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Los Leones is a movie starring Casper Smart, Ozuna, and Sarodj Bertin. Nicole and José Miguel's life in NYC becomes a whirlwind when Nicole suspects him of cheating on her while receiving the surprise that her father is getting / Frank Perozo / Dominican Republic / Genre=Comedy / Stars=Sarodj Bertin / Runtime=96 Min. Hq genre musical phone Quà LeÃ?n 2.5. Hq genre musical phone Qué lyon 2. Hq genre musical phone qué león 2000. Ya solo falta que metan a sylvester stallone en esta saga como el tió abuelo de toretto. Hq genre musical phone qué león 2013. Camilo queremos saber q había en la maleta? grande?.
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Solo un maniatico, puede obligar a ver estupidas fotos y musica al usuario, es un cretinismo absurdo. Hq genre musical phone Qué León leon 2017. Hq genre musical phone qué león 20. Hq genre musical phone Quà LeÃ?n 2.3. Once Upon a Time in America Theatrical release poster by Tom Jung Directed by Sergio Leone Produced by Arnon Milchan Screenplay by Leonardo Benvenuti Piero De Bernardi Enrico Medioli Franco Arcalli Franco Ferrini Sergio Leone Based on The Hoods by Harry Grey Starring Robert De Niro James Woods Elizabeth McGovern Joe Pesci Burt Young Tuesday Weld Treat Williams Music by Ennio Morricone Cinematography Tonino Delli Colli Edited by Nino Baragli Production company The Ladd Company PSO International Embassy International Pictures Rafran Cinematografica [1] [2] Distributed by Warner Bros. (United States) Titanus (Italy) Release date May?23,?1984 ( Cannes) June?1,?1984 (United States) Running time 250 minutes (Director's cut) 229 minutes (Theatrical) 139 minutes (Re-edit) Country United States [3] Italy [3] Language English Budget $30 million Box office $5. 3 million [4] Once Upon a Time in America ( Italian: C'era una volta in America) is a 1984 epic crime drama film co-written and directed by Italian filmmaker Sergio Leone and starring Robert De Niro and James Woods. The film is an Italian?American [3] venture produced by The Ladd Company, Embassy International Pictures, PSO Enterprises, and Rafran Cinematografica, and distributed by Warner Bros. Based on Harry Grey 's novel The Hoods, it chronicles the lives of best friends David "Noodles" Aaronson and Maximilian "Max" Bercovicz as they lead a group of Jewish ghetto youths who rise to prominence as Jewish gangsters in New York City 's world of organized crime. The film explores themes of childhood friendships, love, lust, greed, betrayal, loss, broken relationships, together with the rise of mobsters in American society. It was the final film directed by Leone before his death five years later, and the first feature film he had directed in 13 years. It is also the third film of Leone's Once Upon a Time Trilogy, which includes Once Upon a Time in the West (1968) and Duck, You Sucker! (1971). [5] The cinematography was by Tonino Delli Colli, and the film score by Ennio Morricone. Leone originally envisaged two three-hour films, then a single 269-minute (4 hours and 29 minutes) version, but was convinced by distributors to shorten it to 229 minutes (3 hours and 49 minutes). The American distributors, The Ladd Company, further shortened it to 139 minutes, and rearranged the scenes into chronological order, without Leone's involvement. The shortened version was a critical and commercial flop in the United States, and critics who had seen both versions harshly condemned the changes that were made. The original "European cut" has remained a critical favorite and frequently appears in lists of the greatest gangster films of all time. Plot [ edit] Three thugs enter a Chinese wayang theater, looking for a marked man. The proprietors slip into a hidden opium den and warn a man named "Noodles", but he pays no attention. In a flashback, Noodles observes police removing three disfigured corpses from a street. Although he kills one of the thugs pursuing him, Noodles learns they have murdered Eve, his girlfriend, and that his money has been stolen, so he leaves the city. David "Noodles" Aaronson struggles as a street kid in a neighborhood on Manhattan's Lower East Side in 1899. He