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Coauthor Cineland PantelisResume: Cineland Παντελής | Κινηματογράφος με 2 αίθουσες 3D | Εμμ. Πορτάλιου 3-5, Ρέθυμνο Κρήτη | τηλ.: 28310 29241
ratings 4,4 of 10
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duration 94 m
Brooklynn Prince USAYear 2020
Εμενα μου αρεσε, ανυπομονώ να βγει στο σινεμαα.
Επιτέλους! Μια ελληνικη ταινια που αξιζει
Πολύ αντικειμενικά μιλώντας, η ταινία ήταν εκπληκτική. Η κραυγή στο θάνατο της μάνας ήταν για εμένα κάτι συγκλονιστικό, σαν να με διαπέρασε και να πήγε στη ψυχή μου! Ο ξεριζωμός,ο θάνατος,το πάθος,ο έρωτας,το κλάμα, το γέλιο δωθηκε και με το παραπάνω. Απλά πηγαίνετε να την δείτε! Συγχαρητήρια σε όλους τους συντελεστές από τον πιο μικρό μέχρι το πιο μεγάλο. Πολύ αγχωτική και ψεύτικη απαπαππαπα μες το άγχος. Ο γιος του Λουσιφερ το Λουσιφερακι.
Πραγματικά πρέπει να είναι υπέροχη ταινία. Είναι τιμή να τιμούν μια μεγάλη στοιχουργό. Την Κυριά Ευτυχία Παπαγιανοπούλου. Θερμά συγχαρητήρια σε όλους τους συντελεστές. Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i n. 6 wins & 9 nominations. See more awards ? Learn more More Like This Drama 1 2 3 4 5 6 7 8 9 10 4. 6 / 10 X A white supremacist returns to his hometown for the first time in years to try and save his parents' relationship. Director: L. A. Puopolo Stars: Karen Allen, Raymond J. Barry, Michael Dolan Comedy | Romance 6. 8 / 10 London 1895: Cabinet minister, Sir Chiltern, and bachelor, Lord Goring, are victims of scheming women. Oliver Parker Rupert Everett, Julianne Moore, Peter Vaughan Biography Crime 6. 6 / 10 Based on true events, 16 year-old Jamie falls in with his mother's new boyfriend and his crowd of self-appointed neighborhood watchmen, a relationship that leads to a spree of torture and murder. Justin Kurzel Lucas Pittaway, Daniel Henshall, Louise Harris In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary ? Gillian Armstrong Ralph Fiennes, Cate Blanchett, Ciarán Hinds Cate Blanchett performs manifestos as a series of striking monologues. Julian Rosefeldt Erika Bauer, Ruby Bustamante 7 / 10 A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer. Tom Tykwer Giovanni Ribisi, Remo Girone 6. 7 / 10 An emotionally beaten man with his young daughter moves to his ancestral home in Newfoundland to reclaim his life. Lasse Hallström Kevin Spacey, Judi Dench Thriller 8. 2 / 10 Four men plan a technically perfect crime, but the human element intervenes... Jules Dassin Jean Servais, Carl Möhner, Robert Manuel 5. 7 / 10 A writer indulging in all that Los Angeles and Las Vegas has to offer undertakes a search for love and self via a series of adventures with six different women. Terrence Malick Christian Bale, Natalie Portman Music Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas. Ryan Gosling, Rooney Mara, Michael Fassbender History War Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself. Michael Fassbender, Marion Cotillard, Jack Madigan Fantasy Dying of kidney disease, a man spends his last, somber days with family, including the ghost of his wife and a forest spirit who used to be his son, on a rural northern Thailand farm. Apichatpong Weerasethakul Thanapat Saisaymar, Jenjira Pongpas, Sakda Kaewbuadee Edit Storyline The Turning explores the impact of past on present, how the seemingly random incidents that change and shape us can never be escaped or let go of. All of the stories are bound together by recurring themes; the passing of time, regret, addiction and obsession. Written by Anonymous Plot Summary Add Synopsis Taglines: A novel in parts. See more ? Motion Picture Rating ( MPAA) Rated R for language, violence including a rape, some sexual content and drug use See all certifications ? Details Release Date: 26 September 2013 (Australia) Also Known As: The Turning Box Office Cumulative Worldwide Gross: $1, 110, 918 See more on IMDbPro ? Company Credits Technical Specs Runtime: 180 min 107 min (re-edited) (theatrical) See full technical specs ? Did You Know? Trivia Justin Monjo (who wrote the "Sand" and "Acquifer" segments) previously co-wrote a stage adaptation of Cloudstreet, which is also based on a book by Tim Winton. See more ? Alternate Versions A 90-minute version for TV broadcast (on ABC1 in Australia) contains only 8 of the 17 stories, re-edited into a new running order: "Reunion", "Aquifer", "On Her Knees", "The Turning", "Long, Clear View", "Commission", "Cockleshell", and "Sand". The remaining 9 stories not included were made available online at ABC iView for two weeks from the time of broadcast (23 February, 2013). See more ? Soundtracks ABC News Theme (segment 'Long Clear View') Written by Martin Armiger See more ?.
