Tonya Hudson

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★★★★★

Publisher Donatello Music
Info: Music. Chicago Sports. Good Advice.

Country - UK

Owen McCafferty

score - 342 votes

92minutes

Directed by - Glenn Leyburn
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Ordinary Love Theatrical release poster Directed by Lisa Barros D'Sa Glenn Leyburn Produced by Brian J. Falconer David Holmes Piers Tempest Written by Owen McCafferty Starring Lesley Manville Liam Neeson Music by David Holmes Edited by Nick Emerson Production company Bankside Films Out of Orbit Canderblinks Film Tempo Productions Head Gear Films British Film Institute Northern Ireland Screen Distributed by Focus Features Release date 9?September?2019 ( TIFF) 6?December?2019 (United Kingdom) Running time 92 minutes [1] Country United Kingdom Ireland Language English Box office $630, 363 [2] Ordinary Love is a 2019 romantic drama film, directed by Lisa Barros D'Sa and Glenn Leyburn, from a screenplay by Owen McCafferty. It stars Liam Neeson and Lesley Manville. It had its world premiere at the Toronto International Film Festival on 9 September 2019. It was released in the United Kingdom on 6 December 2019, by Focus Features. Cast [ edit] Liam Neeson as Tom Lesley Manville as Joan David Wilmot as Peter Amit Shah as Steve Production [ edit] In April 2018, it was announced Liam Neeson and Lesley Manville had joined the cast of the film, with Lisa Barros D'Sa and Glenn Leburn directing from a screenplay by Owen McCafferty. Brian J. Falconer, David Holmes, Piers Tempest, will produce the film under their Out of Orbit, Canderblinks Films, and Tempo Productions, banners respectively. [3] In October 2018, it was announced David Wilmot and Amit Shah had joined the cast of the film. [4] Release [ edit] In December 2018, Bleecker Street acquired U. S. distribution rights to the film. [5] In March 2019, Focus Features acquired UK distribution rights to the film. [6] The film had its world premiere at the Toronto International Film Festival on 9 September 2019. [7] It was released in the United Kingdom on 6 December 2019. [8] It was released United States on 14 February 2020. [9] Critical reception [ edit] Ordinary Love received positive reviews from film critics. It holds a 93% approval rating on Rotten Tomatoes, based on 87 reviews, with a weighted average of 7. 71/10. The site's critical consensus reads "Led by strong performances from Lesley Manville and Liam Neeson, Ordinary Love wrings heartrending drama out of one couple's medical travails. " [10] On Metacritic, the film holds a rating of 73 out of 100, based on 23 critics, indicating "generally favorable reviews". [11] References [ edit] ^ "Ordinary Love". Toronto International Film Festival. Retrieved 25 July 2019. ^ "Ordinary Love". Box Office Mojo. Retrieved 6 March 2020. ^ Wiseman, Andreas (11 April 2018). "Liam Neeson And Lesley Manville To Star In Northern Ireland-Set Love Story 'Normal People ' ". Deadline Hollywood. Retrieved 3 December 2018. ^ Wiseman, Andreas (25 October 2018). "Tea, Tears & Tenderness: Why Liam Neeson & Lesley Manville Took On Cancer Story 'Normal People', First Look & Deals". Retrieved 3 December 2018. ^ Hipes, Patrick (3 December 2018). " ' Normal People' With Liam Neeson & Lesley Manville Lands At Bleecker Street". Retrieved 3 December 2018. ^ Grater, Tom (26 March 2019). "Focus buys international rights to Liam Neeson, Lesley Manville drama 'Normal People' (exclusive)". Screen International. Retrieved 17 June 2019. ^ Lang, Brent (23 July 2019). "Toronto Film Festival: 'Joker, ' 'Ford v Ferrari, ' 'Hustlers' Among Big Premieres". Variety. Retrieved 25 July 2019. ^ "Teen Spirit". Launching Films. Retrieved 17 June 2019. ^ Lang, Brent (October 25, 2019). "Bleecker Street Buys Harvey Weinstein-Inspired Drama 'The Assistant ' ". Retrieved October 25, 2019. ^ "Ordinary Love (2020)". Rotten Tomatoes. Retrieved March 4, 2020. ^ "Ordinary Love Reviews". Metacritic. Retrieved March 4, 2020. External links [ edit] Official website Ordinary Love on IMDb.

