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synopsis Tells the story of the legendary thirteenth century Scottish hero named William Wallace. Wallace rallies the Scottish against the English monarch and Edward I after he suffers a personal tragedy by English soldiers. Wallace gathers a group of amateur warriors that is stronger than any English army
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user ratings 9,1 of 10 stars
stars Angus Macfadyen
Release year 1995
USA

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So when I learnt that the movie is three hours long, I thought "wow, it'q going to be bring" but I was totally wrong ! I wouldn't think that i was going to LOVE this film. First of all, the actors have been perfectly chosen, Mel Gibson was made to play William Wallace even though he isn't Scottish a all. While watching Braveheart, i've been though so many feelings: joy, sadness, anger, excitement. Joy when Wallace achieved to make Murron his, sadness when Murron's throat was slit, all the sadness and anger that Wallace felt, I felt it too ! I almost cried when Wallace was tortured at the end of the film, during all the battle between Scottish and English, I was as excited as them, I wanted them to kill them all ! But when Wallace and Isabelle got "married" I didn't understand Wallace, how could he do that to Murron but anyway ! Braveheart is very well played, the actors are great, the story is wonderful, when you watch it you can only be focused on the film, it's so fascinating. I must admit that it's really worth the three hours. It became one of my favourite films and if you watch it entirely it'll be one of yours too.

Directed by Mel Gibson Writing Credits ( WGA) Randall Wallace... (written by) Cast (in credits order) verified as complete James Robinson... Young William Sean Lawlor... Malcolm Wallace Sandy Nelson... John Wallace James Cosmo... Campbell Sean McGinley... MacClannough Alan Tall... Elder Stewart Andrew Weir... Young Hamish Gerda Stevenson... Mother MacClannough Ralph Riach... Priest No. 1 Mhairi Calvey... Young Murron Brian Cox... Argyle Wallace Patrick McGoohan... Longshanks - King Edward I Peter Hanly... Prince Edward Sophie Marceau... Princess Isabelle Stephen Billington... Phillip Barry McGovern... King's Advisor Angus Macfadyen... Robert the Bruce (as Angus McFadyen) John Kavanagh... Craig Alun Armstrong... Mornay Mel Gibson... William Wallace Catherine McCormack... Murron Brendan Gleeson... Hamish Tommy Flanagan... Morrison Julie Austin... Mrs. Morrison Alex Norton... Bride's Father Joanne Bett... Toothless Girl Rupert Vansittart... Lord Bottoms Michael Byrne... Smythe Robert Paterson... Priest No. 2 Malcolm Tierney... Magistrate William Scott-Masson... Corporal (as William Masson) Dean Lopata... Madbaker / Flagman Tam White... MacGregor Donal Gibson... Stewart Jeanne Marine... Nicolette Martin Dunne... Lord Dolecroft Fred Chiverton... Leper's Caretaker Ian Bannen... The Leper Jimmy Chisholm... Faudron David O'Hara... Stephen John Murtagh... Lochlan David McKay... Young Soldier Peter Mullan... Veteran Martin Murphy... Lord Talmadge Gerard McSorley... Cheltham Bernard Horsfall... Balliol Richard Leaf... Governor of York Daniel Coll... York Captain (as Daniel Coli) Niall O'Brien... English General Liam Carney... Sean Bill Murdoch... Villager Phil Kelly... Farmer Martin Dempsey... Drinker No. 1 Jimmy Keogh... Drinker No. 2 Joe Savino... Chief Assassin David Gant... Royal Magistrate Mal Whyte... Jailor Paul Tucker... English Commander Rest of cast listed alphabetically: John Burns... Royal Steward (uncredited) Wayne Byrne... Kings Guard Paul Casson-Yardley... Irish Foot Soldier Jon Church-Fraser... Highland Clansman Trevor Fehin... Warrior Graeme Ford... Doogal John Micheal Foulger... Clan Warrior Declan Geraghty... Peasant Greg Jeloudov... Warrior #2 Jimmy Keegan... Irish