and his friends Patrick "Patsy" Goldberg, Philip "Cockeye" Stein and Dominic commit petty crimes under the supervision of local boss, Bugsy. Planning to rob a drunk as a truck hides them from a police officer, they're foiled by Maximillian "Max" Bercovicz, who jumps off the truck to rob the man himself. Noodles confronts Max, but a crooked police officer steals the watch that they are fighting over. Later, Max blackmails the police officer, who is having sex with Peggy, a teenage girl and Noodles' neighbor. Max, Noodles, Patsy, Dominic and Cockeye start their own gang, independent of Bugsy, who had previously enjoyed the police officer's protection. The boys stash half their money in a suitcase, which they hide in a locker at the railway station, giving the key to "Fat" Moe Gelly, a reliable friend who is not part of the operation. Noodles is in love with Fat Moe's sister, Deborah, an aspiring dancer and actress. After the gang has some success, Bugsy ambushes the boys and shoots Dominic, who dies in Noodles' arms. In a rage, Noodles stabs Bugsy and severely injures a police officer. He is arrested and sentenced to prison. Noodles is released from jail in 1930 and is reunited with his old gang, who are now major bootleggers during Prohibition. Noodles also reunites with Deborah, seeking to rekindle their relationship. During a robbery, the gang meet Carol, who later on becomes Max's girlfriend. The gang prospers from bootlegging, while also providing muscle for union boss Jimmy Conway O'Donnell. Noodles tries to impress Deborah on an extravagant date, but then rapes her after she declines his marriage proposal, as she intends to pursue a career in Hollywood. Noodles goes to the train station looking for Deborah, but when she spots him from her train seat, she simply closes the blind. The gang's financial success ends with the 1933 repeal of Prohibition. Max suggests joining the Teamsters' union, as muscle, but Noodles refuses. Max acquiesces and they go to Florida, with Carol and Eve, for a vacation. While there, Max suggests robbing the New York Federal Reserve Bank, but Noodles regards it as a suicide mission. Carol, who also fears for Max's life, convinces Noodles to inform the police about a lesser offense, so the four friends will safely serve a brief ("probably one year") jail sentence. Minutes after calling the police, Max knocks Noodles unconscious during an argument. Regaining consciousness, Noodles finds out that Max, Patsy, and Cockeye have been killed by the police, and is consumed with guilt over making the phone call. Noodles then boards the first bus leaving New York, going to Buffalo, to live under a false identity, Robert Williams. In 1968, Noodles receives a letter informing him that the cemetery where his friends are buried is being redeveloped, asking him to make arrangements for their reburial. Realizing that someone has deduced his identity, Noodles returns to Manhattan, and stays with Fat Moe above his restaurant. While visiting the cemetery, Noodles finds a key to the railway locker once kept by the gang, and notes the license plate of a car following him. Opening the locker, he finds a suitcase full of money but with a note stating that the cash is a down-payment on his next job. Noodles hears about a corruption scandal and assassination attempt on U. S. Secretary of Commerce Christopher Bailey, an embattled political figure, mentioned in a news report. Noodles visits Carol, who lives at a retirement home run by the Bailey Foundation. She tells him that Max planted the idea of Carol and Noodles tipping him off to the police, because he wanted to die rather than go insane like his father, who died in an asylum; Max opened fire on the police to ensure his own death. While at the retirement home, Noodles sees a photo of Deborah at the institution's dedication. Noodles tracks down Deborah, still an actress. He questions her about Secretary Bailey, telling her about his invitation to a party at Bailey's mansion. Deborah claims not to know who Bailey is and begs Noodles to leave via the back exit, as Bailey's son is waiting for her at the main door. Ignoring Deborah's advice, Noodles sees Bailey's son