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genre Drama / Countries France / 4527 vote / Resume Les misérables is a movie starring Damien Bonnard, Alexis Manenti, and Djebril Zonga. A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the / &ref(https://m.media-amazon.com/images/M/MV5BZTZkYTBkY2MtMzRmNS00NjM3LWFiMzItZmJjNzNhMjgyYzczXkEyXkFqcGdeQXVyODk4OTc3MTY@._V1_SY1000_CR0,0,629,1000_AL_.jpg) / User ratings 8 / 10 stars.
Les Miserables is a very well crafted movie, with excellent photography and acting, able to keep the narrative tension at good levels all along the story, with a very dramatic ending.

The reason why I left the theatre with somewhat mixed feelings is that, if the movie had the ambition to elevate itself above the pure police procedural and to offer a point of view on an extremely delicate theme like the inflammatory social, racial and religious tensions of the Paris banlieue, well on this level the movie does not deliver. Les Miserables shows more than interprets, it engages the spectator without going under the surface of the issue. The post credit quote from Victo Hugo ( Remember this, my friends: there are not bad grass or bad men, just bad growers" just reinforced my doubts, as the movie focussed on the bad grass and not at all on the issue of "bad growers.

It's somewhere between Do the Right Thing and Detroit. Despite being made in another country it's so sad how relatable it is to police brutality here in American. It's definitely a power message that I hope will bring the world together instead of tearing us apart. Something went wrong, but dont fret ? lets give it another shot. Ãrables. C3 tables pdf. Ãrambles and rants. Les Misérables Jean Valjean as Monsieur Madeleine. Illustration by Gustave Brion Author Victor Hugo Illustrator Emile Bayard Country Belgium Language French Genre Epic novel, historical fiction Publisher A. Lacroix, Verboeckhoven & Cie. Publication date 1862 Les Misérables. 1] French: le mize?abl(?. is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. [2] Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption. [3] Examining the nature of law and grace, the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love. Les Misérables has been popularized through numerous adaptations for film, television and the stage, including a musical. Novel form Upton Sinclair described the novel as "one of the half-dozen greatest novels of the world" and remarked that Hugo set forth the purpose of Les Misérables in the Preface: 4] So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilization, artificially creates hells on earth, and complicates a destiny that is divine with human fatality; so long as the three problems of the age?the degradation of man by poverty, the ruin of women by starvation, and the dwarfing of childhood by physical and spiritual night?are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless. Towards the end of the novel, Hugo explains the work's overarching structure: 5] The book which the reader has before him at this moment is, from one end to the other, in its entirety and details. a progress from evil to good, from injustice to justice, from falsehood to truth, from night to day, from appetite to conscience, from corruption to life; from bestiality to duty, from hell to heaven, from nothingness to God. The starting point: matter, destination: the soul. The hydra at the beginning, the angel at the end. The novel contains various subplots, but the main thread is the story of ex-convict Jean Valjean, who becomes a force for good in the world but cannot escape his criminal past. The novel is divided into five volumes, each volume divided into several books, and subdivided into chapters, for a total of 48 books and 365 chapters. Each chapter is relatively short, commonly no longer than a few pages. The novel as a whole is one of the longest ever written, 6] with 655, 478 words in the original French. Hugo explained his ambitions for the novel to his Italian publisher: 7] I don't know whether it will be read by everyone, but it is meant for everyone. It addresses England as well as Spain, Italy as well as France, Germany as well as Ireland, the republics that harbour slaves as well as empires that have serfs. Social problems go beyond frontiers. Humankind's wounds, those huge sores that litter the world, do not stop at the blue and red lines drawn on maps. Wherever men go in ignorance or despair, wherever women sell themselves for bread, wherever children lack a book to learn from or a warm hearth, Les Misérables knocks at the door and says: open up, I am here for you. Digressions More than a quarter of the novel?by one count 955 of 2, 783 pages?is devoted to essays that argue a moral point or display Hugo's encyclopedic knowledge, but do not advance the plot, nor even a subplot, a method Hugo used in such other works as The Hunchback of Notre Dame and Toilers of the Sea. One biographer noted that "the digressions of genius are easily pardoned. 