Kirk Emerling

Level 1 I just never visit those subs in general; I have apps for actual news and politics are something I couldn¡Çt give a shit less about (maybe because here in The Netherlands it¡Çs not as important or a huge deal as in the US), so there¡Çs no need for me to browse those subs, especially when they¡Çre as biased and heavily moderated and a hivemind as possible. level 2 Reddit isn't a source of news, it's an example of human stupidity & sheep herding. Like no matter your political leaning, a headline of: "A G-7 joint statement on coronavirus failed because the U. S. insisted on calling it the 'Wuhan virus'" (in the link with over 400 comments) should trip more than one warning bell. level 1 The absolute BEST part of this democratic primary season, is watching all the bernie subs now catching on to how absolutely corrupt the news media actually is level 2 Hmmm just like they did in 2016. Almost like they never learn. level 1 Why wouldn't politics talk about this? They love to shit on Biden, it makes Bernie look better, they'll definitely be a post soon level 2 While Reddit as a whole absolutely loves Bernie, I wouldn't be surprised if the admin team, and by extension there mod lapdogs favor Biden, simply because he hasn't spent his entire political career going out of his way to shit on anyone that has ever had the nerve to employ someone else. level 1 You don't visit Reddit for unbias news, you visit reddit to see people's blind spots level 2 I'm going to question any news outlet that has this for their "About Us" Is your destination for news and information for and about Blacks in America. Filled with original stories, diverse opinions, photos, videos and polls, let NewsOne be your daily stop and make your voices heard level 1 That¡Çs a good thing. Just think, it won¡Çt be long before he¡Çs on the debate stage in front if everyone telling us how Trump reacted poorly to the Polio outbreak of 2020 level 1 Does anyone have a link to actual reporting on this issue by actual investigative journalists? The only link I¡Çve seen so far has been to soundcloud recordings. level 1 Yeah, we know by now, that sub is full of useful idiots. This isn't suprising level 1 To be fair I thinks the allegations are BS like they were against Trump and Kavanaugh level 2 That may be but it¡Çs pretty disgusting that they ignore this shit for Biden while hounding Trump and Kavenaugh nonstop. It¡Çs almost like these people have no principles, who woulda thought? level 1 To be fair I¡Çd rather they support Biden than sanders - Biden has no chance against Drumpf level 1 Literally never been alleged to be neutral. Who told you that? level 2 I don't know why you're getting downvotes - r/politics doesn't even attempt to hide that they're partisan hacks. level 2 The name and the sidebar rules.
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Download bombshell torrent. Bombshell 2019 torrent download. Bombshell download torrent windows 7. Bombshell Download torrent search. Bombshell download torrent sites. Bombshell Download. Bombshell download torrent 2. Bombshell Download torrent finder. Charlize Theron, Nicole Kidman and Margot Robbie star in a story about the fall of Roger Ailes. Video transcript transcript ¡ÆBombshell¡Ç | Anatomy of a Scene The director Jay Roach narrates a sequence featuring Charlize Theron, Nicole Kidman and Margot Robbie. Hi, I¡Çm Jay Roach. I am the director of the film ¡ÈBombshell. ¡É So in this scene, we see Margot Robbie, who¡Çs playing Kayla, take a call from? clearly, from Roger Ailes¡Ç office. And Kate McKinnon, who¡Çs playing Jess, in the cubicle with her. We have just seen, a few scenes back, that Roger is harassing Kayla right this minute and is now pressuring her to come back up. We¡Çve also seen that Kate McKinnon¡Çs character has warned her not to talk about it. So right away, it¡Çs about staying silent. The score is playing this sort of haunting, all women¡Çs voices as the instrumentation, almost Phillip Glass thing that Teddy Shapiro came up with to emphasize how alone she is on this walk. And she walks into this elevator and thinks she can be alone. But in walks her actual idol, Megyn Kelly, played by Charlize Theron. And now, two women, who both have secrets, who both have been harassed, are in the same tight space