Stephanie Moore

I love when i see somebody hook onto a pike for the first time. Ive never seen them fight and they just think they hooked onto a big branch. Dark Waters Theatrical release poster Directed by Todd Haynes Produced by Mark Ruffalo Christine Vachon Pamela Koffler Screenplay by Mario Correa Matthew Michael Carnahan Based on "The Lawyer Who Became DuPont's Worst Nightmare" by Nathaniel Rich Starring Anne Hathaway Tim Robbins Bill Camp Victor Garber Mare Winningham Bill Pullman Music by Marcelo Zarvos Cinematography Edward Lachman Edited by Affonso Gonçalves Production companies Participant Killer Films Distributed by Focus Features Release date November?22,?2019 (United States) Running time 126 minutes [1] Country United States Language English Box office $11. 8 million [2] Dark Waters is a 2019 American legal thriller film directed by Todd Haynes and written by Mario Correa and Matthew Michael Carnahan. It is based on the 2016 article "The Lawyer Who Became DuPont 's Worst Nightmare" by Nathaniel Rich, published in The New York Times Magazine. [3] [4] Parts of the story were also reported by Mariah Blake, whose 2015 article "Welcome to Beautiful Parkersburg, West Virginia" was a National Magazine Award finalist, [5] and Sharon Lerner, whose series "Bad Chemistry" ran in The Intercept. [6] [7] Robert Bilott, the principal character in the film, also wrote a memoir, Exposure, [8] detailing his 20-year legal battle against DuPont. [9] The film stars Mark Ruffalo, Anne Hathaway, Tim Robbins, Bill Camp, Victor Garber, Mare Winningham, William Jackson Harper, and Bill Pullman. Dark Waters was theatrically released in a limited capacity on November 22, 2019, by Focus Features, and went wide on December 6, 2019. The film received positive reviews from critics and has grossed $11 million. Plot synopsis [ edit] Robert Bilott ( Mark Ruffalo), a corporate lawyer from Cincinnati, Ohio working for law firm Taft, Stettinus & Hollister is visited by farmer Wilbur Tennant. Tennant asks that Robert link a number of unexplained deaths in Parkersburg, West Virginia to one of the world's largest corporations, DuPont, and gives Robert a large case of videotapes which Robert puts aside. While Robert is actually a corporate defense lawyer and he helps chemical companies pollute without breaking the law, he still visits the Tennants' farm as a gesture of respect and kindness, especially since his grandmother still lives in Parkersburg. When he reaches the farm, Tennant reveals that over the past couple of years, he has lost over 190 cows to strange medical conditions such as bloated organs, black teeth, and huge tumors. At the farm, Robert witnesses the problem first hand when Tennant is forced to put down a tumor-covered cow. Even though he is a defense lawyer who is on very good terms with executives at DuPont, he broaches the subject with DuPont attorney Phil Donnelly (Victor Garber), who politely tells him he is not aware of the specifics but will help out in any way he can. Robert files a small suit so he can gain information through legal discovery of the chemicals that have been dumped on the site. He does not find anything useful, then realizes it is possible that whatever poisoned Tennant's cattle could be something that is not even regulated by the EPA, and so is not listed by the EPA report that he has inquired into. With Tom Terp's reluctant agreement, Robert forces DuPont to turn over all of its information, resulting in angry words between Phil and Robert. In an attempt to hide the truth, DuPont sends Robert hundreds of boxes, hoping to bury the evidence, but Robert goes through the evidence meticulously and finds numerous references to PFOA, a chemical with no references in any medical textbook. Later, in the middle of the night, Robert's pregnant wife Sarah (Anne Hathaway) finds him tearing the carpet off the floors and going through their pans. He tells her they are being poisoned, and she thinks he has gone mad, until he explains what he has found deep in the DuPont documents: perfluorooctanoic acid (PFOA-C8) is a man-made chemical also known as Teflon. It was created for army tanks, but then used by companies in American homes for primarily nonstick pans. DuPont has been running tests of the effect of it for decades, including on animals and on their own employees. Their own studies show that it caused cancer in animals, people, and birth defects in babies of women working on their line ? and they never said a thing. They then dumped hundreds of gallons of toxic sludge upriver from Tennant's farm. Even worse, PFOA and similar compounds are forever chemicals, chemicals that do not leave the blood stream and slowly accumulate over time. Teflon