David, who is named after Noodles and bears a strong resemblance to Max as a young man. Thus, Noodles realizes that Max is alive and living as Bailey. Noodles meets with Max in his private study during the party. Max explains that corrupt police officers helped him fake his own death, so that he could steal the gang's money and make Deborah his mistress in order to begin a new life as Bailey, a man with connections to the Teamsters' union, connections that have now gone sour. Now faced with ruin and the specter of a Teamster assassination, Max asks Noodles to kill him, having tracked him down and sent the invitation. Noodles, obstinately referring to him by his Secretary Bailey identity, refuses because, in his eyes, Max died with the gang. As Noodles leaves Max's estate, he hears a garbage truck start up and looks back to see Max standing at his driveway's gated entrance. As he begins to walk towards Noodles, the truck passes between them. Noodles sees the truck's auger grinding down rubbish, but Max is nowhere to be seen. The end returns to the opening scene in 1933, with Noodles entering the opium den after his friends' deaths, taking the drug and broadly grinning. Cast [ edit] The cast also includes Noah Moazezi as Dominic, James Russo as Bugsy, producer Arnon Milchan as Noodles' chauffeur, Marcia Jean Kurtz as Max's mother, Estelle Harris as Peggy's mother, Joey Faye as an "Adorable Old Man", and Olga Karlatos as a wayang patron. Frank Gio, Ray Dittrich and Mario Brega (a regular supporting actor in Leone's Dollars Trilogy) respectively appear as Beefy, Trigger and Mandy, a trio of gangsters who search for Noodles. Frequent De Niro collaborator Chuck Low and Leone's daughter Francesca respectively make uncredited appearances as Fat Moe and Deborah's father, and David Bailey's girlfriend. [2] In the 2012 restoration, Louise Fletcher appears as the Cemetery Directress of Riverdale, where Noodles visits his friends' tomb in 1968. [6] Production [ edit] Development [ edit] During the mid-1960s, Sergio Leone read the novel The Hoods by Harry Grey, a pseudonym for the former gangster-turned-informant whose real name was Harry Goldberg. [7] In 1968, after shooting Once Upon a Time in the West, Leone made many efforts to talk to Grey. Having enjo
Hq genre musical phone Qué léon bérard. "Adult Books" redirects here. For the Los Angeles band, see Adult Books (band). Los Angeles Studio album by X Released April 26, 1980 Recorded January 1980 Studio Golden Sound Studios, Hollywood, CA Genre Punk rock Length 28: 05 Label Slash Producer Ray Manzarek X chronology Los Angeles (1980) Wild Gift (1981) "Delta 88" redirects here. For the automobile, see Oldsmobile 88. Los Angeles is the debut studio album by American rock band X, released on April 26, 1980 by Slash Records. Produced by ex- Doors keyboard player Ray Manzarek, it includes a cover of the 1967 Doors song " Soul Kitchen ". It placed at No. 16 for the year in The Village Voice Pazz & Jop Critics Poll. [1] In 2003, the album was ranked No. 286 on Rolling Stone ' s list of the 500 greatest albums of all time. [2] In 1988, Slash issued Los Angeles and Wild Gift jointly on a single CD. It was reissued by Rhino Records in 2001 with five bonus tracks. Critical reception [ edit] Professional ratings Review scores Source Rating AllMusic [3] Christgau's Record Guide A− [4] Entertainment Weekly A [5] Pitchfork 8. 5/10 [6] The Rolling Stone Album Guide [7] Spin Alternative Record Guide 9/10 [8] Uncut [9] Los Angeles was reviewed very positively from its first release. Ken Tucker wrote in Rolling Stone that it "is a powerful, upsetting work that concludes with a confrontation of the band's own rampaging bitterness and confusion. " [10] Robert Christgau wrote that their outlook and songs "make a smart argument for a desperately stupid scene. " [4] AllMusic 's retrospective review concluded that the album "is considered by many to be one of punk's all-time finest recordings, and with good reason. " [3] For the year of its release, it was placed at No. 16 on the Christgau organized Village Voice Pazz & Jop Critics Poll. [1] Subsequently, it was ranked No. 24 on Rolling Stone' s 1989 list "The 100 