8] The topics Hugo addresses include cloistered religious orders, the construction of the Paris sewers, argot, and the street urchins of Paris. The one about convents he titles "Parenthesis" to alert the reader to its irrelevance to the story line. [9] Hugo devotes another 19 chapters (Volume II, Book I) to an account of?and a meditation on the place in history of?the Battle of Waterloo, the battlefield which Hugo visited in 1861 and where he finished writing the novel. It opens volume 2 with such a change of subject as to seem the beginning of an entirely different work. The fact that this 'digression' occupies such a large part of the text demands that it be read in the context of the 'overarching structure' discussed above. Hugo draws his own personal conclusions, taking Waterloo to be a pivot-point in history, but definitely not a victory for the forces of reaction. Waterloo, by cutting short the demolition of European thrones by the sword, had no other effect than to cause the revolutionary work to be continued in another direction. The slashers have finished; it was the turn of the thinkers. The century that Waterloo was intended to arrest has pursued its march. That sinister victory was vanquished by liberty. One critic has called this "the spiritual gateway" to the novel, as its chance encounter of Thénardier and Colonel Pontmercy foreshadows so many of the novel's encounters "blending chance and necessity" a "confrontation of heroism and villainy. 10] Even when not turning to other subjects outside his narrative, Hugo sometimes interrupts the straightforward recitation of events, his voice and control of the story line unconstrained by time and sequence. The novel opens with a statement about the bishop of Digne in 1815 and immediately shifts: Although these details in no way essentially concern that which we have to tell. Only after 14 chapters does Hugo pick up the opening thread again, In the early days of the month of October, 1815. to introduce Jean Valjean. [11] Hugo's sources Eugène Vidocq, whose career provided a model for the character of Jean Valjean An incident Hugo witnessed in 1829 involved three strangers and a police officer. One of the strangers was a man who had stolen a loaf of bread, similar to Jean Valjean. The officer was taking him to the coach. The thief also saw the mother and daughter playing with each other which would be an inspiration for Fantine and Cosette. Hugo imagined the life of the man in jail and the mother and daughter taken away from each other. [12] Valjean's character is loosely based on the life of the ex-convict Eugène François Vidocq. Vidocq became the head of an undercover police unit and later founded France's first private detective agency. He was also a businessman and was widely noted for his social engagement and philanthropy. Vidocq also inspired Hugo as he wrote Claude Gueux and Le Dernier jour d'un condamné ( The Last Day of a Condemned Man. 13] In 1828, Vidocq, already pardoned, saved one of the workers in his paper factory by lifting a heavy cart on his shoulders as Valjean does. [14] Hugo's description of Valjean rescuing a sailor on the Orion drew almost word for word on a Baron La Roncière's letter describing such an incident. [15] Hugo used Bienvenu de Miollis (1753?1843) the Bishop of Digne during the time in which Valjean encounters Myriel, as the model for Myriel. [16] 29 Hugo had used the departure of prisoners from the Bagne of Toulon in one of his early stories, Le Dernier Jour d'un Condamné. He went to Toulon to visit the Bagne in 1839 and took extensive notes, though he did not start writing the book until 1845. On one of the pages of his notes about the prison, he wrote in large block letters a possible name for his hero: JEAN TRÉJEAN. When the book was finally written, Tréjean became Valjean. [17] In 1841, Hugo saved a prostitute from arrest for assault. He used a short part of his dialogue with the police when recounting Valjean's rescue of Fantine in the novel. [18] On 22 February 1846, when he had begun work on the novel, Hugo witnessed the arrest of a bread thief while a duchess and her child watched the scene pitilessly from their coach. [19] 16] 29?30 He spent several vacations in Montreuil-sur-Mer. [16] 32 During the 1832 revolt, Hugo walked the streets of Paris, saw the barricades blocking his way at points, and had to take shelter from gunfire. [20] 173?174 He participated