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Actor: Vladas Bagdonas; User Ratings: 8,9 / 10 stars; year: 1985; Genre: War; 47572 votes; countries: Soviet Union. Videos Learn more More Like This Animation | Adventure Fantasy 1 2 3 4 5 6 7 8 9 10 6. 5 / 10 X On a post-apocalyptic Earth, a wizard and his faire folk comrades fight an evil wizard who's using technology in his bid for conquest. Director: Ralph Bakshi Stars: Bob Holt, Jesse Welles, Richard Romanus Action Drama 8. 2 / 10 In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each him. Akira Kurosawa Tatsuya Nakadai, Akira Terao, Jinpachi Nezu Sci-Fi A guide leads two men through an area known as the Zone to find a room that grants wishes. Andrei Tarkovsky Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn Crime Mystery 8. 5 / 10 An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom. Toshirô Mifune, Yutaka Sada, Tatsuya Nakadai History 8. 7 / 10 When a ronin requesting seppuku at a feudal lord's palace is told of the brutal suicide of another ronin who previously visited, he reveals how their pasts are intertwined - and in doing so challenges the clan's integrity. Masaki Kobayashi Akira Ishihama, Shima Iwashita 8. 1 / 10 24 hours in the lives of three young men in the French suburbs the day after a violent riot. Mathieu Kassovitz Vincent Cassel, Hubert Koundé, Saïd Taghmaoui War In 1948, an American court in occupied Germany tries four Nazis judged for war crimes. Stanley Kramer Spencer Tracy, Burt Lancaster, Richard Widmark Biography The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev. Anatoliy Solonitsyn, Ivan Lapikov, Nikolay Grinko An old couple visit their children and grandchildren in the city, but receive little attention. Yasujirô Ozu Chishû Ryû, Chieko Higashiyama, Sô Yamamura Thriller A nurse is put in charge of a mute actress and finds that their personae are melding together. Ingmar Bergman Bibi Andersson, Liv Ullmann, Margaretha Krook A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. Max von Sydow, Gunnar Björnstrand, Bengt Ekerot 8. 3 / 10 A bureaucrat tries to find a meaning in his life after he discovers he has terminal cancer. Takashi Shimura, Nobuo Kaneko, Shin'ichi Himori Edit Storyline The feature film directed by Elem Klimov, shot in the genre of military drama. The action takes place on the territory of Belarus in 1943. In the center of the story is a Belarusian boy, who witnesses the horrors of the Nazi punitive action, turning from a cheerful teenager into a gray-haired old man for two days. Written by Peter-Patrick76 () Plot Summary Add Synopsis Details Release Date: 17 October 1985 (Hungary) See more ? Also Known As: Come and See Box Office Opening Weekend USA: $16, 053, 23 February 2020 Cumulative Worldwide Gross: $150, 730 See more on IMDbPro ? Company Credits Technical Specs Runtime: 142 min 105 min (heavily cut) See full technical specs ? Did You Know? Trivia The director planned to have Aleksey Kravchenko hypnotized by a psychotherapist during the most dreadful and violent scenes so that they wouldn't affect his young mind. However Kravchenko turned out not to be susceptible to hypnosis and had to pretend all the way. See more ? Goofs The belted machine gun used by one of the Partisans to shoot the captured German soldiers does not eject any empty shell cases when it is fired. See more ? Soundtracks Korobeiniki See more ?.
