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• Audience score - 1940 vote
• duration - 1 Hour, 49 m
• Country - UK
• &ref(https://m.media-amazon.com/images/M/MV5BNjhlMmE1YmQtZDc2OS00NWJjLWJiNDEtMWU3ZDYxNmZmOTNmXkEyXkFqcGdeQXVyNDg4NjY5OTQ@._V1_UY113_CR0,0,76,113_AL_.jpg)
• Genres - Action
• Sterling K. Brown

The rhythm section tv spot. The rhythm section clip. Critics Consensus Blake Lively delivers an impressive lead performance, but The Rhythm Section plods predictably through a story that could have used some flashier riffs. 33% TOMATOMETER Total Count: 113 43% Audience Score Verified Ratings: 324 The Rhythm Section Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. The Rhythm Section Videos Photos Movie Info Blake Lively stars as Stephanie Patrick, an ordinary woman on a path of self-destruction after her family is tragically killed in a plane crash. When Stephanie discovers that the crash was not an accident, she enters a dark, complex world to seek revenge on those responsible and find her own redemption. Rating: R (for violence, sexual content, language throughout, and some drug use) Genre: Directed By: Written By: In Theaters: Jan 31, 2020 wide Runtime: 109 minutes Studio: Paramount Pictures Cast News & Interviews for The Rhythm Section Critic Reviews for The Rhythm Section Audience Reviews for The Rhythm Section The Rhythm Section Quotes News & Features.

The rhythm section movie reviews. KIM JONG UNN. When will asians realize the rest of the world thinks YOU'RE ALL THE SARAME. They are the absolute LOWEST class of the American population. ?. Listen to the bassline. Edit The Rhythm Section (2020) See agents for this cast & crew Directed by Reed Morano Writing Credits Mark Burnell... (screenplay by) Mark Burnell Cast Blake Lively... Stephanie Patrick Jude Law... B Sterling K. Brown... Mark Serra Daniel Mays... Dean West Max Casella... Leon Giler Raza Jaffrey... Proctor Richard Brake... Lehmans Geoff Bell... Green Jade Anouka... Laura Fuller Jack McEvoy... Conor Ivana Basic... Oksana David Duggan... David Patrick Nasser Memarzia... Suleman Kaif Tawfeek Barhom... Reza Ibrahim Renno... Vincent Amira Ghazalla... Alia Kaif Degnan Geraghty... Punter Fleur Phoenix Munroe... Working Girl Elly Curtis... Sarah Patrick Hugh Scully... Lyle Maceo Oliver... Jimmy Shane Whisker... Christopher Patrick Nuala Kelly... Joan Albert Christmas... Porter Una Carroll... Alia's friend Peter Newington... Reza Friend Carmen Calle... Manifestation member Abril Keinrath... Walking girl Wentao Ma... College student Mark Quigley... Army Pal (uncredited) Produced by Barbara Broccoli... producer Alastair Burlingham... co-executive producer executive producer Christelle Conan... Stuart Ford... Vaishali Mistry... Redmond Morris... co-producer Andrew Noakes... Denise O'Dell... David Pope... Gary Raskin... Sabine Schenk... line producer: NY Unit Greg Shapiro... Jayne-Ann Tenggren... Simon Williams... Gregg Wilson... Michael G. Wilson... Music by Steve Mazzaro Cinematography by Sean Bobbitt Film Editing by Joan Sobel Casting By Debbie McWilliams Production Design by Tom Conroy Art Direction by Dídac Bono Louise Mathews... (Irish Unit) Gary McGinty Nenazoma McNamee Christina Moore... supervising art director Ernesto Solo... (New York Unit) Set Decoration by Crispian Sallis Costume Design by Eimer Ni Mhaoldomhnaigh Makeup Department Catherine Argue... key hair stylist Vivian Baker... personal makeup designer and artist for blake lively Víctor Javier Bernardos... makeup artist crowd dailies Alma Casal... makeup assistant for Blake Lively Carla Edwards... makeup trainee Doone Forsyth... hair & makeup artist Jesús García... hair stylist/hair assistant Sian Grigg... Make up Hair and Prosthetics Designer Pati Martí Donoghue... assistant makeup artist: Spain Lorraine McCrann... crowd make up artist ireland Aisling Nairn... key makeup artist Almudena Persa... make up/hair crowd dailies: Spain Jennie Readman... hair stylist Susie Redmond... Sean Sansom... prosthetic makeup technician Miguel Sesé Guillot... Stunt & crowd make up artist spain Lucho Soriano... stunt and crowd hair stylist spain (as Lluís Soriano) Tristan Versluis... special makeup effects artist Production Management Pilar Amer... production manager: spain - Pre-Production Patrick O'Donoghue... unit production manager David Ocaña... production manager Kino Reyes... Unit manager Michael Solinger... post-production supervisor Uxue Sáenz... unit manager (Prep - Spain Unit) Second Unit Director or Assistant Director Ian Adams... trainee assistant director Anna Bates... Jonny Benson... second assistant director Amy Burke... daily trainee assistant director: crowd Mairéad Campbell... crowd assistant director Mark Coffey... Chris Corbould... second unit director Marta Criado... production assistant Glenn Delaney... 