more directly in the 1848 Paris insurrection, helping to smash barricades and suppress both the popular revolt and its monarchist allies. [20] 273?276 Victor Hugo drew his inspiration from everything he heard and saw, writing it down in his diary. In December 1846, he witnessed an altercation between an old woman scavenging through rubbish and a street urchin who might have been Gavroche. [21] He also informed himself by personal inspection of the Paris Conciergerie in 1846 and Waterloo in 1861, by gathering information on some industries, and on working-class people's wages and living standards. He asked his mistresses, Léonie d'Aunet and Juliette Drouet, to tell him about life in convents. He also slipped personal anecdotes into the plot. For instance Marius and Cosettes wedding night (Part V, Book 6, Chapter 1) takes place on 16 February 1833, which is also the date when Hugo
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C3 tables download. C3 tables review. M e! rTABFCKb! HrjCRlNbS56f1WjCGnQ5E54xk_d_Iat0d2JOU0IpDVM (remove spaces) Les Misérables is a BBC television miniseries of the French historical novel of the same name by Victor Hugo. The series, adapted by Andrew Davies and directed by Tom Shankland, stars Dominic West, David Oyelowo, and Lily Collins. BBC Studios handles the distribution for the series. Based on the original novel, the series will not include the songs from the Les Misérables musical. The miniseries, which is set to consist of six episodes, premiered on 30 December 2018. In 1815, France is on its knees after defeat at the battle of Waterloo. Jean Valjean is nearing the end of his sentence at the prison hulks in Toulon after serving 19 years for a petty crime, and is released by ambitious prison guard Javert. Javert has formed a deep personal hatred of Valjean, a resentment he will continue to bear. Life as an ex-convict is brutal and Valjean sees prejudice at every turn. Valjean is haunted by his past. An encounter with the wise bishop of Digne forces him to consider his own morality, and the kind of life he wishes to lead. Little Marius Pontmercy is being raised by his grandfather, old royalist Monsieur Gillenormand. Marius's father Baron Pontmercy, a colonel in Napoleon's army, is accidentally saved from death at Waterloo by a passing looter, Thénardier. Pontmercy confronts his father-in-law Gillenormand over his parental rights with tragic consequences. Meanwhile beautiful Parisian seamstress Fantine is taken out dancing by her friends. They meet some handsome bachelors, and Fantine is drawn to the charming Felix. Fantine's friends worry her naivety may prove dangerous.

C3 tables new. "Les misérables" is a new French film that runs for 105 minutes and this one is among the biggest players this awards season from Europe. This includes consideration by the Cannes Film Festival, the Golden Globe Awards and the Oscars as well as many other award ceremonies. I loved Tom Hooper's take on the subject from a few years ago, but this one here has nothing in common with that one. Both deliver for different reasons. If you know the traditional "Les Misérables" a bit, you will find some parallels, but if eventually there is nothing that clicks for you except that brief conversation in the car about Victor Hugo, Gavroche and Cosette, then that is fine too. One example for me here really was the parallel between Gavroche and Issa, with violence against both kids really causing everything to fall apart in an endless abyss of destruction. There are differences of course too as Issa is really injured and in danger of being killed by a lion even on one occasion, but he lives. But first things first: This Oscar-nominated movie was written (with others) and directed by Ladj Ly and for him it is a really special project because he grew up exactly where this film takes place, which may be the key reason why it felt very authentic. Another reason is that this is his first full feature film ever and that makes it even more special how well-received this one turned out. And what I personally like a lot is that Ly recast exactly these actors that appeared in a short film with the same title that Ly made initially before he turned it into a full feature film. I never really like if they replace actors, especially if the original ones are certainly good enough for this to become a satisfying outcome. And that is certainly true here. All the actors did a good job, not only the ones at the very center, but also every supporting player really and also the many child actors you will find in here, some of them even playing key characters, most of all the one I mentioned earlier already, but also the boy with the drone for example.

