Laura Morgan

スタジオジブリ作品 姫の犯した罪と罰。 高畑 勲監督作品 朝倉あき　高良健吾　地井武男　宮本信子 高畑淳子　田畑智子　立川志の輔　上川隆也　伊集院光　宇崎竜童　中村七之助　橋爪 功　朝丘雪路（友情出演）　仲代達矢 原作／「竹取物語」 製作／氏家齊一郎 原案・脚本・監督／高畑 勲 脚本／坂口理子 音楽／久石 譲（サントラ／徳間ジャパンコミュニケーションズ） 主題歌／「いのちの記憶」二階堂和美（ヤマハミュージックコミュニケーションズ） スタジオジブリ・日本テレビ・電通・博報堂DYMP・ディズニー・三菱商事・東宝・KDDI 提携作品 特別協賛／KDDI・アイフルホーム 特別協力／ローソン・読売新聞 配給／東宝. Kaguya hime no monogatari song lyrics. This movie literally changed my life.

Deep in the countryside, a man named Okina works as a bamboo cutter in a forest, chopping away at the hollow plants day after day. One day, he discovers a small baby inside a glowing shoot. He immediately takes her home, convinced that she is a princess sent to Earth as a divine blessing from heaven. Okina and his wife Ouna take it upon themselves to raise the infant as their own, watching over her as she quickly grows into an energetic young girl. Given the name Kaguya, she fits right in with the village she has come to call home, going on adventures with the other children and enjoying what youth has to offer. But when Okina finds a large fortune of gold and treasure in the forest, Kaguya's life is completely changed. Believing this to be yet another gift from heaven, he takes it upon himself to turn his daughter into a real princess using the wealth he has just obtained, relocating the family to a mansion in the capital. As she leaves her friends behind to enter into an unwanted life of royalty, Kaguya's origins and purpose slowly come to light. [Written by MAL Rewrite].
Kaguya hime no monogatari movie. Nominated for 1 Oscar. Another 13 wins & 36 nominations. See more awards ?? Learn more More Like This Animation | Drama Family 2 3 4 5 6 7 8 9 10 7. 7 / 10 X Due to 12 y. o. Anna's asthma, she's sent to stay with relatives of her guardian in the Japanese countryside. She likes to be alone, sketching. She befriends Marnie. Who is the mysterious, blonde Marnie. Directors: James Simone, Hiromasa Yonebayashi Stars: Sara Takatsuki, Kasumi Arimura, Nanako Matsushima 8 / 10 A love story between a girl who loves reading books, and a boy who has previously checked out all of the library books she chooses. Director: Yoshifumi Kondô Yoko Honna, Issey Takahashi, Takashi Tachibana 7. 4 / 10 A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics. Gorô Miyazaki Sarah Bolger, Chris Noth, Anton Yelchin Adventure 7. 6 / 10 The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered. Bridgit Mendler, Amy Poehler, Will Arnett 8. 1 / 10 After her werewolf lover unexpectedly dies in an accident while hunting for food for their children, a young woman must find ways to raise the werewolf son and daughter that she had with him while keeping their trait hidden from society. Mamoru Hosoda Aoi Miyazaki, Takao Ohsawa, Haru Kuroki 7. 9 / 10 A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service. Hayao Miyazaki Kirsten Dunst, Minami Takayama, Rei Sakuma Comedy 7. 3 / 10 A community of magical shape-shifting raccoon dogs struggle to prevent their forest home from being destroyed by urban development. Isao Takahata Shinchô Kokontei, Makoto Nonomura, Yuriko Ishida After helping a cat, a seventeen-year-old girl finds herself involuntarily engaged to a cat Prince in a magical world where her only hope of freedom lies with a dapper cat statuette come to life. Hiroyuki Morita Chizuru Ikewaki, Yoshihiko Hakamada, Aki Maeda A five-year-old boy develops a relationship with Ponyo, a young goldfish princess who longs to become a human after falling in love with him. Cate Blanchett, Matt Damon, Liam Neeson 7. 2 / 10 The life and misadventures of a family in contemporary Japan. Yukiji Asaoka, Tôru Masuoka, Masako Araki A young boy and a girl with a magic crystal must race against pirates and foreign agents in a search for a legendary floating castle. Anna Paquin, James Van Der Beek, Cloris Leachman Fantasy 8. 