and won¡Çt say a word to each other. And they¡Çre going to ride this elevator up to the floor where Roger Ailes is. And this shot here is such a great example of Barry Ackroyd¡Çs incredibly humanistic operating. He¡Çs just watching the people and paying attention to what they¡Çre reacting to, and finding the composition off of the performance. In comes Gretchen Carlson, played by Nicole Kidman, who¡Çs now a third woman in a different level of predicament, a different level of being harassed by Roger. And they¡Çre all stuck in this space. So this was a very important scene, because it¡Çs the only time in the whole movie when all three women are in the same place. And we wanted a kind of combination of capturing the predicament of them being in the elevator but not supporting each other, and seeing that in the wide shot, that you could actually jump around to watch each woman¡Çs face in the three-shot and compose for that. And as Megyn watches them walk away, she knows that Margo, especially, is walking into Roger¡Çs lair, where almost all of the harassment happened at Fox. The director Jay Roach narrates a sequence featuring Charlize Theron, Nicole Kidman and Margot Robbie. Credit Credit... Hilary B Gayle/Lionsgate Published Dec. 12, 2019 Updated Dec. 13, 2019 Bombshell Directed by Jay Roach Biography, Drama R 1h 48m Bright and bouncy until it turns grim, ¡ÈBombshell¡É is a fictionalized account of the women who brought down Roger Ailes, the chairman and chief executive of Fox News. Helped bring him down is probably more accurate given that he was ousted by Rupert Murdoch, who founded Fox News in 1996 before handing the reins to Ailes. Since then, the network has become a ratings powerhouse and hothouse of right-wing talking points, a sea of white faces and dolled-up women in skirts and high heels. Ailes is now gone but the talking points, high ratings, skirts and heels remain. The movie¡Çs title is clever, cleverness being its modus operandi. The story, after all, is about female employees who, with icy smiles and iron ambition, worked for a conservative political force who institutionalized the harassment of women. So, how do you make heroines out of characters that some in the audience will see as deeply compromised if not outright villainous? For starters, you cast on the offensive by having Charlize Theron play Megyn Kelly, Nicole Kidman do Gretchen Carlson and Margot Robbie break hearts as the fictional Kayla Pospisil. Image Credit... Hilary B Gayle/Lionsgate The stars, with their unimpeachable talent, filmographies and feminist cred, are a shrewd way of blunting skepticism. Even so, the characters are tricky, especially Megyn and Gretchen, who come with ideological baggage that complicates Hollywood¡Çs holy grail of relatability. The movie wants, needs us to like them, which may be why it breaks the fourth wall early on with Megyn directly addressing the audience, looking into the camera as she tours the network offices in a slightly tight red, white and blue dress. One man yells out a compliment, another looks her up and down. She keeps on walking, focused, hips swinging like knives. Having her talk to the viewer immediately makes the audience part of a very special Megyn Kelly tour group. It creates intimacy, almost a little conspiracy between you and her, so when she starts chatting about Roger (John Lithgow, galumphing with verve), including his history advising Richard M. Nixon, Ronald Reagan and George H. W. Bush, you lean in and listen. Tell us more. You¡Çre getting the inside dope from one of the network¡Çs biggest stars. When Megyn says that Roger is always watching and we see the many surveillance monitors inside his own personal panopticon, it brings a shiver. Tell us everything. Directed by Jay Roach, from a script by Charles Randolph (¡È The Big Short ¡É), ¡ÈBombshell¡É opens not long before the first Republican presidential candidates¡Ç debate in August 2015. Kelly moderated it with two other Fox News anchors, but she was the one who drew national attention because of her questioning of Donald J. Trump and what it wrought. ¡ÈYou once told a contestant on ¡ÆCelebrity Apprentice¡Ç it would be a pretty picture to see her on her knees, ¡É Kelly said. ¡ÈDoes that sound to you like the temperament of a man we should elect as