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2019
Charles Willeford
rating: 299 Vote
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Synopsis: Hired to steal a rare painting from one of the most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control
cast: Rosalind Halstead

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Claes Bang ('The Square') and Elizabeth Debicki ('Widows') headline the English-language debut from Italian director Giuseppe Capotondi ('The Double Hour'), which closed the Venice International Film Festival. A spiky romance laced with art-history references and the trappings of a sleekly elegant neo-noir, The Burnt Orange Heresy is a mutt of sorts but no less a pleasure to spend some time with ??even if petting it might not be advisable. This classy adaptation of Charles Willeford’s best noir novel, originally published in 1971, changes the location from the Everglades to the shores of Lake Como, in Italy, where a European art critic and his American weekend fling visit a rich collector and meet the hermit artist who lives on his estate. The feature starts off as a light-footed account of a deliciously prickly affair between two bright and funny people who have met their match before the story morphs into something much darker. A similar genre shift occurred in Italian film The Double Hour, so it is not a surprise that the director of that 2009 Venice best actress winner, Giuseppe Capotondi, was asked to make his English-language debut with this material. He does so quite confidently, even if the last act contains a few moments that strain credibility. The Burnt Orange Heresy, which closed this year's Venice fest,?seems like prime material for a streaming platform, especially with a cast that includes not only the handsome and suitably inscrutable Claes Bang, from Palme d’Or winner The Square, but also whip-smart Australian gazelle Elizabeth Debicki ( Widows) and, in extended cameos, Mick Jagger and Donald Sutherland. The dark-haired and cocky Bang plays James Figueras (Jacques Figueras in the novel), a formerly esteemed art critic who finds himself giving badly paid lectures to American tourists in Milan about art and authenticity. One of the people who sneaks into such a lecture is Berenice Hollis (Debicki), a peroxide-blonde teacher from Minnesota on a European tour. Figueras’ talk is a display of rhetorical fireworks with several unexpected twists that serve several purposes in the fleet screenplay from Scott B. Smith, an Oscar nominee for the adaptation of his own novel, A Simple Plan. Besides introducing several leitmotifs, the sequence showcases to what extent Figueras likes to use razzle-dazzle both to impress and to distract. It’s clear the man knows a lot about art criticism and art history but that all that knowledge has become the means to another end, namely to manipulate everyone around him for his own pleasure and benefit ? though here the stakes are low and the game is rather innocent. The display of intellectual prowess, packaged as a jaunty, offhanded divertissement but in reality rehearsed to the last letter as we’ve seen in the opening scene, intrigues Berenice. She’s fascinated by Figueras’ wit, intelligence and good looks, so it’s hard to blame her when she finds herself in his bed approximately five minutes after they have met. It is in James’ spartanly decorated, powder-blue apartment that audiences will realize that perhaps it is not Berenice who got lucky but James, as she turns out to be a smart and quick-witted delight even without any preparation. Their shared, post-coital banter rivals the sharp and hilarious exchange that Bang had with Elisabeth Moss in The Square, in which he also played an art connoisseur. Here and in the following scenes, in which James takes Berenice to the picturesque lakeside palazzo of eccentric art collector Joseph Cassidy (Jagger, doing a heightened version of Jagger), there’s a sense that Capotondi and the actors could have just as easily made a comedy-drama about the sex and romantic banter of two gorgeous people against an equally stunning backdrop. But that is not this film, or at least, not for its entire running time. The reason Cassidy has summoned Figueras