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Countries - New Zealand, USA; 1H, 32 Minute; audience Score - 4382 vote; Sophia Takal; user Ratings - 3,4 / 10 Stars; Genre - Horror. “even your mortal body I want them all night” Oh my. Watch Full Black christmas cards. Trailer Besetzung & Stab User-Kritiken Pressekritiken FILMSTARTS-Kritik Bilder VoD Blu-ray, DVD Zum Trailer User-Wertung 2, 6 15 Wertungen - 5 Kritiken Bewerte: 0. 5 1 1. 5 2 2. 5 3 3. 5 4 4. 5 5 Möchte ich sehen Kritik schreiben Inhaltsangabe & Details FSK ab 16 freigegeben Der Campus des Hawthorne College ist wie leer gefegt, denn Weihnachten steht vor der Tür und die meisten Studenten wollen die Feiertage standesgemäß im Kreis ihrer Familie feiern. Nur Riley Shane (Imogen Poots) und ihre Kommilitoninnen Marty (Lily Donoghue), Kris (Aleyse Shannon) und Jesse (Brittany O'Grady) bleiben zurück und machen sich ein paar entspannte Tage im Haus ihrer Mu-Kappa-Epsilon-Verbindung - oder zumindest war das ihr Plan. Als plötzlich ein unbekannter maskierter Killer Jagd auf sie macht, war es das mit den Feierlichkeiten. Fortan müssen sie sehr genau abwägen, welchem Mann auf dem Universitätsgelände sie trauen können. Denn außer ihnen treiben sich noch Martys neuer Freund Nate (Simon Mead), Rileys Bekanntschaft Landon (Caleb Eberhardt) und der Dozenten Professor Gelson (Cary Elwes) auf dem Campus herum. Die Studentinnen geben sich nicht so einfach geschlagen und setzen alles daran, dem Unbekannten den Garaus zu machen. Remake des Horrorfilms ?Black Christmas“ von 1974. Verleiher Universal Pictures Germany Weitere Details Wo kann man diesen Film schauen? Black Christmas (DVD) Black Christmas (Blu-ray) Alle Angebote auf DVD/Blu-ray Kritik der FILMSTARTS-Redaktion In einer frühen Szene aus?Sophia Takals College-Slasher ?Black Christmas“ wird die Literaturliste der Vorlesung von Professor Gelson (?Saw“-Arzt Cary Elwes) in Frage gestellt: ?Natürlich werden fast ausschließlich Bücher von weißen Männern gelesen, das sind eben die Klassiker“, erklären die einen. ?Es sind aber nicht unsere Klassiker“, erwidern die aktivistische Studentin Kris (Aleyse Shannon) und ihre Verbindungsschwestern. Gang egal, auf welcher Seite (wenn überhaupt einer) des aktuell speziell an US-Eliteuniversitäten tobenden Ideologiekrieges man selbst steht, zumindest nachvollziehbar sollte der Standpunkt von Kris schon sein: Schließlich haben über Jahrhunderte hinweg nicht nur vornehmlich Männer Bücher geschrieben ? es waren vor allem auch überwiegend weiße Männer, die darüber entschieden haben, welche Werke nun Eingang in den Klassiker-Kanon finden und welche nicht. Die ganze Kritik lesen 2:23 2:36 Das könnte dich auch interessieren Schauspielerinnen und Schauspieler Komplette Besetzung und vollständiger Stab Fängt recht solide an und läßt dann leider sehr stark nach. Was zu Beginn noch als "ganz normaler" Horrorfilm ohne besondere Ansprüche durchgehen würde entwickelt sich zu einer abstrusen Mischung aus "wir kritisieren die männliche Vormachtstellung" und wohl irgendwas mit Okkultismus. Enttäuschend. Was war denn das bitte? Angekündigt als "Slasher" bleibt ein pseudo-emanzipiertes MeToo-Stück übrig, das nicht nur unter der Laien-Darstellung der Laien-Darsteller (ja, leider doppelt doof) leidet, sondern auch alles andere als "slashig" ist. Es gibt eine Menge Streifen, denen man ihre hohle Story verzeiht, wenn es einen Gegenpol gibt. Zum Beispiel Horror-Szenen in einem Horror-Film. Konsequent geschnitten sieht man hier aber nix. Und... Mehr erfahren Muito bom esse filme natal sangrento 2019 perfeito pra fã de slasher simples com rituais perseguições lutas e mortes e etc. Politisch korrekter Film - ansonsten vorhersehbar und langweilig - wenigstens nicht in 3 D so das der Eintrittspreis zu verschmerzen ist 5 User-Kritiken 20 Bilder Wissenswertes Re-Remake: Aller guten Dinge sind drei ?Black Christmas“ (2019) ist nicht die erste Neuverfilmung des Stoffs: Als ?Jessy ? Die Treppe in den Tod“ wurde die Geschichte 1974 zum ersten Mal verfilmt, 2006 folgte ebenfalls schon eine Neuverfilmung mit Mary Elizabeth Winstead und Michelle Trachtenberg. Aktuelles 5 Nachrichten und Specials Ähnliche Filme Weitere ähnliche Filme Kommentare.