Like I wrote in the title of my review, this is a film that will totally have you on the edge of your seat from beginning to end. We have a guy who joins the police force in a part of France that really struggles a lot with all kinds of crime, almost all of these connected with immigrants (or at least people with a foreign background) and that involves drugs, prostitution and just violence in general. But there is also more exotic stuff as we find out here when there is a lion cub involved that is stolen from a circus. The two groups clashing over this issue seem really dangerous, but looking at how the film ends, there is definitely another really dangerous group that may initially have not seemed that way. I won't go any further into detail. You must experience that yourself. It is pretty shocking though how the violence escalates more and more and the police is not exactly helping it with how they act in here. We, the audience, are basically in the same spot like the male protagonist, the guy who joins the force, as we know nothing about his new squad, but find out more and more the more time we spend with the guys, the other two officers that is. There is that scene early on with the marijuana-smoking girl that is also featured in the title and already shows us about the aggression from both sides really, but if you thought that this is the one that escalates the most, think again. It was in retrospective even slightly funny how they here made us feel somewhat safe that a day of work is over and they are back at home all of them, the good guys and the bad guys, although this description is not too perfect because they did so well here with giving the characters realistic shades. The one who shoots the kid is really the best example how we see him cry at home and how he calmed that woman down earlier, so she lets him inside, almost trusts him. This is really a good movie, which is also shown by how well it delivers in terms of attention to detail. Just take the protagonist and how he wears his brassard (is that the right word? that identifies him as a police officer and how his colleagues make fun of that and tell him later on that everybody knows they are cops anyway. There are many more examples of that. I still find it fascinating or maybe it makes me also a bit sad to see how well France is doing with movies that elaborate on this subject of culture clashes, this time as a gritty crime drama, but also in general becaue immigration has been among the hottest subjects for a really long time now and every time Germany makes a film like that, it normally turns into a big mess that of course must have comedy too like "Willkommen bei den Hartmanns" for example. There are other examples too and 99% of them are really bad. I mean my fellow countrymen cannot be that uncreative while France gets out one excellent film on this subject after the next, even if it is by filmmakers like Ly, who really are not very experienced at all. Shameful really. Anyway, I should be glad France does it this well and it results in quality watches like this one here that are so incredibly tense and have such excellent quality. I also think it is superior to "Parasite" the film that has the foreign language Oscar in the bag now, but then again I am not a big fan of this, and also think Almodóvar's most recent (another nominee in the category) is better than Parasite. I would be so happy if "Les misérables" wins the category, but it is impossible to happen I think. Okay what else can I say about this one here. The running time is also perfect. It feels essential, not too long, not too short. Basically every decision they made here makes sense. What I personally find sometimes a bit difficult is when there are really many characters in a film and frequently they do not get the accurate elaboration and presentation or just feel for the sake of it while adding nothing, but this is also not the case here at all. Every character made sense, even if they just had one or two scenes, and that actually applies to really many characters here. Overall, before I conclude, let me say that despite children, especially one boy (or two) playing a key role here, this is not a film you want to show your small ones. It is way too harsh for that. As you may have seen from my review, I find it very hard to come up with any real flaws here, which also explains my rating I guess. The fact that I for example do not like one bit the ways in which the characters within the unit talk to each other, or in general interact with each other, does not mean they ring false. They don't. They feel pretty authentic. It is just my subjective take that I would not want any of it. So yeah, like I said, it is probably among my top5 films from 2019 at this point. Highly recommended.