is used in everything from nonstick pans to plastics, and it's likely that every American on the planet has PFOA in his/her bloodstream. Tennant, meanwhile, has been shunned by the entire local community for suing their biggest employer. His house is broken into, and he gets sicker. Robert goes to him with the evidence and tells Tennant to take the settlement DuPont is offering, but Tennant refuses, wanting justice and not wanting to stay silent. He tells Robert he and his wife both have cancer. Robert feels guilty, and so while he gets Wilbur Tennant the settlement, he also writes a brief with all the DuPont evidence and sends it to the EPA and Department of Justice, among others. The EPA fines DuPont $16. 5 million. Robert, however, is not satisfied; he realizes that the residents of Parkersburg will feel the effects of DuPont's PFOA for the rest of their lives. He decides to seek medical monitoring for all residents of Parkersburg in one big class-action suit. However, a call from a local resident, the Kigers, reveals that DuPont sent a letter notifying residents of the presence of PFOA, thus starting the statute of limitations and giving any further action only a month to begin. Since PFOA is not regulated, they argue that DuPont is liable because the amount in the water was higher than the one part per billion their internal documents argued to be safe. In court, DuPont claims they did a new study that says that 150 parts per billion is safe. Robert is aghast, and the locals begin protesting DuPont and the story becomes national news. DuPont agrees to settle for $70 million. Legally, they are only required to do medical monitoring if scientists prove that PFOA causes the ailments, so an independent scientific review is set up to study the effects of PFOA. If they find in favor, DuPont will have to pay up. In order to get data for it, the firm tells the locals they can get their settlement money after donating blood, and nearly 70, 000 people donate to the study. Over 7 years pass with no result from the study. Tennant passes away, the Kiger family are harassed locally, and Robert faces extreme financial strain, having worked the entire case on the promise of the settlement and continuing to work on it, having to pay scientific experts. He has taken pay cut upon pay cut at the firm, and things are tense with Sarah. When Tom tells him he needs to take another pay cut, Robert collapses, shaking. At the hospitals, the doctors tell Sarah he had an ischemia, or minor stroke, and that he needs to get on new medication and stop dealing with so much stress. Sarah tells Tom to stop making Robert feel like a failure, since he is doing something for people who needed help. Finally, the scientific review contacts Robert and tells him that PFOA causes multiple cancers and other diseases. At dinner with his family, Robert is informed that DuPont is reneging on the entire agreement. He is angry, saying Tennant told him that there would not be any justice and he did not believe him. So Robert decides to take each defendant's case to DuPont, one at a time. The post-credits information explains that Robert won his first three multi-million dollar settlements against DuPont, and finally DuPont settles the class action for $671 million. PFOA is still in the blood of ninety-nine percent of life on Earth, and thousands of chemicals are still unregulated. Cast [ edit] Production [ edit] On September 21, 2018, it was announced that Todd Haynes would direct the film, then titled Dry Run, from a script by Matthew Michael Carnahan, which would be produced by Participant Media along with Mark Ruffalo. [10] In November 2018, Ruffalo was officially set to star in the film. [11] In January 2019, Anne Hathaway, Tim Robbins, Bill Camp, Victor Garber, Mare Winningham, William Jackson Harper, and Bill Pullman joined the cast of the film, with Christine Vachon and Pamela Koffler producing under their Killer Films banner. [12] Principal photography began on January 14, 2019, in Cincinnati, Ohio. [12] [13] Release [ edit] The film was released in limited theatres on November 22, 2019, before going wide on December 6, 2019. [14] Reception [ edit] Scientific accuracy [ edit] In movie Teflon and PFOA-C8 or C8 are used as synonyms, but they are not the same. Teflon or PTFE is polymer of just F(CF?)?F, but Perfluorooctanoic acid, PFOA-C8 or C8 is F(CF?)?COOH. Because of differences, their toxicity is different. Teflon is chemically very inert until it starts melt and decomposes into other chemicals [15]. PFOA, similarly to other perfluorinated alkylated substances (PFAS), is toxic [16]. Box office [ edit] In its opening weekend the film made $102, 656 from four theaters, a per-venue average of $25, 651. [14] It expanded to 94 theaters the following weekend, making $630, 000. [17] The film went wide in its third weekend of release, making $4. 1 million from 2, 012 theaters, and then made $1. 9 million in its fourth weekend. [18] [19] Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 91% based on 129 reviews, with an average rating of 7. 28/10. The website's critics consensus reads: " Dark Waters powerfully relays a real-life tale of infuriating malfeasance, honoring the victims an