Horde Andrew Kybett... Clans Man Arnold Montey... Rana Morrison... Lady at Wedding Jer O'Leary... Derek Pykett... Produced by Bruce Davey... producer Alan Ladd Jr. associate producer Stephen McEveety... executive producer Elisabeth Robinson... associate producer (as Elizabeth Robinson) Music by James Horner... (music composed by) Cinematography by John Toll... director of photography Film Editing by Steven Rosenblum... (edited by) Casting By Patsy Pollock... (casting by) Production Design by Thomas E. Sanders... (as Tom Sanders) Art Direction by Ken Court Nathan Crowley Daniel T. Dorrance... supervising art director (as Dan Dorrance) John Lucas Ned McLoughlin Set Decoration by Peter Howitt Costume Design by Charles Knode Makeup Department Lois Burwell... makeup artist: Mr. Gibson's Francesca Crowder... hairdresser Eileen Doyle... Anne Dunne... hair supervisor: second unit Peter Frampton... chief makeup artist Jennifer Hegarty... makeup supervisor: crowd Amanda Knight... makeup artist Beryl Lerman... Sue Love... hairstylist: Mr. Gibson's Fernandes Mendes... hairstylist: Ms. Marceau's Maire O'Sullivan... makeup supervisor: second unit Paul Pattison... chief hairdresser Barry Richardson... Annie Townsend... Carole Dunne... assistant hair stylist (uncredited) Martina McCarthy... Kevin Murnane... trainee makeup artist (uncredited) Conor O'Sullivan... prosthetic makeup artist (uncredited) Sarah Pickering... makeup artist: Crowd (uncredited) Production Management Mary Alleguen... production manager Kevin De La Noy... unit manager Ted Morley... production supervisor Second Unit Director or Assistant Director Peter Agnew... third assistant director: second unit Paul Barnes... Matt Earl Beesley... second unit director David Carrigan... second assistant director Paul Gray... Kate Hazell... Patrick Kinney... Kieron Phipps... first assistant director: second unit Trevor Puckle... second assistant director: second unit Mic Rodgers... Charlotte Somers... David Tomblin... first assistant director Jim Gorman... trainee assistant director (uncredited) first assistant director (uncredited) Art Department Terry Apsey... construction manager Russ Bailey... construction manager: Irish unit Ken Barley... head of department plasterer Eddie Butler... sculptor Graham Caulfield... supervising drape Triona Coen... dressing props Bob Douglas... chargehand prop storeman Belinda Edwards... property buyer Cos Egan... propman Ken Ferguson... draughtsman Mike Fowlie... chargehand dressing propman John Graham... chargehand propman Jimmy Kavanagh... drapes Michael King... construction buyer Clare Langan... assistant art director Owen Murnane... master painter John New... assistant construction manager Ron Newvell... head of department rigger Tony Nicholson Jr. assistant props Padraig O'Neill... Lisa Parker... art department coordinator Mickey Pugh... standby chargehand props Gerry Quigley... standby stagehand: second unit Anna Rackard... Brendan Rankin... Douglas Regan... supervising painter Daren Reynolds... dressing props (as Darren Reynolds) Bobby Richardson... chargehand painter Neil Ross... production illustrator Kenneth Stachini... head of department stagehand Adrian Start... head of department painter Dan Sweetman... storyboard artist Noel Walsh... Terry Wells Jr. Jake Wells... John Wells... Terry Wells... property master Mickey Woolfson... standby propman Andrea Cantrell... second unit props (uncredited) Brian Doyle... plasterer (uncredited) Jane Henwood... art department assistant (uncredited) Robert A. Kennedy... property assistant: second unit (uncredited) Tom Martin... supervising carpenter (uncredited) Frank Matthews... supervising plasterer (uncredited) Owen Monaghan... props (uncredited. set dresser (uncredited) Philip Murphy... props (uncredited) Catherine Siggins... art department trainee (uncredited) Dicken Warner... thatcher (uncredited) Graham Waters... carpenter (uncredited) Sound Department Christopher Assells... sound effects editor Karen Baker Landers... first assistant sound editor: Soundelux (as Karen M. Baker) Gerry Bates... boom operator Anna Behlmer... rerecording mixer Lon Bender... supervising sound editor: Soundelux Beth Bergeron... Stuart Copely... sound effects editor (as Stuart Copley) Richard Dwan Jr. Scott Martin Gershin... Hector C. Gika... sound effects editor (as Hector Gik) Sarah Goldsmith... sound effects editor (as Sarah Rothenberg Goldsmith) Tim Groseclose... assistant sound editor (as Timothy Groseclose) Per Hallberg... Craig Harris... Robert Heffernan... Philip A. Hess... sound effects editor (as Phil Hess) Hilda Hodges... foley artist Chris Hogan... Nigel Holland... Craig S. Jaeger... foley supervisor Randy Kelley... Lou Kleinman... Ann Elizabeth Tobin Kurtz... assistant sound editor (as Elizabeth Tobin Kurtz) Mark R. La Pointe... sound effects editor (as Mark Lapointe) Jeff Largent... Judson Leach... assistant sound editor Peter J. Lehman... Horace Manzanares... Joseph A. Mayer... adr supervisor (as Joe Mayer) Scott Millan... Andy Nelson... Barry O'Sullivan... sound assistant Joseph Phillips... John Pitt... sound maintenance Dan M. Rich... sound effects editor (as Dan Rich) Jay B. Richardson... John Roesch... Brian Simmons... sound mixer Mary Ruth Smith... Peter Michael Sullivan... sound designer Kim Waugh... adr editor (uncredited. dialogue editor (uncredited. foley editor (uncredited. sound designer (uncredited) Larry Hopkins... layback sound mixer (uncredited) Mary Jo Lang... foley mixer (uncredited) Anthony Miceli... additional sound (uncredited) John Soukup... sound transfer (uncredited) Special Effects by Nick Allder... chief special effects Peter Ch. Arnold... special effects senior technician (as Peter Arnold) Robert Bromley... special effects senior technician Steve Crawley... Gerry Johnston... Graham Longhurst... Neil Swan... Dave Chagouri... prop maker (uncredited) Sander Ellers... sfx modeller (uncredited) Visual Effects by Tricia Henry Ashford... visual effects executive producer: R/Greenberg Associates West (as Tricia Ashford) Kirk Cadrette... digital artist: R/Greenberg Associates West Marsha Gray Carrington... Aliza Corson Chameides... digital compositor Michael L. Fink... visual effects supervisor: R/Greenberg Associates West (as Michael Fink) Tim Guyer... Greg Kimble... Laurel Klick... Stuart McAra... additional compositor: Computer Film Company Joel Merritt... Steven T Puri... visual effects producer: R/Greenberg Associates West Andy Rosen... digital artist: R/Greenberg Associates West (as Andrew Rosen) Christopher Sjoholm... digital artist: R/Greenberg Associates West (as Chris Sjoholm) Amie Slate... Larry Weiss... Janet Yale... Martin Body... motion control camera assistant (uncredited) Stella Bogh... digital compositor (uncredited) Noel Donnellon... video assist operator: visual effects unit (uncredited) José Granell... model unit supervisor (uncredited) Pete Hanson... studio manager: CFC (uncredited) Christer Hokanson... visual effects editor (uncredited) J. W. Kompare... Brendan Lonergan... sculptor (uncredited) Joe Pavlo... digital artist (uncredited) Linda Renaud... I/O manager (uncredited) Marc Rubone... rotoscope and animation (uncredited) Janek Sirrs... visual effects (uncredited) Eric Withee... digital film technician: RGA/LA (uncredited) Stunts Brian Bowes... stuntman Stuart Clark... Simon Crane... stunt coordinator David Cronnelly... Gabe Cronnelly... Graeme Crowther... Tom Delmar... Jamie Edgell... Terry Forrestal... Steve Griffin... Luis M. Gutiérrez Santos... stuntman (as Luis Gutierez Santos) Paul Heasman... Mark Henson... Dominick Hewitt... stuntman (as Dominic Hewitt) Paul Jennings... Tim Lawrence... Phil Lonergan... Sean McCabe... Donal O'Farrell... Peter Pedrero... Gary Powell..