Won 3 Oscars. Another 84 wins & 173 nominations. See more awards ?? Learn more More Like This Biography, Drama Romance 1 2 4 5 6 7 8 9 10 7. 1 / 10 X A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer. Director: Tom Hooper Stars: Eddie Redmayne, Alicia Vikander, Amber Heard Comedy Music 8 / 10 While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future. Damien Chazelle Ryan Gosling, Emma Stone, Rosemarie DeWitt Musical 7. 2 / 10 Good girl Sandy and greaser Danny fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance? Randal Kleiser John Travolta, Olivia Newton-John, Stockard Channing James Marsh Felicity Jones, Tom Prior 6. 4 / 10 The story of a bride-to-be trying to find her real father told using hit songs by the popular 1970s group ABBA. Phyllida Lloyd Meryl Streep, Pierce Brosnan, Amanda Seyfried A writer and wall street trader, Nick, finds himself drawn to the past and lifestyle of his millionaire neighbor, Jay Gatsby. Baz Luhrmann Leonardo DiCaprio, Carey Mulligan, Joel Edgerton 7. 6 / 10 Celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation. Michael Gracey Hugh Jackman, Michelle Williams, Zac Efron 7. 8 / 10 A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R. M. S. Titanic. James Cameron Kate Winslet, Billy Zane History The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer. Colin Firth, Geoffrey Rush, Helena Bonham Carter Thriller During World War II, the English mathematical genius Alan Turing tries to crack the German Enigma code with help from fellow mathematicians. Morten Tyldum Benedict Cumberbatch, Keira Knightley, Matthew Goode Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition. Jason Moore Anna Kendrick, Brittany Snow, Rebel Wilson 7. 7 / 10 A musician helps a young singer find fame as age and alcoholism send his own career into a downward spiral. Bradley Cooper Lady Gaga, Bradley Cooper, Sam Elliott Edit Storyline Jean Valjean, known as Prisoner 24601, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in post-revolutionary France, the story reaches resolution against the background of the June Rebellion. Written by Anonymous Plot Summary Plot Synopsis Taglines: The Dream Lives This Christmas See more ?? Motion Picture Rating ( MPAA) Rated PG-13 for suggestive and sexual material, violence and thematic elements See all certifications ?? Details Release Date: 25 December 2012 (USA) Box Office Budget: 61, 000, 000 (estimated) Opening Weekend USA: 27, 281, 735, 30 December 2012 Cumulative Worldwide Gross: 441, 809, 770 See more on IMDbPro ?? Company Credits Technical Specs See full technical specs ?? Did You Know? Goofs During "The Robbery" Thénardier speaks to Javert and grows nearer and nearer to his face. The shot changes, however, and shows Javert at a different angle, moving closer to Thénardier. See more ? Quotes [ first lines] Jean Valjean: Look down, look down, don't look them in the eye. Chain Gang: Look down, look down, you're here until you die. See more ? Crazy Credits The first six seconds of the Universal Pictures logo are cut out, fading in when the studio's name starts to fly over the globe. See more ? Frequently Asked Questions See more ?.
Misérables les. 24, 716 edits, 281 articles, 6 active users Les Misérables is an 1862 French novel by author Victor Hugo that is widely considered one of the greatest novels of the nineteenth century. The popular musical based off of it has been shown in countries all around the world, and is officially the world's longest running musical. This Wiki is all about the wonderful musical and book it is based on! Anyone can edit or create an article, so please feel free to do so and make this Wiki even better! Fantine's Arrest is a song from Les Misérables. It takes part in 1823, Montreuil-sur-Mer. Fantine is arguing with Bamatabois after he threw a snowball at her back when she did Read More... Les Miserables 10th Anniversary (HD. Javert's Suicide (34 41) Trivia Bahorel is the only one from Les Amis who wasn't featured in the musical. Gueulemer, one of Patron-Minette also was not featured in the musical/movie. Victor Hugo's first attempts at the novel were going to be named "Miseres. The Thénardiers were trying to steal silverware at Marius and Cosette's wedding. Éponine was originally at 'Valjean's Death' because of Marius. Fantine was there for Valjean and Cosette. The famous words encrypted on Valjean's blank grave were "Il dort. Quoique le sort fut pour lui bien étrange, Il vivait. Il mourut quand il n'eut plus son ange. La chose simplement d'elle-meme arriva, Comme la nuit se fait lorsque le jour s'en va. which translates to "He sleeps. Though fate was quite strange to him. He lived. He died when he no longer had his angel. The thing simply happened itself, as the night makes itself as the day departs. " To write a new article, just enter the title in the box below. Not sure where to start? Struggling with something to edit? Go to the wiki's "to do list. If you are new to wikis, check out the tutorial. Check out Help:Starting this wiki if you're setting up the wiki. Visit the wiki's rules to be familiar with our policies. Adding content Every wiki has two list of articles that need help called "Stubs" and "Wanted Articles. Don't be shy, get in there. Uploading images is another really easy way to help out - see the Special:Upload page! You can find a list of useful templates on Category:Templates, some of which are documented on the templates project page.