I listened to Vic Cundiff's latest show (episode 85. The guest said that he went to Taylor to hunt the Taylor Dogmen (yeah, I know, cray-cray) and spoke with Ed's relatives. So far this is the best story I've heard on this channel. One of the best I've heard anywhere. Thanks for sharing. And they more than likely poisoned their own family members. Dir: Todd Haynes. Starring: Mark Ruffalo, Anne Hathaway, Tim Robbins, Bill Camp, Victor Garber, Mare Winningham, William Jackson Harper, Bill Pullman. 12A cert, 127 mins It’s surprising to see Todd Haynes take interest in a project this conventional. He is, after all, a pioneer of New Queer Cinema with a preference for lush melodramas such as Far From Heaven (2002)?and Carol (2015). But Dark Waters isn’t entirely out of his wheelhouse, since its themes are remarkably similar?to those in his 1995 film Safe. Dark Waters is about the slow, horrifying discovery that the chemical company DuPont has, for decades, been hiding its use of the cancer-causing, man-made acid PFOA ? now thought to be present in the bloodstream of 99 per cent of Americans. Thankfully, for the vast majority, it’s at too low a level to bring harm. Those who work in the plants that produce it or live nearby haven’t been so lucky. Haynes pumps the film full of paranoia and isolation, so that it matches the sensations experienced by the protagonist of Safe ? a housewife (Julianne Moore) who develops severe reactions to ordinary chemicals. The film commemorates the work of Robert Bilott ( Mark Ruffalo), a Cincinnati lawyer who went from defending chemical companies to leading the charge against their corrupted practices. Dark Waters opens with the moment Bilott is approached by Wilbur Tennant (Bill Camp, his voice weary and sawdust-choked), a farmer hailing from the lawyer’s home state of West Virginia. Tennant is adamant that DuPont has dumped chemical waste into his local creek and, in turn, killed 190 of his cows. As Bilott investigates, the ghastly extent of the company’s actions comes into focus ? they’ve pushed poison to every American home. When it’s clear that Bilott intends to expose the truth, the smile melts off the face of DuPont’s chief executive (Victor Garber) and a choleric scowl takes its place. This company is ready to pull every dirty trick in the book. Download the new Independent Premium app Sharing the full story, not just the headlines As Bilott, Ruffalo could have amped?up the glamour by playing a?hotshot in order to flatter his A-list activist credentials (he also produced the film).?But here, he deflates himself. He’s sullen and awkward in his movements ? when the stress piles up, his hands starts to violently shake. He doesn’t present?Bilott as the hero, but as a man who’s been awakened to the world of moral decency, only to be rewarded with powerlessness and ineffectual anger. A part of his mission is driven by loyalty to his small-town roots, though his enemies soon use it as a weapon against him (he’s labelled “a hick”). Mario Correa and Matthew Michael Carnahan’s screenplay, based on the 2016 New York Times Magazine story “The Lawyer Who Became Dupont’s Worst Nightmare”, is unfortunately packed with all the standard fluff expected from films about brave men doing great deeds. Bilott has a lightbulb moment triggered by looking at a children’s book called Funny Teeth, which makes him suddenly recall the blackened gums of Tennant’s neighbours. Anne Hathaway is landed with the “concerned wife” role, as her character intermittently berates Bilott for his dedication to the job. At least she does it with a fire in her belly. But cinematographer Ed Lachman, who brought beauty and life to so many of Haynes’s other films, paints Dark Waters in sickly shades of yellow and green. In stark contrast, Tennant’s farm is drained of colour. It’s a world of slow decay and putrid smells ? a kind of earthly purgatory. A tumour-riddled dog chases its own tail in the yard. As crucial as cold facts and hard data are here, Haynes argues eloquently for the power of empathy. And, in Dark Waters, he bathes his audience in pure terror like very few other directors could. The best in film, music, TV & radio straight to your inbox.