is revealed in a conversation that makes it clear that the oddball Londoner has done his research on his guest, a fully fluent English speaker who is clearly Scandinavian ? those esses can’t fool anybody ? and who hopes to get a job out of his visit to Lake Como. But it turns out the critic has, if not quite complete skeletons, at least some bones in his closet. This is where Cassidy sees an opportunity to get what he wants without getting his hands dirty. All he needs to do is will the Tom Ripley Effect into existence, as he manipulates the proud Figueras into covering up his minor crime with a slightly bigger one. Thankfully ? for the viewer more than some of the players involved ? things then spiral further out of control. The tool used by Cassidy is the artist living on his estate, Jerome Debney (Sutherland), a hermit painter whose continued output has already vanished in flames several times. Debney wants one of his paintings from his locked atelier before another fire might occur. In order to get in touch with the mysterious man, Figueras is promised an interview with the recluse, which would be a possible way to get his career as an influential critic back on track. As if by magic, Debney makes an appearance not much later. And his Nestor-like bearing and way of speaking, milked to the last drop by Sutherland, charms both James and Berenice, even if Figueras is very aware that he needs to manipulate what little time he has to get what he’s been asked to deliver. Given the foreshadowing nature of the opening, the turn into darker territory feels like a change of pace that’s nonetheless logical. But there are some issues that are not satisfactorily resolved. The main problem is that Berenice (and also Debicki! ) is clearly at least as smart as James, so a few last-act twists are hard to stomach. The screenplay and the actors ooze charm as well as intelligence early on but the second half is more like a sleek thriller, something that's efficient but less jocular and surprising. One of the work’s main thematic concerns ? namely, how well do we really ever know others and how does the fact that we all lie complicate this matter ? also seems to evaporate as The Burnt Orange Heresy draws to a narratively satisfying but thematically somewhat underwhelming close. Finally, Capotondi also seems a little too enamored of an alleged art-historical metaphor for sin, which feels more like it’s been layered on top of the narrative than properly tied into it. Thankfully, his actors and the superb production values, including Craig Armstrong’s shimmering, piano-driven score, still make this an attractive overall package. Production companies: Achille Productions, Hanway Films, MJZ, Zephyr Films, Indiana Production, Wonderful Films, Rumble Films Cast: Claes Bang, Elizabeth Debicki, Donald Sutherland, Mick Jagger, Rosalind Halstead, Alessandro Fabrizi Director: Giuseppe Capotondi Screenplay: Scott B. Smith, based on the novel by Charles Willeford Producers: David Zander, William Horberg, David Lancaster Executive producers: Sienna Aquilini, Ayesha Walsh, Stephanie Wilcox, Dante Ariola, August Zander, Jon Shiffman, Jonathan Loughran, Alastair Burlingham, Charlie Dombek, Marco Cohen, Benedetto Habib, Fabrizio Donvito, Daniel Campos Pavoncelli, Alessandro Mascheroni, Peter Touche, Vaishali Mistry, Marie-Gabrielle Stewart, Peter Watson, Aris Boletsis Cinematography: David Ungaro Production design: Toto Santoro Costume design: Gabriela Pescucci Editing: Guido Notari Music: Craig Armstrong Venue: Venice International Film Festival (Out of Competition ??Closing Film) Sales: Hanway Films In English 98 minutes.