Érables. From Wikisource Jump to navigation Jump to search sister projects: Wikipedia article, Commons gallery, Commons category, quotes, Wikidata item. Les Misérables (1862) one of the most well known novels of the 19th century follows the lives and interactions of several French characters over a twenty year period in the early 19th century that includes the Napoleonic wars and subsequent decades. Principally focusing on the struggles of the protagonist?ex-convict Jean Valjean?to redeem himself through good works, the novel examines the impact of Valjean's actions as social commentary. ? Excerpted from Les Misérables on Wikipedia, the free encyclopedia. Translated from the original French by Isabel F. Hapgood Author's Preface Volume I ( Fantine. edit] Book First - A Just Man Book Second - The Fall Book Third - In the Year 1817 Book Fourth - To Confide is Sometimes to Deliver into a Person's Power Book Fifth - The Descent Book Sixth - Javert Book Seventh - The Champmathieu Affair Book Eighth - A Counter-Blow Volume II ( Cosette. edit] Book First - Waterloo Book Second - The Ship Orion Book Third - Accomplishment of the Promise Made to a Dead Woman Book Fourth - The Gorbeau Hovel Book Fifth - For a Black Hunt, a Mute Pack Book Sixth - Le Petit-Picpus Book Seventh - Parenthesis Book Eighth - Cemetaries Take That Which is Commited Them Volume III ( Marius. edit] Book First - Paris Studied in Its Atom Book Second - The Great Bourgeois Book Third - The Grandfather and the Grandson Book Fourth - The Friends of the ABC Book Fifth - The Excellence of Misfortune Book Sixth - The Conjunction of Two Stars Book Seventh - Patron Minette Book Eighth - The Wicked Poor Man Volume IV ( Saint Denis. edit] Book First - A Few Pages of History Book Second - Eponine Book Third - The House in the Rue Plumet Book Fourth - Succor From Below May Turn Out To Be Succor From On High Book Fifth - The End of Which does not Resemble the Beginning Book Sixth - Little Gavroche Book Seventh - Slang Book Eighth - Enchantments and Desolations Book Ninth - Whither are They Going? Book Tenth - The 5th of June, 1832 Book Eleventh - The Atom Fraternizes with the Hurricane Book Twelfth - Corinthe Book Thirteenth - Marius Enters the Shadow Book Fourteenth - The Grandeurs of Despair Book Fifteenth - The Rue de L'Homme Arme Volume V ( Jean Valjean. edit] Book First - The War Between Four Walls Book Second - The Intestine of the Leviathan Book Third - Mud But the Soul Book Fourth - Javert Derailed Book Fifth - Grandson and Grandfather Book Sixth - The Sleepless Night Book Seventh - The Last Draught from the Cup Book Eighth - Fading away of the Twilight Book Ninth - Supreme Shadow, Supreme Dawn.