2 / 10 When two girls move to the country to be near their ailing mother, they have adventures with the wondrous forest spirits who live nearby. Hitoshi Takagi, Noriko Hidaka, Chika Sakamoto Edit Storyline An old man makes a living by selling bamboo. One day, he finds a princess in a bamboo. The princess is only the size of a finger. Her name is Kaguya. When Kaguya grows up, 5 men from prestigious families propose to her. Kaguya asks the men to find memorable marriage gifts for her, but the 5 men are unable to find what Kaguya wants. Then, the Emperor of Japan proposes to her. Written by Anonymous Plot Summary Plot Synopsis Taglines: A Princess' Crime and Punishment Motion Picture Rating ( MPAA) Rated PG for thematic elements, some violent action and partial nudity See all certifications ?? Details Release Date: 23 November 2013 (Japan) See more ?? Also Known As: The Tale of the Princess Kaguya Box Office Budget: JPY5, 000, 000, 000 (estimated) Opening Weekend USA: $54, 915, 19 October 2014 Cumulative Worldwide Gross: $24, 638, 337 See more on IMDbPro ?? Company Credits Technical Specs See full technical specs ?? Did You Know? Goofs While the baby princess crawls to the cutter she tosses a piece of bamboo to the edge of the floor mat. In the reverse shot as she crawls back, it is missing. See more ? Quotes The Princess Kaguya: [ singing] Go round, come round, come round... come round, oh distant time. Come round, call back my heart. Birds, bugs, beasts, grass, trees, flowers. Teach me how to feel. If i hear that you pine for me, i will return to you. See more ?.
The Tale of Princess Kaguya is based on the classic Japanese fairy tale "Tale of the Bamboo Cutter". Chances are you don't live in Japan and don't know this tale. Luckily the movie is told in a way that requires absolutely no previous knowledge so even people who don't know much about Japanese culture and folklore can enjoy this (in fact very Japanese) story. Though the original fairy tale was certainly intended for children, I'm not sure many children would enjoy this kind of movie in this age, so it's probably more of a pleasure for mature viewers who know what kind of story and storytelling to expect. Art & Animation ? 10 The first thing you will notice about this work is its unusual artstyle. You can clearly see Isao Takahata here, but at the same time the sketchy style is something you will rarely find in animated works. It's more like a moving artwork. Ghibli movies are usually very expensive and very well animated, and this one is no exception (in fact it was the most expensive and most delayed work of the studio, and predicted to be unprofitable due to its high cost and low mainstream appeal from the beginning). Even if you are not a fan of the artstyle, some moments are undeniably breathtaking such as the Kaguya running scenes. The animation is definitely a pleasure for the eyes: Unique, positively artsy, very fairy-taleish, very Japanese and certainly beautiful. Sound ? 9 The music was composed by Joe Hisaishi who usually only does the score for Hayao Miyazaki's movies. His orchestral style suits the atmosphere of the story very well. I particularly noticed the music in the first and the last part of the movie. It's also nice to see so many traditional Japanese elements in this score. Kaguya, for instance, plays the koto (a Japanese pluck instrument), but the traditional music is not limited to actual in-movie music. All in all Hisaishi did what he always does: He delivered a great score with some memorable tracks. The calm and beautiful ending song leaves you with a nice aftertaste after the end of the movie. The voice acting is also quite well done. There are many old people and children in this movie, and I was particularly happy that those children were actually voiced by real children. Thus conversations and laughter sound very natural. Kaguya's voice is very pleasant to hear, and her voice actress delivered a vivid performance, most notable in Kaguya's energetic moments. Story & Characters ? 7 It is very hard to properly rate the story and the characters. Since the movie is based on a fairy tale, the story itself is fairly simple, and so are the characters. It is very easy to follow the events and naturally there are not many surprises or innovations. There is, however, lots of charme found in this kind of presentation. Isao Takahata was always very skilled in portaying the interactions between humans and daily human emotions and actions. You can witness all of this here as well. Though the characters are generally not very developed, it is easy to understand Kaguya's feelings and her colorful personality makes her memorable. The other characters act mostly according to her roles: The caring mother who understands Kaguya's feelings, the charing father who does everything to make Kaguya happy, not understanding what actually makes her happy. The children that act as her friends and family. The five nobleman ? some not so noble ? who woo her and fail. All of those characters are pretty stereotypical, but they do their job well and never wanted to do more. The story unfolds in a more or less predictable way, except for the end which might be a surprise, especially if you are more familiar with western folklore. The beginning was very executeddone: Kaguya's rapid development was portayed beautifully, as was her personality. In the second part of the movie the pacing is a bit slower ? not much happens, actually ?, but it gets better again toward the ending. Value ? 