Jeremy Powers

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2. Coauthor - ariana rodriguez
3. Info: no me gustan las mañanas

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Jo March (Saoirse Ronan) reflects back and forth on her life, telling the beloved story of the March sisters - four young women each determined to live life on her own terms
Duration - 135Min
Genre - Drama
Emma Watson
countries - USA
She just friend zoned all this famous. Information Studio Columbia Pictures Released 2019 Copyright © 2019 Columbia Pictures Industries, Inc., Monarchy Enterprises S. à r. l. and Regency Entertainment (USA), Inc. All Rights Reserved. Languages Primary English (Audio Description, Stereo, Dolby 5. 1) Additional Cantonese (Subtitles), Danish (Subtitles), English (United Kingdom) (Subtitles), English (United States) (Subtitles), French (Stereo), Indonesian (Subtitles), Malay (Subtitles), Portuguese (Subtitles), Russian (Subtitles), Simplified Chinese (Subtitles), Spanish (Subtitles, Stereo), Spanish (Spain) (Subtitles), Thai (Subtitles), Traditional Chinese (Subtitles), Ukrainian (Subtitles) Accessibility CC Closed captions (CC) refer to subtitles in the available language with the addition of relevant non-dialogue information. AD Audio descriptions (AD) refer to a narration track describing what is happening on screen, to provide context for those who are blind or have low vision.

Min 4:20 woah, easy with the hand there Timmy boy. D :D :D. That it's not perfect bit got me in my feels. I don't know who he is but damn he's gorgeous. The thumbnail is irresistible i gotta click. Critic’s Pick Greta Gerwig refreshes a literary classic with the help of a dazzling cast that includes Saoirse Ronan, Florence Pugh, Laura Dern and Meryl Streep. Video transcript transcript ‘Little Women’ | Anatomy of a Scene Greta Gerwig narrates a scene from “Little Women, ” featuring Saoirse Ronan and Timothée Chalamet. “I’m Greta Gerwig, and I directed and wrote the screenplay for ‘Little Women. ’” “Jo, would you like to dance with me? ” “So this is “Laurie” Lawrence and Jo March. And they’re hiding in a back room at a party, and they’re talking about maybe trying to dance. And obviously, this is Saoirse Ronan and Timothée Chalamet, who I adore. ” “You can laugh if you want to. It’s funny, I know. ” “I have an idea of how we manage. ” “And then they dance. Well, they’re going to dance outside. And it’s the book that Laurie and Jo dance wildly, they say. But I was looking for a hallway while we were scouting. Because it’s in a hallway in the book. And I wanted a long hallway, and I had this idea for how it would look. But I couldn’t find one. And then I just kept coming back to this location because I liked it. And then I came back at night, and I thought, oh, you could see the dancers through the window, and then see them outside as these figures having their little party on the porch. And my choreographer, who’s very wonderful, Monica Bill Barnes? she created this dance with Saoirse and Timothée. And I wanted it to feel both totally modern and period accurate, in terms of I didn’t want them to be doing dances that they wouldn’t necessarily know. But I did want to feel joyful and young, like kids dance. And this is part of the story that takes place in their childhood, obviously. And it has this very snow globe quality. I wanted everything to feel very shimmery and very beautiful. And we shot with a certain filter to give it that feeling. And it has this warmth. We called it this golden glow that we were going for. And every part of it looks like a painting, but also an ornament. And this is, of course, Laura Dern as Marmee. And this is the first time you’re really inside the March house, looking at it through Laurie’s eyes, and seeing this kind of glorious female utopia. And the actors? I wanted them all to be speaking over each other, which took a lot of coordination, a lot of rehearsal to get this choreographed chaos going. ” “I enjoy baking in the middle of the night. And don’t mind the clutter, Mr. Lawrence, we don’t. ” “Laurie, please. ” “But I just wanted it to be this cacophony of words and sounds, and everybody’s doing something, and there’s all these little moments. I looked at a lot of Altman thinking about it. Because he always has a way of creating spaces with lots of people and lots of activity. And I thought one of the beautiful things about ‘Little Women’ is the way the male characters hold the space for who women are without a spectator. And he’s looking at them, but they’re existing naturally, and he loves them because of who they are. And I think Timothée does such a beautiful job, and these girls are so wonderfully loud. And then this kind of position of this magical house that looks like a little mushroom coming out of the ground, but inside it’s like a jewel box when you open it up. ” Greta Gerwig narrates a scene from “Little Women, ” featuring Saoirse Ronan and Timothée Chalamet. Credit Credit... Wilson Webb/Columbia Pictures Published Dec. 23, 2019 Updated Jan. 2, 2020 Little Women NYT Critic's Pick Directed by Greta Gerwig Drama, Romance PG 2h 14m “Christmas won’t be Christmas without any presents. ” That’s the first sentence of “Little Women, ” and I’m happy to say that in this gloomy holiday season ? when so much of humanity has earned Krampus or coal ? the new movie version of Louisa May Alcott’s novel comes as an absolute gift. A whole stocking full, really. Written and directed by Greta Gerwig, this “Little Women” ? the latest of many adaptations ? embraces its source material with eager enthusiasm rather than