Saint Maud Rated 7.3 / 10 based on 598 reviews.
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Runtime 84 Minutes
genre Drama
Writed by Rose Glass
user Rating 7,5 of 10
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director Rose Glass
Saint maud watch movie 2017. Saint Maud Watch. Gaboureyyyy. Saint maud watch movie 2016.2000 : Memento 2010 : Inception 2020 : Tenet Time has some problems with Nolan in every ten years. First thought, it has kinda Little Forest movie vibe here. This reminds me of Carrie. The human species has found a lot of ways to deal with their trauma, some more healthy than others, but there’s no denying that the scorch of unfathomable hardship often drives people into the soothing structure of religion, where suffering is part of god’s plan and salvation holds the promise of an eventual happily ever after. In other words: “Never waste your pain. ” That four-word motto is a repeated anthem for Maud ( Morfydd Clark), the recently converted nurse at the heart of A24’s most recent horror acquisition, Saint Maud. The debut feature from writer/director Rose Glass, Saint Maud follows the recently but passionately devoted young woman as she recovers from some horrific professional incident that’s hinted at throughout the film. Regardless of the details, it’s clear that the incident shook her down to the core and in the aftermath, the young nurse formerly called Katie rebuilt a new, reverent image of herself as Maud; all charity and penitence, and utterly terrified of her own doubt. When Maud takes an assignment as the caretaker of a dying woman without faith, she sees the ultimate opportunity for redemption: the gift of saving a soul in its final days. Unfortunately for Maud, that soul belongs to Amanda Köhl ( Jennifer Ehle); a former world-class dancer and bonafide art-world intellectual, Amanda has little interest in Maud’s proselytizing beyond that of an amusing distraction from the desolate boredom of dying. Despite their differences, Maud and Amanda strike up a fascinating bond that’s impossible to look away from, each driven by desperation not to feel alone in their greatest time of need. And Glass makes the whole thing feel like an impossibly alluring, slowly tightening noose. Image via A24 At a tight 83-minutes, Saint Maud speeds by in the best way possible, every subtext laden bit of dialogue and pointed glance earning its place in Glass’ vision. Enough cannot be said about the performances from both Clark and Ehle, who are both so compelling your eyes barely know where to look in their shared scenes. Ehle is riveting and electric as Amanda, with the live-wire enthusiasm of an old alley cat enjoying the struggle of a particularly spirited mouse caught in her last gasp. In response, Clark plays Maude as devastatingly fragile, reflecting the spider’s web of fractures in her spirit and psyche, gently walking and talking as if afraid she might step too hard and shatter herself. But that’s not to say Maud is above her own mind games, and watching the duo duke out their battle of wills makes for the film’s brightest moments. The darkest come from Glass’ elegant construction, which begins with an untraceable feeling of dread and never lets up, each new scene arriving with some unknowable darkness that threatens to engulf everything. Though thematically different in a few crucial ways, Saint Maud often strikes a similar tone as First Reformed in its examination of the trauma of the pious, the breaking point where faith becomes fanaticism, and the moment where doubt becomes abject horror. And of course, there are traces of The Excorcist. It’s also a bizarrely sensual film. Maud doesn’t just believe in god; she hears him, she feels him, and she loves him. And as she confronts Amanda’s sexual freedom in tandem with her religious awakening, the two become merged in a carnal crisis of faith. Best of all, Saint Maud ’s impact only gets stronger as it brews, building to a stunning, shocking finale that knocks whatever wind you have left out of you right before the credits roll. But this is not a movie built around twists and gotchas, and there’s no point in trying to outsmart it. This is a film that washes over you and closes in, sealing the deal with a walloping, if not surprising stinger that lands like the hammer of god. Saint Maud debuted at TIFF and was quickly picked up by A24, which gives the film a certain amount of instant cache in some filmgoing circles. It’s easy to see why the film was a perfect fit in the indie banner’s horror catalog; a project of directorial vision, slow-burn tension, unknowable dread. A24’s brand comes with a lot of expectations, but I think one of its most enduring legacies will be as a home to an outrageous number of extraordinary directorial debuts ? Alex Garland, Robert Eggers, Ari Aster, Greta Gerwig, and Bo Burnham, to cite a few of the benchmarks ? and in that regard, Glass’ Saint Maud is right at home. Rating: A- Saint Maud screened at Fantastic Fest 2019 and will be distributed by A24. For more, be sure to check out our TIFF interview.
Boss, how much you want to show in the trailer for The Invisible Man? Yes. 1 win & 1 nomination. See more awards ? Edit Storyline There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature film debut, writer-director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly... Written by Toronto International Film Festival Plot Summary | Add Synopsis Motion Picture Rating ( MPAA) Rated R for disturbing and violent content, sexual content and language See all certifications ? Details Release Date: 10 April 2020 (USA) See more ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia Director Rose Glass, won the IWC Schaffhausen Filmmaker Bursary Award for this, which was presented to her by Danny Boyle. See more ?.
