Antoinette Bower

Die wütenden ? les misérables trailer deutsch. Profoundly moving, hard hitting moral drama elevated beyond being yet another 'banlieu' film through masterful use of cinematic language, combined with heartfelt performances from a largely non professional cast. France's ongoing tensions around identity, race and belonging expand, confronting you head on with dilemmas about the sheer difficulty of the human condition.

Looking for something going further than social realism? Comfortable being uncomfortable? Willing to question the assumptions of multiculturalism and the liberal enlightenment project? Prepared to wrestle with the effort of formulating just what questions need asking instead of expecting someone to bring you answers? Les Miserables will be for you. Opening with shots of young black teenagers celebrating France's world cup victory celebrations in Paris in 2018, concluding this opening scene with a shot of the Arc de Triomphe superimposing the title Les Miserables, director Ladj Ly at once situates himself in a canon of French 'auteurs' while claiming space for these marginalised and excluded kids as being indeed French and, furthermore, spiritual descendants of the 19th century 'Les Miserables' of Victor Hugo's novel. Montfermeil cite (housing project / estate) on the Eastern outskirts of Paris. Following the world cup, three policemen, Chris, Gwada and newcomer to the team Stephane, are looking for a thief who's stolen a lion cub from a travelling circus - they have a limited amount of time - if the cub isn't returned, war will erupt between the various patriarchal groups who live uneasily alongside one another in the cite. The liberal enlightenment project assumes the inevitability of 'progress. it's only a matter of time before everyone, everywhere in the world, adopts European (French) systems of democracy, liberal capitalism and so on. Human beings are rational and reasonable, living peacefully through democracy, state institutions and the rule of law. The 'panopticon' is a system of total surveillance which emerged from 18th century British philosopher Jeremy Bentham. This can be seen to manifest in housing estates like Montfermeil - uniform, system built apartment blocks facilitating observation and control. However, the surveillance is subverted by the nerdy boy Buzz (played by the director's son, Al Hassan Ly) whose hobby is flying drones and who, through the drone, witnesses and records an act of police brutality. Spectacular use is made of the cite with drone shots soaring above the apartment buildings. Implying freedom, escape yet there's something more sinister. Early on the viewer is implicated in Buzz's pubescent voyeurism using his drone to spy on women - we see from his point of view, implicating us in his voyeurism which confronts us with how so often people in these places are used by politicians and the mainstream media as objects to be exploited for entertainment or political purposes. What's our purpose in watching this? How many times have we watched prurient documentaries about 'tough gangs' or 'problem estates? While 'District 13' or 'La Haine' spring to mind as obvious comparisons, Les Miserables shares some characteristics, including one crucial scene in particular, with Francois Truffaut's 'The 400 Blows. Both films show marginalised, excluded children. The same difficult age, 12 / 13, moving away from childhood into adolescence. An academic called Anne Gillain wrote an essay about 'The 400 Blows' called 'The Script of delinquency' drawing on psychoanalytic theories from DW Winnicott and Melanie Klein. Returning to Gillain's work helps account for why and how Les Miserables is so much more than just another 'banlieu' social realist film. Issa's mother in Les Miserables appears, like Mme Doinel, in 400 Blows, uninterested in her son. If I understood the dialogue correctly, when the cops call at the flat, she doesn't know where he is. Instead, she shows Gwada a room full of female friends counting out money. Clearly materialism and money are more important than children. Stealing is central in both films - Gillain draws on psychotherapists Winnicott and reads stealing as being 'a gesture of hope' on the part of the child to reclaim the care and love to which they are entitled. Lead actor Issa Perica is perfectly cast as Issa - cub like himself with his delicate features, complexion, beige combat pants, sporting a T shirt with a lion motif explicitly identifying him with the animal. This however is an animal destined for a life of imprisonment as a circus animal. By stealing the cub Issa at one and the same time reclaims the nurturing to which he's entitled and by liberating the animal expresses his own yearning for freedom beyond the confines of his current life. If women have little visibility in Les Miserables I read this as a comment by Ly on the macho posturing of the patriarchal society he reflects. Women, when they do appear, are strong figures. Teenage girls answer back when provoked by the cop Chris, an inadequate little bully of a man. An enraged mother intervenes against the cops' abusive questioning of four small boys. If the state has abandoned these kids, literally excluding them and their families to the peripheries, other organisations or institutions don't offer much in the way of alternatives. There's the fast food restaurants and a fast food stand whose owner turns the kids away when they ask for food - the nurturing they seek, embodied by food, is denied them. Promises of reward and fulfilment through work unfulfilled for those too young to participate in economic activity. Another form of imprisonment is implied through conformity to religion. During a scene when the boys are invited to the mosque, the camera is close in to the Imam and his co worshippers, wearing Islamic dress and beards. One of the boys yawns. Religion, with it's imperatives of dress, conformity of appearance, closes down possibility. By contrast, when they're left to their own devices - playing basketball, making slides from discarded car doors or goofing around in a paddling pool with water pistols, freedom expresses itself through camera work which opens out to long, expansive shots. Envisaged by the state as ordered, regimented public housing the cite becomes instead a locus of spontaneity - space around the blocks is reclaimed as somewhere to play. A similar binary operates in The 400 Blows with interior shots (carceral space) contrasted with exterior - the city as a place of exciting potentialities. In Les Miserables carceral (prison) space manifests through cars. Patrolling the cite the three cops are confined to their car, unable to leave it for fear of attack. Ultimately, the custodians are metaphorical prisoners themselves, in contrast to the kids, who occupy the space of the cite. There seems little to distinguish the cops from criminals. At one stage, Chris negotiates a favour with the criminal owner of a sheesha lounge. Where's the moral compass? The police here, as representatives of the state, behave in ways which are anything but reasonable and rational. Their lack of integrity shown by their appalling mistreatment of the children they're supposed to protect. Finally, staircases and trash feature prominently in both les Miserables and The 400 Blows, although as different signifiers. At one point Stephane is at the foot of the stairs of an apartment block, in the foyer, calling for reinforcements, unable to give his position. There's no address on the building, this is nowhere and everywhere. Montfermeil stands for every marginalised, excluded community, indeed estates like this are to be found on the fringes of every French town and city, populated in the main by those considered 'not enough French.' I'm saying no more. Hopefully after reading this you'll be off to watch les Miserables as it should be seen - on the big screen. Enjoy.