1st AD action unit Aoife Doyle... Miriam Ferguson... Conor Flannery... additional assistant director: dailies Oisín Fleming... Vincent Giarratano... second assistant director: New York Unit Anna Harrison... third assistant director Mike Hayes... first assistant director: second unit - Ireland Nicola Jackson... additional third assistant director Juan Jiménez... first assistant director: spain Siobhan Kavanagh... daily trainee assistant director David Kennedy... crowd second assistant director Carmen Kovacs... Joe Landry... second second assistant director: New York Unit Nick Laurence... Colmán Mac Cionnaith... Jairo Murray... first assistant director: Spain Colm O'Brien... Aoise O'hUiginn... Angie Paúl... second second assistant director Jason Rickwood... Richard Styles... first assistant director George Walker... Kieron Walshe... third assistant director: extras Art Department Matthew Amenta... property master: New York Unit Dermot Blighe... stand-by props Pablo Buratti... storyboard artist Gareth Byrne... set dresser Alix Cafferky... props buyer assistant Laia Castellvi... buyer Federico Ciommo... chargehand standby props Rebeca Comerma... assistant set decorator Fiona Cooney... graphic designer Melanie Downes... graphic designer: dailies Javier Escandell... swing gang 4 (uncredited) Marc Estrugo... assistant art director Mick Flood... property master Jorge Flores... Fede Fueraparte... Joxean Goya... leadman: Spain James Grimes... props Jason Groarke... Joel Herrera... Clare Hynes... assistant buyer: dailies Darren Kearney... h. o. d. scenic Irina Kuksova... Javier López Antía... leadman Sandra Castro Martin... art department assistant Eva Mazo... production buyer Ricardo Molina... standby carpenter José Luis Moya... construction manager spain Sophie-Anne Mullen... set decorator trainee Florian Müller... Javier Navarrete Fernández-Nieto... dressing prop Oli Novadnieks... UK Buyer Rupert O'Neill... standby props Fabien Oman... props supplier Iulia Petrescu... Julian A. Phillips... Adrià Porta... production buyer assistant Lois Afonso Rodríguez... storeman Óscar Romero... stand by props Markus Ruiz... stand by painter Emma Ryan... art dept assistant Robbie Ryan... trainee dressing prop Sergio Sanchez Selva... Víctor Santacana... set decoration buyer: Cádiz Jessica Timlin... prop buyer assistant Tex Toomey... María Turreira... s/by props assistant Paco Valderrama... scenery painter Pilar Valencia... Ana Valle... scenic painter spain Ivan Vera... Ian Wallace... dressing props Justine Wright... assistant production buyer Vanessa Zanardo... draughtsperson Tim Zydel... leadman: New York Sound Department Hugo Adams... foley supervisor Juan Borrell... second unit sound Alayn Crespo... boom operator: spain Gary Dodkin... production sound mixer Oliver Ferris... foley assistant Sue Harding... foley artist Sophia Hardman... Conor Kelly... sound mix technician Gilbert Lake... re-recording mixer Dash Mason-Malik... Key 1st Assistant Sound Stuart McCowan... sound effects editor Tom Melling... Premix Technician Adam Mendez... foley mixer Dean Murray... second assistant sound: Ireland Sean O'Toole... second assistant sound Candela Palencia... Rebecca Peace... Nick Roberts... adr mixer Gabriel Sanders... boom operator: second unit Robbie Scott... studio manager Oliver Tarney... supervising sound editor Rachael Tate... dialogue & adr supervisor Robert Karlsson... dolby consultant (uncredited) Special Effects by special effects supervisor Lynne Corbould... Special Effects Buyer/Coordinator Mark Day... engineer Michael Fox... senior technician / special effects senior technician Charlie Harper... SFX Health & Safety Advisor Marc Headland... special effects crew Dan Homewood... workshop supervisor Matthew Johnson... Special Effects Senior Technician Sam Lewis... special effects Ian Lowe... special effects floor supervisor-Spain Kevin Nolan... special effects foreman Harry Rhys... special effects technician Luke Turner... Visual Effects by Lucy Ainsworth-Taylor... executive visual effects producer Angela Barson... executive visual effects supervisor Sarah Byers... matchmove artist: BlueBolt Kev Cahill... visual effects supervisor Billy A. Campbell... visual effects editor Phillip Charles-Sweeting... digital compositor Finlay Duncan... digital compositor: BlueBolt Karen Elliott... Catriona Falla... Richard Frazer... visual effects supervisor: BlueBolt Sandro Henriques... Jack Owen Hughes... compositor: TPO VFX (as Jack Hughes) Adam Jackson... Chris Lunney... graphics supervisor: nvizible Adriano Mulè... compositor Ian Sargent... screen graphics designer Megan Louise Smith... visual effects coordinator: BlueBolt Maggie Starzer... visual effects production coordinator: BlueBolt David Tejero... Panos Theodoropoulos... visual effects producer: BlueBolt Kim Tobin... Melissa Yung-Hok... digital matte painter Stunts Daniel Adams... stunt rigger Mehrzad Asgi-Kermani... stunts (as Mehrzad Agi-Kermani) Estephany Balaguer... stunt performer (as Stefany Balaguer) Lemuel Black... stunt performer Renato Camargos... Lorenzo Casares... stunts Adrián de Cea... James Cosgrave... Edurne de Pablo... stunt department coordinator spain Jamie Dobb... stunt driver Eduardo Gago Muñoz... Yves Girard... assistant stunt coordinator Evangelos Grecos... Conor Hegarty... David Hernández Silva... Jason Hunjan... Martin Ivanov... stunt driver double: Jude Law Josh Lakatos... María Jesús Lucas... stunt double: Hafsia Harzi / stunt double: Samira Hassan Alejandro López Estacio... hod stunt rigger Boris Martinez... assistant stunt coordinator / stunt coordinator: Spain Fernando Martín Maestro... Yvon McCarthy... Stunt Swimming Double: Blake Lively Eduardo Moratilla... Lee Morrison... stunt coordinator Vanda Móczár... Stunt Double: Blake Lively (as Vanda Mocár) Abian Padrón... stunt performer / stunts Tilly Powell... stunt driving double: Blake Lively Ashley Pynn... Ricardo Rocca... Brandy Rodríguez... Olivier Schneider... Supervising Stunt Coordinator Sebastien Soudais... stunt double Ivan Vodenicharov... Kaloian Vodenicharov... Laura Vörtler... Rachel Walker... Martin White... Diego Álvarez... Camera and Electrical Department Keith Anderson... loader: second unit Aitor Axpe... electrician Garret Baldwin... gaffer: Ireland Alex Sánchez Buell... Eduardo Cabrera... Diego Campos..