I n the midst of an off-season for Australian cinema comes a bold and audacious crazy quilt of a film that resembles its own mini-Aussie New Wave. Tim Winton's The Turning, which premiered at the Melbourne International Film Festival on Saturday, is being marketed as "a unique cinema event. " That it is to say the least. The passion project of creator Robert Connolly, this three-hour epic is a wholesale adaptation of Winton's short-story collection. Each of the book's 18 stories is interpreted on film by a different team of filmmakers, including collaborators from the worlds of theatre, photography, visual art and dance. Connolly has said he wants the film to feel like a group exhibition. To that end he's secured quite a slate of notable Aussie directors, including Warwick Thornton (Samson and Delilah), Tony Ayres (The Slap), Claire McCarthy (The Waiting City) and Justin Kurzel (Snowtown). Two high-profile actors, Mia Wasikowska and David Wenham, make impressive directorial debuts. Connolly and crew have hedged their bets with formidable stars on the other side of the camera, too, including Cate Blanchett, Hugo Weaving, Miranda Otto and Richard Roxburgh ? which should help entice viewers into cinemas on September 26 for the film's special limited Australian release. The idea of such a curated project is noble, but it wouldn't be worth much if The Turning didn't work as feature-length entertainment. Omnibus films often feel like the cinematic equivalent of a meal of cocktail hors d'oeuvres; one of the achievements of The Turning is how well-crafted, cohesive and satisfying it is as a film. Despite its sprawling ambition and daunting runtime, it's surprisingly light on its feet ? engaging, entertaining and frequently mesmerising throughout, with only a few missteps along the way. It also effectively recreates the experience of being sucked into a top-notch short-story cycle by a gifted author. While most episodes here would stand alone, it's hard to recall another omnibus film with such narrative unity. Characters re-appear in different episodes at different stages of their lives, fleshed out in snapshots that explore recurring themes from different angles. In that sense it works a bit like a TV series, where different creative teams adhere to one master vision (with Connolly as showrunner, perhaps). The different disciplinary approaches and mixed media generally keep things fresh and interesting. It's also a beautifully, unapologetically Australian film, imbued with the rhythm and detail of life in the remote coastal towns and hinterlands of Winton's home in Western Australia. The lives of fishermen, surfers, AFL players, the working class and angst-ridden suburbanites are chronicled with sometimes dark themes, including alcoholism, child homicide and police corruption. A number of key episodes feature Aboriginal characters and symbols. Though the film courts the mystical, it's grounded with romance and macabre suspense. The collection begins with a stunning animated preface from director Marieka Walsh that establishes central motifs, including the sea, fishing and fire. The first story, Thornton's Big World, draws the viewer in with a story of boyhood friendship and regret that's as affecting as it is evocative. Like the best pieces here (especially the outstanding centrepiece stories, Aryes' Cockleshell and McCarthy's The Turning) it succeeds by avoiding the precious, one-dimensional quality of so many short films; it trusts the audience enough to present a tantalising glimpse of a fully-formed dramatic world. Most episodes are strikingly open-ended; the same characters are played by different actors, often of different races, creating a dreamlike quality. The film's ambition occasionally gets the best of it. The interwoven stories aren't easy to track if you haven't read the book. (A glossy 40-page guide to the film and its characters will be handed out at each screening. ) A couple of episodes intended to flesh out the overarching story are muddled, especially Reunion from theatre director Simon Stone, which despite the heavyweight presence of Roxburgh and Blanchett can't seem to find its tone. Wasikowska's blackly comic piece Long, Clear View is excellent, but the transition from the catastrophe at sea which ends the previous episode is awkward. Yaron Lifschitz's modern-dance piece Immunity, though gorgeous, disrupts the overall flow. Even supporters will admit the film as a whole is too long. Despite these stumbles, Connolly and his collaborators have come up with something really special. Like a good compilation album it sticks with you as an organic whole and should reward repeat viewings, especially in home formats.