Free ordinary love movie. Free ordinary love dress. Download u2 ordinary love mp3 free. Free ordinary love download. Free ordinary love song. Free Ordinary love hina. Free ordinary love youtube. Free Ordinary lovely. U2 ordinary love mp3 download. Free ordinary love type beat. Free ordinary love cast. Ordinary love movie free online. Free ordinary level physics notes. Free Ordinary love song. Free ordinary love songs. U2 ordinary love download. 4 / 5 stars 4 out of 5 stars. There are strong, sensitive performances in a melancholic film about a couple dealing with the fallout from a cancer diagnosis ‘Ordinary Love is a film with a cloud-cover of ordinariness. ’ Photograph: TIFF L isa Barros D’Sa and Glenn Leyburn are the two film-makers who in 2013 directed Good Vibrations, a tremendous film about the 70s Belfast punk scene. Now they have changed the mood for this desperately poignant study of a retired middle-aged couple, Joan and Tom, who have, over the years, come to terms with the deep sadness in their hearts following the death of their daughter. Now their fragile relationship is further tested when Joan is diagnosed with breast cancer. Is it too much to bear? Or has their existing grief somehow partly numbed, or inoculated them against the more commonplace pain of getting cancer in your 60s? The movie is written by Owen McCafferty and acted with impeccable intelligence and sensitivity by Lesley Manville and Liam Neeson. And although there are some slightly stereotypical weepie moments, the film has a strong sense of emotional purpose and Manville and Neeson ? perhaps especially Manville ? bring conviction and force. It is, perhaps, something we have all seen before in the movies when a character goes to talk to the gravestone of a departed loved one. But this film does something different with the trope when the couple are in the car and Tom announces that he is going to the cemetery. Joan, with deadly seriousness, tells him not to mention her cancer: “I don’t want her to know. ” Ordinary Love is a film with a cloud-cover of ordinariness. Cinematographer Piers McGrail gives it a stark, flat light: subdued in the couple’s kitchen and dining room, and also on the seafront where they go for daily, healthy walks, Tom genially obsessing over his Fitbit and the number of steps he has taken ? but a stronger and more clinical light in the hospital. Over the years, the couple have got comfortable with a kind of endless, soft-edged banter; it’s a language they have developed for amiable co-existence, and of course it crumbles in the face of Joan’s awful news, replaced with anger, recrimination and fear. There is a horrible, and all too real, choreography of agony when Tom and Joan are placidly seated in the hospital waiting area and Tom announces he needs to go to the lavatory; Joan testily tells him not to be long, because her name could be called at any moment ? and course it is, the moment Tom has gone. The uneasy, uncomfortable wait for Tom to return from the loo so they can all troop in to see the doctor is an ordeal of banal embarrassment. But there is a kind of redemption when the couple unexpectedly see someone they know ? and dislike ? in the waiting room. There are, arguably, scenes in this film which are less than subtle ? and there were times when I wanted something more indirect. But Manville and Neeson have a real empathy and intimacy on screen. Perhaps it is partly Manville’s presence, which reminded me a little of Mike Leigh, in films like Another Year. A sweet, sad film. Ordinary Love is showing at the Toronto film festival with a release date yet to be announced.
3 nominations. See more awards ? Edit Storyline Joan and Tom have been married for many years. There is an ease to their relationship which only comes from spending a life time together and a depth of love which expresses itself through tenderness and humour in equal part. When Joan is unexpectedly diagnosed with breast cancer, the course of her treatment shines a light on their relationship as they are faced with the challenges that lie ahead and the prospect of what might happen if something were to happen to Joan. ORDINARY LOVE is a story about love, survival and the epic questions life throws at each and every one of us. Plot Summary | Add Synopsis Details Release Date: 14 February 2020 (USA) See more ? Also Known As: Ordinary Love Box Office Opening Weekend USA: $23, 564, 16 February 2020 Cumulative Worldwide Gross: $630, 363 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia Opening film of the 2019 Cork International Film Festival See more ? Quotes Joan: You know, when this all started I though that, if I made it through, the experience would somehow change me. I don't think it has. I don't think I want it to. See more ?.