The rhythm section rotten tomatoes. The rhythm section parents guide. This website uses cookies to provide you with a better experience You can adjust your cookie settings through your browser. If you do not adjust your settings, you are consenting to us issuing all cookies to you. The rhythm section band. The rhythm section showtimes. The rhythm section movie cast. The rhythm section mark burnell. January 29, 2020 9:00AM PT The plot may be boilerplate in this female-driven revenge thriller, but Blake Lively sells it, playing an action hero who fights like a real person: badly. Its a wonder that Stephanie Patrick makes it to the end of “ The Rhythm Section ” alive. Normal people tend not to survive the kind of sophisticated revenge mission that snaps Stephanie out of her depression and into action-hero mode in Reed Morano s dark, broody and unexpectedly human payback thriller, which stars Blake Lively as a more-motivated-than-coordinated Post Traumatic Suffering Dispenser. Lest you fear any mention of her survival constitutes a spoiler, consider this: The movie was adapted from the first of four pulpy Stephanie Patrick novels written by Mark Burnell, so of course she doesnt die. But she comes awfully close on several occasions, and her near-incompetence in the face of danger makes her relatable in ways very few cinematic assassins have ever been. Paramount is opening the movie in January, the month where Liam Neeson is typically the one to do this kind of dirty work. Lively is hardly the actors obvious substitute, though the character she plays ? a rock-bottom junkie prostitute ? absolutely convinces she has nothing to lose. Actually, since Burnells novel was optioned by Eon, the production company behind the James Bond franchise, some have wondered whether Stephanie Patricks supposed to be some kind of gender-flipped 007. (No, says Bond custodian Barbara Broccoli. From the very first scene, audiences should realize that theyre watching a very different type of character. In many ways, shes even less like “Atomic Blonde, ” in which Charlize Therons meticulously choreographed, unerringly lethal fighting style is fun to watch but pure fantasy. Stephanie, by contrast, panics under pressure. Shes a bad shot, and an even worse driver. In hand-to-hand combat, she gets thrown around, battered and very nearly killed. Multiple times. The movie begins in Tangiers, where Stephanie has gone to eliminate one of the men responsible for the death of her family. (They died in an airplane bombing, and given the spectacle that might have provided, its a wonder the movie doesnt start there. But then, Burnell adapted the novel himself, so he must have had his reasons. So, in the amuse bouche opener, Stephanie creeps into his home and points her gun at the back of his head. But she cant bring herself to pull the trigger. Could you? “ The Rhythm Section ” features lots of terse, no-nonsense dialogue but some pretty corny voiceover ? like the howler Livelys obliged to recite to explain the films title. Standing there in silhouette, her weapon extended, Stephanies all jitters. But thats a much more interesting way to approach her first hit anyway. The only person obliged to be a consummate professional here is Morano, a former DP who helmed the first three episodes of “The Handmaids Tale, ” effectively setting the tone for the hit Hulu series. This is her third feature, following tragedy-porn “Meadowland” and post-apocalyptic two-hander “I Think Were Alone Now, ” and the assignment puts fresh demands on its director. Pulling it off means Moranos obliged to think differently not only about action, but also about how she works with actors. This isnt an easy role, but Lively aces it. Flashing back more than half a year earlier, the film finds Stephanie looking a lot worse for wear, with scars on her wrists and tears in her eyes. To erase the pain of the plane crash that claimed her parents lives, she turns tricks for smack in a squalid London flat. Shes scraping along rock bottom when an investigative reporter named Keith Proctor (Raza Jaffrey) shows up with inside information on the accident ? which wasnt an accident but an attack, he insists. According to Proctor, the authorities know who built the explosive device but have left him to walk the streets of London a free man. “Why did you come for me? ” Stephanie asks. Without missing a beat, Proctor replies, “Because youre another victim. Youre just not dead yet. ” But a couple scenes later, Proctors dead, found with his throat slit in his own apartment. His flat has been art-directed to look like a serial killers inner sanctum, and snooping around, Stephanie manages to glean enough from his files to track down his most important source, a nameless ex-CIA operative ( Jude Law) with demons of his own. His damage is nothing compared with hers, however. Stephanies still addicted to drugs at this point, and Lively shows us what that looks like, twitching on top of all the trauma her character is already carrying. The psychology of how this once-promising college grad would transform herself first into such a trainwreck ? all bruises and track marks, spiky hair and smoky eyes ? and from there into an avenging badass is shaky, but Livelys commitment sells it. Stephanie assumes the identity of a ruthless hitwoman, Petra Reuter (an excuse for wig changes and an attitude makeover) and reaches out to an information trafficker named Marc Serra (Sterling K. Brown) to identify the target we saw her about to eliminate in the opening scene. On paper, the rest of the film seems fairly routine: a series of setpieces against a revolving backdrop of glamorous international locations. Weve seen it in movies like “Atomic Blonde, ” “Red Sparrow” and “La Femme Nikita. ” Those women are all sexy, self-confident killing machines. But what sets “The Rhythm Section” apart is the simple matter of identification. Shes not a natural. She freezes up, and cant do what she was trained for. Instead of fighting, she flails wildly, hoping one of her kicks connects with her adversarys crotch. When she gets hit, it looks like it hurts. And when her gun falls into the bad guys hands, she may as well be dead meat. In the end, its luck, not skill that keeps her alive. Thats how most of us would be in her situation. Moments later, in an impressively staged, single-take car chase, Stephanie/Petra nearly gets pushed off a cliff. And so it continues through the final showdown. Its probably for the best that most action movies dont unfold like this, where careful planning devolves to desperate innovation in the heat of the moment. But this is whats meant by “visceral, ” and it works in this context ? and must be an awful lot harder to pull off, behind the camera. Morano manages, and if Stephanie Patrick ever gets another big-screen mission, itll be interesting to see what this experience has taught her. James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craigs British spy, promises the 25th “Bond” movie will change everything. “No Time to Die” is Craigs fifth take on the secret agent, a role he first assumed in 2006s. Scarlett Johansson and Florence Pugh take center stage in the new “Black Widow” trailer that dropped at the 54th Super Bowl. Details are scarce on the next Marvel movie, directed by Cate Shortland, but new footage teases Natasha Romanoffs life before she was an Avenger. “You dont know everything about me, ” Johanssons Black Widow says. Tom Cruise has made an enemy in the newest “Top Gun: Maverick” trailer, which premiered during the 54th annual Super Bowl on Sunday. “My Dad believed in you, Im not going to make the same mistake, ” says Miles Teller who is playing Bradley “Rooster” Bradshaw, son of Nick “Goose” Bradshaw, deceased wingman to Cruises character. The Sundance Film Festival is fighting a battle thats been building for several years, and what its fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. Its some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of. When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times?obituary. “He had far too few scruples about who he. After three weeks in theaters, Sonys “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made 291 million globally to date, pushing it past previous franchise record holder, 2003s “Bad Boys II” and its 271 million haul. The first entry, 1995s “Bad Boys, ”. World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at Londons Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p. m...