The Exorcist. Scared the living hell out of me, pun intended. Saw it in 1979, and haven't dared to see it since. (I made the mistake of reading the book, too... [Idi i live online: Will Meera save HDan] idi i (2018) Full Movie Online. tv Watch Online HBO Free. Watch Online Christiantimes. Idi i smotri Movie streaming. Idi i smotri movie streaming. William Defoe, that's all I'm going to say... Me so hawny ????. VietNam. weeks and weeks of maddening boredom, punctuated by episodes of stark screaming terror. rewind, repeat for years. Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July?1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Box office $150, 730 [3] Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Belarusian anti-war film directed by Elem Klimov and filmed in the Soviet Union. Its screenplay, written by Elem Klimov and Ales Adamovich, was based on the latter's 1978 book I Am from the Fiery Village [4] (original title: Я из огненной деревни, [5] Ya iz ognennoj Derevni, 1977) by Adamovich et al.. [6] The film stars Aleksei Kravchenko and Olga Mironova. [7] Significance [ edit] Come and See is viewed as one of the most important anti-war movies ever made, and one of the great World War II movies. It contains some of the most historically accurate depictions of the crimes on the Eastern Front. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II. It was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. It was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [8] Premise [ edit] The film focuses upon the Nazi German occupation of Belarus, and the events as witnessed by a young Belarusian partisan teenager named Flyora, who?against his parents' wishes?joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Meaning of the title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "ідзі і глядзі" [9] (English: "Come and see", Greek: ?ρχου κα? ?δε, Erchou kai ide) [10] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [11] [12] Chapter 6, verses 7?8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see! " And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Synopsis [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as several Molotov cocktails are thrown onto and within the church before it is further set ablaze with a flamethrower as other soldiers shoot into the building. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population?this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” ? Adolf Hitler, 1941 [13] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants. " [14] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [4] [15] [16] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection

There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on August 12, 2015 Format: Prime Video Verified Purchase Come and See, also titled Idi i smotri, is a film I will never forget. I am still thinking about it and will be for a very long time. It is not "entertainment" but a history lesson, a LIFE lesson. This is a rare glimpse into the Soviet side of World War II as seen through the eyes of a 13 year old boy. The film is based on the real life experiences of Ales Adamovich, who fought with the Russian partisans against the Nazi regime 1n Belarus in were not taught about the Soviet side of WWII in my public school. I had never heard of the 600 villages and all the inhabitants being systemactically wiped out by the Nazis. Both Elem Klimov and Ales Adamovich wrote the screen play with Klimov directing. The film gives you a true sense of what this young boy not only saw but felt and even heard. While watching, I felt as if I had climbed into this once young, innocent heart and soul and experienced all he had gone acting from Aleksei Kravchenko is as if he were channeling the spirit of the dead. His acting is somewhat supernatural. I love great film and have watched many many films of this nature but have never seen anything like this particular film. It is incredibly violent, nothing is too gruesome too show. Nothing is omitted for the sake of the audience. It is a film of the horrors of war. It has something I did NOT see in Schindlers List, Platoon, Galapoli, Apocolypse Now, The Deer Hunter or even Night and Fog, to name just a few of the best. The acting, is truly incredible right down to every single extra. The lighting and music are haunting and I will never hear certain pieces of Mozart quite the same again. If you could somehow transfer the feelings of the words "Insanity, Courage, Cowardice and Hopelessness onto cellonoid you might find yourself watching either this film or have traveled back to 1943 in the mind of the boy, Flor. I would love to see this film become part of every schools curiculum. All children aged 13 and up should see this film. I can already hear mothers saying they are too young to view this much violence and how it would traumatize them. I disagree and think most of the crap kids of that age group watch are just as violent as this movie if not more so. The same goes for the videos they watch. The difference is the violence in THIS film is powerful and thought provoking enough to make young men and women think twice about the realities and consequences of any WAR. This is such an important film. I am amazed I had never heard of it until a few days ago, where I found it listed on an IMDb list of movies that deserve more recognition. It was awarded the Grand Prix in 1985 at the Moscow Film Festival but for whatever reason did not get the public attention it should have. I thank AMAZON for having this piece of history available for rent and would recommend everyone watch it at least once. Again, this is not a movie that will entertain you. It is NOT going to make you feel good about the world we live in and will make you ask yourself the hard questions we'd rather not think about. It is the absolute best film about the horrors of war, the loss of innocence, the insidious nature of human beings and a film that should not be tucked away on a shelf. I would love to see this film get the attention it so deserves. The actual archived footage of Hitler and the insanity which took hold of millions of people remind us of who we are