Voce uguale per la miseria. Il traditore download. Il traditore film completo in italiano. Che fine ha fatto Ora. Il traditore colonna sonora. 2019-12-14 As part of the 32th Edition of the AFI European Union Film Showcase, we are pleased to announce the screening of Il Traditore (The Traitor) by Marco Bellocchio. Veteran Italian master Marco Bellocchio (FISTS IN THE POCKET, VINCERE) crafts a gangster epic for the ages with this powerful profile of real-life mafia boss-turned-pentito Tommaso Buscetta (Pierfrancesco Favino, ANGELS AND DEMONS, WORLD WAR Z), whose work as an informant led to the infamous six-year Maxi trial and to the largest, most public prosecution of the Sicilian mafia in Italian history. After leaving Palermo for Brazil in the 1980s to escape a brewing crisis among feuding strands of the Cosa Nostra, Buscetta is eventually arrested and sent back to Italy to await punishment for his crimes. When he discovers that, in his absence, members of his family, including his own son, have been used as pawns in the mafia's ongoing drug war, Buscetta begins to feel that his former associates have betrayed the Cosa Nostra's code. Reluctantly, he agrees to testify against them, striking a bargain with the ill-fated judge Giovanni Falcone (Fausto Russo Alesi, VINCERE) that will change the history of organized crime in Italy and across the world. Winner, Best Director and Best Original Score, 2019 Italian Golden Globes; Official Selection, 2019 Cannes, Busan, Toronto, New York and Chicago film festivals. Director: Marco Bellocchio Italy/France/Brazil/Germany, 2019, 145 min Film in?English, Italian, Sicilian and Portuguese with English subtitles LOCATION AFI Silver Theatre and Cultural Center 8633 Colesville Rd Silver Spring, MD PREVIEW (via YouTube) Marco Bellocchio Marco Bellocchio was born in Piacenza, Italy. His debut feature, Fists in the Pocket (65), was followed by China is Near (67), In the Name of the Father (71), and Henry IV (84), among others. Many of his films have played the Festival, including The Eyes, the Mouth (82), Devil in the Flesh (86), My Mother's Smile (02), Good Morning, Night (03), Vincere (09), Dormant Beauty (12), Blood of My Blood (15), and Sweet Dreams (16). The Traitor (19) is his latest film. AFI European Union Film Showcase Now in its 32th edition, the AFI European Union Film Showcase continues its tradition of bringing the best in European cinema to Washington, DC-area audiences. This year's selection of over 40 films includes international film festival award winners, European box office hits and debut works by promising new talents, plus many countries' official Oscar ® submissions for Best Foreign Language Film. MORE INFO: click here Information Date: Saturday, December 14, 2019 Time: At 5:15 pm Organized by: AFI Silver Theatre and Cultural Center In collaboration with: Italian Cultural Institute Entrance: Tickets for Sale Location: AFI Theatre and Cultural Center 1105.
La mafia ha vinto a priori. Fanno sempre le stesse domande. I mafiosi si prendono giocono di loro. Pentirsi significa distruggersi, nessuno vuole combattere veramente la mafia. Il traditore song. Il traditore film.
Reporter: Lucia De Vivo