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Watch full black christmas watch. Watch full black christmas cards. Watch full black christmas 2017. Watch full black christmas online. Watch Full Black christmas carol. But Charlie, you were always supposed to take over for your dad. The trailer spoiled the entire movie. thanks for the ticket! damn stupid. Watch full movie black christmas free online. Calling this garbage is an insult to trash. If I want to be lectured on how "bad" men are, I'd watch CNN. Don't waste your time. Worst movie I've ever seen. Just watch the 2006 remake.
Watch full black christmas video. | Simon Abrams December 13, 2019 [Full disclosure: I’m friends with co-writer April Wolfe and have previously worked with her for Voice Media Group] Led by writer/director Sophia Takal (“ Always Shine, ” “Into the?Dark: New Year, New You”) and co-writer April Wolfe, “Black Christmas” is a PG-13 horror film for general audiences?it never really needed to be R-rated, especially since the 2006 “Black Christmas” remake is gory enough for two movies?that follows realistic characters who are trapped in a genuinely disturbing situation. So while not everything works in “Black Christmas, ” the stuff that does is ultimately what matters most. Advertisement Mu Kappa Epsilon sister Riley ( Imogen Poots) receives mysterious, threatening private messages on her smartphone. For some reason, she doesn’t instantly block the messenger, who claims to be Calvin Hawthorne, her slave-owning college’s founder. But as you might imagine, the real danger to Riley comes from the community of men who support (tacitly or directly) her cyber-stalker. Soon enough, Riley and her fellow sorority members, like Kris ( Aleyse Shannon) and Marty ( Lily Donoghue), are physically attacked by a cabal of masked men. There’s never any doubt as to who these men are: frat guys from Delta Kappa Omicron, whose former president Brian (Ryan McIntire) sexually assaulted Riley, but they, of course, don’t believe her. Still, knowing who’s behind the masks?not to mention the “ Eyes Wide Shut ”-inspired masks that these creeps wear?only serve to enhance the movie’s viscerally upsetting stalk-and-slash scenes. But that’s part of what makes this year’s “Black Christmas” not only immediately satisfying, but also a fitting companion to the bleak 1974 “Black Christmas, ” another horror movie where young women are targeted and picked off by a deranged killer. Fear of women is the thematic tie that binds these two slashers, though the new “Black Christmas” is understandably more focused on how women are met with resistance whenever they accuse men of complicity and wrong-doing. Takal and Wolfe make it hard to dismiss Riley’s feelings of exasperation and panic by juxtaposing her hopeless interactions with Gil (Mark Neilson), a believably uncooperative security guard, and Professor Gelson ( Cary Elwes), a condescending frat sponsor, with the sudden and periodic dispatch of Riley’s fellow MKE members. During the middle portion of “Black Christmas, ” we see a group of women trapped by macho hostility and indifference. This is the unnerving part of the movie, the part where a believable conspiracy, fostered by gross pride, takes shape. We see the plot against Riley and her friends everywhere: in the portrait of Brian that hangs in his frat’s hallway; in the childishly defensive way that Gil responds to Riley when she asks him to help her find one of her missing friends (mayonnaise has never looked so gross); in Gelson’s passive-aggressive dismissal of Riley’s accusations (made that much more credible by the way he conflates his mistrust of Riley with his nostalgia for Hawthorne); and in a quietly upsetting argument between Riley and Kris that’s full of bitter, self-flagellating accusations about who’s to blame for their present dilemma. Takal, Wolfe, and their generally strong ensemble cast (especially Poots) effectively drew me into the minds of Riley and her friends, a group of realistic characters who are messy and frightened without being diminished or condemned for their anger and insecurities. I wasn’t as enamored with any scene that revolves around threatening DMs or Landon ( Caleb Eberhardt), Riley’s nebbish-y, nice guy love interest (his aw-shucks, millennial Clark Kent mannerisms do nothing for me). There’s also an underwhelming supernatural explanation for the fraternity-related violence that Riley and her friends are subjected to, which isn’t really a spoiler, since a “supernatural” connection is explicitly suggested at the beginning of the film, which starts with a quote about Hawthorne students’ special talents. These scenes may open "Black Christmas"?up