The rhythm section movie review. Average rating 3. 48 1, 103 ratings 148 reviews, Start your review of The Rhythm Section (Stephanie Patrick #1) This book was a great story; I can see it absolutely killing it as a movie. The Rhythm Section is a mashup of Bourne Identity and trilogy, and Stephanie Patrick reminded me of a combination of Lisbeth Salander and Dominika Egorova. Reading through the reviews, I recognize a few issues some people will have with this book. 1) I notice a lot of women read this and did not enjoy it. They found it "tropey" because it was written by a dude, and apparently only women are allowed to write female... I chose to read this because it's being turned into a movie. I can see why. It should be a fun action/spy movie. I can't remember the last time a book had me and lost me and won me back in such a circular fashion. The main character is absolutely fascinating and makes up for not being James Bond by being something 180 degrees from him. All the sex and violence here is grimly realistic and played for grit not flash. Stephanie is such vividly dire straits, it nearly overwhelms the espionage plot, which is where a lot of the problems lie. Once her missions begin, the book gets bogged down in the kind of... I unfortunately lost interest halfway through. It was interesting at first, but then became much too confusing and frankly, drawn out in my opinion. Overall I can see why this book is going to make a good movie, but reading it was painful. The main character is woman whos written by a male author and its very obvious. I never felt connected to any of the characters, the main character especially. And at 400+ pages it felt like much of the content in the middle could have been cut out and distilled. Sadly, only the last 40 pages were my favorite part of the book. Have you seen the movie trailer for the film adaptation of this book with Blake Lively? The theme song (ballad: MY GIRL - covered here by the Sleigh Bells, and previously famously covered by Kurt Cobain) is haunting. Movie trailer. Sleigh Bells cover of My Girl ballad. I bet sales of this book are going to go through the rough after this movie comes out. Check out my blog at for more reviews and bookish content. I was looking for something to listen to during my work day. I love suspense, thriller genre books but. you have got to be joking with this one. We start the book with a plane crash, and then we meet Lisa, a drugged out prostitute who needs to be rescued by a man to turn her life around. A journalist who started out by just trying to get her story and who helped her get sober from drugs. I have no... 3. 5 stars I had the same experience as Ed states in his review below: it had me, lost me and then won me back. The story starts out very good and it had me interested in Stephanie from the beginning. But then all the characters and connections just became too much, getting me confused and less committed to the story. Now I must be honest and admit that possibly my letting other books getting in the way of reading this one regularly, may have contributed to that. The last part though won me back... I loved how this book blended fast moving action with deeper exploration of love, sex and the effects of trauma. Highly recommended for lots of reasons The cinematic release of Christie's Death on the Nile has been pushed forward to 2020... Was hyped to read this book because reviews and even the dust jacket compare it to La Femme Nikita, which was a favorite TV show of mine in the 90s. But bratty Stephanie is no Nikita. We're told repeatedly that Stephanie is really really smart, but the author rarely lets us see her intelligence in action. Instead, she spends most of the book stumbling from one male character to the next, using them for a crutch or cashing in on their profession/reconnaissance via sex and threats. It becomes... Didn't enjoy the characters, plot, or writing. The movie will likely be good though. This was a slow read, and I'm not going to bother finishing it. Hard to really like the main character - the author somehow felt the need to continuously remind the reader that Stephanie is a former prostitute which was repetitive, useless and just plain lazy. The changes from first to second person narratives were odd and clunky, especially when done mid chapter. Skip this book I'd read this 20 years ago. It is, at last, about to come out as a movie. Fortunately, in re-reading it, I remembered nothing, other than that I'd loved it. It is as good the second time around! The series of four Stephanie Patrick novels (or as I think of them, Petra Reuter novels) are as good as anything that LeCarre or Steinhauer wrote. A reasonably capable thriller series championed by "The Economist. Think "Alias" with more sex and fewer gadgets. Interesting read. Ill be curious to see the movie This book is about a woman who has lost her family in a plane crash and tries to find herself... Stephanie Patrick takes on different names and roles from Prostitute, drunk, addict, German assassin, business woman and enters into the world of international espionage while avenging her family and finding Her real identity. Stephanie is the main and leading character and the story evolves around her. She is intelligent with a temperament and is difficult to handle and has a smart mouth. A movie is... Really not my type of story. When it first started I thought I was going to like it but it is just not my genre and I was pretty bored and uninterested in the story. I really don't think I will bother continuing the series. Blah read! The idea seemed wonderful. The execution was terrible. The plot and the characters were bland. It simply did not capture my interest nor intrigue me enough to even want to finish. Certainly wanted to like this more than I did. This is disappointing... female hero is through a male eyes (to be quality she must be damaged and a former mething that NEVER goes without reminding. Hard to get through and uninspired. Maybe the movie will be more interesting? PopsugarReadingChallenge 2019 Prompt - A book becoming a movie in 2019 This is going to be one of those times where I enjoy the movie more than the book. Maybe; because after reading this, I'm not sure that I even want to watch the movie. Not my kettle of fish. Way too slow. Couldnt finish it. Not my type of book. I see how it will be a movie though. Loved this, great read, very exciting and highly unpredictable. Have the book here if anyone wants to read it next: Really good read loved central character will find others in series asap This book tried to do too much. The switching between first and third person narrative did nothing to improve it either. Shouldve quit. Listened anyway. Felt dated and way too long with an abrupt ending. I dont care enough to continue the story. If you like spy novels you may enjoy just not my cuppa tea. Maybe the movie will be better! I can see how Blake Livey could make this work in a movie! A guy wrote a female character but it was too clear a guy wrote it (hope that makes sense. This a sexist trope. Prostitute turned spy.
