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Average Rating - 8,3 / 10 / Drama / American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist / Clint Eastwood / release Year - 2019 / writed by - Kevin Salwen. Yukio Mishima Mishima in 1956 Born Kimitake Hiraoka January 14, 1925 Shinjuku, Tokyo, Japan Died November 25, 1970 (aged?45) Ichigaya, Tokyo, Japan Cause?of death Suicide by seppuku Resting place Tama Cemetery Alma?mater University of Tokyo Occupation Novelist playwright poet short-story writer essayist critic Japanese name Kanji »°Åç ͳµªÉ× Hiragana ¤ß¤·¤Þ ¤æ¤­¤ª Katakana ¥ß¥·¥Þ ¥æ¥­¥ª Transcriptions Romanization Mishima Yukio Japanese name Kanji Ê¿²¬ ¸ø°Ò Hiragana ¤Ò¤é¤ª¤« ¤­¤ß¤¿¤± Katakana ¥Ò¥é¥ª¥« ¥­¥ß¥¿¥± Transcriptions Romanization Hiraoka Kimitake Signature Kimitake Hiraoka ( Ê¿²¬ ¸ø°Ò, Hiraoka Kimitake, January 14, 1925?? November 25, 1970), known also under the pen name Yukio Mishima [a] ( »°Åç ͳµªÉ×, Mishima Yukio), was a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968, but the award went to his countryman Yasunari Kawabata. [5] His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion, and the autobiographical essay Sun and Steel. Mishima's work is characterized by its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death. [6] Mishima's personal life was controversial, which makes him still a contested figure today. [7] [8] [9] [10] Ideologically a right wing nationalist, Mishima formed the Tatenokai, an unarmed civilian militia, for the avowed purpose of restoring power to the Japanese Emperor. On November 25, 1970, Mishima and four members of his militia entered a military base in central Tokyo, took the commandant hostage, and attempted to inspire the Japan Self-Defense Forces to overturn Japan's 1947 Constitution. When this was unsuccessful, Mishima committed seppuku. Life and work [ edit] Early life [ edit] Mishima in his childhood (c. April 1931) Mishima was born in the Yotsuya district of Tokyo (now part of Shinjuku). His father was Azusa Hiraoka, a government official, and his mother, Shizue, was the daughter of the 5th principal of the Kaisei Academy. Shizue's father, Kenzō Hashi, was a scholar of Chinese classics, and the Hashi family had served the Maeda clan for generations in Kaga Domain. Mishima's paternal grandparents were Sadatarō Hiraoka and Natsuko (family register name: Natsu) Hiraoka. He had a younger sister, Mitsuko, who died of typhus in 1945 at the age of 17, and a younger brother, Chiyuki. [11] [ page?needed] Mishima's early childhood was dominated by the presence of his grandmother, Natsuko, who took the boy, separating him from his immediate family for several years. [12] Natsuko was the granddaughter of Matsudaira Yoritaka, the daimyō of Shishido in Hitachi Province, and had been raised in the household of Prince Arisugawa Taruhito; she maintained considerable aristocratic pretensions even after marrying Mishima's grandfather, a bureaucrat who had made his fortune in the newly opened colonial frontier in the north and who eventually became Governor-General of Karafuto Prefecture on Sakhalin Island. Through his grandmother, Mishima was a direct descendant of Tokugawa Ieyasu. [13] Natsuko was prone to violence and morbid outbursts, which are occasionally alluded to in Mishima's works. [14] It is to Natsuko that some biographers have traced Mishima's fascination with death. [15] Natsuko did not allow Mishima to venture into the sunlight, to engage in any kind of sport or to play with other boys; he spent much of his time alone or with female cousins and their dolls. [14] Mishima returned to his immediate family when he was 12. His father, a man with a taste for military discipline, employed parenting tactics such as holding the young boy up to the side of a speeding train. He also raided Mishima's room for evidence of an "effeminate" interest in literature and often ripped apart the boy's manuscripts. Schooling and early works [ edit] At the age of six, Mishima enrolled in the elite Gakushūin, the Peers' School in Tokyo. [16] At twelve, Mishima began to write his first stories. He voraciously read the works of numerous classic Japanese authors as well as Raymond Radiguet, Oscar Wilde, Rainer Maria Rilke and other European authors, both in translation and in the original. He studied German, French, and English. After six years at school, he became the youngest member of the editorial board of its literary society. Mishima was attracted to the works of the Japanese author Michizō Tachihara (1914?39), which in turn created an appreciation for the classical Japanese poetry form of waka. Mishima's first published works included waka poetry before he turned his attention to prose. He was invited to write a short story for the Gakushūin