to a wider audience, but they’re also distracting and don’t really complement the devastating mood of the movie’s best scenes, most of which are grounded in Riley and her friends’ lived-in stress. So while none of the film's more unbelievable plot elements are necessarily wrong-headed, they do feel tacked on in ways that the rest of “Black Christmas” does not. Thankfully, Takal and Wolfe’s remake mostly feels personal and urgent thanks to some atmospheric scare scenes and some sharp dialogue that reflect the world outside the movie theater in ways that most other studio-distributed horror films don’t. I hope there’s a lot more where “Black Christmas” came from. Reveal Comments comments powered by.
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Watch full black christmas song. I wanted to see "Black Christmas" because I really liked "Black Christmas" 1974. It was a thriller that also dealt with contemporary issues in a clever way.
Correspondent Lucifer Sam
Bio: romeo + juliet shot my wife and kidnapped my dog
Black Christmas
9.8 (80%) 108 votes
Black Christmas
2 wins & 2 nominations. See more awards ? Videos Learn more More Like This Horror 1 2 3 4 5 6 7 8 9 10 4. 6 / 10 X On Christmas Eve, an escaped maniac returns to his childhood home, which is now a sorority house, and begins to murder the sorority sisters one by one. Director: Glen Morgan Stars: Michelle Trachtenberg, Mary Elizabeth Winstead, Lacey Chabert | Thriller 5. 9 / 10 Little Billy witness his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18, and out of the orphanage, and he has just become Santa, himself. Charles E. Sellier Jr. Lilyan Chauvin, Gilmer McCormick, Toni Nero Mystery 6. 3 / 10 A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead. George Mihalka Paul Kelman, Lori Hallier, Neil Affleck Comedy Fantasy After an accident that left murderer Jack Frost dead in genetic material the vengeful killer returns as a murderous snowman to exact his revenge on the man who sent him to be executed Michael Cooney Scott MacDonald, Christopher Allport, Stephen Mendel 5. 5 / 10 A toy factory worker, mentally scarred as a child upon learning Santa Claus is not real, suffers a nervous breakdown after being belittled at work, and embarks on a Yuletide killing spree. Lewis Jackson Brandon Maggart, Jeffrey DeMunn, Dianne Hull Angela Baker, a traumatized and very shy young girl, is sent to summer camp with her cousin. Shortly after her arrival, anyone with sinister or less than honorable intentions gets their comeuppance. Robert Hiltzik Felissa Rose, Jonathan Tiersten, Karen Fields Drama 6. 1 / 10 A boy who has a bad Christmas accidentally summons a festive demon to his family home. Michael Dougherty Adam Scott, Toni Collette, David Koechner 3. 7 / 10 The now-adult Ricky talks to a psychiatrist about how he became a murderer after his brother, Billy, died, which leads back to Mother Superior. Lee Harry Eric Freeman, James Newman, Elizabeth Kaitan Crime 6. 5 / 10 On a quiet suburban street, a babysitter must defend a twelve-year-old boy from intruders, only to discover it's far from a normal home invasion. Chris Peckover Olivia DeJonge, Levi Miller, Ed Oxenbould Sci-Fi 6. 8 / 10 A teenage boy and his friends face off against a mysterious grave robber known only as the Tall Man, who keeps a lethal arsenal of terrible weapons with him. Don Coscarelli A. Michael Baldwin, Bill Thornbury, Reggie Bannister 7. 5 / 10 Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family. Tobe Hooper Marilyn Burns, Edwin Neal, Allen Danziger 5. 4 / 10 At a high school senior prom, a masked killer stalks four teenagers who were responsible for the accidental death of a classmate six years previously. Paul Lynch Leslie Nielsen, Jamie Lee Curtis, Casey Stevens Edit Storyline It's time for Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare disappears, they contact the police, who don't express much concern. Meanwhile Jess is planning to get an abortion, but boyfriend Peter is very much against it. The police finally begin to get concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem? Written by Ed Sutton <> Plot Summary Plot Synopsis Taglines: Twas the night before Christmas, and all through the house, a creature was stockings were hung by the chimney with care, but it was hard to say that St. Nick would be there. This year, a Christmas of another color brings a killer on the loose. See more ? Details Release Date: 20 December 1974 (USA) Also Known As: Silent Night, Evil Night Box Office Budget: $620, 000 (estimated) See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia "Black Christmas" was allegedly inspired by some real-life murders that occurred in Montréal, Québec, Canada during the holiday season. This is most likely based on Canadian serial killer Wayne Boden, who killed three women in Montréal, between October 1969 and January 1970. His fourth known victim was murdered in Calgary, Alberta, in May of 1971. Boden was known as the "Vampire Rapist". See more ? Goofs Before the search party begins, we see a man wearing a Canadian beret in a car door window reflection when Mrs Quaife is looking worried even though the film is supposed to take place in the USA. See more ? Quotes Mrs. Mac: Oh goddammit, Claude, you little prick! Crazy Credits A telephone is continously ringing throughout the final credits. See more ? Alternate Versions 5. 