and what we are capable of. HIstory continues to repeat itself and I believe great films such as this should be made widely available. You will never forget the last 10 minutes of this film. You will never forget the madness and agony reflected in the eyes of what was once an innocent child. Hopefully, a film such as this reminds us to Never Forget. Reviewed in the United States on February 4, 2017 Format: Prime Video Verified Purchase This movie is a work of art from a culture that simply no longer exists. Whatever the Soviet Union and its satellites were, and the high art it was able to produce, simply is no more. Thus we are left with a film of such power as this, looking at us like the voices and pictures of an extinct people which we can still understand. Really I cannot say anymore as this movie is beyond words as it takes an unflinching look at the dark side of human nature as it intersects with simple people who merely wish to live their lives. Reviewed in the United States on August 17, 2018 Format: Prime Video Verified Purchase "And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. " -- Apocalypse of John, 6: 7-8 I've watched a hell of a lot of war movies in my day, produced in many countries and shot over many decades, from the 1930s to today. I've seen cinema from Weimar, Nazi and contemporary Germany; from Soviet Russia; from America, Britain and Australia; and from other countries as well. I feel pretty comfortable in saying that I'm well versed in most of the styles in which war movies are shot, from gritty to stylized, from pro-war to anti-war, from low budget to blockbuster. COME AND SEE is the first truly "surreal" war movie I have ever personally encountered. In terms of its feel, the closest analog I can think of is the last hour or so of APOCALYPSE NOW, when the movie becomes totally dreamlike, but even that is a bit of a reach. This movie is its own horrifying, surreal self entirely from start to finish. COME AND SEE is the story of life and death in the Soviet Union while under German occupation during World War Two. The film opens with a farmboy, Florya, playing among the wreckage of an old batlefield near his home. He manages to unearth a working rifle from the dirt and decides this will gain him entry into the partisan band which lives in the forests and fight the German occupiers. He is correct, but the partisan commander, Kosach, orders Florya to remain at his farm and work against the Nazis from there. This causes quarrels with his mother, who like many under German occupation just want to keep their heads down and hope the storm of war will blow over them. While out and about, he encounters a pretty farmgirl, Glasha, and tells her of his role as a partisan; but when he returns home he cannot find his family. It turns out the German military police have "paid them a visit" and here begins the films' full descent into the nightmare world, both in terms of subject matter, writing, direction and cinematography. Florya cannot accept what has happened to his loved ones and drags Glasha into a swamp in a futile effort to locate them. Florya entually begins to grasp that his digging-up of the rifle may have caused his family's deaths, and this pushes him further into quasi-madness. The desperate, tragic situation leads to a series of horrible "adventures" where the two children extort a supposedly Nazi-friendly farmer of his cow, encounter a fellow partisan who is killed in a skirmish, and are eventually taken in by villagers who provide them with false identities. Unfortunately for the village, it lies in the path of an SS anti-partisan squad whose way of dealing with guerilla warfare is to massacre everyone in their path, whether involved with the partisans or not. This brings the film to its fiery, vicious climax, which shows what the war was really like for the Eastern peoples: a life of terror, hunger, moral compromise, random violence and, often as not, horrible death, all without rhyme or reason. COME AND SEE shows its form early, by its curious use of extended sequences in which the characters speak directly into the camera, often in ways which show they have only a tenuous grip on reality, probably due to the horror of their daily lives. German occupation was capricious and cruel, and put the ordinary Soviet citizen in an unwinnable situation where simply trying to survive was often considered "collaboration" and punishible by death at the hands of the partisans: hence the scene where the farmer is humiliated and robbed of his only cow by the guerillas. On the other hand, compliance was no assurance of safety: the villagers at the end of the film are exterminated like rats in a barn, and with less regard for their suffering than one would give vermin. This insanse atmosphere leads to a film that often appears the work of a madman: when the cow is killed -- presumably it was really killed, because the actors were using live ammunition for most of the movie -- there is an extended close-up of its eyes as it is dying which is almost unwatchable. Likewise, there is an explosion which causes Florya's ears to ring: the ringing is overwhelming and lasts so long I almost had a nervous breakdown trying to get through the scene as I already suffer from tinnitus. None of the human relationships in the story are "normal" -- Florya and Glasha act like children away from their parents, alternately quarreling, indulging in fantasy and flirting in a kind of chaste, pre-sexual sort of way. The partisans come off as feral as beasts, untrusting and pitiless, yet their leader, Kosach, alternates between the sort of humanity which allows German prisoners a chance to explain their actions -- if only to satisfy Kosach's curiousity as how men could do such horrible things -- and ordering his men to douse the prisoners in gasoline and set them alight. Everyone and everything, including the landscape, is twisted and tormented by the war, and by the lust for murder and destruction that drives it. I very nearly gave COME AND SEE three stars because the movie is so deliberately surrealistic, strange, and brutal that it

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