Best Albums of the Eighties", [11] and Pitchfork ranked it 91st on their top 100 albums of the 1980s. [12] The former also ranked it No. 286 on its list of the 500 greatest albums of all time in 2003, [2] and 287 in a 2012 revised list. [13] The title track was included in " The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll ". [14] In 2012, Slant Magazine placed the album at No. 98 on its list of "Best Albums of the 1980s". [15] In pop culture [ edit] The album's title track featured in the series finale of The Shield and has made numerous video game appearances including the soundtrack to Tony Hawk's Underground 2, as downloadable content in Rock Band and as a cover version in Guitar Hero Encore: Rocks the 80's. However, the use of the words " nigger " and "shit" were censored while the Guitar Hero version used the second verse as the first and second verse. The uncensored version of the song appeared in the next gen versions of Grand Theft Auto V. Los Angeles is mentioned at the very end of Bret Easton Ellis's debut novel Less Than Zero. "Nausea" was performed in the 1981 rockumentary The Decline of Western Civilization, and later in 2008 in the Germs biopic film What We Do Is Secret. In 1994 The X-Files episode " 3 ", "The Unheard Music" was heard in the background during the Club Tepes scene. Track listing [ edit] All tracks are written by John Doe and Exene Cervenka except where noted. Side A No. Title Writer(s) Length 1. "Your Phone's Off the Hook, But You're Not" ? 2:25 2. "Johny Hit and Run Paulene" ? 2:50 3. " Soul Kitchen " John Densmore, Robbie Krieger, Ray Manzarek; Jim Morrison 2:25 4. "Nausea" ? 3:40 5. "Sugarlight" ? 2:28 Side B No. Title Length 6. "Los Angeles" 2:25 7. "Sex and Dying in High Society" 2:15 8. "The Unheard Music" 4:49 9. "The World's a Mess; It's in My Kiss" 4:43 Bonus tracks (2001 CD reissue) [ edit] "I'm Coming Over (Demo Version)" ? 1:24 "Adult Books ( Dangerhouse Rough Mix Version)" ? 3:21 "Delta 88 (Demo Version) ? 1:28 "Cyrano de Berger's Back (Rehearsal) ? 3:01 "Los Angeles (Dangerhouse Version) ? 2:14 Personnel [ edit] X John Doe ? bass, lead vocals Exene ? vocals Billy Zoom ? guitar D. J. Bonebrake ? drums Additional personnel Ray Manzarek ? organ on "Nausea", "The Unheard Music", and "The World's a Mess; It's in My Kiss"; synthesizer on "Sex and Dying in High Society"; production References [ edit] ^ a b "The 1980 Pazz & Jop Critics Poll". The Village Voice. February 9, 1981. Retrieved September 20, 2011. ^ a b Levy, Joe; Steven Van Zandt (2006) [2005]. "286 | Los Angeles - X". Rolling Stone's 500 Greatest Albums of All Time (3rd ed. ). London: Turnaround. ISBN ? 1-932958-61-4. OCLC ? 70672814. Retrieved April 4, 2006. ^ a b Prato, Greg. " Los Angeles ? X". AllMusic. Retrieved September 11, 2005. ^ a b Christgau, Robert (1990). "X: Los Angeles ". Christgau's Record Guide: The '80s. Pantheon Books. ISBN ? 0-679-73015-X. Retrieved April 4, 2006. ^ "X: Los Angeles ". Entertainment Weekly: 75. September 28, 2001. ^ Bengal, Rebecca (February 24, 2019). Pitchfork. Retrieved February 24, 2019. ^ Sisario, Ben (2004). "X". In Brackett, Nathan; Hoard, Christian (eds. The New Rolling Stone Album Guide (4th ed. Simon & Schuster. pp.? 889?90. ISBN ? 0-7432-0169-8. ^ Weisbard, Eric; Marks, Craig, eds. (1995). Spin Alternative Record Guide. Vintage Books. ISBN ? 0-679-75574-8. ^ "X: Los Angeles ". Uncut (55): 118. December 2001. ^ Tucker, Ken (August 7, 1980). "X Los Angeles > Album Review". Rolling Stone (323). Archived from the original on December 24, 2007. Retrieved May 12, 2006. ^ Azerrad, Michael; DeCurtis, Anthony (November 16, 1989). "The 100 Best Albums of the Eighties". Rolling Stone (565). p.?76. Retrieved February 21, 2007. ^ "Top 100 Albums of the 1980s". Pitchfork Media. November 20, 2002. Retrieved February 28, 2011. ^ "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time". Rolling Stone. 2012. Retrieved September 10, 2019. ^ "Experience the Music: One Hit Wonders and the Songs that Shaped Rock and Roll".. Rock and Roll Hall of Fame and Museum, Inc. Retrieved April 27, 2009. ^ "Best Albums of the 1980s | Music". Slant Magazine. March 5, 2012. Retrieved September 4, 2012.