Weve heard this time and time again, that new releases will show a "new side" of established actors. BBut this time it may actually be true. Most audiences probably know actress Blake Lively as the star of Gossip Girl and films like The Age of Adaline. Shes shown more of her talent and range in movies like The Shallows, The Town and A Simple Favor, but this weekend youll be able to see the blonde bombshell as youve truly never seen her before in The Rhythm Section. Revenge movies never go out of style and this one from The Handmaids Tale director Reed Morano stars a nearly unrecognizable Blake Lively as a broken woman named Stephanie Patrick who finds a new violent purpose when she discovers that the plane crash that killed her family was not an accident. The Rhythm Section is based on a series of books by Mark Burnell who adapted his own work for the movies screenplay. So, how is it? Well, that will really depend on who you ask. The first reviews for The Rhythm Section are in and critics are divided on this one. CinemaBlends own Mike Reyes was a fan though and gave The Rhythm Section 3. 5 out of 5 stars in his review. Mike wrote: The Rhythm Section and Blake Livelys Stephanie Patrick are given a truly R-rated start to something rougher than most spy films we've seen. Which is brilliant, considering the world has wondered if wed ever get a female James Bond, and Mark Burnells screenplay (based on his very own novel) proves that we dont need one. The James Bond comparisons are not surprising given that The Rhythm Section comes from Eon Productions, which also makes those spy films. But according to Mike, The Rhythm Section is something different, something that is brutal and brilliant. There is no need for a female Bond when there are original female characters like Blake Livelys Stephanie Patrick. Mike wasn't the only one who enjoyed The Rhythm Section. Variety 's Peter DeBruge also appreciated Reed Morano's film, especially the approach to the lead character and Blake Lively's performance in the role. In his review Peter wrote: The plot may be boilerplate in this female-driven revenge thriller, but Blake Lively sells it, playing an action hero who fights like a real person: badly. Unlike Daniel Craig's James Bond or Liam Neeson's Bryan Mills or Charlize Theron's Lorraine Broughton, Blake Lively's Stephanie Patrick is not a highly-skilled, cold-blooded assassin. In fact, she's pretty bad at first and basically stumbles her way through. That approach to this kind of character sets The Rhythm Section apart from many of its contemporaries. Variety highlighted Blake Lively's performance and it wasn't the only one. The strength of the actress's work in The Rhythm Section is a common thread in many of the reviews for the film. Digital Spy 's Ian Sandwell gave The Rhythm Section 3 out of 5 stars and wrote: Through it all though, The Rhythm Section is propelled by a compelling performance from Blake Lively…Following on from the excellent A Simple Favor, it's another dark role for her and it's clear she relishes playing against type. She manages to make corny lines work ? ‘How would you do that? she's asked of her mission and replies, ‘Violently ? and convinces in the brutal one-on-one fight scenes It seems that Blake Lively more than proves her action chops in The Rhythm Section and manages to elevate the film despite its flaws. However, for some critics even a great performance doesn't make up for The Rhythm Section 's story failings. The Hollywood Reporter 's Frank Scheck wrote: Fortunately, there's Lively, adopting a convincing British accent, who almost, but not quite, manages to infuse the convoluted goings-on with enough gravitas to make them convincing. Those convoluted goings-on cited by Frank Scheck proved to be too much for some critics, with the weakness of the film's script popping up in multiple reviews for The Rhythm Section. One critic who found those weaknesses particularly offensive was The Chicago Sun Times ' Richard Roeper. He gave The Rhythm Section 1. 5 out of 4 stars and wrote: Despite a game performance by Lively, The Rhythm Section is a junk pile of missteps, from the convoluted screenplay that hops from locale to locale in Advil-inducing fashion to the overly stylized directing to the self-consciously 'cool' oldies pop music selections. We've heard about Blake Lively's performance, but this is a revenge spy thriller and if you've seen the trailers for The Rhythm Section you know that there is plenty of violence and action in this movie. So how do those elements stack up? Fairly well according to The Guardian 's Peter Bradshaw, who gave The Rhythm Section 3 out of 5 stars in his review and said: Reed] Morano puts together good fight scenes, robust stunt work and tasty car chases. Its destined to be viewed on a million long-haul flights, but it works perfectly well as a thriller. While many audience members might not know it, The Rhythm Section is the first in a series of books. So the feature film adaptation could in theory be the first of multiple movies. It's too early to know if that will be the case, but it seems there is potential there, at least in part because of the lead performance and the fact that the film isn't overly concerned with it. Forbes ' Scott Mendelson wrote: The Rhythm Section isnt concerned with franchise-set up or worldbuilding. Its just, warts and all, a pretty good character study with a terrific lead performance. So as you can probably tell, critical consensus is fairly hard to come by on this one. The Rhythm Section is clearly not perfect and it really comes down to whether you think the strength of the action and Blake Lively's performance outweighs the weaknesses of script and story. If you're a Blake Lively fan or a fan of the books it's a must. Otherwise it's probably 50/50. Right now The Rhythm Section sits at 48% on Rotten Tomatoes based on 25 reviews. Then again, over a decade ago another January revenge film received a rotten score and it wound up being a fan favorite. We'll see starting this weekend if The Rhythm Section can pull a Taken and kick off a franchise. The Rhythm Section hits theaters on January 31. Check out our 2020 Release Schedule to keep track of all this year's biggest movies and for the latest entertainment news, stay tuned to CinemaBlend.
