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Alla Kovgan; country=Germany; Release Year=2019; Duration=1Hour 33minutes; Reviews=Even for those who know little about dance, Merce Cunningham is a recognizable name - an iconic figure in his field. His mid-20th century collaborations with composer John Cage (his lifelong partner) and visual artist Robert Rauschenberg were central to an era of transformation. Cunningham resisted "avant-garde" or any other label. "I don't describe it. I do it," he once said. Now, with Cunningham, we have a chance to experience what he did. Filmmaker Alla Kovgan assembles the last generation of Cunningham dancers (led by Merce Cunningham Dance Company assistant director of choreography Jennifer Goggans) to present landmark works from the Cunningham repertoire. The film concentrates on the three decades from 1942 to 1972 when Cunningham was making his reputation. Gorgeously shot in 3D, Cunningham brings us closer to these works than any audience has ever been before. Taking an inventive approach with locations, the film places dancers in evocative backdrops such as a tunnel, a high-rise rooftop, and a forest. These current-day performances are interlaced with archival footage of Cunningham speaking and moving. We also hear illuminating interviews with Cage, Rauschenberg, and members of the original Merce Cunningham Dance Company, who endured years of rejection and outrage before they slowly won over audiences. "I never believed that idea that dancing was the greatest of the arts," said Cunningham. "But when it clicks, there's the rub. It becomes memorable. And one can be seduced all over again." Whether you come to Cunningham as a neophyte or an aficionado, you'll leave with a rich experience of his art.
Am young and learn. Hi, your biggest fan here, your music is so incredible! Why make these distraction videos? I love, love, love your music, maybe try to make videos that go with the theme? If it is, then it's over my head I guess. It would be better if the babys had chrismas hats. Excellent and insightful film on the creative genius, Merce Cunningham. I will recommend to all my friends. Esto me llegó en el alma ?thanks for that.

• Great to see a film about dancing! A relatively unexplored sub-genre of documentary, and Cunningham was welcome for this alone. It adds to a hole that I suppose Wenders' Pina opened.

• On that note, this film should not have been shot in 3d, which added nothing but nausia. We expect the 3d was entirely for the purpose of (a) copying Pina and, relatedly, b) getting funding. But Cunningham's dances are far less spectacular and their presentation here likewise. The 3d only distracts from the movement in all but one Warhol-involved set, especially when edited with 2d archival.

• First half entertaining, second boring. The film progresses at a monotonous pace: one thing happens and then another and then another. No real conflict or tension.

Which is a problem. Because there evidently was plenty of this, but only in reality. The movie, on the other hand, brushes past unconvincingly. No one in the film is given space apart from Cunningham - everyone else speaks to convince the audience how great he is. I wanted to hear from one of his female dancers honestly, in long form, of the darkness of Cunningham. This would help to flesh out his character, give us something to chew on, and organise the film into a narrative. As is, we grew progressively distrusting and disengaged with the Greatest Hits/ Victory Lap tone, before the film ends suddenly with the news that all his dancers left.

• Ultimately we were left unconvinced that Cunningham (the dancer) was all that interesting. Fashionable certainly, he's attached to the right people, and I'm sure it would be great to be dancing as him, but the just-over-half-full prime-time-at-the-festival cinema was an endless circuit of yawns.

• Nevertheless we feel cultured now.

LOVE THIS. Everybody: cel: i wanna be penny from hair spray. Bruh I live just far away enough I cant get to Seattle easily, yet Im so close! Why! I just want to find mini babies. Love the new vid. Is it my earbuds or is there no sound Edit its my earbuds oops. No one: Literally no one: Not a single person: Jordan: IM SO HUNGRY* but like honestly sis mood. If Thanos collects all of the positivity stones across campus, he can harness their power and become the god of self-love.
She is such a complete musician with a clear Imagination, I am jealous&proud of her at the same serves MUCH more views!?.

Im absolutely in love with how delicately he sang every single note. AMAZING. Imagine that there was a crime nearby and they thought these guys were the suspects and being interviewed only to find out that they were just hiding small babies to literally everywhere.

Cunningham

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https://kumu.io/oplenypel/cunningham

Reporter: Mason Cunningham
Biography: Texan - A&M Football (Fullback) - Former Marine - Bachelor's degree in Agriculture - Father (4 kids) - There is no #Israel in #AmericaFirst.

For Free™ Cunningham Watch Free Rated 4.4 / 5 based on 902 reviews.