Misérables. Victor Hugo's 1862 novel Les Misérables may not actually hold the record for most adaptations (ask Dracula and Sherlock Holmes about this) but the list is still very impressive. There are currently 66 adaptations (although that's sometimes stretching the word a bit. A handful of these are easily available; die-hard fans have managed to see more than twenty. Check Wikipedia for a list. Adaptations are in this article mainly referred to by production year. See also the dedicated wiki. Some adaptations: Les Misérables (film, 1934 starring Harry Baur as Jean Valjean) Les Misérables (film, 1935, starring Charles Laughton as Javert) Les Misérables (film, 1958, starring Jean Gabin as Jean Valjean) Les Misérables (TV film, 1978, starring Anthony Perkins as Javert) Les Misérables (musical, 1985) Les Misérables (film, 1995, starring Jean-Paul Belmondo as Jean Valjean) Les Misérables (film, 1998, starring Liam Neeson and Geoffrey Rush) Les Misérables (TV miniseries, 2000, starring Gérard Depardieu, John Malkovich and Christian Clavier) Les Misérables: Shōjo Cosette (anime, 2007, by Masashi Sugawara) Les Misérables (film, 2012, starring Hugh Jackman and Russell Crowe) Les Misérables (manga, 2013, by Takahiro Arai in Japan's Monthly Shounen Sunday magazine) Les Misérables (manga, 2014, published by UDON in their Manga Classics line of novel adaptations) Les Misérables (TV miniseries, 2019, starring Dominic West, David Oyelowo and Lily Collins) Note that Les Misérables (film, 2019, directed by Ladj Ly) is not an adaptation, although its title being the same is not a coincidence. All adaptations without their own trope pages provide examples of: Adaptational Attractiveness: Usually with Javert. Some movies have Fantine look incredibly pretty (and above all healthy) when she's supposed to be dying of TB. Sometimes Valjean ? the 1978 version (starring Richard Jordan as Valjean) was released on video a blurb beginning: Jean Valjean, a handsome young woodcutter. Always with Eponine, at least in adaptations that include her (such as the stage musical. In the book, she's described as having lost any beauty she may have had, but you'd be hard pressed to find an actress playing her who isn't drop-dead gorgeous, even when covered in dirt. Adaptational Badass: Stretching it a bit, but Cosette is this in the 1992 French cartoon. Adaptation Dye-Job: In the book, Fantine and Enjolras are blond, Marius has curly black hair, and Cosette is brown-haired. The last one is often particularly ignored, usually in order to play up the visual similarity to her mother instead. Seems The Ingenue just has to be blonde. Adaptation Expansion: The 2018 Mini Series spends a lot of time focusing on the backstories of Valjean, Marius, and Fantine, something not even explored in the original novel, much less in most other adaptations. Adaptation Explanation Extrication: Both Javert's suspicion that Madeleine might be Valjean and the reasons for Champmathieu being mistaken for Valjean, while lengthily explained in the novel, are often condensed to "He looks like Valjean. Adaptational Heroism: Arguably, Éponine. Her cruelty towards Cosette when she is exploited into being her family's slave tends to be downplayed in film adaptions (and omitted entirely in the 2012 film) and it is implied she actually wanted Marius to die at the barricades in the book. Adaptation-Induced Plot Hole: In a plot stretched over nearly twenty years, probably the most frequent one is characters failing to get older: Gavroche in the 2000 miniseries starts off older than Cosette, but is still the same age nine years later. Cosette in the '52 adaptation stays the same age from when Valjean fetches her to adulthood. Cosette in the '82/ 85 adaptation stays the same age from when Fantine leaves her to when Valjean fetches her. Adaptational Villainy: Javert in the novel may be Valjean's antagonist for most of the time, but some adaptations portray him as outright evil, sometimes even brutal ( 35, 52, 98. This is often due to the removal of the Thénardier couple, who would otherwise serve as primary antagonists. Jean in a minor way in the 2018-2019 adaptation. In the book when he robbed Petit Gervais of the coin it is ambiguous whether he is really aware of what he is doing, only realising after Gervais has run away. In the series he clearly knows what he is doing and even pockets the coin, though repents of it quickly as well. He also fires Fantine in person for lying about her child rather than leaving it to the foreman and being ignorant of the situation. His charitable actions are also downplayed, while his relationship with Cosette is far more controlling. Animated Adaptation: Several, including at least four anime adaptations. The three Soviet cartoons that focus on the children are also worth a mention; two are called " Gavroche " and are only propaganda. The Bad Guy Wins: In any faithful adaptation of the story, Thenardier will be the only character who gets an unambiguously happy