This is a pretty random post by Universal. Die Wütenden - les misérables les. I have to say that i'm a man and that this movie made me cry ( only schindlers List has done this to me. For me it is one of the best movies ever. Die wütenden - les misérables. 'Liver of a cat' Cuts of cats tail. This movie has so many songs that listening to them all is like watching the actual movie. London Huffington Post SONDHEIM THEATRE NOW BOOKING TO OCT 2020. The most amazing musical i have ever seen, plus it is the only movie which made me cry PERFECT gongratulations. 46:06 Look Down (Paris. Franky theyre lucky they didnt just get run over in Paris. Die wütenden les miserables stream. Die WÃ?tenden - Les misÃrambles and rants. What happened with this beautiful generation. Have we lost them forever.
When someone you love dies be it humans or beasts, it causes you great pain. but rejoice, when it's your time they will give you the opposite, for they will be there to ease the pain you felt and replace it with eternal joy. I love it when a singer performs with all his/her heart and soul. You can really feel her pain in this. Breath-taking performance. Who knew Newt Scamander had a wonderful voice. Marius be lookin hot tho. Linda Eder, stole it. I loved the Andrew L W. Trio, also Audra' sort of tribute to Streisand, when she sang Down with love. if you know the original song, you can tell that she, an Seth R. added bits from many of her early hits. I have to love Liza... her once incredible voice is gone, but she's an true legend. ve.
Die wütenden les miserables berlin. Die wütenden - les misérables film. Die wütenden - les misérables trailer. Lexpérience proouve quuuuuue ?. Die wütenden les miserables kino. So eathtaking. November26 2019 still here??. Russell Crowe and Hugh Jackman, in my opinion, sounded amazing. And so did the others like Anne and Eddie. It was amazing. I loved how Russell's voice was very smooth and awesome. Die w c3 bctenden - les mis c3 tables new. Audra, Audra, Audra. And Jhennifer, Jhennifer, Jhennifer. I love them. Je les aime beaucoup. EU AS AMO. The most exquisite performance of Stars I've ever seen and heard. Philip Quast's phrasing is a master class. Listen and watch the man inhabit this song like the true musical actor he is. Die Wütenden - Les miserables. Some people acknowledge that this movie is well shot, but complain that it doesn't get the roots of the problem, doesn't point out the culprits, probably the capitalist society and France's colonial past. Neither does it offer much in the way of easy solutions, which would have been completely off the mark. Any of that would have led to a militant movie that would have satisfied a few militants but that would have had much less impact on the rest of the viewers.

People compare this movie to La Haine, which was a landmark in its time; but Les Miserables takes a much wider view, where each participant - even the shadiest - has his own logic (few women in this movie, btw) and reasons for doing what they are doing. It is this humanist outlook that tags it to Victor Hugo, rather than the story that has little to do with the novel of the same name. The suspense is riveting to the end, all the more that we don't know exactly where the movie is going. There are loads of short appearances by little-known actors that leave you wondering whether they are are actually acting a part or playing their own role. The action scenes are realistic and original.

Critics Consensus Impeccably mounted but occasionally bombastic, Les Misérables largely succeeds thanks to bravura performances from its distinguished cast. 69% TOMATOMETER Total Count: 250 79% Audience Score User Ratings: 265, 138 Les Misérables Ratings & Reviews Explanation Les Misérables Photos Movie Info Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption-a timeless testament to the survival of the human spirit. Jackman plays ex-prisoner Jean Valjean, hunted for decades by the ruthless policeman Javert (Crowe) after he breaks parole. When Valjean agrees to care for factory worker Fantine's (Hathaway) young daughter, Cosette, their lives change forever. In December 2012, the world's longest-running musical brings its power to the big screen in Tom Hooper's sweeping and spectacular interpretation of Victor Hugo's epic tale. -- (C) Universal Rating: PG-13 (for suggestive and sexual material, violence and thematic elements) Genre: Directed By: Written By: In Theaters: Dec 25, 2012 wide On Disc/Streaming: Mar 22, 2013 Box Office: $148, 775, 460 Runtime: 158 minutes Studio: Universal Pictures Cast News & Interviews for Les Misérables Critic Reviews for Les Misérables Audience Reviews for Les Misérables Les Misérables Quotes Movie & TV guides.
Die Wütenden - Les misérables. Ruthie Henshall does this passionate and emotional song from “Les Miserables” just beautifully! Thank you for the download. ???. And all I see is him and me forever and forever. Amazing art, applause to the entire cast. Top impressions: Russel Crowe, your solo outstanding, your voice an angel's, your last scene odd. Eddie Redmayne, what a surprise actor! Well cast, I had no thought but was there in the room with you and your ghost companions, tears rolling down my face. Well done, Mr. Hooper, bringing this reality to us in the essence of its humanity. Hugh Jackman, good choice for his lead, I recognized him immediately, discovered his dramatic versatility. Applause.

1:47:30 The Sewers. Le scénar est nul et ca se finit en queue de poisson. But every day I'm learning. Die Wütenden - les miserables.

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