9 "The Tale of the Bamboo Cutter" is a very famous Japanese fairy tale, and this movie is unique in many ways: It is most likely the most elaborate and expensive adaption of a Japanese fairy tale we have seen in animation movies so far. The artstyle deserves lots of praise and definitely makes the whole experience memorable. The storytelling itself, though there's basically no narration, captures the atmosphere of a classic fairy tale very well. Furthermore Isao Takahata is definitely an interesting director and this is his last work, so fans of his other movies should definitely watch The Tale of Princess Kaguya. Fairy tale adaptions used to be very common in the early age of animated movies, but lately Japan has produced few such works. This might be one of the last attempts to bring a classic tale to the big screens without modernizing it unnecessarily. Enjoyment ? 7 I definitely enjoyed the beginning of the movie a lot. It got a bit tedious in the second part ? there was too much repetition in the part involving the five wooers, and it was obvious how Kaguya felt from the beginning, so I didn't enjoy this part very much apart from some really well-animated scenes and some nice moments. The last part of the movie gets better, though ? especially the little dreamlike romance scene towards the end was fantastic. Overall I enjoyed this movie, but it is very long (140+ minutes), and it definitely would not have hurt to remove or shorten a couple of scenes. Final verdict: Watch this movie if you want to see a well-animated, well-told classic Japanese fairy tale. The movie is beautiful in many ways, but don't expect a complex story, a typical Ghibli movie, a typical Takahata movie (what's that, anyway? ) or a typical anime movie at all. The emotional reaction you will feel will very much depend on how much you can sympathize with Kaguya. Though her emotions are very well depicted, there is a natural distance between the watcher and the fairy-tale characters, so even though there are heart-warming and sad scenes, they might not leave a huge impact on you.
Kaguya-hime no monogatari episode 1. Kaguya-hime no monogatari trailer. I'm happy they released this in digital format; Ghibli is slowly ascending to release their works here on the internet. Kaguya hime no monogatari pdf. Lol what? The actress looks too old for the role, haven't seen Jiji anywhere, and the anime was set in a town heavily influenced by Sweden's location. This looks like the Okinawa edition :P.
Miyazaki purposely asked an amateur, not a professional, to voice the main character. Professionals are too good, he says, and can speak with perfect empathy and understanding of the situation. A real person, like one that the movie depicts, cannot.? What a masterpiece this is. Although it speaks most to Japanese people, anybody can take from this movie. Kaguya-hime no monogatari torrent. Kaguyahime no monogatari. Description Deep in the countryside, a man named Okina works as a bamboo cutter in a forest, chopping away at the hollow plants day after day. One day, he discovers a small baby inside a glowing shoot. He immediately takes her home, convinced that she is a princess sent to Earth as a divine blessing from heaven. Okina and his wife Ouna take it upon themselves to raise the infant as their own, watching over her as she quickly grows into an energetic young girl. Given the name Kaguya, she fits right in with the village she has come to call home, going on adventures with the other children and enjoying what youth has to offer. But when Okina finds a large fortune of gold and treasure in the forest, Kaguya's life is completely changed. Believing this to be yet another gift from heaven, he takes it upon himself to turn his daughter into a real princess using the wealth he has just obtained, relocating the family to a mansion in the capital. As she leaves her friends behind to enter into an unwanted life of royalty, Kaguya's origins and purpose slowly come to light.
