Marcus Sealy

Ela na deis. Thanks for doing this. Ive never heard of this film and am an avid ww2 history reader. I've got to get my hand on this, fair depictions of the USSR and Soviet partisans in English language ww2 history are rare and worth their weight on gold. Godspeed? Bless. "Come and See" is heavy. Okay, too heavy. Made in commemoration of the 40th anniversary of World War II, one would clearly expect a war movie to be heart wrenching, and that it more.

Unlike most war movies, Come and See salutes war without a victimization undertone. The incredible soundtrack is the cherry on top of a fantastically realistic piece of work, which does a great job at capturing what war really is all The movie will leave you speechless and even breathless at times. It's almost hard to watch, and even harder to believe that some of the things that happened throughout the 2 hours actually happened in big numbers during this period, and that this was the story of only one village. It is a story about courage, a story about love, and a story about passion. The passion to defend what you believe in and stand for. The passion to remain calm and keep your cool when everything is in your way and the odds are against you.

Ela na deis mazonakis. Elana dies. Ela na deis prevod. Ela na disponible. Ela na discount. Ela na des hotels. Ela na des. @warjunky444: Nope, as it is forbidden to doubt any of the so-called crimes which the Allies blamed on the Germans and this in all Europe, so I wonder why that is. You can watch the whole movie for free on youtube. JUST became aware of this movie and was so bummed when I thought I would not be able to watch it because I am English speaking. THANK GOD for subtitles! I cant believe that we don't use this movie in our schools. truer then what is already taught. Elana designs llc. Ela na des constructeurs.
Ela na deiss. Should've burned them. Mazonakis ela na deis. Love this movie lol. Hans Heinrich Ketels was legit my dads cousin. R.I.P - Hans Heinrich Ketels - 1918 - 1993. Giorgos mazonakis ela na deis. Ela na des jeux vidéo.

Ela na devis serrurier.

Ela na dis. Ela na deis. Best war movie ever made. Ela na deis maple karaoke. Ela na des jeux. “Come and See” isn’t what I would pick for a Christmas movie, but it’s what we had at home from Netflix that still needed watching. I didn’t expect much from it other than “war is horrible” and “the germans were evil” and that’s pretty much what we get. In showing terrible brutality and suffering, it avoids dealing with the really scary aspects of war such as one gets from an exhibit like the one labelled “ A Monstrous Mediocrity ” over at Suicide of the West. However, one thing the movie shares with that exhibit is a Nazi soldier taking some snapshots with a personal camera. I also re-watched some of the interviews on the Commissar bonus materials DVD. One thing I had somehow missed was that Alexandr Aksoldov was kicked out of the Communist party twice. The second time was under Perestroika, when most other banned films were being released. His was not. The reaction to the proposal was to instead kick him out of the party again and bring up old charges against him. Raisa Nedashkovskaya’s interview made me put Commissar back in my Netflix queue for viewing sooner rather than later. I remember the scene she was talking about, but I didn’t realize it featured an interweaving of Russian and Jewish lullabies. She sings both of them nicely, but I want to see (hear) again how it was done in the film.
Klimov's wife makes some wicked good movies too. War is the stupidest thing people have invented. Elana desantis. One of the greatest war movies of all time. To bad japanese werent the first to develop nuclear bomb to nuke washington wars like iraq war conflict in middle east wars in south america the vietnam war the korean war god only knows how many more wars would never have happened. Elana desiree booth erwin tn. Ela na deis stixoi. Ela na denis. Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July?1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Box office $150, 730 [3] Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Belarusian anti-war film directed by Elem Klimov and filmed in the Soviet Union. Its screenplay, written by Elem Klimov and Ales Adamovich, was based on the latter's 1978 book I Am from the Fiery Village [4] (original title: Я из огненной деревни, [5] Ya iz ognennoj Derevni, 1977) by Adamovich et al.. [6] The film stars Aleksei Kravchenko and Olga Mironova. [7] Significance [ edit] Come and See is viewed as one of the most important anti-war movies ever made, and one of the great World War II movies. It contains some of the most historically accurate depictions of the crimes on the Eastern Front. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II. It was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. It was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [8] Premise [ edit] The film focuses upon the Nazi German occupation of Belarus, and the events as witnessed by a young Belarusian partisan teenager named Flyora, who?against his parents' wishes?joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Meaning of the title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "ідзі і глядзі" [9] (English: "Come and see", Greek: ?ρχου κα? ?δε, Erchou kai ide) [10] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [11] [12] Chapter 6, verses 7?8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see! " And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Synopsis [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as several Molotov cocktails are thrown onto and within the church before it is further set ablaze with a flamethrower as other soldiers shoot into the building. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population?this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” ? Adolf Hitler, 1941 [13] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants. " [14] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [4] [15] [16] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before the
Ela na deis lyrics. My grand uncle served in WW2 in the german army, and he knew a guy that was in a POW camp with him was from this brigade, but he wasn't a SS member, he was a driver still in the army, spoke of some of the shit these guys did in 43 and 44. Ela na des constructeurs expérimentés. Elana diestel. While watching this movie i couldn't stop thinking about my grandparents and all the people that had to endure these kind of cruelty. This movie is about 1 village out of hundreds that had to go through hell because of the Nazis. This movie didn't tell me anything i didn't know about the WW2 but it told the story from an other point of view, when most people think about WW2 they think of Jews and Nazis, well this movie is about what Russians went through. A lot more Russian people died then Jews during this war and the way the Nazis killed them isn't better then the way Jews were treated during this terrible war. This movie is a real chef d'oeuvre even in the slow scene of the movie they are filmed so realistically and you can tell that no scene is pointless. Some scenes last more then 5 min without a cut and you really feel like you are in the war, i would feel my heart beating faster and getting anxious while watching it. Sometime you feel like you need to hide from the bomb yourself even though you are sitting safe in you're living room. very incredible movie.
Ela na devis. Ela na des pages.

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