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3:40 BACH. The Burnt Orange Heresy Theatrical release poster Directed by Giuseppe Capotondi Produced by William Horberg David Lancaster David Zander Screenplay by Scott Smith Based on The Burnt Orange Heresy by Charles Willeford Starring Claes Bang Elizabeth Debicki Mick Jagger Donald Sutherland Music by Craig Armstrong Cinematography David Ungaro Edited by Guido Notari Production company Indiana Production MJZ Rumble Films Wonderful Films HanWay Films Ingenious Media Distributed by Sony Pictures Classics Release date September?7,?2019 ( Venice) March?6,?2020 (United States) Running time 98 minutes Country United States Italy The Burnt Orange Heresy is an Italian-American drama thriller film directed by Giuseppe Capotondi and with a screenplay by Scott Smith. It is based on the book of same title by Charles Willeford. The film stars Claes Bang, Elizabeth Debicki, Mick Jagger, and Donald Sutherland. It was selected as the closing film at the 76th Venice International Film Festival. It was released on March 6, 2020, by Sony Pictures Classics. Cast [ edit] Claes Bang as James Figueras Elizabeth Debicki as Berenice Hollis Mick Jagger as Joseph Cassidy Donald Sutherland as Jerome Debney Rosalind Halstead as Evelina Macri Alessandro Fabrizi as Rodolfo Production [ edit] In February 2018, Elizabeth Debicki and Christopher Walken were cast in the film adaptation of Charles Willeford 's book The Burnt Orange Heresy, to play Berenice Hollis and an artist Jerome Debney, respectively. [1] In April 2018, Claes Bang joined the film to play the lead role of James Figueras, a fiercely ambitious art critic and thief. [2] In early September 2018, Mick Jagger was cast to play Joseph Cassidy, an art dealer. [3] In late September 2018, Donald Sutherland was cast in the film, replacing Walken, to play an enigmatic painter who becomes the target of an art-world heist. [4] Principal photography on the film began late September 2018 in Lake Como, Italy. [4] Release [ edit] The film had its world premiere at the Venice International Film Festival on September 7, 2019. [5] Shortly after, Sony Pictures Classics acquired distribution rights to the film. [6] It is scheduled to be released on March 6, 2020. [7] Critical reception [ edit] The Burnt Orange Hersey holds a 57% approval rating on review aggregator website Rotten Tomatoes, based on 35 reviews, with a weighted average of 6. 2/10. [8] On Metacritic, the film holds a rating of 56 out of 100, based on 15 critics, indicating "mixed or average reviews". [9] References [ edit] ^ Ritman, Alex (February 15, 2018). "Christopher Walken, Elizabeth Debicki Join Neo-Noir Thriller 'Burnt Orange Heresy' (Exclusive)". The Hollywood Reporter. Retrieved October 13, 2018. ^ Clarke, Stewart (April 24, 2018). "Claes Bang Joins Christopher Walken, Elizabeth Debicki in 'The Burnt Orange Heresy ' ". Variety. Retrieved October 13, 2018. ^ McNary, Dave (September 6, 2018). "Mick Jagger Joins Heist Thriller 'Burnt Orange Heresy ' ". Retrieved October 13, 2018. ^ a b Anderson, Ariston (September 27, 2018). "Donald Sutherland Joins 'Burnt Orange Heresy' Cast". Retrieved October 13, 2018. ^ Vivarelli, Nick (22 July 2019). " ' The Burnt Orange Heresy, ' With Mick Jagger and Donald Sutherland, to Close Venice". Retrieved 22 July 2019. ^ Lang, Brent (September 16, 2019). "Toronto: Sony Pictures Classics Buys 'The Burnt Orange Heresy' (EXCLUSIVE)". Retrieved September 16, 2019. ^ "The Burnt Orange Hersey". Retrieved November 28, 2019. ^ "The Burnt Orange Hersey (2020)". Rotten Tomatoes. Retrieved March 7, 2020. ^ "The Burnt Orange Hersey Reviews". Metacritic. Retrieved March 7, 2020. External links [ edit] The Burnt Orange Heresy on IMDb The Burnt Orange Heresy at Rotten Tomatoes The Burnt Orange Heresy at Metacritic.

Mick Jagger, his music and his opinions are irrelevant. A moderate candidate? Huh? A modern myth storyline that is grasping at paper straws. Era uno de mis favoritos. Watch full the burnt orange heresy 3. Subscribe to Watch | $0. 00 5. 7 250 The Burnt Orange Heresy is a movie starring Elizabeth Debicki, Claes Bang, and Donald Sutherland. Hired to steal a rare painting from one of the most enigmatic painters of all time, an ambitious art dealer becomes consumed by his... Released: 2020-03-06 Runtime: 99 minutes Genre: Action, Drama, Thriller Stars: Elizabeth Debicki, Claes Bang, Donald Sutherland, Mick Jagger Director: Giuseppe Capotondi, Scott B. Smith, Charles Willeford.
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  • Writer: Alex lawton
  • Bio: I’m 31 years old who loves soaps Emmerdale Hollyoaks Corrie, Eastenders,Neighbours ,River City , casualty,Doctors ,Rick Astley & Andrew Scarborough fan Dracula
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