Imma gonna watch it because it was true event and some guy risk his life for some old man. I love that kind of story. The end always make you satisfy. Robert Bilott(Mark Ruffalo) a corporate lawyer-turned-informant against his firm's client DuPont, is in the intensive care unit, recovering from a transient ischematic attack. Robert was nowhere near a dry cleaners. He had a seizure at work, in his boss' office after learning from Tom Terp(Tim Robbins) the Taft, Stennius & Hollister CEO, that he'll be expected to take another pay cut, his fourth pay cut. Robert's three boys attend a private Catholic school. The wife will be furious. This chemical company has made Robert allergic to family life. "Dark Waters" directed by Todd Haynes, is an unofficial sequel to his second film, Safe" which partly put the onus on the victim, not the culprit, because the filmmaker didn't know who the culprit was. Twenty-five years later, we know, and "Dark Waters" names names. The science is in. Modern life can kill you. Although the doctor(Terri Clark) explains to Sarah Bilott(Anne Hathaway) herself, a corporate lawyer, who met Robert at his law firm, that Robert's problem was neurological, brain-related. The wife, however, has reservations about the preliminary analysis, having witnessed, first-hand, so much corporate malfeasance, the former workman's comp assassin-turned homemaker can't help but ask if there is any possibility that her husband might have been poisoned. Wilbur Tennant(Bill Camp) a farmer, taught the couple to never take anything at face value, since every action and inaction, at the end of the day, is profit-motivated. Only a man with a twelfth-grade education would know this. A rich man with a law degree from an Ivy League school doesn't know or cares that the system is rigged, because the system never let them down. But Robert Bilott didn't attend Harvard, or Yale, or even Dartmouth. In Goliath's eyes, Robert is David, too, no different from the farmer with the dead cows. "Dark Waters" is about a changed man's crusade against a Goliath in the chemical industry, who knowingly contaminated a backwater West Virginia town's drinking water supply with chlorofluorocarbons. Outside her husband's hospital room, Sarah chastises Tom for making Robert feel like a failure. "You and I may not know what that is, she scolds the law firm's main partner, which means that Sarah doesn't care about the little man, but she cares about what her husband cares about. The "is" the audience knows, is roots. Robert Bilott went to Ohio State, a "no-name" school, according to James(William Jackson Harper) a Taft associate. Wilbur knows Robert's grandmother. That's because the hotshot lawyer grew up in rural West Virginia.

It's all in the head, people keep trying to persuade Carol White(Julianne Moore) a privileged San Fernando Valley trophy wife, especially her general practitioner, Dr. Hibbard(Steven Gilborn) who refers his patient to a colleague; a "shrink" because whatever is ailing this otherwise "healthy" woman, it's not showing up on her x-rays. "Safe" Todd Haynes' second feature, was a horror film disguised as a social satire about the consumer culture that defined the late-eighties. Set in 1987, Haynes, a filmmaker trained in semiology, updates Brian Forbes' The Stepford Wives" adapted from the Ira Levin novel, by tweaking the role of the homemaker. In the 1972 original, the women were domestic automatons, obsessing over housecleaning products and pleasing their breadwinning husbands in bed. These southern California wives have maids. They never have to lift a finger. Furniture, the audience suspects, gets them off, because they're shopping addicts and money is the drug. These Hispanic domestics clean the beautiful stuff their employers have bought and curated, which transforms their luxurious homes into temples of 20th century excess. Carol was one of them. At home, and this is because of Haynes' mastery of the mis-en-scene, the audience sees how this privileged woman must always be the focal point; her maid, Fulvia(Martha Velez) a mere planet constantly revolving around the sun, her mistress, always threatening the maid's elliptical orbit, because of their tilted symbiotic relationship. "Fulvia! Fulvia! Carol calls offscreen, even though Fulvia is preoccupied, showing the new girl how to polish silverware. Carol can't find the telephone book. Finding it herself, in this milieu, counts as hard work, and the delegation of work, that's what the missus does. Carol overexerts herself; she sits down and asks Fulvia for a glass of milk. Through the kitchen opening, we see two men at work, painting a wall. Although visual cues are aplenty, in which exposure to chemicals and air pollutants(like car exhaust) provide evidence for this woman's degraded condition, the cause and effect is compromised by the audience's disdain for this somewhat problematic protagonist. On Carol's haler days, Fulvia would fetch the missus her milk, regardless, because power over the help is the