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The Rhythm section de recherches. The rhythm section tn. The rhythm section csfd. The rhythm section blake lively. The rhythm section box office. The Rhythm Section Theatrical release poster Directed by Reed Morano Produced by Barbara Broccoli Michael G. Wilson Written by Mark Burnell Based on The Rhythm Section by Mark Burnell Starring Blake Lively Jude Law Sterling K. Brown Music by Steve Mazzaro Cinematography Sean Bobbitt Edited by Joan Sobel Production company Global Road Entertainment Eon Productions Danjaq LLC Ingenious Distributed by Paramount Pictures Release date January?31,?2020 (United States) Running time 109 minutes Country United Kingdom United States Language English Budget 50 million [1] Box office 2. 8 million [2] The Rhythm Section is a 2020 American action drama film directed by Reed Morano and written by Mark Burnell, based on Burnell's novel of the same name. [3] The film stars Blake Lively, Jude Law, and Sterling K. Brown, and follows a grieving daughter who sets out for revenge after discovering the plane crash that killed her family was no accident. The Rhythm Section was released in the United States on January 31, 2020, by Paramount Pictures. Premise [ edit] Stephanie Patrick is a woman who seeks to uncover the truth behind a plane crash that killed her family three years earlier. [1] Patrick was also meant to be on the flight. After she discovers that the crash was not accidental, she embarks on a mission to track down those responsible by assuming the identity of an assassin. [4] Cast [ edit] Blake Lively as Stephanie Patrick Jude Law as Iain Boyd Sterling K. Brown as Marc Serra Max Casella as Leon Giler Daniel Mays as Dean West Geoff Bell as Green Richard Brake as Lehmans Raza Jaffrey as Keith Proctor Tawfeek Barhom as Reza David Duggan as David Patrick Production [ edit] On August 16, 2017, it was reported that Paramount Pictures had acquired the rights to the film. [5] It has a production budget of around 50 million and is produced by EON Productions, the film company known for producing the James Bond films. [1] Principal photography on the film began in December 2017 in Dublin, Ireland. [6] Production was halted temporarily after Lively was injured on the film set, with filming scheduling to begin again in June. [7] Sterling K. Brown joined the film, as production resumed in Spain in mid-2018. [8] In July 2018, the film was shot in Almería with Law and Lively. [9] 10] Release [ edit] The film was originally scheduled to be released on February 22, 2019 but was pushed back to November 22, 2019 following Lively's on-set injury, and later again to January 31, 2020. [11] 12] Reception [ edit] Box office [ edit] In the United States and Canada, the film was released alongside Gretel & Hansel, and was originally projected to gross 9?12 million from 3, 049 theaters in its opening weekend. [13] However after making just 1. 2 million on its first day (including 235, 000 from Thursday night previews) projections were lowered to 3 million. [14] It went on to debut to just 2. 8 million, marking the worst opening weekend ever for a film playing in over 3, 000 theaters. [15] Critical response [ edit] On review aggregator Rotten Tomatoes, the film holds an approval rating of 33% based on 110 reviews, with an average rating of 4. 74/10. The website's critical consensus reads: Blake Lively delivers an impressive lead performance, but The Rhythm Section plods predictably through a story that could have used some flashier riffs. 16] On Metacritic, the film has a weighted average score 44 out of 100, based on 35 critics, indicating "mixed or average reviews. 17] Audiences polled by CinemaScore gave the film an average grade of "C+ on an A+ to F scale, and PostTrak reported it received an average 2. 5 out of 5 stars, with 35% of people saying they would definitely recommend it. [15] Writing for Variety, Peter DeBruge stated that Blake Lively?unlike the protagonists in Atomic Blonde, Red Sparrow and La Femme Nikita ?displayed "near-incompetence in the face of danger [that] makes her relatable in ways very few cinematic assassins have ever been. 18] References [ edit] a b c Galuppo, Mia; Kit, Borys (January 29, 2018. Blake Lively Spy Thriller 'The Rhythm Section' Suspends Production (Exclusive. The Hollywood Reporter. Retrieved December 15, 2018. ^ The Rhythm Section (2020. Box Office Mojo. IMDb. Retrieved February 2, 2020. ^ Reed Morano: Production break on 'The Rhythm Section' was a 'blessing in disguise' for Blake Lively thriller. Yahoo. Retrieved December 15, 2018. ^ Busch, Jenna (January 29, 2018. The Rhythm Section: Blake Lively Film Shuts Down Production. Retrieved December 15, 2018. ^ Jr, Mike Fleming (August 16, 2017. Paramount Lands Blake Lively Spy Thriller 'The Rhythm Section' By 007 Producers & IM Global. Deadline. Retrieved August 17, 2017. ^ Busch, Jenna (December 4, 2017. The Rhythm Section: Blake Lively Injured on Set. Retrieved December 6, 2017. ^ Galuppo, Mia (December 4, 2017. Blake Lively Injured on Set of 'The Rhythm Section. Retrieved December 31, 2017. ^ Kit, Borys (May 31, 2018. Sterling K. Brown Joins Blake Lively ian 'Rhythm Section' as Spy Movie Resumes Production (Exclusive. Retrieved May 31, 2018. ^ El rodaje de 'The rhythm section' llegará a Almería a finales de junio. Europa Press (in Spanish. Almería. 21 February 2018. Retrieved 3 July 2018. ^ EFE (7 November 2017. Almería acogerá el rodaje de 'The Rhythm Section' con Jude Law y Blake Lively. Ideal (in Spanish. Almería: Corporación de Medios de Andalucía, S. A. Retrieved 3 July 2018. ^ Donnelly, Matt (January 25, 2019. Blake Lively's Action-Thriller 'Rhythm Section' Moves to Thanksgiving (EXCLUSIVE. Variety. Retrieved January 25, 2019. ^ McNary, Dave (August 24, 2019. Blake Lively's 'Rhythm Section' Moved Back to 2020. Retrieved August 24, 2019. ^ Jeremy Fuster (January 28, 2020. The Rhythm Section' Arrives During Super Bowl Slump Weekend for Box Office. TheWrap. Retrieved January 29, 2020. ^ Dave McNary (January 31, 2020. Box Office: Blake Lively's 'Rhythm Section' Opens Quietly With 235, 000 on Thursday Night. Retrieved January 31, 2020. ^ a b Anthony D'Alessandro (February 2, 2020. Bad Boys For Life' Scores Over Super Bowl Weekend With 17M. Rhythm Section' Is A Mess. Deadline Hollywood. Retrieved February 2, 2020. ^ The Rhythm Section (2020. Rotten Tomatoes. Fandango. Retrieved February 1, 2020. ^ The Rhythm Section Reviews. Metacritic. CBS Interactive. Retrieved February 1, 2020. ^ ‘The Rhythm Section: Film Review Peter DeBruge, Variety, January 29, 2020 External links [ edit] The Rhythm Section on IMDb.