ending. Black and White Morality: What Javert believes in. Unfortunately, some adaptations turn the Morality Kitchen Sink of the original into this. Bookends: The 1982/85 adaptation starts with Javert telling Valjean he's free. The end is a fantasy/dream sequence, where Javert tells an aged Valjean that NOW he is free. But Now I Must Go: After Cosette and Marius reunite in the 1935 version, Valjean tells the two of them that he will retreat to England. Cliffhanger: All the serialised versions try at least one. Come to Gawk: The crowd in the scene where the convict chain passes (1933 movie and 2000 miniseries. Composite Character: The 1935 version combines Marius and Enjolras, making Marius the leader of some students protesting the poor treatment of galleys prisoners. Compressed Adaptation: Is there any other kind when it comes to Les Misérables? Now, Compressed Is Not Bad, but still. Fourteen hundred pages. Averted with the 1964 Italian miniseries, which is eleven hours long and has managed to put in most of Hugo's long narrative passages, such as some information on the underworld or the battle of Waterloo. Deadpan Snarker: Javert is allowed to keep a few lines in some adaptations: 1933, 1963, 1972 and 2000 most prominently. Death by Adaptation: Rare, since nearly everyone dies anyway, but the '47 adaptation in addition kills off notorious Karma Houdini Thénardier by letting him fall through a skylight. Divided for Adaptation: The 1934 film adaptation, rather than try to compress the novel, spread it over three films, running a total of four-and-a-half hours, which were released in three subsequent weeks. Determinator: Javert. Taken almost to Implacable Man levels in some versions. Downer Ending: Especially in the 1985 movie, where Cosette and Marius only arrive after Valjean has died alone and unloved. Dudley Do-Right Stops to Help: Jean Valjean repeatedly detours from his flight from Javert in order to help those in need, which on multiple occasions nearly gets him captured by the inspector. Epic Movie: The 1934 version by Raymond Bernard, which is one of the most accurate adaptations of the book and clocks in at 5 hours. The Film of the Series: There's a French 26-episode cartoon from 1992. In 1993, a 90 minute movie version was released. The Game of the Book: Actually called "Les misérables: The game of the book" it's a point-and-click adventure with very simple graphics in which you have to make the story happen. Arm Joe, a StreetFighter esque fighting game that utilizes the characters from Les Mis. Les Miserables: Eve of Revolution, a card game based solely on the book. Happily Ever Before: Some movies commit the sin of ending with Javert's suicide, leaving Valjean to live happily ever after. Heel?Face Turn: Valjean gets the biggest one after being pardoned by the bishop. Javert gets one when Valjean refuses to kill him. Fantine gets one in some versions; Marius can have up to four. The more complete the movie, the more heel face turns included. Hellhole Prison: One thing nearly all adaptations appear to agree on, although some emphasise it more (1935, 1952, 1978, 1982. than others (1958, 1972, 2000. Institutional Apparel: Depending on the version: Historically correct (yellow trousers, white shirt, red vest, and jacket and green caps for lifers or red caps for non-lifers) 1925, 1933, 1934, 1958, 1992, 2000. Partially correct: 1978. Just any kind of prison uniform: 1947, 1955, 1964, 1972. Hollywood Old: Valjean is supposed to be over sixty at the end? Incredible in the cases of Fredric March, Michael Rennie, Richard Jordan, and downright ridiculous with Hugh Jackman! Kill 'Em All: One of Victor Hugo's favourite tropes. Some adaptations don't seem to like it, though. The record is kept by the 1992 French cartoon with exactly one named character that dies. Lawful Stupid: Javert has tendencies towards this in the book, but in some adaptations (notable the ones from '35 and '52) he as good as flat out refuses to take any responsibility for his actions, blaming each and every decision on the law. Lighter and Softer: The 1992 French cartoon. This is the adaptation where no death occurs on screen. Cosette also has a dog friend, Amiral. There are several Indian adaptations ( 50, 55, 72) that have this. Bollywood! Les Mis probably says it all. Line-of-Sight Name: How Jean Valjean chooses the alias of M. Madeleine in the 1952 movie, somewhat undercutting the symbolic significance of the name. Lost in Imitation: Who still remembers that Javert did not devote his entire career to tracking down Valjean? Les Misérables is not only a musical: Liam Neeson 's most famous quote concerning the '98 adaptation: One of the greatest novels in Western literature, and all everybody's asking is, Do you sing in it. Meaningful Echo: The 1935 version has one. When the Bishop gives Valjean the cand
Miserables. Érables les.

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Les misérables
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