only power she holds. It's hard to root for the idle rich. The filmmaker knows this. Carol has to prove that she's one of us before the audience can get behind her. That moment arrives during the baby shower sequence. Carol goes on the fritz, similar to the woman during the pool party scene in "The Stepford Wives" who walks aimlessly among the partygoers, repeating: I'll just die if I don't get this recipe." Haynes riffs on the concept of woman as malfunctioning human android into woman as alien. Carol, suddenly, feels like a stranger among the members of her very exclusive clique; an oncoming dread that blossoms into terror when she no longer can speak the shared language of her tribe. Carol knows the words, but not the music; she's still fluent, asking Linda(Susan Norman) her best friend: Did you wrap that? and, as if they're reading from a script, the self-aware knows the right way to respond: I've seen you wrap things." These women aren't talking; it's a pitch-perfect speech performance. Improvisation in "Safe" is double-edged, because it's not just the actors who stick to the script, so do the characters they play. This rote memory of correct things to say wipes Carol out. The audience thinks it's the carpet. She asks Barbara(Ronnie Farer) for the whereabouts of her bathroom. Wrong word. "Powder room, Barbara corrects her guest. Once inside, she stares at herself in the mirror, a foreshadowing of the film's final scene. The perm, the makeup, the pretty dress; these things, Carol thinks, is not her. A glass of tap water sits on the countertop. Carol returns to the fold, managing to play her role in the good life for a little while longer. Barbara's daughter sits on the alien's lap, watching the future mother open another gift. Carol's breathing becomes labored. The child is frightened. Carol breaks script; she improvises. The alien can't breathe, like the living room suddenly turned into Mars. The host calls 911. An audience in 1995 could debate about the trigger. There are several suspects; the little girl's permed hair, carpet, sofa. air conditioner. 2019 audiences will see something different; tap water from the bathroom faucet. Chorale music is used as a sound bridge when "Dark Waters" transitions from the intensive care ward to a Catholic church. Did TIA kill the lawyer? In the pew, Carol and her three boys sing a hymn, followed by a series of expository shots, which surveys the cathedral's geography and congregation density, before ending with Robert, who sits slightly apart from his family near the aisle, in frame. So the father was there all along, hiding in the negative space, during that first shot of the incomplete Bilott family, when for an instant, the audience thinks they're witnessing a funeral. It's a variation on a theme, linking the corporate lawyer with Carol White; a thematic match, depicted through mis-en-scene, which shows how Robert is simultaneously close and far away from his family. In "Safe" the homemaker talks to Greg, her husband, and Rory, her stepson, from a different room, the kitchen, where she had volunteered to serve coffee for two. Instead of returning to the dining table, Carol lingers in a blind spot, from the family's perspective, as if she lost her way back. Robert, like Carol White, feels disconnected from his milieu. The corporate lawyer, too, meets new people and doesn't know who he is anymore. Robert ingratiates himself within a lower socioeconomic class, the denizens of Parkersburg, West Virginia, his clients, whereas the San Fernando Valley girl loses touch with her fancy, high-maintenance jetsetter friends to live with other chemically-sensitive people on a secluded commune in the New Mexico desert. Fifteen years later, since Wilbur Tennant interrupted Robert during a meeting at his law firm with a rambling monologue in an inpenetrable Appalachian dialect and a box of VHS tapes, the corporate lawyer has changed, and Sarah, despite loving her husband, calls him out. His physical body may be present, but the mind housed in that body, it's somewhere else, probably rural West Virginia. Sarah has to update this empty shell, doing a poor impersonation of the man she married, on the family and extended family's trials and tribulations. Carol White asks: Where am I? Right now? Robert is worse, because these are questions that never dawns on him to ask, and Sarah knows it. Dupont reneged on their promise to take care of the people they knowingly poisoned. The chemical giant tore up the contract, because they could afford to. The corporate giant expected Robert Bilott to back down. They didn't count on the lawyer having the wherewithal and perseverance to chip away at the thirty-five-hundred unsettled cases, one plaintiff at a time. The courtroom becomes his safe house. As a nod to the allegorical science fiction elements of "Safe" the judge announces: At this rate, we're going to be here 'til 2890 if we're lucky, so we better get started." Robert Bilott, a real-life Superman, is allergic to panies.