timid reverence. It is faithful enough to satisfy the book’s passionate devotees, who will recognize the work of a kindred spirit, while standing on its own as an independent and inventive piece of contemporary popular culture. Without resorting to self-conscious anachronism or fussy antiquarianism, Gerwig has fashioned a story that feels at once entirely true to its 19th-century origins and utterly modern. Image Credit... Wilson Webb/Sony Pictures Some of that freshness comes from the cast, a cornucopia of effervescent young talent ballasted by a handful of doughty old-timers. There is also an exuberance ? an appetite for clothes, books, baked goods and adventure ? that effortlessly links then to now. At the center of the hullabaloo, as she was in Gerwig’s “Lady Bird, ” is Saoirse Ronan. She plays Jo March, the second oldest of four sisters living in Concord, Mass., during and after the Civil War. The foursome varies by temperament and talent, inviting a mix-and-match game of identification and infatuation. The oldest, Meg (Emma Watson) is theatrical and responsible; Beth (Eliza Scanlen) is musical and sweet. The youngest sister, Amy (Florence Pugh), and Jo are a painter and a writer who are frequently at odds. Before romance, tragedy and the ordinary pains of growing up complicate matters, they are an inseparable if not always harmonious troupe. Jo writes the plays that the rest of them perform for an audience that includes various toys, their mother (Laura Dern) and Hannah (Jayne Houdyshell), the housekeeper. But the sisters live mainly to delight (and sometimes to torment) one another. The spectacle of their natural, affectionate, clamorous intimacy is a joy to behold, one we occasionally glimpse through the amused eyes of potential suitors, fond neighbors and a prodigiously judgmental and very wealthy aunt played by Meryl Streep. The girls’ nonjudgmental, non-wealthy father is played by Bob Odenkirk. Rather than starting where Alcott does, during an austere wartime Christmas, Gerwig introduces us to Jo seven years later, an ink-stained scribbler paying a visit to a New York publisher (Tracy Letts). The rest of “Little Women” zigzags between two periods in the lives of Jo and her family. Whereas Alcott traces their fates in a straight line, Gerwig (aided by the deft editing of Nick Houy and the musical stitching of Alexandre Desplat’s score) proceeds by association and recollection. It’s as if the book has been carefully cut apart and reassembled, its signatures sewn back together in an order that produces sparks of surprise and occasional bouts of pleasurable dizziness. This chronological shuffling jolts the story awake and nudges the viewer to pay close attention. Like any good novelist and every great filmmaker, Gerwig isn’t afraid to let her audience work a little. She trusts our intelligence and our curiosity, and also her own command of the medium. Reshuffling the plot is a way of making “Little Women” more cinematic without resorting to tricks or gimmicks. As much as “ The Irishman ” or “ Once Upon a Time…in Hollywood, ” this is a film that tackles the mysteries of time. In Gerwig’s hands, the specific magic of the medium ? its ability to reorder the sequence of events, to slow down and speed up, to project memory ahead of experience ? becomes a tool of philosophical and emotional inquiry. We observe the March sisters becoming who we have always known them to be, and also figuring out, for themselves, who they are. Their simultaneous comings-of-age take place amid the constraints and opportunities of their time, place, class and gender. The publisher who buys Jo’s sensational tales instructs her that women in fiction must wind up either married or dead, and “Little Women” the movie obeys that imperative, though not in quite the same way that “Little Women” the novel does. Romance arrives in the person of young Teddy Laurence (Timothée Chalamet), the slightly dissolute grandson of a wealthy Concord widower (Chris Cooper). Laurie, as the sisters call him, seems at times more like a fifth March sister or an untrained puppy than like boyfriend material. He can’t even sit properly in a chair! Meg, by consensus the prettiest of the four, falls for Laurie’s tutor (James Norton), which means that her wedding vow is also a vow of poverty. The more practical-minded Amy, counseled by Aunt March, grasps the economic implications of marriage. Jo, who catches the eye of both Laurie and a certain Professor Bhaer (Louis Garrel), might prefer not to marry at all. The question of freedom ? in particular of a woman’s independence in a society that is both liberal and governed by tradition ? is threaded through nearly every scene. “I’ve been angry every day of my life, ” Mrs. March says matter-of-factly, and while “Little Women” is full of silliness and sorrow, sweetness and warmth, it doesn’t minimize or apologize for that anger. Nor does it mock or marginalize the March family’s commitment to social justice, civic responsibility and artistic excellence. All of those were, for Alcott, part of the mainstream of American culture. Gerwig knows that they still are. And so is this kind of entertainment: generous, sincere, full of critical intelligence and honest sentiment, self-aware without the slightest hint of cynicism, grounded in the particulars of life and accessible to everyone. Don’t let the diminutive title fool you. “Little Women” is major. It seems fitting to finish with Alcott’s last sentence: “I can never wish you a greater happiness than this! ” Little Women Rated PG. Domestic struggles. Running time: 2 hours 14 minutes.