Go back to England, and tell them there, that Scotland 's daughters and her sons are yours no more! Tell them Scotland is free! Braveheart is a 1995 epic war film loosely based on the life of William Wallace, a 14th century Scottish hero. The film won five Academy Awards in 1996 including the Academy Award for Best Picture. Directed by Mel Gibson and written by Randall Wallace. Every man dies, not every man really lives. taglines Sir William Wallace [ edit] Actual non-fictional quotations are available at William Wallace In the year of our Lord 1314, patriots of Scotland, starving and outnumbered, charged the fields of Bannockburn. They fought like warrior poets. They fought like Scotsmen. And won their freedom. I am William Wallace! The rest of you will be spared. Go back to England, and tell them there, that Scotland 's daughters and her sons are yours no more! Tell them Scotland is free! I'm so afraid. Give me the strength to die well. Praying before his execution Closing narration King Edward I "Longshanks. edit] Scotland. My land Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing. The trouble with that it's full of Scots. I gave Mornay double his lands in Scotland, matching estates in England. Lochlan turned for. for much less. Bring me Wallace, alive if possible, dead. just as good. Robert the Bruce [ edit] I shall tell you of William Wallace. Historians from England will say I am a liar, but history is written by those who have hanged heroes. The King of Scotland had died without a son and the King of England, a cruel pagan known as Edward the Longshanks, claimed the throne of Scotland for himself. Scotland's nobles fought him, and fought each other, over the crown. So Longshanks invited them to talks of truce ? no weapons, one page only. Among the farmers of that shire was Malcolm Wallace, a commoner with his own lands. He had two sons, John and William. Opening narration Many years later, Edward the Longshanks, King of England, supervised the wedding of his eldest son, who would succeed him to the throne. As bride for his son, Longshanks had chosen the daughter of his rival: the King of France. It was widely whispered, that for the princess to conceive, Longshanks would have to do the honors himself. That may have been what he had in mind all along. After the beheading, William Wallace's body was torn to pieces. His head was set on London Bridge, his arms and legs sent to the four corners of Britain as a warning. It did not have the effect that Longshanks planned. And I, Robert the Bruce, rode out to pay homage to the armies of the English King and accept his endorsement of my crown. Malcolm Wallace [ edit] Your heart is free. Have the courage to follow it. The problem with Scotland, is that it's full of Scots. Dialogue [ edit] Every man dies. Not every man really lives. You think the people of this country exist to provide you with position. I think your position exists to provide those people with freedom. And I go to make sure that they have it. We all end up dead; it's just a question of how and why. Malcolm: Where do you think you're going? Young William: I'm going with you. Malcolm: Oh, you're going with, are ya? And what are you going to do? Young William: I'm gonna help. Malcolm: Hey, and a good help you'd be, too. takes William off the horse] But I need you to stay here and look after the place for me while I'm away. Young William: I can fight! Malcolm: I know. I know you can fight. But it's our wits that make us men. See you tomorrow. Longshanks: Nobles. Nobles are the key to the door of Scotland. Grant our nobles lands in the north. Give their nobles estates here in England, and make them too greedy to oppose us. Advisor: But sire, our nobles will be reluctant to uproot. New lands mean new taxes and they are already taxed for the war in France. Longshanks: Are they? Are they? The trouble with Scotland. is that it's full of Scots. everyone laughs] Perhaps the time has come to reinstitute an old custom. Grant them prima noctes. First night, when any common girl inhabiting their lands is married, our nobles shall have sexual rights to her on the night of her wedding. If we can't get them out, we breed them out. That should fetch just the kind of lords we want to Scotland, taxes or no taxes. Advisor: A most excellent idea, sire. Longshanks: Is it? William: You dropped your rock. Hamish: Test of manhood. William: You win. Hamish: Call it a test of soldiery, then. The English won't let us train with weapons, so we train with stones. William: Well, the test of a soldier is not in his arm, it's here. points at his head] William: How did you know me after so long? Murron: Why, I