Μοιάζει όντως λίγο γλυκανάλατη αλλά ας ονειρευτούμε και λιγάκι. με τα σπρεντς τις χρεωκοπίες τα ομόλογα κι όλα αυτά έχουμε ξεχάσει να ονειρευόμαστε... Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i find.
Πραγματικά πρέπει να είναι υπέροχη ταινία. Είναι τιμή να τιμούν μια μεγάλη στοιχουργό. Την Κυριά Ευτυχία Παπαγιανοπούλου. Θερμά συγχαρητήρια σε όλους τους συντελεστές. Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i n. 6 wins & 9 nominations. See more awards ? Learn more More Like This Drama 1 2 3 4 5 6 7 8 9 10 4. 6 / 10 X A white supremacist returns to his hometown for the first time in years to try and save his parents' relationship. Director: L. A. Puopolo Stars: Karen Allen, Raymond J. Barry, Michael Dolan Comedy | Romance 6. 8 / 10 London 1895: Cabinet minister, Sir Chiltern, and bachelor, Lord Goring, are victims of scheming women. Oliver Parker Rupert Everett, Julianne Moore, Peter Vaughan Biography Crime 6. 6 / 10 Based on true events, 16 year-old Jamie falls in with his mother's new boyfriend and his crowd of self-appointed neighborhood watchmen, a relationship that leads to a spree of torture and murder. Justin Kurzel Lucas Pittaway, Daniel Henshall, Louise Harris In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary ? Gillian Armstrong Ralph Fiennes, Cate Blanchett, Ciarán Hinds Cate Blanchett performs manifestos as a series of striking monologues. Julian Rosefeldt Erika Bauer, Ruby Bustamante 7 / 10 A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer. Tom Tykwer Giovanni Ribisi, Remo Girone 6. 7 / 10 An emotionally beaten man with his young daughter moves to his ancestral home in Newfoundland to reclaim his life. Lasse Hallström Kevin Spacey, Judi Dench Thriller 8. 2 / 10 Four men plan a technically perfect crime, but the human element intervenes... Jules Dassin Jean Servais, Carl Möhner, Robert Manuel 5. 7 / 10 A writer indulging in all that Los Angeles and Las Vegas has to offer undertakes a search for love and self via a series of adventures with six different women. Terrence Malick Christian Bale, Natalie Portman Music Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas. Ryan Gosling, Rooney Mara, Michael Fassbender History War Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself. Michael Fassbender, Marion Cotillard, Jack Madigan Fantasy Dying of kidney disease, a man spends his last, somber days with family, including the ghost of his wife and a forest spirit who used to be his son, on a rural northern Thailand farm. Apichatpong Weerasethakul Thanapat Saisaymar, Jenjira Pongpas, Sakda Kaewbuadee Edit Storyline The Turning explores the impact of past on present, how the seemingly random incidents that change and shape us can never be escaped or let go of. All of the stories are bound together by recurring themes; the passing of time, regret, addiction and obsession. Written by Anonymous Plot Summary Add Synopsis Taglines: A novel in parts. See more ? Motion Picture Rating ( MPAA) Rated R for language, violence including a rape, some sexual content and drug use See all certifications ? Details Release Date: 26 September 2013 (Australia) Also Known As: The Turning Box Office Cumulative Worldwide Gross: $1, 110, 918 See more on IMDbPro ? Company Credits Technical Specs Runtime: 180 min 107 min (re-edited) (theatrical) See full technical specs ? Did You Know? Trivia Justin Monjo (who wrote the "Sand" and "Acquifer" segments) previously co-wrote a