Little Women Theatrical release poster Directed by Greta Gerwig Produced by Amy Pascal Denise Di Novi Robin Swicord Screenplay by Greta Gerwig Based on Little Women by Louisa May Alcott Starring Saoirse Ronan Emma Watson Florence Pugh Eliza Scanlen Laura Dern Timothée Chalamet Meryl Streep Tracy Letts Bob Odenkirk James Norton Louis Garrel Chris Cooper Music by Alexandre Desplat Cinematography Yorick Le Saux Edited by Nick Houy Production company Columbia Pictures Regency Enterprises Pascal Pictures Distributed by Sony Pictures Releasing Release date December?7,?2019 ( MoMA) December?25,?2019 (United States) Running time 135 minutes [1] Country United States Language English Budget $40 million [2] Box office $205 million [3] [4] Little Women is a 2019 American coming-of-age period drama film written and directed by Greta Gerwig. It is the seventh film adaptation of the 1868 novel of the same name by Louisa May Alcott. The film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, and Chris Cooper. Little Women had its world premiere at the Museum of Modern Art in New York City on December 7, 2019, and was released theatrically in the United States on December 25, 2019, by Sony Pictures Releasing. The film received critical acclaim, and has grossed $204 million worldwide. Among its numerous accolades, the film received six nominations at the 92nd Academy Awards, including Best Picture, Best Actress (Ronan), Best Supporting Actress (Pugh), and Best Adapted Screenplay, [5] and won for Best Costume Design. It also received five nominations at the 73rd British Academy Film Awards, winning for Best Costume Design, and two nominations at the 77th Golden Globe Awards. Plot [ edit] In 1868, Jo is a teacher in New York City. She goes to an editor, Mr. Dashwood, and gets a story published subject to considerable editing, although she doesn't want her name on it. Her sister Amy, in Paris with their Aunt March, sees childhood friend Laurie and invites him to a party. At the party, she is angry at his drunken behavior, and he mocks her for spending time with a wealthy businessman, Fred Vaughn. In New York, Jo meets with Friedrich Bhaer, a professor infatuated with her, and he constructively criticizes her work. Jo takes it personally and breaks their friendship off. In 1861 in Concord, Massachusetts, Jo and Meg go to a party where Jo feels like an outsider. She meets Laurie, the grandson of their neighbor Mr. Laurence, who feels the same way. Laurie is new to town and spent most of his life in Europe. They spend the evening together dancing around the house. When Meg injures her foot, Laurie helps to get the girls home and meets the March family. On Christmas morning, their mother, "Marmee", persuades the girls to give their breakfast to their poor neighbor, Mrs. Hummel, and her group of starving young children. Upon returning home, the girls see their table full of food, provided by Mr. Laurence who saw them give away their breakfast, and a letter from their father fighting in the American Civil War. Jo visits their Aunt March, who tries to persuade Jo to be a proper young lady and to marry rich. She invites Jo to Europe with her, which Jo eagerly accepts. During his Latin lesson, Laurie notices Amy standing outside crying, having been hit by her teacher for misbehaving in class (she drew a caricature of him), and invites her in before her family comes to take her home. The girls meet John Brooke, Laurie's tutor. In the present, Laurie visits Amy to apologize for his behavior at the party. Later, he urges Amy not to marry Fred Vaughn, but to marry him instead. Amy is upset at being second for everything to Jo, including Laurie. Amy later turns down Fred's proposal only to learn that Laurie left for London. Meg confesses to her husband that she is tired of being poor, which makes him feel guilty of not being able to give her the things she wants. She quickly has a change of heart and tells him that she loves him anyway. On Meg's wedding day to John Brooke, Jo tries to convince her to run away and claims Meg should be an actress, but Meg tells her she is happy getting married. Aunt March announces her trip to Europe but decides to take Amy instead of Jo, thinking of Jo as a lost cause. After the wedding, Laurie admits his feelings for Jo, but she insists she does not feel the same way, that they are too different and would drive each other crazy In New York, Mr. Dashwood's daughters find the chapters of Jo's book and ask how it ends. He agrees to publish the book but finds it unacceptable that the main character