didn't. William: No? Murron: It's just that I saw you staring at me and I didn't know who you were. William: Oh sorry, I suppose I was. Are you in the habit of riding off in the rain with strangers? Murron: It was the best way to make you leave. William: Well, if I can ever work up the courage to ask you again, I'll send you a written warning first. Murron: Oh, it wouldn't do you much good. I can't read. William: Can you not? Murron: No. William: Well that's something we shall have to remedy, isn't it. Murron: You're going to teach me to read, then? William: Aye, if you like. Murron: Aye. William: In what language? Murron: Are you showing off now? William: That's right. Are you impressed yet? Murron: No. Why should I be? William. in French] Yes. Because every single day I thought about you. " Murron: Do that standing on your head and I'll be impressed. William: My kilt may fly up but I'll try. Murron: You certainly didn't learn any manners on your travels. William: I'm afraid the Romans have far worse manners than I. Murron: You've been to Rome? William: Ay, my uncle took me on a pilgrimage. Murron: What was it like? William. in French] Not nearly as beautiful as you. " Murron: What does that mean? William: Beautiful. But I belong here. Campbell: Your father was a fighter! And a patroit. William: I know who my father was. I came back home to raise crops and, God willing, a family. If I can live in peace, I will. William: Of course, running a farm is a lot of work, but that will all change when my sons arrive. Murron. confused] So, you've got children? William: Not yet, but I was hoping you could help me with that. Murron: So, you want me to marry you then? William: Well, that's a bit sudden, but alright. Murron: Is that what you call a proposal? William: I love you, always have. I want to marry you. Murron kisses him] Is that a "yes? Murron: Aye, that's a "yes. " William: I will love you my whole life. You and no other. Murron: And I you. You and no other forever. [ an army of Scots disguise as English soldiers arrive at a camp] Lord Bottoms: I have dispatched a hundred soldiers to Lanark. They will be returning now! William: Were they dressed like this? Actually, it was more like fifty. Robert the Bruce: A rebellion has begun. The Leper: Under whom? Robert the Bruce: A commoner. named William Wallace. The Leper: We will embrace this rebellion. You will support it from our lands in the north while I gain English favor by condemning it, and ordering it opposed from our lands in the south. Sit down. Stay a while. Robert the Bruce: This Wallace, he doesn't even have a knighthood, but he fights with passion and he inspires. The Leper. laughs] And you wish to charge off and fight as he did. So would I. Robert the Bruce: Well, maybe it's time. The Leper: It is time to survive. You're the seventeenth Robert Bruce. The sixteen before you passed you land and title because they didn't charge in. Call a meeting of the nobles. Robert the Bruce: But they do nothing but talk. The Leper: Rightly so. They're as rich in English titles and lands as they are in Scottish, just as we are. You admire this man, this William Wallace. Uncompromising men are easy to admire. He has courage, so does a dog. But it is exactly the ability to compromise that makes a man noble. And understand this: Edward Longshanks is the most ruthless king ever to sit upon the throne of England. And none of us, and nothing of Scotland will remain, unless we are as ruthless. Give an ear to our nobles. Knowing their minds is the key to the throne. Nicolette: When the king returns, he will bury them in those new clothes. Scotland is in chaos. Your husband is secretly sending an army north. Isabella: How do you know this? Nicolette: Last night, I slept with a member of the War Council. Isabella: He shouldn't be telling secrets in bed! Nicolette: Englishmen don't know what a tongue is for. Isabella. scoffs] This Scottish rebel, Wallace. He fights to avenge a woman? Nicolette: I nearly forgot. A magistrate wished to capture him and found he had a secret lover. So, he cut the girl's throat to tempt Wallace to fight, and fight he did. Knowing his passion for his lost love, they next plotted to take him by desecrating the graves of his father and brother and setting an ambush at the grave of his love. He fought his way through the trap and carried her body to a secret place. Now that's love, no? Isabella: Love? I wouldn't know. William: You know, eventually Longshanks will send his whole Northern Army against us. Campbell: Heavy cavalry, armored horse; shake the very ground. Hamish: They'll ride right over us. William: Uncle Argyle used to talk about it; how no army had ever stood up to a charge of heavy horse. Hamish: So what'll we do? Campbell: Run, hide, the highland way. William. looking at the trees] We'll make spears. Hundreds of them! Long spears, twice as long as a man. Hamish: That long? William Wallace: Aye. Hamish: Some men are longer than others. Campbell: Your mother been telling you stories about me again, eh? Faudron. bows] William Wallace, we've come to fight and to die for you. William: Stand up, man, I'm not the pope. Stephen: laughs, speaking heavenward] Him? That can't