The rhythm section imdb. Hollywood: Siri make a film. I personally havent seen much of Blake Livelys acting work in general, a distinction that will eventually be rectified. I did enjoy Lively a lot in “A Simple Favor” from a few years back in which she acted opposite Anna Hendrick. But even with the limited experience I have with her I personally havent seen much of Blake Livelys acting work in general, a distinction that will eventually be rectified. But even with the limited experience I have with her portfolio, I genuinely like Blake Lively. She is very stylish and influential in the fashion world. She loves to cook and even does plenty of baking in her spare time. I even follow Blake Lively on Instagram, hence why I know shes into culinary arts. Overall, she seems pretty cool and shows a laidback and natural personality that makes it easy for me to get behind. She was certainly the main reason and maybe the only reason why I decided to check out her latest film, “The Rhythm Section”. If you think about it, this is a rather odd name for a thriller of this kind. Right away, the best thing I can say about this film is that Blake Lively gives all her strongest efforts to make her role work and it doesnt go unnoticed. Lively does her part in putting as much personality as she can get for her leading role as written and directed. The film as a whole unfortunately is only half-baked at best from both a conceptual and executional perspective. As best as I can describe it strictly off the cuffs, the plot centers on a young woman, played by Lively, whose family died in a tragic plane accident a few years ago. Under her emotional grieving, she becomes a prostitute for reasons not very well explained. In fact, I dont even recall there even being a reason. One day, she comes across a mysterious man who informs her that the aforementioned plane accident was actually a terrorist attack. After said stranger is killed off from someone related to the incident, this woman decides to look up a connection that may help her solve this developing case. Her travels lead her to Dublin where a secret assassin, played by Jude Law, takes her captive and eventually trains her to become an assassin, again for reasoning Im still unable to comprehend. And the rest of the film consists of her going after these targets and fulfilling her mission or missions depending on how you look at it. Notice my uncertainty and confusion over what the plot is about, even though Ive simplified it to the best of my ability? Thats because the biggest problem with this film, that in my opinion hurts the film the most, is its lack of proper character development or any assemblage of world building. The films direction in the first half specifically is confused, as if they werent sure about what kind of film this was going to be. Its never clear what our lead has been doing in the years since the plane accident. I dont know why she ended up being a prostitute before she goes on this central crusade, even though she could have arguably found a better circumstance for herself anywhere else. It doesnt make sense why Jude Law treating Blake Lively like a prisoner is considered a charming/quirky character trait or a method to his bizarre training. The film fails to explain many abrupt or random details like the ones I described. The aspect of the film that best summarizes the experience in a nutshell would have to be the music. You see, its done well, but at times it feels a tad inappropriate for the situation at hand. The potential is there, Im just not sure that its utilized correctly. And thats my dominant sentiment towards “The Rhythm Section” and why Im giving it the score that I am. There are inspired tidbits every once in a while. Lively has an amusing counterattack in her training with Law when hes training for a heated car chase, she puts one car in reverse thats easily the funniest part of the film. Theres also a car chase that Lively finds herself in where it all takes place within one shot and youre looking from the perspective of the co-pilot seat. You see all the angles you want to see from the front to the back to the driver. This makes the chase sequence more convincing and I at least appreciate that scene for what it is. There at times later on in the film where Im thinking to myself, I could see individual things such as Blake Lively as an action heroine and a few choice scenes working better if the film surrounding them were more carefully constructed. As it is though, “The Rhythm Section” is a regrettably half-baked product were some of the ingredients mesh together fine at the expense of an incomplete script and an indecisive vision. … Expand.
The rhythm section movie wikipedia. Facebook is showing information to help you better understand the purpose of a Page. See actions taken by the people who manage and post content. Page created - November 7, 2017 It looks like you may be having problems playing this video. If so, please try restarting your browser. Close It looks like you may be having problems playing this video. Close I wanted this to be so much better. jude law was great so was Blake lively, too bad they wrote the. m a script that was disjointed and unbelievable. if you can't believe the main character's evolution, then you cant believe the story. See More Fantastic film. Really enjoyed it. Plenty of action. ?????????? Great movie! Blake proves she is as Talented as her husband at a Action movie genre! Find your rhythm. She needs to find the ones who did this. "It's such an adrenaline rush...
Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates. The rhythm section 2020. The rhythm section synopsis. The rhythm section movie. This reminds me of Julia Roberts's looks good.
When he started playing with four sticks my suspicion of him being a ninja was confirmed. The Rhythm section 8.
The rhythm section trailer song. The Rhythm sections. Watch Full THE RHYTHM SECTION Watch The Rhythm Section Online Free Streaming. Can somebody please provide me subtitles so I can figure out WHAT THE HECK Jude Law's character is saying? All I can get is I'll make you a skeets walking the streets and you haven't a clue about the scared little mess you've caused. Help.
The rhythm section song. The Rhythm section 508. Released January 31, 2020 R, 1 hr 49 min Action/Adventure Suspense/Thriller Tell us where you are Looking for movie tickets? Enter your location to see which movie theaters are playing The Rhythm Section near you. ENTER CITY, STATE OR ZIP CODE GO Sign up for a FANALERT and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more. The Rhythm Section: Trailer 2 1 of 5 The Rhythm Section Synopsis A woman embarks on a quest for revenge to punish those responsible for the death of her family. Read Full Synopsis Movie Reviews Presented by Rotten Tomatoes More Info Rated R, For Sexual Content, Language Throughout, Some Drug Use and Violence.
