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Release year - 2019 / genre - Comedy / 1 h 12 Min / Country - USA / writed by - Nunzio Randazzo / Director - Jack Henry Robbins. Movies | ‘VHYes’ Review: Channel Surfing and Self-Soothing This visually exhausting parody of 1980s late-night television offers little more than a collage of meaningless nostalgia. Credit... Oscilloscope “VHYes” is barely 72 minutes long, but that’s just one reason this outlandish picture barely qualifies as a feature. For one thing, it’s almost halfway through before anything approximating a story emerges; even then, it’s such a pale, sickly thing you’d be forgiven for thinking you had imagined it. Set at the tail end of 1987 and shot entirely on VHS and Betamax tape ? a gimmick your eyeballs are unlikely to appreciate ? this rough, at times sophomoric comedy from Jack Henry Robbins shoots for satire and lands mostly on inanity. Unfolding as a series of fragmented sketches apparently strung together at random, the movie forces us to watch as 12-year-old Ralph (Mason McNulty) uses his new camcorder ? and his parents’ wedding video ? to tape his late-night channel surfing. Absent any clear through line, these rapid-fire, faux-retro vignettes are visually exhausting and, after a time, deeply aggravating. Their authentic ugliness cannot be overstated (as those who recall this chaotic period in after-hours television will attest), and their jokes mostly lack punch or punch lines. Spoofs of sitcoms, infomercials and true-crime shows crash into one another, buffered by forlorn snippets of the original wedding tape and clips of Ralph’s interactions with his best friend, Josh (Rahm Braslaw). Occasionally, a parody is given time to land. A riff on “Antiques Roadshow, ” featuring Mark Proksch as its spectacularly ignorant host, is amusingly dumb; and a segment with Charlyne Yi as a geeky music fan, broadcasting shows from her parents’ basement, perfectly nails the twin public-access vibes of enthusiasm and ineptness. Mostly, though, the movie feels like an excuse to recycle material from Robbins’s earlier comedy shorts: “Hot Winter” ? a pornographic look at climate science ? and the charmingly weird “Painting With Joan, ” featuring the divine Kerry Kenney as a P. B. S. -style artist with Dennis-Rodman-related sexual fantasies. Even when the ghost of a point materializes ? that recording ephemera can be a self-soothing behavior ? “VHYes” is too unsophisticated to develop it. Instead, it offers agonizingly derivative social commentary from an author (played by Mona Lee Wylde) who views our relentless taping as precipitating mankind’s demise. Her predictions veer from the preposterous (crops will remain untended while farmers film their cows) to the clichéd (a celebrity will be president). None of them are funny. Little more than a collage of meaningless nostalgia, “VHYes” makes you wonder how it found its way into a movie theater. Though I’m sure that has nothing to do with the fact that two of its actors, Susan Sarandon and Tim Robbins, are also the director’s parents. VHYes Not rated. Running time: 1 hour 12 minutes.
Ron is a good pick. So this is prison break:the movie with a different cast.

Where can I buy me some of that. Watch film. | Nick Allen January 17, 2020 A sense of humor is a funny thing, especially for those of us who treasure the weird stuff. When something that's "out there" works, it’s true love. When it doesn’t, it’s like a bad date that had huge promise until it got underway. Jack Henry Robbins'?“VHYes, ” with all of its nostalgia for late ‘80s TV and its endemic cheesiness, follows after the likes of Weird Al Yankovic's masterpiece " UHF, "?Casper Kelly's endlessly loopable opening credits hellscape "Too Many Cooks, "?and even the Kyle Mooney skits that are "cut for time" on "Saturday Night Live. " And while I adore all of those polarizing works, I didn't see what was funny about the shallow wackiness of "VHYes. " Advertisement Shot entirely on VHS and Betamax, the whole of "VHYes" is presented as the contents of a video tape, which was initially used to film the wedding for the parents of a young boy named Ralph ( Mason McNulty). When Ralph gets a camera for Christmas in 1987, and learns that he can record from the TV, it opens a world of possibilities. Namely, whatever he can find on the TV that is weird to him at the time. In one of its many abrupt, fuzzy cuts, an excited young Ralph jumps on his bed and?says that he wants to create the ultimate video playlist, and soon into watching “VHYes” you accept that that’s all you’re going to get.? Instead of feeling like the chaos of a found tape, “VHYes” assembles itself like a series of?sketches that it can bounce between, with random peeks back at the original wedding video contents; it struggles to have a heart?by intermittently making it a story about Ralph realizing the truth behind his parents' marriage. Some sketch set-ups