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Abstract: After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II. Liubomiras Laucevicius. Creator: Ales Adamovich, Elem Klimov. genres: War. 47570 votes. 1985. Watch Online Idi i smotri. Cool movies. Schindler's List is nothing compared to this.

"Come and See" was on a list of the 10 most disturbing films you will ever see. It deserves to be.

Not that it is full of gratuitous gore; much of the horror is just glimpsed; dolls discarded on the floor of a deserted house; a pile of bodies briefly seen at a distance. Much of the horror simply plays out on the face of Florya (Aleksei Kravchenko) the teenage boy at the centre of the story. I was stunned by the film, and there is not much to add to the many thoughtful IMDb reviews here; only a few comments on the technique of this film that makes it so compelling. Critic Tim Lott wrote in 2009 that the film "makes Apocalypse Now look lightweight. It's an interesting association, because other critics pointed out similarities in the structure of the two films. Both are journeys where the central character experiences events that escalate until the true horror overwhelms them. Captain Willard's journey into the 'heart of darkness' is not that different to Florya's; both see things along the way that violate their senses. A great deal of "Come and See" has a lyrical quality, especially Florya's brief stay in the forest with Glasha (Olga Mironova. it's troubling that the girl who is taken by the Nazis at the end looks so much like her. However, all the while, there is that ominous, shapeless hum on the soundtrack. You sense everything is not well and soon you will see things you cannot unsee. So much is told through those close up faces. But it is the face of Florya, aging before our eyes, which reaches into the soul. Although the film was made a few years before the end of the Soviet regime, one can't detect too much of a political agenda in the way the story plays out - the events it portrays are well documented and disturbingly true. Maybe the retribution handed out to the captured Nazis at the end symbolises what happened in the war - what was done going East was repaid as the war headed West. This masterful film doesn't really fit the definition of a standard war film; it is more of a cautionary tale. To paraphrase George Orwell a little, when people start to feel 'more equal than others' it opens the way for evil to happen.

4:23 this is not his dying father, just a random village inhabitant we all saw at very beginning, probably even village elder. We turned in our gold, so fucking BANKERS could shove New Deal up our assholes. 51:17 been watching this movie like crazy, and this is probably like my 28th viewing and I just no noticed that he knocks the Chief's hat off with his foot lol. Name of this film. Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July?1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Box office $150, 730 [3] Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Belarusian anti-war film directed by Elem Klimov and filmed in the Soviet Union. Its screenplay, written by Elem Klimov and Ales Adamovich, was based on the latter's 1978 book I Am from the Fiery Village [4] (original title: Я из огненной деревни, [5] Ya iz ognennoj Derevni, 1977) by Adamovich et al.. [6] The film stars Aleksei Kravchenko and Olga Mironova. [7] Significance [ edit] Come and See is viewed as one of the most important anti-war movies ever made, and one of the great World War II movies. It contains some of the most historically accurate depictions of the crimes on the Eastern Front. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II. It was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. It was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [8] Premise [ edit] The film focuses upon the Nazi German occupation of Belarus, and the events as witnessed by a young Belarusian partisan teenager named Flyora, who?against his parents' wishes?joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Meaning of the title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "ідзі і глядзі" [9] (English: "Come and see", Greek: ?ρχου κα? ?δε, Erchou kai ide) [10] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [11] [12] Chapter 6, verses 7?8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see! " And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Synopsis [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as several Molotov cocktails are thrown onto and within the church before it is further set ablaze with a flamethrower as other soldiers shoot into the building. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population?this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” ? Adolf Hitler, 1941 [13] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants. " [14] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [4] [15] [16] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: "Whoever
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Assuming that you are referring to the camps (which were in addition to executions. The boy in the striped pajamas should be on this list rather than brokeback mountain. Excellent. Let us create a movie that shows a composite of morality and chivalry shown in battle coming from all sides. For example, were there Red Army soldiers who intervened to protect Eastern European and German women from rape and murder? Were there German soldiers who intervened to stop mass shootings of civilians in conquered countries? Were there Japanese soldiers who intervened to stop torture of captured enemy soldiers? Were there American soldiers who protected the lives of German soldiers who officially surrendered? One good example is from the book, A Higher Call, where a German ace pilot escorted a severely destroyed but flying Allied bomber back to England. In war, codes of honor, morality, and chivalry illustrate humanity at its finest in the hellish heat of fighting for survival. There are great lessons to learn from real history and not from Hollywood lies and deceit. Thoughts from the group.
You've exceeded the maximum tag limit (64 friends max) in this photo. At the moment you can't tag a person in a photo. Please, retry later. This person does not have the access to this photo In order to tag a person, hover over his photo and press left mouse button Left-click on a photo to tag people in it. 500.000. . . That baby Hitler reference was the strongest part for me, there was an scene when a German soldier says that everything starts in infancy and that some people(countries) deserves no future; I think it´s linked to that photography.
Russian actors we're very good at this stuff, compared to us, actors here can't do shit. I always found Come and See one of the most harrowing war films ever. It shows what was happening on the Eastern/Russian front. I often found Band of Brothers interesting in regard to how men lead and care for other men in war. Просмотр в зале HDTVRip 1080 7 дек 2017 Картина основана на документальных фактах и обращается к ?Хатынской повести? Адамовича. Авторами выбрано именно то место и те события, которые стали символом народной беды и страдания. Флера ? шестнадцатилетний мальчишка, откопавший среди обрывков колючей проволоки, ржавых пулеметных лент и простреленных касок карабин, и отправившийся в лес к партизанам. В начале фильма он совсем ребенок. В конце, пройдя через ужас карательной акции фашистов, становится взрослым, пугающе взрослым и даже ? старым. Война исказила когда-то нежные, детские черты и превратила их в старческие морщины. Больше Монтажер: Валерия Белова Оператор: Алексей Родионов Показ Мир: 17 октября 1985 Время: 136 мин. Перевод: Оригинал MPAA: зрителям, достигшим 16 лет Оценки пользователей 311 81 Уважаемый зритель! Для уменьшения количества рекламы на сайте, авторизуйтесь или зарегистрируйтесь на сайте. К сожалению, это видео недоступно для просмотра в Вашей стране. Смотреть похожие Фильмы.


Publisher: Arrano Gorria
Biography Доверя?й, но проверя?й