Jessica Johnson

First Cow
8.8 out of 10 stars - 423 votes
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121 min; genres Drama; reviews Out foraging dinner for a rowdy band of fur trappers, a shy cook encounters Chinese immigrant King-Lu, a kindred spirit with an enigmatic past and entrepreneurial spirit. Eager to manifest success, the two cook up plans to secure their fortunes in a territory without definitive boundaries and rules; directed by Kelly Reichardt; Scores 78 votes; 7,4 of 10 stars.
First Cow movie reviews. First cow movie trailer. Movie the first cow. First cow movie plot. First cow movie synopsis. First cow film. First Cow movie database. Posted on Saturday, October 26th, 2019 by Her films might not blare “it’s the economy, stupid, ” but make no bones about it ? Kelly Reichardt’s cinema frequently obsesses over how the mechanics of commercial arrangements affect interpersonal relationships. Though micro in scale, her films are macro in mindset. Her latest look at the subject, First Cow, goes all the way back to the fledgling days of American capitalism. The film finds an effective and ultimately touching contrast between the friendships born of enterprising businessmen and the ruthlessness of competing with entrenched elites. Reichardt once again trains the lens on her beloved Pacific Northwest, this time in an 1820s, pre-statehood period for Oregon. In this space, the settlers are still making the rules. While the normal rules of economic gravity still apply, the lack of institutional structures do allow for some ingenious folks with an entrepreneurial appetite to strike it rich. Enter John Magaro’s Otis “Cookie” Figowitz, an outlier among his traveling group of fur trappers. (As the name suggests, he’s the cook for the group. ) While he possesses a vital and life-sustaining skill set, Cookie becomes a lightning rod for verbal abuse and degradation from the men in his caravan because he lacks their brawn and brute strength. Magaro expertly conveys Cookie’s sensitivity throughout First Cow, whether it’s expressed as timidity early on or as compassion as the film develops. Cookie gets the chance to change his trying circumstances by way of a chance encounter with a Chinese immigrant, Orion Lee’s King-Lu, in the woods. As outsiders in their own way, the two instantly strike a tender ? if at times tenuous ? bond. Unlike Cookie, who might mope about in misery if left to his own devices, King-Lu sees opportunity in the way a society controlled by domineering white men views people like them. A stray suggestion from Cookie about making a biscuit quickly spins into a money-making scheme in King-Lu’s eyes. He recognizes how they can monetize a skill like cooking that meets a basic human need like hunger … and perhaps even ladder out of their lowly station in life. As he puts it, “Men like us have to make our own way, take what we can when the taking is good. ” King-Lu exhibits quite the knack for salesmanship, peddling a false claim that Cookie’s biscuits taste as good as they do thanks to an “ancient Chinese secret. ” For once, the exoticism that marginalizes immigrants like him can work to his advantage. The lines that gather for their hot commodity, too, speak to the nascent dynamics that will come to define the next two centuries of American capitalism: strong men muscling their way to the front of the line and deep-pocketed buyers willing to spend whatever it takes to get what they want. Oh, and, of course … theft. The lack of resources available to Cookie and King-Lu forces them into furtively taking the ingredients they need from those with a bounteous supply. The duo’s biggest mark is Toby Jones’ Chief Factor, an English landowner in possession of the sine qua non of their entire business: milk. He owns the titular bovine creature, with whom Cookie makes ample conversation during his nighttime missions to extract her dairy. He opens up with an honesty and candor he cannot even muster up around his business partner. In her own intricate, earnest way, Reichardt gives us a version of There Will Be Blood for her chosen swath of the country. The unhurried, gentle pace of First Cow might lend the deceptive impression that the film is somehow simple. It is not. Reichardt has plenty on her mind about the region’s foundational economic conditions and how they continue to cast a shadow over Oregon, and the country, today. She’s also keenly aware of how many dilemmas from the time period still apply today, particularly the tradeoff between emotional self-sacrifice and rational self-interest. The film eventually arrives at a key fork in the road for Cookie in his personal and professional career, and Reichardt beautifully renders the tension. It’s fraught without explanation because she chooses not to verbalize the agony of his decision. By grounding her intellectual explorations in intimately observed human drama, Reichardt delivers another nuanced behavioral portrait as well as an incisive historical tome. /Film Rating: 8 out of 10 Cool Posts From Around the Web:.
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“Look at them boys down there, with they freak ass” lmao. Kelly Reichardt’s First Cow Trailer A24 had a pretty fantastic 2019, having released such acclaimed films as The Farewell, Midsommar, The Lighthouse and Uncut Gems (the latter of which also set a new opening weekend record for the company). This year is looking to be more of the same with upcoming films from directors like Sofia Coppola, David Lowery and Mike Mills on the docket, but their first release of the year will be a new movie from Kelly Reichardt ( Wendy and Lucy). First Cow is based on a novel by Jonathan Raymond (who also co-wrote the script) and it revolves around a cook (John Magaro) who travels west with a group of fur trappers in Oregon Territory and befriends a Chinese immigrant (Orion Lee). It seems like another quiet study of the nineteenth century American West in the vein of Meek’s Cutoff (which, as it turns out, Raymond also wrote), although the novel supposedly has a second narrative set in 1980 as well and it is unclear if that is also a part of the movie. First Cow co-stars Toby Jones, Ewen Bremner, Alia Shawkat and Rene Auberjonois and it hits select theatres on March 6th; check out the trailer below and see what you think. Around the Web:.
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Cows out ????. ‘First Cow’ Review: Kelly Reichardt’s Sweet Buddy Movie Is ‘Old Joy’ in the Oregon Territory 31 August 2019 Indiewire Few filmmakers wrestle with what it means to be American the way Kelly Reichardt has injected that question into all of her movies. In a meticulous fashion typical of her spellbinding approach, “ First Cow ” consolidates the potent themes of everything leading up to it: It returns her to the nascent America of the 19th century frontier at the center of “Meek’s Cutoff, ” touches on the environmental frustrations of “ Night Moves, ” revels in the glorious isolation of the countryside in “ Certain Women, ” and the somber travails of vagrancy at the center of “ Wendy and Lucy. ” Mostly, though, “ First Cow ” unfolds like “ Old Joy ” in the Oregon Territory. Once again, The appeal of this hypnotic, unpredictable movie comes from how they find that place through mutual failure, and the nature of that outcome in the context of an early, untamed America has rich implications that gradually seep into the frame. Reichardt See full article at Indiewire ? Toby Jones (I) Alia Shawkat Kelly Reichardt, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.
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