Based on the 10th century Japanese folktale called The Tale of the Bamboo Cutter, Princess Kaguya, is a stunning piece of work. Delivering beautifully crafted characters and animation, and exquisitely painted watercolor backdrops. Like the pages of a beloved children’s book magically brought to life as the animators it seems, have poured their hearts and souls into the ink and paint that brought this film to life. It was a true pleasure to watch an animated film of this caliber, and I would enthusiastically include it in any discussion about Spirited Away, The Wind Rises, Ponyo and The Secret World of Arrietty. Though ? and this is my only complaint ? I did find the over two-hour running time a bit excessive. The film quickly establishes its themes, and then unfortunately labors on them during the 2nd act. The Tale of The Princess Kaguya is another great example of why animation isn’t just for kids. This film expertly communicates complex emotional conflicts between its beautifully drawn lead characters. While never forgetting to entertain, and use a rich palette of colors and animation styles to properly do this ancient story justice. This movie is a testament to the power of hand-drawn cartoons, in that it requires the audience to unwittingly participate. Like the difference between a good book, and the movie adaptation, you’re not given all the visual information in each frame. When Princess Kaguya runs away from home, all we really see are blurred fast-moving rough sketches of her white and red clothes, contrasting with the thickly drawn dark lines of the field around her. But the way it’s drawn, and the speed it moves, tells us a lot about her emotion state. We automatically fill in the blanks, and in doing so, connect with the story even more. That simple stroke of the pen can ignite an audience’s imagination, and director Isao Takahata and his team exploit this perfectly to deliver a truly moving and beautiful film.
Review Princess Mononoke. Studio Ghibli is a Japanese animation film studio founded in June 1985 by the directors **Hayao Miyazaki** and **Isao Takahata** and the producer **Toshio Suzuki**. The company's logo features the character *Totoro* (a large forest spirit) from Hayao Miyazaki's film *"My Neighbor Totoro"*. It has its headquarters in Koganei, Tokyo. **Share your love of all things Ghibli! ** []().
This will always be my favorite makoto shinkai film, your name was kinda meh for me IMO. Kaguya hime no monogatari warabe uta. &ref(http://ia.media-imdb.com/images/M/MV5BMTcwODI0MzEwOF5BMl5BanBnXkFtZTgwNjkyNTEwMTE@._V1_SY1200_CR110,0,630,1200_.jpg) Kaguya-hime no monogatari wiki. I cried watching this scene, such a joyous melody with such a depressing undertone.
