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Tôkyô goddofÃzÃzürich. Tôkyô goddofÃzÃzu sony. Tôkyô goddofÃzÃzu wetten. A John Wayne film from 1946 gives us the initial thrust of plot, three homeless bums discover a baby in the trash and take it upon themselves to deal with it. It's a film so full of coincidence and magic happenstance, the kind of which produces oddball but heartwarming scenarios for characters not ready to deal with the, yet at the same time it doesn't ever ring false because it's about miracles of life and miracles are only false if we don't believe in them. I'm not generally taken in by animation but Satoshi Kon does some amazing things here, the atmosphere of Christmas in a country that celebrates it only passingly is unique, the streets are empty and there's a faint bell going off in a Shinto temple somewhere in the dark, and the painted faces emote like real people, they pout and scowl and snarl like real people do. And I loved Miss Hana/Uncle 'Bag' she's one of the most interesting characters of the decade I think, a woman born a man who takes the part of both mother and wife but repudiates her roles as both in search of family. The film is trying to make us 'feel' Christmas, it wants us to not be the cynic onlooker who observes plot contrivance but rather be conflated with the contrivance so that it becomes meaningful. This should be one of the great Christmas movies, where things are bitter funny and snow whirls under the lamp posts of cold empty streets, then they're sad and faith-restoring but we know it's all a feelgood fantasy that says 'everything will be alright. I like how Satoshi Kon injects complex human behaviour here, one of the protagonists is in drag, another takes us in through a weepy personal story which is later revealed to be the complete fabrication of a cowardly man, the girl is like a cipher of teenage rebellion, stabbing her father seemingly over a cat.
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1. 
2. Writer - Guillermo S Martínez
3. Resume Mi único PECADO es tener TALENTO.

9.3/ 10stars