Richard Headquarters

4.9 / 5

Votes: 718

*
?? ??????????
?? STREAM
??
?? ??????????


Publisher Anna Jaskułowska
Bio Polka ?? Żona, matka, chrześcijanka ?????? Konserwa do szpiku kości ?Ciałem w Niemczech ??, sercem w Polsce ??

&ref(https://m.media-amazon.com/images/M/MV5BMjBkMDZkNjctNmZhNi00Mzc5LTk0OTctNzFlMDExYzM3ZDNhXkEyXkFqcGdeQXVyNDY2MjcyOTQ@._V1_UY113_CR0,0,76,113_AL_.jpg); 7,1 / 10 star; Genres - Drama; Kitty Green; Audience Score - 885 vote; A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position. The Assistant Theatrical release poster Directed by Kitty Green Produced by Kitty Green James Schamus Scott Macaulay P. Jennifer Dana Written by Kitty Green Starring Julia Garner Matthew Macfadyen Kristine Froseth Makenzie Leigh Noah Robbins Dagmara Domińczyk Purva Bedi Music by Tamar-kali Cinematography Michael Latham Edited by Blair McClendon Production companies Symbolic Exchange 3311 Productions Level Forward Cinereach Forensic Films Distributed by Bleecker Street Release date August?30,?2019 ( Telluride) January?31,?2020 (United States) Running time 85 minutes [1] Country United States Language English Box office $1. 1 million [2] [3] The Assistant is an American drama film written, directed, produced, and edited by Kitty Green and starring Julia Garner, Matthew Macfadyen, Kristine Froseth, Makenzie Leigh, Noah Robbins, Dagmara Domińczyk and Purva Bedi. It had its world premiere at the Telluride Film Festival on August 30, 2019. It was released on January 31, 2020, by Bleecker Street. Premise [ edit] A young female graduate enters a film production company, slowly understanding the shady behaviors and practices in use. Cast [ edit] Julia Garner as Jane Matthew Macfadyen as Wilcock Kristine Froseth as Sienna Makenzie Leigh as Ruby Noah Robbins as Male Assistant Dagmara Domińczyk as Donna Purva Bedi as Executive Assistant Alexander Chaplin as Max Juliana Canfield as Sasha Bregje Heinen as Tatiana Patrick Wilson as Famous Actor [4] Production [ edit] In September 2018, it was announced Kitty Green would write and direct the film with James Schamus and Scott Macaulay producing under their Symbolic Exchange banner. [5] In December 2018, Julia Garner joined the cast of the film. [6] In April 2019, Matthew Macfadyen, Kristine Froseth, Makenzie Leigh, Noah Robbins, Dagmara Domińczyk and Purva Bedi joined the cast of the film. Production concluded that same month in New York City. [7] The film helps explain how sexually predatory behavior by powerful men often remains hidden. [8] Release [ edit] The Assistant had its world premiere at the Telluride Film Festival on August 30, 2019. [9] Shortly after, Bleecker Street acquired distribution rights to the film, and set it for a January 31, 2020, release. [10] Critical response [ edit] On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 88% based on 91 reviews, with an average rating of 7. 