1 remix on the blu-ray releases has a bunch of added sound effects and replaces others. Only a few of the blu-ray releases include the original mono as a second option, including the Shout! Factory release from 2017. See more ? Connections Referenced in Halloween II (2009) Soundtracks Silent Night (uncredited) Composed by Franz Xaver Gruber Lyrics by Joseph Mohr Performed by Choir of Kings College Cambridge (as The Choir of King's College Cambridge) [Heard during opening credits] See more ?.Watch Full Black christmas day. Watch black christmas full movie 2006. Swapped the name for sjw sake, flop. I thought I was watching an episode of Law and Order SVU instead of a horror movie. Watch full black christmas images. F or as much as he cornered the market on great Christmas movies, poor Bob Clark has sure had his classics thoroughly tarnished in the years since his death, hasn’t he? A Christmas Story is arguably Clark’s best-known work to the general populous, but I think Black Christmas is worthy of equal or greater attention. Released in 1974, for those unaware, the film follows what we would see today as a fairly standard slasher formula: members of a sorority house are stalked down and murdered by an unseen assailant over winter break, until the cast is whittled down to its final girl. Black Christmas was a film relatively unsung in its day, but has since gained a large cult status as one of the first modern slashers, credited with inspiring the 80’s classics like Halloween. It cannot be credited enough for how much it has shaped the current horror genre as we know it. Alongside John Carpenter’s The Thing, it’s one of my favorite horror films to throw on at Christmastime. The film, prior to this most recent reimagining, had already undergone the 2000’s remake treatment back in 2007. While the plot remained relatively unchanged, it added a significant amount of backstory to the previously completely unknown killer; the film was a minor financial success, but a critical and audience failure. That is to say, the original ‘74 film has already been taken by the Hollywood machine once before. And it seems that the people at Blumhouse had the same thought that I did ? a remake of a film that had already been remade within the last fifteen years would probably be a very poor choice. Black Christmas is not Spider - Man, after all. Thus, director Sophia Takal’s take on the film strays even further from the original classic. Outside of some visual references and the film simply existing as a ‘slasher’ that takes place over Christmas vacation, next to nothing has been brought over from Clark’s film. And, boy, is it not good. I feel the need to defend the original film a little here, because so much of the marketing for the 2019 adaptation, so many reviews, tout it as a “feminist update”. These girls aren’t “willing victims”, they’re liberated badasses who can fight off the patriarchy and the stalker all at once. They aren’t like the girls of the original film. But I would really argue that the original Black Christmas is incredibly feminist, undeniably so in the context of the time it was released. In January of 1973, the decision in regards to the Supreme Court case Roe v. Wade was heard, which gave protection to women seeking an abortion. Black Christmas was released late in 1974; and abortion is a prominent discussion point of the film. The final girl, Jess (Olivia Hussey), is revealed to be pregnant by her boyfriend pretty early on. She also very firmly establishes that she doesn’t want to be a parent and plans to get an abortion. This becomes a major point of contention between Jess and her boyfriend, who is aggressively against the idea of an abortion to the point of threatening her several times throughout the course of the film. This subplot comes to an end once Jess suspects her boyfriend of being the killer; when he breaks into the sorority house, she beats him to death in a panic. T here’s of course an argument to make about the inherent