literary magazine and submitted Hanazakari no Mori ( ²Ö¤¶¤«¤ê¤Î¿¹, "Forest in Full Bloom"), a story in which the narrator describes the feeling that his ancestors somehow still live within him. Mishima's teachers were so impressed that they recommended the story to the prestigious literary magazine Bungei-Bunka. The story makes use of the metaphors and aphorisms that later became his trademarks and was published in book form in 1944 in a limited edition (4, 000 copies) because of the wartime shortage of paper. To protect him from a possible backlash from his schoolmates, his teachers coined the pen-name "Yukio Mishima". Mishima's story Tabako ( ±ìÁð, "The Cigarette"), published in 1946, describes some of the scorn and bullying he faced at school when he later confessed to members of the school's rugby union club that he belonged to the literary society. This trauma also provided material for the later story Shi o Kaku Shōnen ( »í¤ò½ñ¤¯¾¯Ç¯, "The Boy Who Wrote Poetry") in 1954. Mishima received a draft notice for the Imperial Japanese Army during World War II. At the time of his medical check up, he had a cold, and the young army doctor heard rales from the lung which was misdiagnosed as tuberculosis; Mishima was declared unfit for service. [17] Although his authoritarian father had forbidden him to write any further stories, Mishima continued to write every night in secret, supported and protected by his mother, who was always the first to read a new story. Attending lectures during the day and writing at night, Mishima graduated from the University of Tokyo in 1947. He obtained a position as an official in the government's Finance Ministry and was set up for a promising career. However, Mishima had exhausted himself so much that his father agreed to his resigning from the position during the first year of employment to devote himself to writing. [ citation needed] Post-war literature [ edit] Mishima wrote novels, popular serial novellas, short stories and literary essays, as well as highly acclaimed plays for the Kabuki theater and modern versions of traditional Noh drama. Kemono no Tawamure ( ½Ã¤Îµº¤ì, The Frolic of the Beasts) is considered a parody of the classical Noh play Motomezuka, written in the fourteenth century by the playwright Kiyotsugu Kan'ami. Mishima began the short story Misaki nite no Monogatari ( ̨¤Ë¤Æ¤Îʪ¸ì, "A Story at the Cape") in 1945, and continued to work on it through the end of World War II. In January 1946, he visited famed writer Yasunari Kawabata in Kamakura, taking with him the manuscripts for Chūsei ( ÃæÀ¤, "The Middle Ages") and Tabako, and asking for Kawabata's advice and assistance. In June 1946, following Kawabata's recommendations, Tabako was published in the new literary magazine Ningen ( ¿Í´Ö, "Humanity"). Also in 1946, Mishima began his first novel, Tōzoku ( Åð±, "Thieves"), a story about two young members of the aristocracy drawn towards suicide. It was published in 1948, placing Mishima in the ranks of the Second Generation of Postwar Writers. He followed with Confessions of a Mask, a semi-autobiographical account of a young homosexual who must hide behind a mask to fit into society. The novel was extremely successful and made Mishima a celebrity at the age of 24. Around 1949, Mishima published a series of essays in Kindai Bungaku on Yasunari Kawabata, for whom he had always had a deep appreciation. His writing gained him international celebrity and a sizable following in Europe and the United States, as many of his most famous works were translated into English. Mishima traveled extensively; in 1952 he visited Greece, which had fascinated him since childhood. Elements from his visit appear in Shiosai ( ĬÁû, "Sound of the Waves"), which was published in 1954, and drew inspiration from the Greek legend of Daphnis and Chloe. Mishima made use of contemporary events in many of his works. The Temple of the Golden Pavilion published in 1956 is a fictionalization of the burning of the famous temple in Kyoto. Utage no ato ("After the Banquet"), published in 1960, so closely followed the events surrounding politician Hachirō Arita 's campaign to become governor of Tokyo that Mishima was sued for invasion of privacy. [18] In 1962, Mishima's most avant-garde work, Utsukushii hoshi ("Beautiful Star"), which at times comes close to science fiction, was published to mixed critical response. Mishima was considered for the Nobel Prize for Literature three times [19] and was a favorite of many foreign publications. [20] However, in 1968 his early mentor Kawabata won the Nobel Prize and Mishima realized that the chances of it being given to another Japanese author in the near future were slim. [21] In a work pu

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