El que este escuchando esta canción que no le falte nada. Hq genre musical phone qué león 28. Hq genre musical phone qué león 2015. Get Smart Title card from seasons one and two Genre Mystery Sitcom Action adventure Created by Mel Brooks Buck Henry Directed by Gary Nelson Bruce Bilson Don Adams James Komack Earl Bellamy Starring Don Adams Barbara Feldon Edward Platt Theme music composer Irving Szathmary Country of origin United States No. of seasons 5 No. of episodes 138 ( list of episodes) Production Executive producer(s) Leonard B. Stern Arne Sultan (1968?70) Producer(s) Jay Sandrich (1965?66) Arnie Rosen (1966?67) Jess Oppenheimer (1967) Burt Nodella (1967?69) Chris Hayward (1969?70) Camera setup single-camera Running time 22?25 minutes Production company(s) Talent Associates CBS Productions Distributor CBS Television Distribution Release Original network NBC (1965?69) CBS (1969?70) Original release September 18, 1965 ?? May 15, 1970 Chronology Followed by The Nude Bomb (film) Get Smart is an American comedy television series which parodies the secret agent genre that was popular in the United States in the late 1960s. The program was created by Mel Brooks and Buck Henry and had its television premiere on NBC on September 18, 1965. The show stars Don Adams (who also worked as a director on the series) as agent Maxwell Smart (Agent 86), Barbara Feldon as Agent 99, and Edward Platt as Thaddeus the Chief. Henry said that they created the show at the request of Daniel Melnick [1] to capitalize on James Bond and Inspector Clouseau, "the two biggest things in the entertainment world today". [2] Brooks described it as "an insane combination of James Bond and Mel Brooks comedy. " [3] The show generated a number of popular catchphrases during its run, including "would you believe…", "missed it by that much ", "sorry about that, Chief", "the old (such-and-such) trick", "…and loving it", and "I asked you not to tell me that". [4] The show was followed by the films The Nude Bomb (a 1980 theatrical film made without the involvement of Brooks and Henry) and Get Smart, Again! (a 1989 made-for-TV sequel to the series), as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart ' s opening title sequence at number two on its list of TV's top 10 credits sequences as selected by readers. [5] The show switched networks in 1969 to CBS. It ended its five-season run on May 15, 1970 with 138 episodes on both networks. The Museum of Broadcast Communications finds the show notable for "broadening the parameters for the presentation of comedy on television. " [6] Series plot [ edit] The series centers on bumbling secret agent Maxwell "Max" Smart (Adams), also known as Agent 86, and his more sensible female partner, Agent 99 (Feldon). [7] Agents 86 and 99 work for CONTROL, a secret U. S. government counterintelligence agency based in Washington, DC. The pair investigates and thwarts various threats to the world, though Smart's incompetent nature and demands to do things by-the-book invariably cause complications. However, Smart never fails to save the day. Looking on is the long-suffering head of CONTROL ( Edward Platt), who is addressed simply as "Chief". The nemesis of CONTROL is KAOS, described as "an international organization of evil". In the series, KAOS was supposedly formed in Bucharest, Romania, in 1904. [8] Neither CONTROL nor KAOS is actually an acronym. Many guest actors appeared as KAOS agents, including William Schallert (who also had a recurring role as Admiral Hargrade, the first Chief of CONTROL). Conrad Siegfried, played by Bernie Kopell, is Smart's KAOS archenemy. King Moody (originally appearing as a generic KAOS killer) portrayed the dim-witted but burly Shtarker, Siegfried's assistant. The enemies, world-takeover plots, and gadgets seen in Get Smart were a parody of the James Bond movie franchise. "Do what they did except just stretch it half an inch", Mel Brooks said of the methods of this TV series. [9] Max and 99 marry in season four and have twins in season five. Agent 99 became the first female character in an American hit sitcom to keep her job after marriage and motherhood. [ citation needed] Production [ edit] Talent Associates commissioned Mel Brooks and Buck Henry to write a script about a bungling James Bond?like hero. [10] Brooks described the premise for the show that they created in an October 1965 Time magazine article: I was sick of looking at all those nice, sensible situation comedies. They were such distortions of life. If a maid ever took over my house like Hazel, I'd set her hair on fire. I wanted to do a crazy, unreal, comic-strip kind of thing about something besides a family. No one had ever done a show about an idiot before. I decided to be the first. [10] Brooks and Henry proposed the show to ABC, where network executives called it "un-American" and demanded a "lovable dog to give the show more heart", as well as scenes showing Maxwell Smart's mother. [10] Brooks strongly objected to the second suggestion: They wanted to put a print housecoat on the show. Max was to come home to his mother and explain everything. I hate mothers on shows. Max has no mother. He never had one. [10] The cast and crew contributed joke and gadget ideas, especially Don Adams, but dialogue was rarely ad-libbed. An exception is the third-season episode "The Little Black Book". Don Rickles encouraged Adams to misbehave, and he ad-libbed. The result was so successful that the single episode was