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Mel Gibson's Oscar-winning 1995 Braveheart is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England's tyrannical Edward I (Patrick McGoohan. Gibson cannily plays Wallace as a man trying to stay out of history's way until events force his hand, an attribute that instantly resonates with several of the actor's best-known roles, especially Mad Max. The subsequent camaraderie and courage Wallace shares in the field with fellow warriors is pure enough and inspiring enough to bring envy to a viewer, and even as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein's Alexander Nevsky, Orson Welles's Chimes at Midnight, and even Kenneth Branagh's Henry V, you might think there is little new that could be done in creating scenes of ancient combat; yet Gibson does it. Tom Keogh Production: Paramount Pictures Won 5 Oscars. Another 26 wins & 28 nominations. IMDB: 8. 4 Metacritic: 68 Rotten Tomatoes: 76% R Year: 1995 178 11, 631?Views William Wallace: And if this is your army, why does it go? William Wallace: Sons of Scotland! I am William Wallace. William Wallace: Yes, I've heard. Kills men by the hundreds. And if HE were here, he'd consume the English with fireballs from his eyes, and bolts of lightning from his arse. William Wallace: I AM William Wallace! And I see a whole army of my country men, here, in defiance of tyranny. You've come to fight as free men, and free men you are. What will you do with that freedom? Will you fight? William Wallace: Aye, fight and you may die, run, and you'll live. at least a while. And dying in your beds, many years from now, would you be willin' to trade ALL the days, from this day to that, for one chance, just one chance, to come back here and tell our enemies that they may take away our lives, but they'll never take. OUR FREEDOM! Stephen: laughs, speaking heavenward] Him? That can't be William Wallace. I'm prettier than this man. [Heavenward] All right Father, I'll ask him. [To William] If I risk my neck for you, will I get a chance to kill Englishmen? Hamish: Is your father a ghost, or do you converse with the Almighty? Stephen: In order to find his equal, an Irishman is forced to talk to God. [Heavenward] Yes, Father! to William and Hamish] The Almighty says don't change the subject, just answer the fuckin' question. Hamish: Mind your tongue. Campbell: Insane Irish. [Stephen pulls a sharpened stag's horn and holds it to the throat of Campbell, causing everyone else to hold Stephen at sword point] Stephen: Smart enough to get a dagger past your guards, old man. William: That's my friend, Irishman. And the answer to your question is yes, if you fight for me, you get to kill the English. Stephen: Excellent! puts knife away] Stephen is my name. I'm the most wanted man on my island. Except I'm not on my island of course. More's the pity. Hamish: Your island? You mean Ireland. Stephen: Yeah, it's mine. Hamish: You're a madman. [group laughs] Stephen: I've come to the right place then. [laughs] Stephen: The Almighty says this must be a fashionable fight. It's drawn the finest people. Lochlan: Where is thy salute? William: For presenting yourselves on this battlefield, I give you thanks. Lochlan: This is our army. To join it you give homage. William: I give homage to Scotland. And if this is your army, why does it go? Veteran: We didn't come here to fight for them. Young Soldier: Home! The English are too many! William: Sons of Scotland! I am William Wallace. Young Soldier: William Wallace is seven feet tall! William: Yes, I've heard. And if he were here, he'd consume the English with fireballs from his eyes, and bolts of lightning from his arse. [the Scots laugh] I am William Wallace! And I see a whole army of my country men here in defiance of tyranny. What will you do with that freedom? Will you fight? Veteran: Fight? Against that? No, we will run. And we will live. William: Aye. Fight and you may die. Run, and you'll live. And dying in your beds, many years from now, would you be willing to trade all the days, from this day to that, for one chance, just one chance, to come back here and tell our