stage adaptation of Cloudstreet, which is also based on a book by Tim Winton. See more ? Alternate Versions A 90-minute version for TV broadcast (on ABC1 in Australia) contains only 8 of the 17 stories, re-edited into a new running order: "Reunion", "Aquifer", "On Her Knees", "The Turning", "Long, Clear View", "Commission", "Cockleshell", and "Sand". The remaining 9 stories not included were made available online at ABC iView for two weeks from the time of broadcast (23 February, 2013). See more ? Soundtracks ABC News Theme (segment 'Long Clear View') Written by Martin Armiger See more ?.
I n the midst of an off-season for Australian cinema comes a bold and audacious crazy quilt of a film that resembles its own mini-Aussie New Wave. Tim Winton's The Turning, which premiered at the Melbourne International Film Festival on Saturday, is being marketed as "a unique cinema event. " That it is to say the least. The passion project of creator Robert Connolly, this three-hour epic is a wholesale adaptation of Winton's short-story collection. Each of the book's 18 stories is interpreted on film by a different team of filmmakers, including collaborators from the worlds of theatre, photography, visual art and dance. Connolly has said he wants the film to feel like a group exhibition. To that end he's secured quite a slate of notable Aussie directors, including Warwick Thornton (Samson and Delilah), Tony Ayres (The Slap), Claire McCarthy (The Waiting City) and Justin Kurzel (Snowtown). Two high-profile actors, Mia Wasikowska and David Wenham, make impressive directorial debuts. Connolly and crew have hedged their bets with formidable stars on the other side of the camera, too, including Cate Blanchett, Hugo Weaving, Miranda Otto and Richard Roxburgh ? which should help entice viewers into cinemas on September 26 for the film's special limited Australian release. The idea of such a curated project is noble, but it wouldn't be worth much if The Turning didn't work as feature-length entertainment. Omnibus films often feel like the cinematic equivalent of a meal of cocktail hors d'oeuvres; one of the achievements of The Turning is how well-crafted, cohesive and satisfying it is as a film. Despite its sprawling ambition and daunting runtime, it's surprisingly light on its feet ? engaging, entertaining and frequently mesmerising throughout, with only a few missteps along the way. It also effectively recreates the experience of being sucked into a top-notch short-story cycle by a gifted author. While most episodes here would stand alone, it's hard to recall another omnibus film with such narrative unity. Characters re-appear in different episodes at different stages of their lives, fleshed out in snapshots that explore recurring themes from different angles. In that sense it works a bit like a TV series, where different creative teams adhere to one master vision (with Connolly as showrunner, perhaps). The different disciplinary approaches and mixed media generally keep things fresh and interesting. It's also a beautifully, unapologetically Australian film, imbued with the rhythm and detail of life in the remote coastal towns and hinterlands of Winton's home in Western Australia. The lives of fishermen, surfers, AFL players, the working class and angst-ridden suburbanites are chronicled with sometimes dark themes, including alcoholism, child homicide and police corruption. A number of key episodes feature Aboriginal