Kaguyahime no monogatari trailer. まわって　お日さん　呼んでこい. Kaguya-hime no monogatari eng sub. Kaguyahime no monogatari. There was a slight controversy surrounding this cartoon movie from Japanese Studio Ghibli, that it got the nomination at the Academy Awards, and The Lego Movie was not included, but it's almost no surprise as it follows the nominations tradition, directed by Isao Takahata (Grave of the Fireflies. Basically a Bamboo Cutter (James Caan) is cutting down shoots, when he sees a shoot glowing, cutting it down he is shocked to find a baby girl growing inside, he takes her home where he and his wife (Mary Steenburgen) raise her as their own. Like a shoot of bamboo, the child who they call "Princess" is growing at a fast rate, earning her the nickname "Little Bamboo" from the local children, her adoptive father is protective for some time, but she becomes independent and makes real friends. Now a fully grown adolescent girl, and given the name Kaguya (Chloë Grace Moretz) by a priest, the Princess and her parents have become rich from another magical shoot of bamboo filled with a priceless gold substance, and they change to a higher class of living. Kaguya enthrals all who meet her, and being a mysterious beautiful young woman she gains the attention of many eligible men, specifically five men from prestigious families propose marriage to her, to help her decision who she will marry she asks each of them to find a memorable treasure and gift, including near impossible to find jewels. The men all find their task to prove their love and marry Kaguya impossible, with some of the men giving up and some trying to fake completing their task, eventually she is surprised to be proposed to by the Emperor of Japan. However, Kaguya finds out she must return to the Moon, where she came from, she is told she will be freed of all Earth's impurities, but also all her memories will be erased, she is granted a few moments to say goodbye to tearful parents, but in the end she floats away on a cloud going into the distance. Also starring Darren Criss as Sutemar, Lucy Liu as Lady Sagami, Beau Bridges as Prince Kuramochi, James Marsden as Prince Ishitsukuri, Eraser's Oliver Platt as Lord Minster of the Right Abe, Hynden Walch as Me no Warawa, Lois & Clark's Dean Cain as The Mikado, Daniel Dae Kim as Great Counselor Otomo, George Segal as Inbe no Akita and John Cho as Middle Counselor Isonokami. The cast dubbing the voices into English are all chosen well for their parts, the story is based on an old folk tale, it may be a little longer than it needs to be, have strange narratives, and be dull in places, but it has the right amount of emotional stuff to keep you watching, and you cannot deny the draughtsman style animation, not the same as past Studio Ghibli productions, is very good, overall it is an enjoyable animated fantasy drama. It was nominated the Oscar for Best Animated Feature Film of the Year. Worth watching.
Kaguya hime no monogatari scene. Okina is a bamboo cutter in ancient rural Japan. One day in the forest, he finds a tiny baby in the folds of a bamboo shoot. He brings the creature home to his wife Ounaa and they decide to keep her and raise her as a princess. She is clearly not of this world. Kaguya grows at an unnatural rate, soon maturing into an uncommonly beautiful young woman. Since Okina has now also found a cache of gold and treasure in the forest, every suitor wants Kaguya. But this is not a fairy tale of courtship and marriage. Watch Kaguya-hime no Monogatari Episodes Online at Kaguya-hime no Monogatari is available in High Definition only through Choose an episode below and start watching Kaguya-hime no Monogatari in Subbed & Dubbed HD now.
Recently I watched Kaguyahime no monogatari. I personally think it was an awesome movie and it made my inner Pre-modern literature enthusiast fangirl all over the cinema. There was a minor addition to the original story, however, that I first considered a bit uncalled for. It's not that it was bad or that it took anything from the plot, but it seemed unnecessary. It's actually taken me a little while to understand that there was a reason for it that is not very apparent unless the viewers are familiarised with Japanese folktales. If it makes the movie better or worse, is a matter of personal opinion. Spoilers for a roughly 1000 year-old story follow. Kayuga has passed her life in Earth with her adoptive parents and has just revealed that she belongs, in fact, to the people of the moon, who are coming to take her back. She tells them that, when she was there, she had heard a woman singing a song, pining for Earth and the loved ones she left there; and that's one of the reasons why she wanted to know life as a human. In a brief flashback, we see the woman flying away from the seashore, while two male figures (a man and a child) look up, near a pine. It might seem that this scene has little to do with the main story, but it's actually trying to tie Kaguyahime's motivations to another traditional Japanese figure; providing a background for her visit to Earth within the folkloric "canon". This scene is a reference to Hagoromo, a noh play derived from an earlier tale, where a fisherman meets a Celestial Maiden whose feathered robe he steals. Although in the noh play he agrees to give it back after the Maiden dances for him, in previous versions, she is forced to remain with him as a wife and bear him a child, before she one day finds the robe that would let her return to Heaven. The husband is left behind, lamenting her disappearance. It is not hard to link the robe in this tale/play to the one Kaguyahime is forced to wear when she leaves her family. The two figures that appear by the sea, I believe, are precisely this fisherman and his son, and the pine recalls the one appearing in the noh play, where the Maiden had laid her magical clothes before the man takes them away from her. Not only that, if we consider the robe in the movie the same as this one, the reason the Celestial Maiden could return to Heaven once she found it was not that it let her fly back; it's actually that she would not care about the people she had grown to love anymore. I think it's an interesting way of putting two of the more iconic Celestial ladies of Japanese folklore not only in the same world, but also in the same timeline. This also helps to identify Kaguyahime's moon with actual Heaven, as the design of the final procession seems to emphasise. That's it. I just thought it was very cool. I thoroughly enjoyed this movie. If anyone hasn't seen it yet, I recommend it!