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This reminds me a bit of Hitchcocks Rear Window
Nolan is making another sci fi movie Scientists: Note that down. If God exists then so must The Devil in Rose Glass’ stunning debut Saint Maud which sees a pious young nurse who experiences beatific visions become obsessed with saving the soul of her dying patient Amanda (Jennifer Ehle). Saint Maud is a strange, gorgeous, and deeply disturbing chiller which mixes psychological, religious, and body horror to form something that feels utterly original. Very definitely a genre movie, this is “elevated” horror that messes with your perceptions of what’s real and what isn’t and comes with an ending that’s so simultaneously euphoric and horrific it feels like a punch in the heart. Maud (Morfydd Clark) is a young private palliative care nurse looking after a former noted dancer dealing with late-stage cancer. Maud talks directly to God and feels his presence in almost orgasmic ecstasy and when Amanda tells Maud she can feel Him too, Maud believes it’s a sign and her mission is to deliver Amanda from evil. In Maud’s eyes at least ? and cinematographer Ben Fordesman’s camera is very much Maud’s point of view ? Amanda is the perfect sinner, shown incessantly smoking, drinking, having sex, and throwing lavish parties for her artistic friends. Meanwhile Maud lives in pious poverty, alone in a run down flat. Hints at past trauma suggests the newly converted Maud has demons of her own she’d be better off focusing on ? it’s a story about mental health as much as spiritual and corporeal themes. Meanwhile older, more experienced Amanda has other needs and desires. Once glamorous and celebrated, Amanda is uniquely in touch with her body both as the dancer she was and even as it lets her down ? while Maud actively rejects hers, buttoned up in her nurse’s uniform, revealing slashes of self-harm, and later enacting excruciating rituals of pious torture on herself. Maud’s agony and ecstasy is purely spiritual, her perceived higher purpose is juxtaposed against the squalor of her tiny flat. The film is set against the flashing lights and faded glamour of a seaside town (shot in Scarborough) where the locals seem like demons. Fordsman’s camerawork is inventive, full of drunken lurches and pulsing sensuality, and the everyday dinginess of Maud’s existence is used to great effect, with shots of tomato soup boiling in a pan looking like a glimpse into the lakes of hell. If anything, it can be a bit over-stylised at times, though it serves well to reflect the chaos and confusion of Maud’s mental state. Ehle is excellent but this is very much Clark’s movie and sets her out as one of the most interesting young actors around, both fragile and fierce as the conflicted Maud, as her God embraces and forsakes her. It’s a challenging role and the whole film hinges on her performance, but Clark is never less than achingly sympathetic even when Saint Maud leans into its genre tropes. Saint Maud isn’t really like anything else around, though the closest comparisons could be Julia Ducournau’s cannibal movie Raw ? Saint Maud is similarly female and visceral ? or possibly Ari Aster’s Hereditary in that both are almost oppressively harrowing at points. But while Aster’s film is controlled and theatrical, Saint Maud is more naturalistic in feel in general with celestial and infernal visuals peppered throughout. Maud’s infrequent interactions with ordinary people in the town ? a former co-worker, Amanda’s new nurse ? are deliciously jarring. It’s as if outside the sacred space of Maud’s flat and the dark den of iniquity of Amanda’s house Maud shouldn’t exist in the real world. To say this is a confident debut from Glass, who won a £500, 000 bursary on the strength of the film, would be an understatement. On this low budget, very British movie alone Glass now stands with Aster, Ducourneau, Robert Eggers, Jordan Peele, and Jennifer Kent as one of the most exciting and distinctive voices in horror today. Packed with incredible moments and indelible images, there is so much to unravel here it would certainly reward multiple viewings. In Saint Maud God, and The Devil, are in the details. Saint Maud opens in US theaters on April 10 and in UK cinemas on May 1.Over the last few years, the stylised 'elevated horror' films coming out of indie studio A24 have become their own mini-genre, whether it's the unsettling films of Robert Eggars ( The Witch, The Lighthouse) or the startling duo recently released by director Ari Aster ( Midsommar, Hereditary). The latest addition to the canon is Saint Maud, which will be released in May by A24 in the US and Studio Canal over in the UK. It is the debut from British writer and director Rose Glass, who showed the film at London Film Festival last year to rave reviews and won the festival's bursary award for it. The film's titular martyr is a young Catholic girl (Morfydd Clark) who lives in a sickly-green, seaside town and works as a carer for retired dancer Amanda (Jennifer Ehle), whose glory days are behind her. Maud, whose mysterious past lingers in the air, becomes obsessed with saving the soul of her patient and spirals into a decline in her quest. Studio Canal In the trailer released to coincide with Ash Wednesday, we see Maud flicking a lighter in a dimly-lit room, pushing Amanda in a wheelchair around her spooky house and flashes of her face alternately contorting in horror and stained with blood. The sounds of flesh being pierced, sick being scrubbed from the floor and flesh burning lay the foundation for a truly horrifying experience. Saint Maud is released 1 May Like this article? Sign up to our newsletter to get more delivered straight to your inbox SIGN UP.