enemies that they may take our lives, but they'll never take. OUR FREEDOM! Alba gu bràth! Cheltham: Mornay, Lochlan, Craig. Here are the king's terms. Lead this army off field and he will give you each estates in Yorkshire, including hereditary title, from which you will pay- from which you will pay him an annual duty- William: I have an offer for you. Mornay: Cheltham, this is William Wallace. Cheltham: From which you will pay the king an annual duty- William: I said I have an offer for you. Lochlan: You disrespect a banner of truce? William: From his king? Absolutely. Here are Scotland's terms. Lower your flags, and march straight back to England, stopping at every home you pass by to beg forgiveness for a hundred years of theft, rape, and murder. Do that and your men shall live. Do it not, and every one of you will die today. Cheltham: laughs] You are outmatched. You have no heavy cavalry. In two centuries no army has won without ? William: I'm not finished! Before we let you leave, your commander must cross that field, present himself before this army, put his head between his legs, and kiss his own arse. [Cheltham rides off] Mornay: I'd say that was rather less cordial than he was used to. William: You be ready and do exactly as I say. On my signal, ride round behind our position and flank them. Mornay: We must not divide our forces! William: Do it. And let the English see you do it. Mornay: They'll think we're running away? William: Aye. Take out their archers. I'll meet you in the middle. Isabelle: Let us talk plainly. You invade England, but you can not complete the conquest so far from your shelter and supply. The king desires peace. William: Longshanks desires peace? Isabelle: He declares it to me, I swear it. He proposes that you withdraw your attack. In return he grants you title, estates, and this chest of gold which I am to pay to you personally. William: A lordship and titles. Gold. That I should become Judas? Isabelle: Peace is made in such ways. William: Slaves are made in such ways! The last time Longshanks spoke of peace I was a boy. And many Scottish nobles, who would not be slaves, were lured by him under a flag of truce to a barn, where he had them hanged. I was very young, but I remember Longshanks' notion of peace. Isabelle: I understand you have suffered. I know. about your woman. William: She was my wife. We married in secret because I would not share her with an English lord. They killed her to get to me. I've never spoken of it. I don't know why I tell you now, except. I see her strength in you. One day, you'll be a queen. And you must open your eyes. You tell your king that William Wallace will not be ruled. and nor will any Scot while I live. Share your thoughts on Braveheart's quotes with the community: Quote of the Day Today's Quote, Archive Would you like us to send you a FREE inspiring quote delivered to your inbox daily? Citation Use the citation below to add this movie page to your bibliography: Know another quote from Braveheart? 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That little boy is so cute! The music gets me emotional every time. James Horner was an amazing composer. RIP. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates. Missing New Zealand especially Auckland and Hamilton ?. I'm not even british, and this brought tears to my eyes. Braveheart is an over-rated historical epic which is much over-rated. The film stars Mel Gibson, and the film seems to portray him in one of these idolised images of heroes that is so common in the majority of films he stars in. I don't know why the mainstream have embraced this film. Maybe they thought it sounded good to say that they had seen it and they enjoyed it. Maybe Gibson does excel in alluring mainstream people to the cinema to watch historical epics. Whatever it is, I had a lot of problems with this film. It is a typical Hollywood blockbuster, and maybe that is what the problem is. Too much action, a rushed story, and a long film that seems to lack in direction but uses cheap and tacky dialogue to bring Mel Gibson up to a hero status, particularly when he gives a moving and emotional speech about freedom. (I am sure that these words can be compared to other events, particularly in American history, and maybe these are more reasons why the film was so loved.) As a film, I had trouble sitting through it because it was not interesting, and I found several areas to be comical (unintentionally, I don't think the director wanted this to be a comical film. My verdict: over-rated and not recommended unless you like Mel Gibson or you disagree with this post.
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