Kaguyahime no monogatari müzikleri. YouTube. Click to manage book marks Type: Movies Plot Summary: Okina is a bamboo cutter in ancient rural Japan. One day in the forest, he finds a tiny baby in the folds of a bamboo shoot. He brings the creature home to his wife Ounaa and they decide to keep her and raise her as a princess. She is clearly not of this world. Kaguya grows at an unnatural rate, soon maturing into an uncommonly beautiful young woman. Since Okina has now also found a cache of gold and treasure in the forest, every suitor wants Kaguya. But this is not a fairy tale of courtship and marriage. Genre: Fantasy, Historical Released: 2013 Status: Completed Other name: The Tale of the Princess Kaguya, Kaguyahime no Monogatari, Princess Kaguya Story, かぐや姫の物語 Kaguya-hime no Monogatari
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Kaguya hime no monogatari review. Kaguya-hime no monogatari full movie. Click to manage book marks Type: Movies Plot Summary: Okina is a bamboo cutter in ancient rural Japan. One day in the forest, he finds a tiny baby in the folds of a bamboo shoot. He brings the creature home to his wife Ounaa and they decide to keep her and raise her as a princess. She is clearly not of this world. Kaguya grows at an unnatural rate, soon maturing into an uncommonly beautiful young woman. Since Okina has now also found a cache of gold and treasure in the forest, every suitor wants Kaguya. But this is not a fairy tale of courtship and marriage. Genre: Fantasy, Historical Released: 2013 Status: Completed Other name: The Tale of the Princess Kaguya, Kaguyahime no Monogatari, Princess Kaguya Story, かぐや姫の物語 Kaguya-hime no Monogatari.
Kaguya hime no monogatari sub indo.

The moment I saw his name, I said that. Hu. the animation is kind of unusual for a Ghibli movie. Kaguyahime no monogatari soundtrack. I like movies like this. Kaguyahime no monogatari movie. Goodbye Mr. Takahata. I'm sorry that your last work did not do well financially, but do note that your works touched and relished by many. Goodbye. Kaguya hime no monogatari full english sub. Kaguya hime no monogatari watch online. Kaguya hime no monogatari trailer.
Kaguya-hime no monogatari watch online. Kaguya hime no monogatari transcript. Kaguyahime no monogatari french. Kaguyahime no monogatari eksi.