turned into two parts. [11] The first four seasons were filmed at Sunset Bronson Studios, while the final season, shown on CBS, was filmed at CBS Studio Center. Production personnel [ edit] Brooks had little involvement with the series after the first season, but Henry served as story editor through 1967. The crew of the show included: Leonard B. Stern ? executive producer for the entire run of the series Irving Szathmary ? music and theme composer and conductor for the entire run Don Adams ? director of 13 episodes and writer of two episodes David Davis ? associate producer Gary Nelson ? director of the most episodes Bruce Bilson ? director of the second-most episodes Gerald C. Gardner and Dee Caruso ? head writers for the series [12] Reza Badiyi ? occasional director Allan Burns and Chris Hayward ? frequent writers and producers Stan Burns and Mike Marmer ? frequent writers Richard Donner ? occasional director James Komack ? writer and director Arne Sultan ? frequent writer and producer Lloyd Turner and Whitey Mitchell ? frequent writers and producers of season five Characters [ edit] CONTROL [ edit] Don Adams, as Maxwell Smart, holding the famous shoe phone CONTROL is a spy agency founded at the beginning of the 20th century by Harold Harmon Hargrade, a career officer in the United States Navy's N-2 (Intelligence) branch. Hargrade served as the first chief of CONTROL. "CONTROL" is not an acronym, but it is always shown in all capital letters as if it were. "Max Smart" redirects here. For the Turkish television channel, see MaxSmart ?[ tr]. Maxwell "Max" Smart, code number Agent 86 (portrayed by Don Adams) is the central character. Despite being a top-secret government agent, he is absurdly clumsy and very naive, and has occasional lapses of attention. Due to his frequent verbal gaffes and physical miscues, most of the people Smart encounters believe he is grossly incompetent. Despite these faults, Smart is also resourceful, skilled in hand-to-hand combat, a proficient marksman, and incredibly lucky. These assets have led to him having a phenomenal record of success in times of crisis in which he has often averted disaster, often on a national or global scale. This performance record means his only punishment in CONTROL for his mistakes is that he is the only agent without three weeks annual vacation time. Smart uses multiple cover identities, but the one used most often is as a greeting-card salesman/executive. Owing to multiple assassination attempts, he tells his landlord he is in the insurance business, and on one occasion, that he works for the "Bureau of Internal Revenue". Smart served in the U. Army during the Korean War and is an ensign in the U. Navy Reserve. He was played by Steve Carell in the 2008 film. In 1999, TV Guide ranked Maxwell Smart number 19 on its 50 Greatest TV Characters of All Time list. [13] The character appears in every episode (though only briefly in "Ice Station Siegfried", as Don Adams was performing in Las Vegas for two weeks to settle gambling debts). [14] Barbara Feldon as Agent 99 in 1966 Agent 99 ( Barbara Feldon) is the tall, beautiful female agent whose appearance is useful in undercover operations. Generally, Agent 99 (her actual name is never revealed) is much more competent than Smart, but Smart saves her life in several episodes. "Snoopy Smart vs the Red Baron" is the introduction of 99's mother (Jane Dulo), who appears so thoroughly fooled by her daughter and Smart's cover stories that not even seeing them in combat while a prisoner of KAOS convinces her otherwise. However, at one point her mother indicates that 99's father was also a spy. Creator Buck Henry pointed out to actress Barbara Feldon on the DVD commentary for season three that when he tried to add funny lines for Agent 99, "They didn't want you to be 'joke funny'. They wanted you to be glamorous and interesting. " [15] In the episode "99 Loses CONTROL", 99 tells Victor that her name is "Susan Hilton". When Max asks why she never told him what her real name was, she replies, "You never asked", to which Max says he prefers 99. Then, at the end of the episode, she says it is not her real name. [16] [17] Feldon said that when asked in 2016 if Agent 99 had a real name, Henry said, "[A]bsolutely not. " [18] Her name is, in fact, intentionally never revealed, even at their own wedding in season four. She appears in all but seven episodes. She can typically be seen
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UNITED STATES New Amsterdam Theatre, New York Now in its sixth hit year on Broadway, ALADDIN is “Exactly what you wish for! ” ? NBC-TV It currently plays 8 times a week at the historic New Amsterdam Theatre on 42nd Street in the heart of Times Square. GET TICKETS NORTH AMERICAN TOUR ALADDIN NORTH AMERICAN TOUR “ Aladdin soars on tour, ” according to Entertainment Weekly, and continues to dazzle audiences and critics in cities throughout North America since opening in Chicago in April 2017. GERMANY STAGE APOLLO THEATRE, STUTTGART After a 3-year run in Hamburg, ALADDIN comes to Stuttgart for its second German engagement. The show soars in southern Germany as its international success continues. JAPAN Dentsu Shiki Theatre, Tokyo Since premiering in 2015, ALADDIN has been delighting audiences in Japan nonstop. It plays at the Dentsu Shiki Theatre in the center of Tokyo, a part of the cultural center Caretta Shiodome. GET TICKETS.

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