Jennifer Allen

Pertect! ?????.

THE TALE OF THE PRINCESS KAGUYA is a wide-reaching Studio Ghibli epic done in a slow, thoughtful, and evocative way. The story is based on the same bit of Japanese folklore that was behind the 1980s film PRINCESS FROM THE MOON, starring Toshiro Mifune. The movie was directed by Isao Takahata, who previously made MY NEIGHBOURS THE YAMADAS back in the 1990s, and it has the same basic, old-fashioned animated look to it, albeit with more colour and time spent on the imagery. For those looking for an action-packed Disney-style romp with dumb comedy, go elsewhere. Like a lot of Ghibli products, KAGUYA is a mature and reflective piece of work, more of a mood piece than anything else. The fantasy story is tinged with warmth but also sadness and tragedy; a classic coming-of-age tale with something of a depressing outcome. It might even be Ghibli's most adult film to date and it certainly connects with the viewer more than anything like THE WIND RISES; I'll freely admit to the tears running down my cheeks during a wistful song at the climax. My only complaint is that it's a little long, but that doesn't detract from the experience. Prinsessa Kaguyan taruhan bola online.

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Best film animation of all times. Spoilers As fantastic as the movie is (even tho i felt the suitors section was needlessly long) I'm glad the ending shot showed us the princess turning around one last time. The ending felt like a commentary on how, for celestial beings of these mythologies, the sorrow and love of human emotion are as inconsequential and fleeting as motes of dust. It would've broke me if she never turned around and challenged that idea, if just for a bit.

Prinsessa kaguyan taru arvostelu. Qe tiene ke ver con naruto.

Como se llama la cancion. The animation masterpiece of the decade. Takahata is going out on top. The fabled north American distribution deal between Disney and Studio Ghibli (apparently) applies only to the works of Myazaki; north American distribution of this is being handled by GKIDS. So the heavyweight marketing of Pixar/Disney isn't behind it. But don't be fooled by its "art-house" distribution or its relative obscurity - this is a really big deal.

It's an "epic" having taken eight years to produce and clocking in at well over two hours. I haven't seen the words "production committee" in credits since 'Akira. that means it was too big for any one normal producer, so several companies had to form a "consortium" Studio Ghibli itself, a TV network, a foreign corporation, a movie studio, and three others. And the animation work itself was so large that parts of it were farmed out to _nine_ other studios. There are two versions: an English dub of the soundtrack with most things written in English characters (although in general dubs suck, animation is often an exception) and a Japanese soundtrack with written English subtitles and most things (including virtually all the credits) written in Japanese characters. If the names of the voice actors you hear sound vaguely familiar, that's the English dub version. In fact, if you're viewing this in a theater, unless the theater is pretty sophisticated, you won't even have a choice - you'll see only the English dub version. And that's okay. You get what you're used to from Studio Ghibli: powerful and independent women characters, a strong bond with the natural world, seamless switches back and forth between reality and fantasy, rootedness in tradition and folklore, and the music of Joe Hisaishi. Add to that some themes I associate specifically with Takahata: portrayals of "reality" even when it's quite sad, nostalgia, an acceptance and open portrayal of the concept of the "cycle of life" and ambivalence toward tradition and especially patriarchy (respecting and illustrating the good, while at the same time poking fun at the bad. Finally add a new twist I haven't seen in animation before: whole scenes where all the dialog, the visuals, and even the music, point to one interpretation. only to recast the whole thing in a different light at the end to reach a totally unexpected conclusion. The animation is 2D and very intricate, but still appears hand-drawn. Outlines vary in thickness and density, and colored areas don't always reach exactly to an outline. It could be computer-drawn (as many apparently hand-drawn animations actually are these days) only if the computer made an awful lot of "mistakes. Interestingly, the figures and the backgrounds look exactly the same (not different styles of animation as is often the case. It's all colored with pastels. The end result looks somewhat as though 'My Neighbors the Yamadas' had been used as starting sketches which were then finished. I thought my evaluation of "hand drawn" was vindicated when a whole screenful of the end credits was occupied with the names of all the in-betweeners. But then just a bit later the whole screen was again filled with one category of names, this time all the digital ink and painters. Sometimes what you'd expect to be computer-generated is in fact clearly hand drawn, as when shadows move just a bit awkwardly between the beginning and the end of a scene. Other times the effect really seems computer-generated, as when a character is seen in a side closeup crashing through vegetation with lots and lots of branches flying much faster than anyone could draw them, or as when there's a cross-fade between scenes. I could never even guess though how it had been done when occasionally I could see what was behind a bit of translucent cloth.

Imaginen. Su padre la separo de su amor. Yo creo que a como ella lo digo habrían sido muy felices juntos. I can't even watch this video. the tears are blocking my vision and it just brings out too many emotions. God, this movie is so incredible on every front. The story is masterful, the art is some of the most beautiful stuff I have ever seen(including the animation fluidity) the soundtrack is perfect. As amazing as Grave Of The Fireflies is, this right here, is Takahata's masterpiece. I can hardly wait to add it to my collection.
¤À¤«¤éÆüËܸ줬Âç¹¥¤­¤Ç¤¹. Por eso, me gusta mucho la lengua japonesa. That's why I really like japanese language. Prinsessa kaguyan tarun.

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www.openlearning.com/u/raymilglandri/blog/OnlineFreeKaguyahimeNoMonogatariFullMovie

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https://niyakatachi.therestaurant.jp/posts/8014868

Author Andreu Villanueva
Biography: Comunicació a @justiciacat i @XarxaIP. Pare paràs i corredor aficionat. "Hom creu impossibles moltes coses abans de realitzar-les", Plini el Vell.

El conte de la princesa Kaguya
9.2 (84%) 197 votes
El conte de la princesa Kaguya