39/10. The critical consensus reads, "Led by a powerhouse performance from Julia Garner, The Assistant offers a withering critique of workplace harassment and systemic oppression. " [11] On Metacritic, which assesses films on a score out of 100, The Assistant holds a score 76 based on reviews from 29 critics, indicating "generally favorable reviews. " [12] See also [ edit] Me Too movement Michelle Obama's October 13, 2016 speech Weinstein effect Time's Up References [ edit] ^ "Telluride Program Guide" (PDF). Retrieved August 29, 2019. ^ "The Assistant". The Numbers. Retrieved March 5, 2020. ^ "The Assistant". Box Office Mojo. Retrieved March 3, 2020. ^ Shaffer, Mitchell (February 14, 2020). "The Assistant Director Kitty Green On the Banality of Evil in #MeToo Workplace Drama". Slash Film. Retrieved February 14, 2020. ^ D'Alessandro, Anthony (September 7, 2018). "Harvey Weinstein Assistant Feature In The Works From Kitty Green & James Schamus ? Toronto". Deadline Hollywood. Retrieved April 8, 2019. ^ Wiseman, Andreas (December 13, 2018). "Harvey Weinstein Assistant Movie: 'Ozark' Star Julia Garner In Negotiations To Play Lead". Retrieved April 8, 2019. ^ Wiseman, Andreas (April 8, 2019). "Harvey Weinstein Assistant Movie: Matthew Macfadyen, Kristine Froseth & Makenzie Leigh Join Kitty Green Pic". Retrieved April 8, 2019. ^ Chang, Justin (2020-01-28). " ' The Assistant' Helps Explain How Predatory Behavior Stays Hidden". NPR. Retrieved 2020-01-28. ^ Hammond, Pete (August 29, 2019). "Telluride Film Festival: 'Ford V Ferrari', 'Judy', 'Motherless Brooklyn', Weinstein-Inspired Drama 'The Assistant' Among Premieres Headed To 46th Edition ? Full List". Retrieved August 29, 2019. ^ Hipes, Patrick (October 25, 2019). "Harvey Weinstein-Inspired 'The Assistant' Acquired By Bleecker Street, Will Hit Theaters In January". Retrieved October 25, 2019. ^ "The Assistant (2019)". Rotten Tomatoes. Fandango. Retrieved February 6, 2020. ^ "The Assistant Reviews". Metacritic. CBS Interactive. Retrieved February 6, 2020. External links [ edit] The Assistant on IMDb.
Watch movie asystentkat. Critics Consensus Led by a powerhouse performance from Julia Garner, The Assistant offers a withering critique of workplace harassment and systemic oppression. 91% TOMATOMETER Total Count: 148 24% Audience Score Verified Ratings: 202 The Assistant Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. The Assistant Videos Photos Movie Info "The Assistant" follows one day in the life of Jane (Julia Garner), a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant's -- making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered. Rating: R (for some language) Genre: Directed By: Written By: In Theaters: Jan 31, 2020 limited Runtime: 87 minutes Studio: Bleecker Street Cast News & Interviews for The Assistant Critic Reviews for The Assistant Audience Reviews for The Assistant The Assistant Quotes Movie & TV guides.
Każda praca ma swoje plusy i minusy. Nie ma idealnej pracy. jak to mowia wszedzie dobrze gdzie nas nie ma. Niedługo o sraniu będą pisać książki.

