Diane Antior

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Coauthor - Luke Henderson

Bio Writer. Husband. Father. Avalanche fan. Marketing Director for a bookstore in Colorado. Potty mouth. Proud Texas journalism grad. Opinions are my own.


5,1 / 10 star / Countries: UK / Drama, Thriller / 2019 / Liked it: 886 votes / 102M. While we say goodbye to another year, the race for the Oscars is going full throttle as the following week starts to reveal the industry's real ideas about the best films of 2019. Let's take a good look at the important dates at the calendar coming up: Friday, January 3 ? American Society of Cinematographers Nominations Sunday, January 5 ? Golden Globes Monday, January 6 ? WGA (Writers Guild) Nominations Tuesday, January 7 ? BAFTA Nominations Also on Tuesday, January 7 ? DGA (Directors Guild) Nominations Another thing on Tuesday, January 7 ? PGA (Producers Guild) Nominations Oh, I almost forgot, ALSO on Tuesday, January 7 - The Oscar nomination voting closes Now, some context for the non-awards nerds. When we want to see ahead of time which films are the favourites in the awards race, we tend to look at the precedents of the powerful trifecta of members of the Academy that is made up of the PGA (producers), the DGA (directors), and the WGA (writers), as well as the SAGs, because some of its actor members are part of the largest branch of voters. If a film has the support of all or most of these guilds ( and the support of all five boroughs), a Best Picture nomination is guaranteed. Also, we have to pay attention to what the British members of the Academy have to say with the BAFTA nominations, which always bring forward some clear views on what's getting in. And finally, the Golden Globes. Sure, the Hollywood Foreign Press Association is a joke made up of dozens of foreign journalists that vote according to which famous people they can get to show up to their parties, but there is still some influence in this ceremony. If you or your movie can win at the Golden Globes, you have a shot at the best kind of publicity in these times: a memorable (and viral) speech. Let's take a look at a good example from a couple of months ago. When we were discussing the previous Best Actress race, it was a one-on-one race between the unrecognized Wife herself, Glenn Close, and the breakout popstar-turned-actress, Lady Gaga. While Close beat Gaga for the Drama Actress award during the Globes, the Comedy Actress award went to the underdog favourite Olivia Colman, who didn't have time to campaign because she was busy filming The Crown. Her speech was the only big campaign moment in an awards season that otherwise was dominated by the other two, but it was memorable enough to keep her in the race. And when she won, it wasn't a total shock. Also, let's not forget that last year, the Globes sadly also predicted the two unlikely big winners of the Oscars, Green Book and Bohemian Rhapsody (barf). But enough about the Ricky Gervais show. Let's see how the contenders are doing. -1917: Sam Mendes' WW1 one-take action drama has just started its limited release, and while the early numbers are promising before its wide release on January 10, the important thing is that people are aware of this movie as an impressive technical contender. It doesn't matter that it didn't gather SAG nominations, because both the Critics Choice Awards and the Golden Globes showered the movie with nods, and people are very aware of Mendes' directing, Roger Deakins' complicated cinematography, and Thomas Newman's emotional score. If we add up this awareness with the technical nods that it will bag (let's be honest, we already know that this movie will win both Best Sound Editing and Best Sound Mixing, because it's loud), we have a Best Picture nomination coming right up. -A Beautiful Day in the Neighborhood: While the chances for almost anything else have faded away for Marielle Heller's take on the power of Mr. Rogers, it looks like this movie could finally end Tom Hanks' curse that has affected him after Cast Away. He has secured nods for the Critics Choice, the Golden Globes and the SAGs, so everything looks like he is set in stone for an Oscar nod after almost two decades. But the past has taught us that anything could happen that derails his shot. -Bombshell: The critics are mixed on this movie, and the box office has been a little bit disappointing, but the Fox News expose by Jay Roach still has one ace up its sleeve, and it's that its a performance movie. Both the Golden Globes and the SAGs rewarded Charlize Theron's turn as Megyn Kelly and Margot Robbie's composite victim of sexual harassment, with the second of those two awardfests also nominating Nicole Kidman's portrayal of Gretchen Carlson, as well as the whole ensemble cast. While it's hard to see the movie being a financial hit (it's hard to make back a 32 million dollar budget with a movie that republicans won't see because it criticizes their news source, while democrats won't see it because it's better to see the End of Days than a movie with Megyn Kelly as the hero), multiple Oscar nominations (Theron, Robbie, the make-up) are guaranteed. And who knows, because in the next few days Charlize could even steal Renee