sexism in a film about college girls being slowly and brutally murdered by a man. And there’s no denying that the horror genre is often inherently sexist. I don’t think you could make any argument that horror films don’t exist within a sexist vacuum, in the same way you can’t say that about any genre. Sexism is a societal, deeply rooted issue within Western/American society, of course it has bled into our entertainment media. Black Christmas, really, is not a masterpiece impervious to criticisms. Olivia Hussey’s Shatner-acting can get really distracting towards the end, and a lot of the humor involving the cops does little more than grind the film to an excruciating halt between kills. It is the first modern slasher, and that means it includes the drawbacks of the subgenre as much as it does the admirable aspects. But the 1974 film has a cast of characters that are treated like real people. Each girl is different and unique; they’re all clearly friends with each other, they fight in naturalistic ways. Black Christmas is a film that tries to be very firmly grounded in realism, and these girls reflect that. While comments are made about things such as rape culture and the inherent danger of womanhood, they don’t become lengthy dialogues about it. In part, yes, because that’s just not what the film is about, but also because that’s just not how most people talk. Women do not need to explain to other women that threats of violence, rape, and death are a constant day-to-day thing. It comes implied in their anxious looks and body language, the way they act around other women in comparison to when they’re around the men of the film. 2019’s Black Christmas, as one review so eloquently puts it, instead falls into “the trappings of t-shirt feminism”. It is a film less concerned with creating legitimate conversation about rape culture and political correctness in college settings, and more worried about generating lines that will fit well on a mom’s feminism-themed Pinterest board. This is a film created out of feeding #Woke Twitter into an AI and asking that AI to generate a screenplay. “You’re insane, ” the lead girl cries. “No, ” the antagonist tuts, shaking his head, “we are simply men”. Somehow Target already has this on a t-shirt next to the “wine o’clock” subsection. And modern feminism continues to die a slow death, from ideology into commodity. B lack Christmas, 2019, fails as both a horror film and as a message movie. A lot of people cried blasphemy when it was announced the movie was going to be released with a PG-13 rating, but PG-13 horror is not inherently bad horror. It is a different kind of horror than something with a hard R though; PG-13 films have to rely more on atmosphere and tension than on gore and graphic kills. You have to be a good enough filmmaker to deliver the implication of horrific things as effectively as visual horror. And I just don’t think Sophia Takal is. Having directed three films prior to Black Christmas, I ended up watching her previous film from 2018, New Year, New You, by happenstance during the writing of this. While not abysmally bad like Black Christmas, the film is instead just this dull void of nothingness and almost-ideas, crowned by a lack of awareness in making the first victim of the film a black lesbian. Takal still ends up being unable to balance horror with the message she clearly thinks is the most important thing in the world (girls are catty, influencers are bad … girl power? ), and that makes this film and Black Christmas both tonally unbalanced. “New Year, New You” (2018) dir. Sophia Takal There is such a depressing absence of horror in Black Christmas that it makes me wonder why the title was even attached to it. While a cult classic, I don’t think the original is what you would call a household name in the same way as Halloween or Scream. And horror films independent of franchises, while perhaps not box office gold, aren’t exactly struggling either. Us, Parasite, The Lighthouse, and Midsommar all came out in 2019 to good critical review, all easily made back their budgets and then some. And so the choice to tether this film to a title that it is completely unrelated to is just simply baffling. It’s not a horror movie. Whenever a kill happens, the camera is forced to cut away before the audience gets to see anything. And while we are deprived of gore, we are never given any substantial tension to replace that. There is rarely even an effort to create suspense, and so what is easily 75% of the film feels like a high school drama a la Riverdale. Takal has said that she wanted the film to be PG-13 so that the “message” of the film could reach a slightly younger audience, so