Kiedy bedzie dowcip o zydomasonach jak przejeli cale polskie wodociagi, NWO New World Order of Antichrist. Takie plecy jak ty ? szkoda powietrza na takie pierdolenie. A to ta Pani Basia co stała jak słup z kwiatami obok prezesa po ogłoszeniu wyborów... Super, pozdrawiam. Idź mu jeszcze rodzyny z dupy powygryzać żenada kiedy te stare pokolenie zdechnie ? Bo się nie mogę doczekać.

Dlaczego obok książki Zawód programista stoją chusteczki. Warto przed wysłaniem cv zrobić je w kreatorze cv. Bodajże ma darmowy. 3:26 Szanuję. Ten polski Dywizjon to jest ok, zobacz, ten angielski xD. Błyskotliwy i inteligentny Robert Górski zmieniający się w Ędwarda Ąckiego. Co to młoda żona robi z człowieka. A z ciebie, Moniko, była taka fajna, niezepsuta polityką dziewczyna, gdy przed laty pracowaliśmy razem. Watch movie asystentkaron. Dzięki, Aniu.

Watch movie asystentkari. Ładne Panie Basie. It took two years for a truly great movie about the Harvey Weinstein case to come out, and The Assistant is it. (The lag time is no big surprise, since Weinstein’s close association with most of Hollywood left much of the movie industry reeling and uncertain about individual complicity in giving the alleged predator cover for decades. ) Instead of addressing the sexual assault allegations head-on, Australian director Kitty Green turned to fiction to explore what made Weinstein such a powerful, feared figure in Hollywood. Green is best known not for fiction features but for her documentaries, which explore the way bigger systems impact the lives of ordinary people. In her most recent film, 2017’s Casting JonBenét, Green looked at how the media, and cycles of violence and abuse, affect the way people think about the notorious 1996 murder of 6-year-old JonBenét Ramsey. The Assistant covers some similar ground, albeit in a very different way. The Americans ’ Julia Garner plays Jane, a new assistant in the Tribeca offices of a high-powered movie studio executive. The Assistant follows Jane through one long workday, which begins before dawn and ends late at night. Jane makes coffee and copies, takes calls and endures light ribbing from her colleagues. She also witnesses, to her slowly growing horror, what she thinks might be her powerful boss’s inappropriate behavior toward a young woman who shows up unexpectedly, saying she’s been promised a job in the office. The genius of The Assistant (clearly modeled on Chantal Akerman’s 1975 feminist masterpiece Jeanne Dielman, 23 Commerce Quay, 1080 Brussels) is that we don’t see the “Weinstein” character directly. Instead, we hear his voice and see his back from a distance; we also see the fear he provokes in his subordinates. He isn’t the point of the story, though. The point, as The Assistant makes blindingly clear, is that the movie executive gets away with his behavior because of the complicity of the people around him. They joke about and roll their eyes at him and make excuses for him, rather than speaking up or stepping in. I caught up with Green at the Sundance Film Festival, where The Assistant was playing after a strong premiere at the prestigious Telluride Film Festival last August. We talked about the movie’s attention to detail, the reasons she chose to obscure the “Weinstein” figure, and the way economics affect the systems that protect predators. Alissa Wilkinson I keep hearing from people who have worked as assistants, especially in Hollywood, that this movie is eerily accurate. Kitty Green Yeah, but it’s strange. Someone came up to me at Telluride and said, “How did you get the Froot Loops right? We had Froot Loops in the Weinstein Company. That was all we ate. ” I just picked Froot Loops because they’re colorful! Someone brought bran, and I think the props person was like, “No, no, no, let’s get Froot Loops. ” So a lot of these things are accidental. But it’s weird how a detail like that can really have an emotional effect on somebody. Being in an abusive environment, those details stay with you. I did a lot of research, but not to the level that people assume I did. I did interview maybe a hundred people. I started with a friend of mine who had been with the Weinstein Company, and a few former Weinstein Company employees. Then I went to Miramax. Then I did studios and agencies and other production companies. I can’t really name the other ones because their boss is still their boss. From there, I went to assistants in other sectors. The same stories came up again and again, patterns that cross the globe. Patterns like what? Both film and other fields have very gendered systems, where you see your male colleagues promoted before you. You see them getting opportunities that you’re not getting. There’s a gendered division of labor, so they are given tasks that you’re not given. There were lots of stories of going to HR and feeling completely unsupported, or stripped of any kind of self-worth upon leaving, because HR exists to protect the company and not the employees. Those are the kind of stories that I was getting again and again. We were focused on how the larger systems sideline women in particular. That hierarchy is noticeable in the film. And it also plays into one thing I thought about a lot, which is that The Assistant shows how people are sort of trained to not notice when bad things happen, because it’s part of their job to look away and just do what they’re told. I was reminded of stories I hear about