The rhythm section premiere. Imagine paying for this to go see it in theatre. The Rhythm section 1. The rhythm section reaction. The Rhythm section socialiste. I can remember way back in 1980 when my private drum teacher Jack Gilford in ( Indianapolis) at the beginning of our session he would have this Great drummer Billy Cobham playing in his Studio: And he would always start out our lesson with the statement ( If you practise and perfect?what I'm trying to teach you maybe one day you will sound as good as Billy Cobham, and he would point at the vinyl record playing) very loud on his hi-fi stereo, well i tried very hard and came close. The rhythm section trailer 2. The rhythm section film. Let's all pretend that a woman can learn militarily and fighting skills in a few months...

The rhythm section movie theater release. The Rhythm section jugement. A lot or a little? The parents' guide to what's in this movie. Not filled with positive messages, but it does show a substance-abuse addict getting clean and working toward a purpose. Also shows how revenge doesn't heal. Positive Role Models & Representations Stephanie Patrick isn't a traditional role model, but she does allow B to help train her back to health, hone her fitness skills, and teach her marksmanship and other espionage/assassin skills. B is also difficult to call a role model, but he helps Stephanie instead of killing her and shows remorse for killing innocent civilians along with intended targets. Frequent violence, including references to an airplane that blew up mid-flight and turned out to be the target of a terrorist's bomb. Close-ups of characters shot dead. Hand-to-hand fights in which a man and a woman punch, kick, stab, choke, and wrestle each other. People are shot, stabbed, blown up, crashed into, and poisoned. One character?tries but fails to slit someone's throat (she wounds him but doesn't kill. A character's car blows up, killing three innocent people. Several chase scenes in which villains are shooting at the main character and trying to run her off the road. Stephanie is a prostitute at the start of the movie and is shown meeting a customer in a bedroom in a?brothel where laughter and moaning can be heard. She takes off her underwear but keeps her long T-shirt on and throws a condom on the bed before the customer reveals he just wants to talk. Some of the fight scenes between Stephanie and B are almost sexually charged. Stephanie seduces a man, but the contact shown between them is limited to kissing passionately against a wall. Frequent use of "f- k. f- king. f- ker. s- t. a- hole. hell. plus "Christ" and "oh God" as exclamations. Drinking, Drugs & Smoking Stephanie is an addict and is shown staring at and then smoking heroin. She has visible track marks and bruises (either from intravenous use or from abuse. Adults drink occasionally. Stephanie buys more drugs and then claims she's not an addict but goes through withdrawal. Stephanie and other adults smoke cigarettes. What parents need to know Parents need to know that The Rhythm Section is an international thriller about Stephanie Patrick ( Blake Lively) a brilliant but grieving woman who's willing to transform into an assassin to avenge her family's deaths. Based on author Mark Burnell's spy series, the movie. which has been marketed as a female Bourne Identity or an English Girl with the?Dragon Tattoo. is very violent. Expect everything from tense car chases and up-close-and-personal fist fights and brawls (sometimes?to the death) to assassinations via gunshot, explosions, and stabbings. The language is also quite strong: F- k" is used especially frequently. Stephanie also struggles with drug use and starts out?as a prostitute. That said, while sex is implied, the movie's only actual love scene is limited to passionate kissing. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews There aren't any reviews yet. Be the first to review this title. What's the story? At the beginning of THE RHYTHM SECTION, drug-addicted London prostitute Stephanie ( Blake Lively) meets her latest client in a low-rent brothel, only to discover that he's an investigative reporter tracking down survivors of the plane crash that killed her entire immediate family. The reporter, Proctor (Raza Jaffrey) convinces Stephanie that the fatal crash wasn't an accident but rather a coordinated terrorist attack kept secret by international intelligence communities. Proctor tells Stephanie about his secret source "B. former MI6. After tragedy strikes again, Stephanie tracks down the mysterious B ( Jude Law) who eventually agrees to train Stephanie to become a spy assassin who can follow the evidence to the terrorists responsible for so many deaths and avenge her family. Is it any good? Despite the talented?cast?and the author's own screenplay, this adaptation of Mark Burnell's spy thriller is sure to leave audiences thinking?"the book was better. Lively's Stephanie. looking rough, with the pallid skin, track marks, and bruises consistent with the violence of sex work and addiction. is supposedly a brilliant former Oxford student who just missed the flight on which her parents and siblings died. Although the initial self-destruction makes some sense, Stephanie's transformation into a skilled sniper, assassin, and intelligence operative appears to happen unrealistically quickly (although apparently months have passed. Lively and Law have decent chemistry as the enigmatic former-spy-turned-teacher and his tortured student, and an early chase sequence is promising, but most of The Rhythm Section is just passable and derivative. There's nothing particularly original about a post-9/11 Islamic terrorist plot (even in 2011, when the source book debuted, it had been done over and over again) and the plot takes a few overly convenient turns, including a trip to New York City to eliminate a smarmy mogul with a penchant for prostitutes (a well-cast Max Casella. Spy thrillers are all somewhat familiar. car chases, honeypot seductions, weapons shown once only to turn up again. but this one is a particularly predictable let down that falls far short of the Bourne/Salander comparisons. Talk to your kids about... Families can talk about the violence in The Rhythm Section. How does realistic violence impact viewers differently than stylized violence? Who, if anyone, is a role model in the movie??Do movies have to feature characters who are role models? Why do you think so many movies choose to tell stories about revenge? What makes it a compelling theme? Our editors recommend Beware Nikita. Not for kids. Violent action movie is all about killing and revenge. Powerful woman at core of stylish, very violent spy story. Stylish, mature hitman thriller is quite violent. Sex, language, violence in comedic noir for adults. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate.

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Wahlberg is hilarious. The Rhythm section ps.

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The Rhythm Section
3.5 (89%) 183 votes
The Rhythm Section