are directly, lazily recognizable to TV history: one cop parody steals the red and blue text from “Law and Order” because you wouldn’t get that it’s meant to parody if it didn’t have that logo. As if a tell on its weak absurdity, "VHYes" has yet another parody on TV painting instructor?Bob Ross (even after Deadpool did it), with a segment starring Kerri Kenney, who?turns the zen of such a host into the mindset of a creepy person who believes in aliens.? The very nostalgia within the concept becomes a pit, even when “VHYes” threatens to get truly weird. It’s not until the final minutes that the movie taps into the reality-bending that had been hinted at earlier, when Ralph started to see himself in the stuff he was watching, after one segment involved a VHS expert talking about the soul-suck that will be handheld recording in the future. Many parody sketches don’t have a discernible reference to build on (the recognition is what makes it initially funny), and instead rely on a shallow cheesiness. Even though "VHYes" features many dynamic funny people like Kenney, Thomas Lennon, Mark Prosch, Charlyne?Yi, and Robbins' parents ( Tim Robbins and Susan Sarandon), many of?the characters in these sketches are so broad they aren't particularly clever. “VHYes” breaks the biggest rule of parody, over and over again: it simply tries way too hard with material that’s far too easy. That’s the case with an adult film bit that goes for low-hanging fruit of bad acting, as one guy is poorly reading cue cards in a late night movie about three alien women. Or there's an ongoing true-crime show about how a sorority thought one of their sisters was a witch because she did magic, which is a funny premise given a flat?execution. The commercials that are thrown in the mix, like about a violent security company, or pads to sound-proof your bathroom, are like random splatters of paint whose only intention is to fulfill the project's obvious?self-amusement.? While “VHYes” is very much inspired by the?media experience of?1987, it’s actually about a very modern hell: Your friend sits you down to show you something really funny on YouTube, but oh, no?they’ve misjudged your sense of humor. Now you’re stuck, watching all of it,?trying to find something funny to offer a polite relief. I started to feel trapped by my obligation to watch something that could very well have been my type, but now I’m just grateful the filmmakers of “VHYes” didn’t watch me watch it in laughless silence. Reveal Comments comments powered by.
If they dont put the apex twin song in this movie i will riot. Honestly Ron is the only good thing about this movie. I'm so glad I saw the movie before I saw the trailer. Movie great. Coz he dodges bullets Avi. Free stream vhyeso. I was PISSED OFF that Will Friedle didn't have a cameo in this one. I know that Will doesn't do a lot of On-Camera acting because his anxiety, a Vocal cameo or something. This bizarre retro comedy, shot entirely on VHS, takes us back to 1986. You know, when everything was still so straightforward. That's the year 12-year-old Ralph gets a video camera for Christmas. He immediately starts making home videos and recording TV shows he isn't supposed to watch. He accidentally erases his parents' wedding video while doing so, though. The result is a deliciously nostalgic stew of Tel Sell ads, meditative landscape painting and censored B-grade porn, which totally loses the plot. Even the American version of the Antiques Roadshow feels grim here. This fun, well-thought-out pastiche of cultural criticism and nostalgia with cameos from Susan Sarandon and Tim Robbins (the director's parents) refers equally to the past and present. A scientist on a talk show prophetically warns us about the dangers of video: "One day we will all have mini VHS cams in our pockets! The world will exist to be filmed". Screenings Thu 23 Jan 09:15 - 10:27 Pathé 3 Tickets 20:45 - 22:03 Pathé 6 With Q&A Fri 24 Jan 12:00 - 13:18 Cinerama 6 With Q&A Thu 30 Jan 12:00 - 13:13 LantarenVenster 6 Filmmaker Jack Henry Robbins Premiere International premiere Country USA Year 2019 Medium DCP Length 72’ Language English Producer Delaney Schenker Production Company Hot Winter Films Sales Yellow Veil Pictures Writer Jack Henry Robbins, Nunzio Randazzo Cinematography Nate Gold Editor Avner Shiloah Production Design Tyler Jensen Music Eric D. Johnson Cast Mason McNulty, Rahm Berkshaw, Kerri Kenny, Charlyne Yi, Courtney Pauroso, Thomas Lennon, Mark Proksch.
Just listened the bonus tracks on the Pinkerton deluxe edition, fell in love with this song. Amazing cover and highly underrated song ? Also I followed the Spotify link and it seems to have disappeared off Spotify as I can't get the song to play and the page for you guys won't load at all.
Ayyyyy Buffalo. Alohomora Harry. Have you already forgotten everything Hermione taught you? It hasn't been that long bruv. Omg, I'm such a quirky rebel, ohmagawd, yaaaas. ??.