“The Tale of Princess Kaguya” 「かぐや姫の物語」 ( Kaguya-hime no Monogatari) A Famed Director: This post has been in the pipeline for almost a year now, suffering delay after delay ? until now. Takahata Isao delivers what presumes to be his final Ghibli film, and if that is the case, then what a send-off it was. Grave of the Fireflies is certainly his most famous work to date ? and that’s for good reason; it’s brutal, unforgiving, and heart wrenching. The other film of his that I’ve seen is the criminally under appreciated Only Yesterday, which, by enjoyment alone, would be my favourite Ghibli movie, thanks to what I would consider to be the best final sequence in cinematic history. Having immensely enjoyed two of his works already, I was expecting much the same the third time around, and that’s exactly what I got. Kaguya-hime was, in a word, beautiful ? visually, conceptually, and in its delivery. A Famous Story: I was already familiar with some of the details of The Tale of the Bamboo Cutter ? the Japanese folktale on which this is based ? so I had a rough idea on what was being set up early on. Thankfully, I didn’t what know was going to happen throughout most of the film, and so was left both satisfied and surprised by the developments surrounding Kaguya, her journey, and where she came from. Looking back at some key scenes earlier on, the imagery was certainly there for the reveal in the end, which I appreciate. As a whole, the story was a simple one: a girl from the countryside is destined for riches, and so is sent off to a world of wonder to prepare for her new life. There’s the classic rebellious behaviour, a strict teacher, and suitors at the sidelines all fighting for the affection of the most beautiful girl in the capital, worthy of the name Kaguya. As one would expect, Kaguya ( Asakura Aki) was the standout character of the film. She was believable in her actions, her feelings, and her compromises. Whilst the foundation for the story has been done time and time again, Kaguya’s character brought it to that higher level. It’s interesting to me that the two best moments of the film are both of her running ? the first is when she arrives at the mansion with her new robe, racing through the corridors, bumping into folk doing their work, before dashing off again, laughing as she goes. It was a moment of pure bliss that sent a rush right through me, as if Kaguya’s joy was tangible. The second ? and I imagine the most memorable scene for many ? is her escape from her banquet. The shift in art was so sudden, and so incredibly effective ? my heart was pumping as she smashed through the walls, flung off her rainbow robes and ran into the moonlight, into the snow, all the way back to her home. It was invigorating to watch, and for as stunning as it looked, both those scenes were made that much more special thanks to the Joe Hisaishi, who returned to do the soundtrack for Kaguya-hime, and did a marvellous job. Animation as Art: It’s important to highlight just how stunning the artwork is in this one. I don’t think I’ve ever quite seen any animated piece like this ? to this degree, or length, at least. Whilst I can see why it might be off-putting in the first few minutes, trust me, you’ll be grateful for it as it goes on. I found myself baffled at how well-crafted and rough it managed to be at the same time. I liked it when the lines were slightly off, when it became scratchy and the palette got the occasional burst of colour (like from Kaguya’s robes). Another effective element is the atmospheres in the countryside and the capital; both in their visuals, as well as how they were used in the story. When Kaguya returns (in what I assume was some sort of dream) the colours are dulled, reflecting how times have changed, her friends have moved on, and that spring was no longer in full bloom. Compare that to the end, more than three years later, when Kaguya and Sutemaru ( Koura Kengo) re-unite in the field, when the palette is brimming with vibrancy and everything seems perfect, if just for a moment. One theme that resonated with me the most whilst watching was being in charge of one’s own life. We see it with the Bamboo Cutter ( Chii Takeo) who finds Kaguya, idolises her as a princess, and is dedicated to make her one. He tries to do everything he can to give his new daughter the life he thinks she deserves, but never stops to ask her what it is she actually wants. Ona ( Miyamoto Nobuka) and Kaguya have a closer relationship when it comes to understanding, with their back garden modelled like their old village, and the tender moments they share together where both try to escape from the hectic palace life. Kaguya doesn’t seem to have any big plans for her future, but after being led around for too long, her inner wish is granted when she has to return from where she came. It was a moment that was emotional, tragic, but oddly relieving as well, to see her be set free and not have to life her life in a cage, unable to do what she pleases. Overview ? Final Impressions: If I were to summarise Kaguya-hime, I would say that it’s very rare to see so much time, effort, and passion came across on the screen as it does here. I