characters and symbols. Though the film courts the mystical, it's grounded with romance and macabre suspense. The collection begins with a stunning animated preface from director Marieka Walsh that establishes central motifs, including the sea, fishing and fire. The first story, Thornton's Big World, draws the viewer in with a story of boyhood friendship and regret that's as affecting as it is evocative. Like the best pieces here (especially the outstanding centrepiece stories, Aryes' Cockleshell and McCarthy's The Turning) it succeeds by avoiding the precious, one-dimensional quality of so many short films; it trusts the audience enough to present a tantalising glimpse of a fully-formed dramatic world. Most episodes are strikingly open-ended; the same characters are played by different actors, often of different races, creating a dreamlike quality. The film's ambition occasionally gets the best of it. The interwoven stories aren't easy to track if you haven't read the book. (A glossy 40-page guide to the film and its characters will be handed out at each screening. ) A couple of episodes intended to flesh out the overarching story are muddled, especially Reunion from theatre director Simon Stone, which despite the heavyweight presence of Roxburgh and Blanchett can't seem to find its tone. Wasikowska's blackly comic piece Long, Clear View is excellent, but the transition from the catastrophe at sea which ends the previous episode is awkward. Yaron Lifschitz's modern-dance piece Immunity, though gorgeous, disrupts the overall flow. Even supporters will admit the film as a whole is too long. Despite these stumbles, Connolly and his collaborators have come up with something really special. Like a good compilation album it sticks with you as an organic whole and should reward repeat viewings, especially in home formats.
Ο σεφερλης είναι για παιδάκια, τελείωσε η εποχή του. Απο το κακο στο χειροτερο οι ελληνικες ταινιες. ειδικα αυτες που νομιζουν πως ειναι και κωμωδίες Πετάξτε αυτά τα λεφτά που ξοδεύεται για αυτες τις ταινίες στα σκουπίδια περισσότερη αξια θα εχουν ΚΑΛΥΤΕΡΑ ΕΛΕΥΘΕΡΙΑ ΚΑΡΑΔΗΜΟΥ. Η αλήθεια είναι και εγω χθες ανήμερα Χριστούγεννα πήγα με το ζόρι αλλά αξίζει είναι πολλή καλή και με πράγματα που είναι ακόμα κ σήμερα ιδια. Μόλις είδα Joker Flash Kill bill ???. Ψυχή,Βαθιά. Υπόκλιση... Η κραυγή Γιώργη της Καραμπέτη είναι για αρχαίο δράμα... δεν την χωράει το σινεμά.Σε ευχαριστούμε Village που αφήνεις σχόλια ανοιχτά και σπάμε πλάκα. Δεν μπορώ να διαχειριστώ το ποσό ομορφος είναι ο Φιν... Ελπίζω να μην είναι αυτό το Snyder Cut. Καποτε ο μεγας Ακης πανου ειχε πε騨 ενας στοιχος τις Ευτυχιας ισουτε με χιλια σημμερινα τραγουδια. Σημμερα με ποσα αραγε. Καλά, τι σόι διασκευή έκανε ο Τσιμιτσέλης; Ούτε τους διαλόγους άλλαξε από την τουρκική ταινία ?. Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i.d.e. Ζωή /Πέτρος τα όνοματα που είχε ο Παπακαλιάτης και η Δανάη Σκιαδη στο 4(σόρρυ αν μπερδεύω το επίθετο της κοπέλας. Η αγαπημένη ταινία της Λασκαράκη. #teamlaskaraki. Κούρασε αυτό το πράγμα των αμερικανών με τα παραφυσικά θρίλερ. Στο ίδιο μοτίβο ξανά και ξανά, δεν έχουν να επιδείξουν κάτι αξιόλογο πλέον. Οι Ισπανοί τους έχουν ξεπεράσει στον τομέα των (αξιόλογων) ταινιών μυστηρίου και τρόμου.
Μοιάζει όντως λίγο γλυκανάλατη αλλά ας ονειρευτούμε και λιγάκι. με τα σπρεντς τις χρεωκοπίες τα ομόλογα κι όλα αυτά έχουμε ξεχάσει να ονειρευόμαστε... Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i find.