president? ¡É Afterward, Trump said she had ¡Èbehaved very badly¡É and went on a Twitter rampage against her. Here¡Çs the thing about sexism: It doesn¡Çt discriminate. It¡Çs an equal opportunity prejudice that cuts across history, culture, political affiliation. ¡ÈBombshell¡É gets this. And part of what works in the movie is that it does a good job of presenting the ordinary assaults that women, even those with great privilege, can endure simply to get through a day, including dehumanizing ¡Ècompliments. ¡É When Megyn walks through the network as men size her up, she doesn¡Çt break stride. She keeps marching. She¡Çs a warrior and Theron makes you believe that with her ramrod posture and absolute assurance, Megyn could lead an army or maybe a rebellion, if she chose. Will she or won¡Çt she? That¡Çs the question teased for a long time in ¡ÈBombshell, ¡É which gains steam as Trump¡Çs assault stirs up trouble for Megyn. (Roach incorporates archival material of the real candidate throughout, amping up the movie¡Çs historical bona fides. ) Narratively, Megyn¡Çs insistence on calling Trump out for his treatment for women ? and then dealing with the ominous backlash ? becomes a prelude to the looming crisis with Roger. She is the network¡Çs biggest female star and she¡Çs willing to take on a presidential candidate; as Roger says, it¡Çs good TV. But when Gretchen sues Roger for sexual harassment, Megyn at first lets the other woman twist in the wind. Roach started out directing comedies and his background generally works for him in ¡ÈBombshell, ¡É which he gives a lightness of touch in the beginning that promises (rightly, sometimes wrongly) everything will work out just fine. He even brings a sense of breezy fun to Fox that suggests everyone will soon be amusingly skewered. (The cinematographer Barry Ackroyd brings the texture, shadows and professional sheen. ) With its big hair, shiny sets and the gun-packing Sean Hannity, the network is grist for parody, though it can be tough to tell who¡Çs in on the joke. (The cast includes Kate McKinnon, Richard Kind, Allison Janney and a devilish Malcolm McDowell. ) ¡ÈBombshell¡É works as well and as long as it does largely because of its actors, Theron most of all. One of her qualities as a performer is that she never begs for the audience¡Çs love. She can come across as remote, but she also reads as supremely self-contained: She¡Çs a fortress of one. She shows you her characters¡Ç existential isolation, which is often where their humanity lies. You see that in ¡ÈBombshell, ¡É which strengthens its realism and is finally more impressive than the prosthetics she wears that, with a husky scrape in her voice, turn her into Kelly¡Çs uncanny double. Even when the movie puts some feminist-lite uplift on this ugly world, Theron doesn¡Çt soften Megyn. Kidman is comparatively sidelined, though it¡Çs Gretchen who knocks over the first domino. (The Showtime limited series about Ailes¡Çs downfall, ¡ÈThe Loudest Voice, ¡É foregrounds Carlson. ) For the most part, Kidman plays Gretchen sincerely, though Roach over-sentimentalizes the character, especially with periodic cutaways to her children. But Kidman also makes Gretchen ever-so-slightly ridiculous, adding a sharp sliver of comedy that underscores how self-serving and futile her rebellious gestures at the network are, like when she appears on camera wearing no makeup. You will never win the war, the movie implies, by working for the enemy. That critique only goes so far in ¡ÈBombshell, ¡É which finally can¡Çt deal with the story¡Çs uncomfortable contradictions. So instead it makes you cry, notably with Kayla, a self-described evangelical millennial in the ¡ÈJesus space. ¡É Robbie deepens the movie¡Çs emotional stakes as its persuasively sweet golden girl, who is brutalized by Roger. Roach handles this well enough, including in an upsetting scene in which Roger orders her to bare her white panties, a queasy emblem of surrender. But it is Robbie ? with her panicked, darting eyes and tensely resistant, then capitulating physicality ? who conveys the horror of sexual harassment, a degradation that s
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About The Author Gökay Aslnts
Biography: istisna bensem kaideyi bozarım! Fenerbahçe? ? ?? Aslan burcu ?electronic tecnician