Hailes Butt's trouble. + Dark Waters I love how you tell these stories. You're the best narrator I've heard! Great voice and perfect timing. Thank you for this wonderful channel. When will you start putting the new Logo in your trailers? We want to see it in motion.

The cinematography looks like some 2000's TV show.

Sounds like Erin Brokovich. I have never heard of the movie but I am definitely going to watch it. I would watch it just for the name. It sounds really good. I really liked Erin Brokovich; this sounds just as good or better. 4 nominations. See more awards ?? Learn more More Like This Biography | Crime Drama 1 2 3 4 5 6 7 8 9 10 7. 5 / 10 X American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist. Director: Clint Eastwood Stars: Paul Walter Hauser, Sam Rockwell, Brandon Stanley Mystery 6. 5 / 10 Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes. Bill Condon Helen Mirren, Ian McKellen, Russell Tovey 6. 9 / 10 In 1950s New York, a lonely private detective afflicted with Tourette's Syndrome ventures to solve the murder of his mentor and only friend. Edward Norton Edward Norton, Gugu Mbatha-Raw, Alec Baldwin World-renowned civil rights defense attorney Bryan Stevenson works to free a wrongly condemned death row prisoner. Destin Daniel Cretton Brie Larson, Michael B. Jordan, Jamie Foxx Romance Sport 7. 7 / 10 Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss. Trey Edward Shults Taylor Russell, Kelvin Harrison Jr., Alexa Demie 6. 8 / 10 A group of women take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network. Jay Roach Charlize Theron, Nicole Kidman, Margot Robbie Fantasy Horror Years following the events of "The Shining, " a now-adult Dan Torrance must protect a young girl with similar powers from a cult known as The True Knot, who prey on children with powers to remain immortal. Mike Flanagan Ewan McGregor, Rebecca Ferguson, Kyliegh Curran 7. 4 / 10 A young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health. Alma Har'el Shia LaBeouf, Lucas Hedges, Noah Jupe Action 8. 2 / 10 American car designer Carroll Shelby and driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary race car for Ford and challenge Ferrari at the 24 Hours of Le Mans in 1966. James Mangold Matt Damon, Christian Bale, Jon Bernthal Sci-Fi 6. 3 / 10 A secluded farm is struck by a strange meteorite which has apocalyptic consequences for the family living there and possibly the world. Richard Stanley Nicolas Cage, Joely Richardson, Madeleine Arthur 7. 6 / 10 The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II. Terrence Malick August Diehl, Valerie Pachner, Maria Simon History The story of the Battle of Midway, told by the leaders and the sailors who fought it. Roland Emmerich Ed Skrein, Patrick Wilson, Woody Harrelson Edit Storyline A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution. Plot Summary Plot Synopsis Taglines: The Truth Has a Man on the Inside Details Release Date: 6 December 2019 (USA) See more ?? Also Known As: The Lawyer Who Became DuPont's Worst Nightmare Box Office Opening Weekend USA: $102, 606, 24 November 2019 Cumulative Worldwide Gross: $12, 384, 757 See more on IMDbPro ?? Company Credits Technical Specs See full technical specs ?? Did You Know? Goofs A nighttime shot of 2015 downtown Cincinnati shows a lit up Ferris wheel. The SkyStar Wheel arrived in Cincinnati in 2018. See more ? Quotes Robert Bilott: You're a run of a mill dump, nothing but trash. Edward Wallace: You sound like my first girlfriend. See more ? Soundtracks The Heart Is a Lonely Hunter Written by Ed Hill (as Edward Monroe Hill), Mark D. Sanders (as Mark Daniel Saunders) and Kim Williams Performed by Reba McEntire Published by Universal Music - Careers, Universal Music Corp, WC Music Corp, Sony/ATV Cross Keys Publishing Courtesy of MCA Nashville under license from Universal Music Enterprises See more ?.
5% ppl: Talking about the actual movie. 95% JoJo fans: It's free real estate. &ref(https://images-na.ssl-images-amazon.com/images/M/MV5BNjQ0MGE3MDktNDRmMS00OTE3LTljM2YtYzBiYTg1YWUyYTc2XkEyXkFqcGdeQXVyNzU1NzE3NTg@._V1_CR0,45,480,270_AL_UX477_CR0,0,477,268_AL_.jpg)