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The trailer would be better without Billies song. Saint maud watch movie youtube. Saint maud watch movie hd. United Kingdom, 2019 Horror 83 Synopsis Maud, a reclusive live-in nurse, becomes dangerously fixated with saving her newest patient’s soul. This film is not currently playing on MUBI but 30 other great films are. See what’s now showing Show all (5) What are people saying? Renton47's rating of the film Saint Maud "It intoxicates the spaceman, watching how we thrill ourselves, not by sex but by devising new ways to kill ourselves, he sees the way we tamper with the things we most depend on, the danger stands his hair on end and gives him a hard-on, he calls his angels down to watch that slut the world get hers God is a tender pervert and his angels are voyeurs" 2. 5 J. O. 's rating of the film Saint Maud What promised to be a fresh, psychological study of a fragile woman who uses religion to find herself a perverse purpose ? instead was derivative, full of predictability and teenage punk show-tier commentary on religious fundamentalism. Some beautiful images don't outweigh the contrived storytelling. Why was this getting so much praise? Henri de Corinth's rating of the film Saint Maud TIFF wanted to love this but the narration is distracting and unnecessary and the progression toward "full-blown religious nutcase" is too abrupt Draughtsman Without Contract's rating of the film Saint Maud A psychotic with a saviour syndrome goes wholly rogue. Fascinating and wonderfully performed and directed; it may well have you gasping and dropping to your knees - rather like some of those who experience Saint Maud in action. Maribou's rating of the film Saint Maud A fabulously atmospheric horror about mental fragility and religious ecstasy at the British seaside that takes all the right turns. Also features artistic women in turbans and some lovely vintage wallpaper. And turns out God is Welsh.
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Writer Erin Grant
Resume I put words on the internet. Contributor @realfearforever, can never come up with a good Halloween name. Email: erin@fearforever.com
The trailer would be better without Billies song. Saint maud watch movie youtube. Saint maud watch movie hd. United Kingdom, 2019 Horror 83 Synopsis Maud, a reclusive live-in nurse, becomes dangerously fixated with saving her newest patient’s soul. This film is not currently playing on MUBI but 30 other great films are. See what’s now showing Show all (5) What are people saying? Renton47's rating of the film Saint Maud "It intoxicates the spaceman, watching how we thrill ourselves, not by sex but by devising new ways to kill ourselves, he sees the way we tamper with the things we most depend on, the danger stands his hair on end and gives him a hard-on, he calls his angels down to watch that slut the world get hers God is a tender pervert and his angels are voyeurs" 2. 5 J. O. 's rating of the film Saint Maud What promised to be a fresh, psychological study of a fragile woman who uses religion to find herself a perverse purpose ? instead was derivative, full of predictability and teenage punk show-tier commentary on religious fundamentalism. Some beautiful images don't outweigh the contrived storytelling. Why was this getting so much praise? Henri de Corinth's rating of the film Saint Maud TIFF wanted to love this but the narration is distracting and unnecessary and the progression toward "full-blown religious nutcase" is too abrupt Draughtsman Without Contract's rating of the film Saint Maud A psychotic with a saviour syndrome goes wholly rogue. Fascinating and wonderfully performed and directed; it may well have you gasping and dropping to your knees - rather like some of those who experience Saint Maud in action. Maribou's rating of the film Saint Maud A fabulously atmospheric horror about mental fragility and religious ecstasy at the British seaside that takes all the right turns. Also features artistic women in turbans and some lovely vintage wallpaper. And turns out God is Welsh.
Where are Escape from Tarkov memes. Ill definitely be Gawain to see this! ?. I've watched this trailer 10 times already. Flick I really hope that last scene wasnt from the end very end like it was all a bd dream type stuffbut I will go see it. Saint maud watch movie streaming. Saint Maud Watch movie reviews. Saint maud watch movie watch. Saint maud watch movie wikipedia. Saint maud watch movie download. Saint maud watch movie online. Saint maud watch movie black package. Saint Maud Watch movies. Eggers is genius! The Lighthouse is his new best masterpiece. Saint Maud Watch movie database. Dont be scared you are safe down here Take a cookie and milk ??????????.
I didn't mean something whe she filled the pins in her shoes.
Writer Erin Grant
Resume I put words on the internet. Contributor @realfearforever, can never come up with a good Halloween name. Email: erin@fearforever.com
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