the lack of horror at least has an explanation. So you would expect the message of the film to be carefully crafted, right? With at least a little nuance? No, Black Christmas is just as much a shitty message film as it is a shitty horror movie. The first thing I posted about this movie upon leaving the theater was that if anyone was a victim of rape or sexual assault, they should probably stay far away from this. Yeah. This section is going to be about that. It’s not going to be in graphic detail, but this is your warning to tap out now if discussion of rape and sexual assault is a triggering subject for you. In between the murders of the sorority girls, the B-plot of Black Christmas is on the main girl, Riley (Imogen Poots), and her struggles in healing from being raped several years prior by a frat boy, Brian. This subplot is the primary focus of the film for easily the first half, and it gets a vague payoff by the end by converging with the main slasher plot. On paper, I can see this looking like a good idea. You get to examine rape culture as it uniquely exists on college campuses, the complicity of sororities and frat houses in this, and how the structure of college, as well as society, inherently benefits men and allows them to maintain positions of power. And to want your film to be more accessible to girls is also not a bad thing, I have no gripes with that. My gripes with this subplot is that the film does not seem to take rape seriously, and it has an incredibly confusing idea of what “empowerment” is. This is not helped by the fact that every character in this movie is a stereotype, and blatant ones at that. With the exception of one, every male character is an SNL-style caricature
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"Black Christmas" 2019 had none of the brilliance of its predecessor. With all the subtlety of an anvil it was an all out assault on all things masculine. If I wanted to attend a political rally I would have. I didn't go to see a remake of a classic just to see it butchered and turned into a #metoo event. I can't stand heavy-handed movies no matter what the subject matter. The idea that the founder of the college was so afraid of women one day usurping power from men that he used the dark arts to put his very masculine essence inside his bust is so inane and daft. And then that the members of a "yeah bro" fraternity would tap into that masculinity to reveal their inner "alpha" and kill outspoken women. ludicrous. My own daughters were put off by this ham-fisted attempt to give power to women. In the 1974 version the main character is in a committed relationship and she reveals to her boyfriend that she's pregnant and she doesn't want to keep the baby. Furthermore, when her beau insists that they get married and keep the baby, she stiff arms him saying that she doesn't want to marry him and she still doesn't want the baby. She doesn't do any of this in an aggressive feminazi way. She is very rational about the whole matter and not the least bit condescending. I think when writer and director Sophia Takal saw this (if she ever saw it) she interpreted it as all men want to subjugate all women, even though the original movie wasn't remotely about that. There is totally a basis for attacking juvenile fraternities vis-a-vis their attitudes towards women, but have some tact. There were no subtleties, no nuances, no gray area within Black Christmas 2019, it was completely in your face dogma. Listen, I'm Black, yet it was completely preposterous when one of the heroines, the most radical and annoying of them, suggested that the bust of the college founder should be removed because he owned slaves. Dude, George Washington owned slaves and probably every author of the Constitution. Did you not know that about the guy before you attended the school? Sophia Takal used this movie as a sledgehammer to bash people over the head with her message- a message that needs to be heard, but couldn't because it was deafeningly loud. Is your goal to kill or convert? Look, the movie wasn't intelligent, it wasn't scary, and it wasn't entertaining. It was probably the worst movie of 2019. Thank you Hollywood for remaking another classic and turning it to s.Watch full black christmas ornaments. 24:41 I dont like where this is going. Wicked movie! Watched it with my sister, we really enjoyed it. I really enjoyed watching this movie! A very loving, touching, and awesome movie! Thanks for sharing this movie with us TV One.
Correspondent Lucifer Sam
Bio: romeo + juliet shot my wife and kidnapped my dog
Black Christmas
9.8 (80%) 108 votes
Black Christmas
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