was unmarried. Jo amends her ending so that the main character, herself, chases after Bhaer and stops him from going to California. She negotiates copyright and royalties with Mr. Dashwood. Jo observes as printers print her book, titled Little Women. Later, Jo has inherited Aunt March's house and opened it as a school. Meg teaches acting, and Amy teaches art to the schoolchildren. Bhaer is also shown teaching children at the school. Laurie and Amy are shown with their child. The sisters celebrate their mother's birthday in the garden. Cast [ edit] Production [ edit] Development [ edit] In October 2013, it was announced a new film adaption of Little Women was in development at Sony Pictures, with Olivia Milch writing the script, and Robin Swicord and Denise Di Novi serving as producers. [6] In March 2015, Amy Pascal joined as a producer on the new adaptation, with Sarah Polley hired to write the script and potentially direct. [7] Ultimately, Polley's involvement never went beyond initial discussions. [8] In August 2016, Greta Gerwig was hired to write the script. [9] In June 2018, in light of her awards season success with Lady Bird, Gerwig was brought on as director as well. [10] [11] Casting [ edit] In June 2018, it was announced that Meryl Streep, Emma Stone, Saoirse Ronan, Timothée Chalamet, and Florence Pugh had been cast for the film in undisclosed roles. [10] [11] In July 2018, Eliza Scanlen joined the cast as well, [12] and in August 2018, James Norton and Laura Dern also signed on to appear. [13] [14] Then, in the same month, Stone dropped out of the film due to scheduling conflicts with the press tour for The Favourite, and Emma Watson replaced her. [15] In September 2018, Louis Garrel, Bob Odenkirk and Chris Cooper joined the cast in other roles. [16] [17] [18] In October 2018, New Regency Pictures was announced as an additional financier on the film, and Abby Quinn joined the cast. [19] [20] Filming [ edit] Principal photography began on October 5, 2018, in Boston, Massachusetts. [21] Additional filming locations included Lancaster, Harvard University in Cambridge, Mass., the town of Harvard, Massachusetts, and Concord, Massachusetts. [22] Harvard's Arnold Arboretum was used as a location to shoot a scene set in a 19th-century Paris park. [23] Filming wrapped on December 15, 2018. [24] [25] Saoirse Ronan stated that, as previously done with Lady Bird, Gerwig banned cellphones on the set. [26] Music [ edit] On April 8, 2019, it was announced that Alexandre Desplat had been hired to compose the film's score. [27] Release [ edit] Little Women had its world premiere at the Museum of Modern Art in New York City on December 7, 2019, [28] and also screened as the opening film of the Rio de Janeiro International Film Festival on December 9, 2019. [29] It was theatrically released in the United States on December 25, 2019 by Sony Pictures Releasing. [30] [31] Marketing [ edit] On December 13, 2018, Emma Watson posted an on set photo on social media of herself with writer-director Greta Gerwig and co-stars Saoirse Ronan, Florence Pugh, Eliza Scanlen, and Timothée Chalamet. [32] Six days later, Watson posted another on set photo of her along with Gerwig and co-star Laura Dern. [33] On June 19, 2019, Vanity Fair released the first stills from the film. [34] The official trailer for the film was released on August 13, 2019. [35] Home media [ edit] Little Women is set to be released digitally on March 10, 2020, and on Blu-ray and DVD on April 7, 2020. [36] Reception [ edit] Box office [ edit] As of March?8, 2020, Little Women has grossed $108 million in the United States and Canada, and $97 million in other territories, for a worldwide total of $205 million. [3] [4] In the United States and Canada, the film was released alongside Spies in Disguise and the expansion of Uncut Gems, and was projected to gross $18?22 million from 3, 308 over its five-day opening weekend. The film made $6. 4 million on Christmas Day and $6 million on its second day. [37] It went on to debut to $16. 8 million (a total of $29. 2 million over the five-day Christmas frame), finishing in fourth. [38] [39] In its second weekend, the film grossed $13. 6 million, finishing third. [40] It then made $7. 8 million and $6. 4 million, respectively, the following weekends. [41] [42] Critical response [ edit] On review aggregator website Rotten Tomatoes, the film has an approval rating of 95% based on 379 reviews, with an average rating of 8. 