governments committing atrocities and “ordinary” people who become complicit in them, even if they argue that they’re “just” doing their jobs. You don’t focus on the “Weinstein” character so much as people who work at the company ? junior executives, receptionists, human resources people, just regular workers in that environment. How did you start writing them into the story? Well, here’s the thing. In the original draft, I gave the men too hard of a time. I sent the original draft around to people for feedback, and a lot of people said, “Listen, women are guilty of this kind of behavior as well. ” The film is from Julia’s point of view completely, so you don’t really know what anyone else’s day was like, what they’ve been through, how much they know about what’s going on. [... ] You’re only given as much information as Julia has, which is not a lot. All you can see is that everyone kind of knows something sinister is going on, but they don’t come right out and say it. Some people assume their boss is sleeping with a lot of women or having extramarital affairs. But you don’t know how much they really know, especially consent and what’s going on back there in his office. Although we definitely can see how his temper rules the office. Yeah, it’s definitely an abusive work environment. Matthew Macfadyen in The Assistant by Kitty Green, an official selection of the Spotlight program at the 2020 Sundance Film Festival. Sundance Institute I’ve been reading about how Hollywood’s assistants are making a move toward unionizing for more fair pay and humane work hours. Even if your boss isn’t outright abusive, the job kind of just wears you down until you do whatever is asked of you without questioning. Yeah, completely. The complaint is that the wages in Hollywood are so low that you can only work there if you have another source of income, where you come from a rich family, which completely prevents a whole section of society from getting into the film industry and getting those jobs. They’re trying to change the way people are brought into the industry. Right. There’s an economics at play in who gets put into those jobs and can afford to stay in them. The economic factors definitely show up in The Assistant in various subtle ways. If it was just Harvey Weinstein that was the problem, well, then, it would be fixed. We’d all be fine. But it’s not. The system is rotten. But “system” is a word that sounds so broad and vague, and what I wanted to do was highlight these concrete examples of what that system is ? everything from who gets paid what and mysterious checks that get sent through to HR, to different layers of machinery that support specifically white men being in power. Which is interesting, because about 10 minutes in I realized that The Assistant bore some strong resemblance to one of the greatest films about women, power, and economics ? Chantal Akerman’s Jeanne Dielman [ 23, quai du Commerce, 1080 Bruxelles], from 1975. It’s one of my favorites, too. In both movies, our protagonist is doing all of these simple, almost rote tasks to get through her day, and then there are moments of intense emotional stress. When I started working on this project, I’d say it was about assistants, and people would say, “Oh, the enablers. I know who these people are. ” I thought, I don’t think you fully understand. People don’t really understand who these people are, or the work their jobs consist of. I really wanted the film to be clear about how [Jane] spends her time at work. It’s not like we only show her having all these crazy, dark experiences. A lot of her work is very mundane and routine. So I wanted to focus on routine. Jeanne Dielman really influenced my filmmaking career. I saw it when I was very young, and I was like, “Wow, filmmaking can be this? ” It blew my mind. It’s a feminist classic, and it’s very much about how gender and economics are intertwined within a particular system. Completely. I wanted to echo that. Kitty Green and Julia Garner before a Sundance screening of The Assistant. Ilya S. Savenok/Getty Images How did you decide not to actually show Weinstein? The character is actually just “The Boss” in the movie. But he looks and sounds unmistakably like Harvey Weinstein, even though we only hear his voice kind of muffled and see him out of focus, from the back. Yeah, but interestingly, that’s just because a particular actor happened to be free. Here’s something strange, actually ? the voice and body are different people. In the script, you weren’t really supposed to hear the boss’s voice at all. But I filmed all of these close-ups of Julia on the phone. I was going to use wider shots, but when I saw Julia’s eyes, I wanted us to be right there with her. Then it was weird if a voice wasn’t coming out of the phone ? you needed to hear something So we ended up casting a voice actor to play that voice in post-production. We went to Avy Kaufman, who’s an amazing casting agent, and she was just like, “I know who you need. ” The actor came in and was like, “Oh, I know who this guy is. Let me do it my way. ” I was like, “Sure! ” It was so scary and terrifying listening in the booth. I was shivering. At the end he came up to give me a hug, and I was like, “No! ” He’s a lovely guy! I was just so terrified by what I’d heard. Yes, and I think everyone’s worked i Spoko to wygląda. Nie mam nic przeciwko zaproszeniu Panią Sekretarkę na kanał.