Βαλανε την Ματθιλδη να κανει την Βλαχοπουλου που την κανει ιδια
This is a pretty decent movie with a fairly good story. New governess/tutor comes to huge, dark, scary house to tutor an adorable little girl. The inly other person in the house is a weird old woman with strange ideas about raising children. Soon after, the very strange older brother This is a pretty decent movie with a fairly good story. Soon after, the very strange older brother comes home and things start to heat up. Lots of spooky doings. Weird dreams. What is real and what is a dream? After a while, that becomes quite confusing. But, the heroine is very likable, but increasingly stupid (aren’t they always? Just leave! ) Anyway, things go on a d get stranger. We were enjoying this story right up until the very end. Guess what? NO ending! None! It just quits. No resolution, no escape, nothing. Because of this, I would not recommend it. … Expand.
Δεν ειναι δυνατόν! είναι απίστευτο. τέτοιο αριστούργημα, με μία Γκουλιώνη και Καραμπέτη που θα μείνουν στην ιστορία.
Δεν ειναι δυνατόν! είναι απίστευτο. τέτοιο αριστούργημα, με μία Γκουλιώνη και Καραμπέτη που θα μείνουν στην ιστορία.
Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i.y
TM + © 2020 Vimeo, Inc. All rights reserved. Terms Privacy CA Privacy Copyright Cookies Made with in NYC. Μαλλον βασιζεται στο στριψιμο της βιδας του Χενρι Τζειμς και μακαρι να κρατουσαν αυτο το τιτλο... The Turning is a 2013 Australian anthology?film based on a collection of short?stories by Tim?Winton. It premiered at the Melbourne?International?Film?Festival on 3 August 2013. [1] It was nominated for the 2013 Asia?Pacific?Screen?Award?for?Best?Feature?Film, [2] and was screened in the Berlinale Special Galas section of the 64th?Berlin?International?Film?Festival. [3] Cast Cate?Blanchett as Gail Lang Hugo?Weaving as Bob Lang Miranda?Otto as Sherry Richard?Roxburgh as Vic Lang Rose?Byrne as Rae Mirrah?Foulkes as Fay Keenan Harrison?Gilbertson as Victor Callan?Mulvey as David Wilson Myles?Pollard as Dan Susie?Porter as Carol Matt?Nable as Max Meyne?Wyatt as Frank Leaper Production 18 directors worked on the film, including Mia?Wasikowska, David?Wenham, and Stephen?Page who made their directorial debuts. [4] Initially, Cate Blanchett also intended to direct before switching to an acting role, with Simon?Stone taking her place behind the camera. [4] The Turning Ensemble FOG Jonathan auf der Heide (writer / director) Tenille Kennedy (producer) Jethro Woodward (composer) Ellery Ryan (cinematographer) Billy Browne (editor) FAMILY Shaun?Gladwell (director) Katherine Slattery (producer) Emily?Ballou (writer) Kazumichi Grime (composer) Jeremy Rouse (cinematographer) Jesse Watt (editor) DAMAGED GOODS Anthony Lucas (producer / director) Kris Mrksa (writer) Cameron Patrick (composer) Jody Muston (cinematographer) Annabelle Johnson (editor) SAND Stephen Page (director) John Harvey (producer) Justin?Monjo (writer) Guy?Gross (composer) Bonnie Elliott (cinematographer) LONG, CLEAR VIEW Mia?Wasikowska (writer / director) Stefan Duscio (cinematographer) Mat Evans (editor) COCKLESHELL Tony?Ayres (director) Julie?Eckersley (producer) Marcel Dorney (writer) Iain?Grandage (composer) Germain McMicking (cinematographer) SMALL MERCIES Rhys Graham (writer / director) Flynn Wheeler (composer) THE