Zellweger's thunder. -Cats: Oh, poor Cats. It has become the punchline of the Internet, it's gonna lose at the very least 71 million dollars, and it even lost its best shot at an Oscar. While the unfinished, unpatched VFX of Tom Hooper's unforgettable take on Andrew Lloyd Webber's musical somehow got shortlisted for the Oscars (YOU COULD SEE JUDI DENCH'S FREAKING WEDDING RING, AND THEY STILL PUT IT BEFORE AD ASTRA, WTF), a different fate happened to "Beautiful Ghosts", ALW and Taylor Swift's original song written almost exclusively for awards. It's very likely that this movie doesn't get nominated at all, to which I say that we drown our sorrows with a glass of MIIIIIIIIIIIIIILLLLLLLLKKKKKKK. -Dark Waters: What happens when a muted, dark movie by Todd Haynes crashes at the last minute in a rushed award season after skipping every single festival? A failed wide expansion at the box office and zero award precedents. Better luck next time, Mark Ruffalo. -Dolemite Is My Name: Eddie Murphy still holds on to the Best Actor race, and he still has a shot, as you could check with his nominations for both the Critics Choice and the Golden Globes. While he didn't get to the SAGs, he still got a great campaigning spot when he showed up to host the Christmas episode of Saturday Night Live, which, if you haven't seen it, also was the best SNL episode in years. Even if he doesn't get nominated for an Oscar, you can be sure that he will win an Emmy next year, because he was so unbelievably funny again. -Ford v Ferrari: James Mangold's ultimate dad movie is making a place for itself in the awards season because of two factors. One is obviously the technical side, which comes in handy into the narrative of the throwback to the adult dramas about manly men who beat the odds and built a future. On the other hand, Christian Bale has been surprisingly planting a flag all over the Best Actor precursors, showing up in both the Golden Globes and the SAGs. People like to nominate Bale when he shifts from chubby to skinny, it's a fact. Let's see if this leads him and the movie towards Oscar night. -Harriet: Cynthia Erivo has been hitting every necessary step, with nominations for Best Actress in the Critics Choice, the Golden Globes and the SAGs. But her status could be in danger, because of another black actress on the rise (yes, I know, it's fucked up that we already know that two black actresses won't get in the same category). Even then, if she doesn't get Best Actress, she still has a shot for Best Original Song, because "Stand Up", the track that she co-wrote for the Kasi Lemmons biopic, has been shortlisted for that category. -Honey Boy: The Shia LaBeouf comeback has to keep building itself, because this movie has been ignored by the big awards, and also the audience. Kudos to Alma Har'el for calling out the industry's bullshit towards female-directed movies during award season, though. -Hustlers: Speaking of, Lorene Scafaria's stripper caper hasn't been recognized so far outside of Jennifer Lopez's supporting performance, which by this point is guaranteed to get nominated for an Oscar. At least this movie has the luxury of a long life thanks to its big box office success and the rewards of time. -Jojo Rabbit: While Taika Waititi's WW2 dramedy didn't make a big splash with critics or audiences, the industry has been kind to Jojo, with Best Picture nominations in the Critics Choice and the Golden Globes, as well as a Best Ensemble nod at the SAGs (which is their equivalent to BP). Another funny thing that happened with the SAG nominations is that Scarlett Johansson got an unexpected second nomination thanks to her supporting turn in this movie, which could also repeat itself during the Oscars. If we add up Adapted Screenplay, Johansson's possible second nod, and the below-the-line nods, we have a recipe for a Best Picture nomination. All thanks to a movie that's both edgy enough to get noticed, and safe enough to court old Academy members and apolitical people. -Joker: Todd Phillips' take on the Clown Prince of Crime is still making waves, courting Best Picture nods in the Critics Choice and the Golden Globes. Of course, Joaquin Phoenix is a lock in every Best Actor category of every award show, so now we have to wait and see if his winning streak with the industry starts to grow, because the critics had another man in mind during their awards. -Judy: We've been talking about it for months, she has been nominated for every single Best Actress prize in the horizon, and next Sunday we see if the sweep begins for Renee Zellweger. But there's also a chance that the overlong frontrunner effect takes over, and people start looking for other performances. "Yes, Renee is Judy, we know, but have you seen how Charlize becomes Megyn? " seems to be the talk of the town during the last few weeks, and it doesn't help that the critics pointed towards other contender. The "person becomes another person" can be a double-edged sword. -Just

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Yea why dont they show the interviewer? probably an ugly jealous cow. Against all enemies guns. ?Audience REACTIONS at its North American PREMIERE:

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