56/10. The website's critics consensus reads: "With a stellar cast and a smart, sensitive retelling of its classic source material, Greta Gerwig's Little Women proves some stories truly are timeless. " [43] On Metacritic, it has a weighted average score of 91 out of 100, based on 57 critics, indicating "universal acclaim". [44] Audiences polled by CinemaScore gave the film an average grade of "A?" on an A+ to F scale, and viewers polled by PostTrak gave it an average five out of five stars. [38] Gerwig's direction was deemed notable for several reasons. Kate Erbland of Indiewire commended Gerwig for how she "modernized the book's timeless story in unexpected ways", [45] while also maintaining an "affection for the original, and keenly aware of how the concerns of Alcott and the March siste
Greta Gerwig's post- Lady Bird' female centred 'Little Women' based on the acclaimed novel by Louisa May Alcott, takes us back to the late 19th century in which we follow the lives of the March-family. Numerous adaptations have been made over the past few decades, but Gerwig elevates the material, translating it in a way to appeal to modern audiences, without ever losing the essence of the well known story.

When we first meet the talented Jo (Saoirse Ronan) she's living in New York, teaching girls literature and trying to sell her own stories to the local newspaper. While Jo lives her best life, her hopeless romantic sister Amy (Florence Pugh) lives with her old fashioned aunt (Meryl Streep) in Paris, attending painting classes while hoping for a true love to come rescue her. Other sister Meg (Emma Watson) is happily married with kids and the musically gifted Beth (Eliza Scanlen) has been bedridden with a severe illness. When Jo gets news about Beth's state quickly deteriorating, she leaves everything behind and jumps on the first train home. While Jo naps, we flash back to easier times seven years earlier, when all sisters still lived merrily under one roof. The first thing you'll notice is the scale on which all of this has been made. Extraordinary production design inside the old mansions surrounded by the breathtaking scenery of Massachusetts, where Little Women was filmed. Let Academy Award winning (for his scores of 'The Shape of Water' and 'The Grand Budapest Hotel' composer Alexandre Desplat set the tone for each scene with his classically infused orchestra, and all you need is talent on screen and on paper. Luckily Gerwig knows how to write a terrific screenplay and the cast has the most incredible chemistry. The dialogue is riddled with timely jokes and hopelessly romantic discussions, perfect for that time period. It's all part of a bigger picture in which each character has their own story to tell. Saoirse Ronan's (Lady Bird) radiant presence is again noteworthy, more so, she is quickly becoming the best actress in the business. While rising star Florence Pugh (Midsommar) as the truly hilarious and hopelessly obsessed with love, wealth and looks Amy, gives another career defining performance, to leave a mark on today's moviegoers' memory. It's when all four sisters and their mother (played by a comforting Laura Dern) first appear on screen, you'll fall in love with this family. There's a cosiness and homely feeling to their interactions, that will warm you up from the inside. Something this innocent and safe hasn't been brought to the big screen in a very long time and Gerwig knows just how to control your emotions. After a lot of going back and forth in time - which is quite confusing to begin with, but you get more used to it further down the line when both timelines move forward to meet in the middle - the final third of the film builds up to a gut wrenching conclusion. For some reason, the actual heartbreaking event isn't so much of a surprise, it's the aftermath that truly shatters your heart into tiny pieces and leaves you gasping for air while tears roll down your cheek. Little Women is just as heartwarming as it is excruciatingly sad. Greta Gerwig has made a timeless classic that exudes love. Watching this film will for sure become a new Christmas tradition in many households. What a wonderful gift. Originally published on intoscreens.

How many remakes we re gonna get for that book? I mean really hollywood dont u have another story to adapt for screen? Isnt it tiring showing the same story with different cast? Ps. I came from the new trailer. 1:26 revancha por lo de ladybird? Cuando me darán una película donde terminen juntos. Hay química diablos. When I saw the thumbnail I honestly thought it was Tig Notaro. They are gonna kill me. And I'm grateful for it! ??????? AHHHHHH.