TURNING Claire?McCarthy (writer / director) Sue Italiano (producer) Denson Baker (cinematographer) Beckett Broda (editor) REUNION Simon?Stone (director) Jo Dyer (producer) Andrew?Upton (writer) Andrew?Lesnie (cinematographer) Dany?Cooper (editor) COMMISSION David?Wenham (writer / director) Steve?Nieve (composer) Andrew Commis (cinematographer) ABBREVIATION Jub Clerc (writer / director) Liz Kearney (producer) Robert Woods (composer) Geoffrey?Simpson (cinematographer) BONER McPHARLIN'S MOLL Justin?Kurzel (writer / director) Sarah Shaw (producer) Hat Fitz (composer) Michael J. Lutman (editor) DEFENDER Ian?Meadows (writer / director) Rita Walsh (producer) Steve Francis (composer) John Brawley (cinematographer) Gabriel?Dowrick (editor) BIG WORLD Warwick?Thornton (writer / director / cinematographer) Andrew?Lancaster (composer) Roland Gallois (editor) ACQUIFER Robert?Connolly (director) Stephen?Rae (composer) Andy Canny (editor) IMMUNITY Yaron?Lifschitz (director) Alex Barnes & Ben Knapton (producers) Circa Contemporary Circus (writer) Ryan Walsh (composer) Robert Humphreys (cinematographer) ON HER KNEES Ashlee Page (writer / director) Sonya Humphrey (producer) Michael Darren (composer) Miles Rowland (cinematographer) ASH WEDNESDAY Marieka Walsh (writer / director) Donna Chang (producer) David Whittaker (editor) 90-minute broadcast version The Turning was heavily cut down and rearranged for broadcast on ABC1, debuting on 23 February 2014. [5] Running for approximately 90 minutes (as opposed to the 180-minute theatrical cut), only eight of the original 17 stories were included: "Reunion", "Aquifer", "On Her Knees", "The Turning", "Long, Clear View", "Commission", "Cockleshell", and "Sand". The remaining nine stories were made available online as multi-platform ABC?iView content. [5] Reception The Turning received positive reviews from critics and audiences, earning an approval rating of 85% on Rotten?Tomatoes, based on 27 reviews. [6] Awards and nominations Award Category Subject Result AACTA?Awards ( 3rd) Best?Film Robert?Connolly Nominated Maggie Miles Best?Direction Best?Adapted?Screenplay Best?Actor Hugo?Weaving Best?Actress Rose?Byrne Won Best?Supporting?Actress Mirrah?Foulkes Best?Editing References External links Official?website The?Turning on IMDb The?Turning on Facebook This page was last edited on 9 March 2020, at 20:19.Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i.d.e.e. Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i buy. Έλληνες 2000 πχ: δίνουν τα φώτα σε όλο τον κόσμο με μαθηματικά, φιλοσοφία, τέχνη κλπ Έλληνες 2020μχ.
Μου θυμίζει το The A list (Σειρά στο NETFLIX) Παίζει μα είμαι και ο μόνος ?. Οποία ταινία τρόμου θέλω να δω με ελληνικούς υπότιτλους ξέρω σέ ποίο κανάλι στο YouTube να ψάξω, συνέχισε έτσι και θα σου πούμε εμείς πότε (ποτέ) να σταματήσεις. ?? Κάνεις πολύ καλή δουλειά συνέχισε έτσι ????????. Ανυπομονώ. Ακυρος ο Τιτλος της Ταινιας ομως. Laskaraki has left the chat.
Free Full Î? Î?κοÏ?Î?Î?Ï?Î?άÎ?Ï?i.p
Καλή ταινία, κακό τέλος. Ξενερα η ίδια. περιμενα παραπάνω η αλήθεια είναι αλλά στην αρχή φαινόταν να άξιζε. Μόνο το τέλος την χαλάει από το να είναι μια αξιόλογη ταινία. 
Τρελό ντουμανι η ευτυχία. Μόλις γύρισα από τα village, ξεκινάει πολύ ωραία και καταλήγει σε μια Μαλακία κρίμα.
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