felt every second of this film, even if it did drag in the middle and could have been tighter overall. But in a way I’m glad it wasn’t. I’m glad it lingered and had everything play out the way it did. It has to be said that Kaguya-hime was brilliant, beautiful, and a story I’m glad was told, especially as one of Studio Ghibli’s last films. The following were my thoughts upon seeing Kaguyahime in the theatre soon after it was released. Samu-kun has kindly asked me to share them in this post. ? Guardian Enzo It’s always a thrill to be in the presence of true genius. Takahata Isao, the 78 year-old “other” of Studio Ghibli’s two old lions, is never going to be as well known as his good friend Miyazaki Hayao. His movies are never going to sell as many tickets in Japan, and may never even see a theatrical release in the West. If indeed Kaguya-hime no Monogatari is his last film, as seems very likely, he’s rarely if ever going to be mentioned when the conversation turns to the greatest animation directors of our time. But he should be, and Kaguya-hime is a wonderful way to put the exclamation point on the argument his small but superb catalogue makes to that effect. I can say this much ? this is a beautiful, powerful film that moved me very deeply. It’s always an interesting status check for me when I see an anime film in raw form, and indeed I did find that ? much to my satisfaction ? I’m understanding more of the dialogue now than ever before (though a pause button would surely come in handy). But this is such a timeless and elemental story that the feelings largely transcend linguistic barriers, and I suspect even a viewer with no Japanese skills would have understood the gist of the story. Takahata hasn’t made many films ? this is only his fifth as a Director for Ghibli in 27 years ? but the ones he’s made have counted. I still consider Grave of the Fireflies one of the saddest and most profound films in any language or medium (Roger Ebert called it the greatest anti-war film ever made) and I have a special soft spot for My Neighbors the Yamadas (which was a rare commercial failure for Ghibli). Takahata’s style both in terms of visuals and storytelling is as different from Miyazaki’s as night and day, though they’ve worked together on many film and TV projects ? Takahata is a much more spare and elegant filmmaker, and if you’ve seen the previews for Kaguya-hime you know that it’s pretty much an impressionistic work, choosing shading and contrast over detail and a rainbow of colors. But don’t let that fool you ? the detail is wonderful and the animation top cailber, and this is one of the most striking and beautiful anime in many years. Some of you may be familiar with “The Tale of the Bamboo Cutter”, the 10th-Century Japanese folk tale on which this movie is based (every Japanese person old enough to read certainly is). I certainly knew going in that this was going to be an emotional story, but I confess I was a bit put off by the woman sitting next to be who was, no exaggeration, quite audibly crying for about 110 of the 137-minute running time. But for the last 15 minutes of the film, I was wrecked ? this makes twice now Takahata has completely reduced me to helpless tears, though the themes could hardly be more different. I hate to keep harping on mono no aware but it’s so deeply entrenched in the Japanese storytelling tradition, and it imbues every pore of the “The Tale of the Bamboo Cutter”. And Takahata does a magnificent job capturing the emotion of the story on film with his understated, direct style ? this feelings at work here are incredibly elemental and universal. There’s no simpler or more powerful story than that of the joy opening your heart to love can bring, and the pain which accompanies the inevitable parting that comes with every loving relationship in the end. For my money Kaguya-hime no Monogatari is certainly the best anime film of 2013, which of course also means it’s the best Ghibli film of the year. That’s not a knock on Kaze no Tachinu, but a reflection of how beautiful and profound this movie is. My strong emotional reaction to the films closing moments was no doubt enhanced by the sense that it very much represents the end of an era ? Miyazaki has announced that Kaze no Tachinu was his final film, and Takahata-sensei is 78 years old. If indeed these are the capstones to their careers I think they’re good ones ? but more than that, anime fans and lovers of great cinema should feel very grateful to have lived in a time when two such geniuses were sharing their vision. Other visionaries are already making their mark on the anime world, but Takahata and Miyazaki are unique and irreplaceable figures, and we’re not likely to see the
Kaguya-hime no monogatari ?????. The character design for the cat is adorable. My fav movie: ponyo My Moms fav movies: spirited away, howls walking castle ( or something like that) princess mananoke well this is sad. Kaguya hime no monogatari kissanime. This music takes me to whole new world.
Kaguya hime no monogatari t-shirt.

Publisher: psychicznie nijaka
Info: ? Przez ciebie płynie strumień piękności, ale ty nie jesteś pięknością. ? ? Zygmunt Krasiński