He has a very particular set of coping skills: Tom (Liam Neeson) and Joan (Lesley Manville) face her cancer diagnosis together in Ordinary Love. Bleecker Street hide caption toggle caption My first time around with Ordinary Love, I saw two great actors doing their damnedest to breathe life into a pedestrian cancer weepie. I watched it again and saw two great actors bringing grace and depth to an imperfect but affecting chamber piece that takes it for granted that we can handle a de-sanitized drama about a long-married couple doing their best to cope with life-threatening illness. The film is not especially graphic, but unlike most others of its kind, this one trusts us to stick with the slew of treatments that often hurt more than the disease. In its cheekily Irish way it offers a portrait of a great and enduring love under acute pressure. Ordinary Love, which is directed by Lisa Barros D'Sa and Glenn Leyburn ( who also made Good Vibrations, a 2013 movie set in Ireland's punk music scene), tracks a traumatic year in the life of retired couple Joan (Lesley Manville) and Tom (Liam Neeson) after Joan is diagnosed with breast cancer. The quiet flow of their days before she got sick ? daily power-walks on a peaceful Irish shoreline, amiable squabbling at the supermarket over what doesn't need to go in the shopping cart ? is rudely displaced by a staccato new normal of hospital stays colored in chilly blues, punctuated by returns to the murky browns of a cozy home now silent and stained with misery. There the camera directs us to a photograph that signals another unspeakable loss that the couple sustained long before Joan was diagnosed. Here and there a few secondary characters appear, notably Tom and Joan's daughter former teacher (a very good David Wilmot), a gentle gay man who, unlike Joan, knows exactly where his disease is going and struggles valiantly to protect his vulnerable young husband (Amit Shah). Mostly, though, the film is an actors' two-hander, and it's great to see Neeson do muted justice to a role that doesn't require him to whack everyone in sight. Grizzled and bewildered, Tom strains to play the measured optimist to his wife's quietly growing fear of the worst. Neeson comfortably plays second fiddle to Manville, a wonderfully elastic actress who was superb as Daniel Day-Lewis's icy, Mrs. -Danvers-like manager in Paul Thomas Anderson's 2018 Phantom Thread. She was sly as a fox as a preternaturally long-suffering mother of nominally grown nutballs in the recent television series Mum. Sturdy, ironic and practical, Manville's Joan in Ordinary Love is the inverse of her lonely, self-pitying alcoholic in Mike Leigh's Another Year, a crude and cruelly written role that she performed with devotion, but did her prodigious gifts no credit. Here she moves up and down the emotional scale without a moment's excess, registering Joan's mounting panic through her eyes and an occasional flutter of her fingers. Written by Northern Irish playwright Owen McCafferty, whose wife went through breast cancer treatment, the script is wry and witty, if occasionally slipping into TV-movie-speak with glib musings about how we're alone together or how important it is to spend time with loved ones because we're all going to die, we just don't know when. McCafferty steps a bit hard on the mostly amiable fraternal banter that operates as the loving shorthand of many a long and happy marriage. Their squabbling might be all we have to go on verbally; Manville and Neeson flesh out these two sharply contrasting halves into a finely orchestrated, improbably compatible whole built on expressive silences. As she trudges through the increasingly invasive treatments, Joan expresses her fears of the worst while Tom strives to be upbeat. In the face of terrifying uncertainty, the two play out a see-saw of feelings that holds them precariously in balance. Until, that is, the cathartic moment when the dam breaks and they fling recriminations that might break a union built on less solid foundations. Bravely and perhaps quixotically timed to release on Valentine's Day, this modest little drama boasts no saints, only the profound heroism of hanging in. | Nell Minow February 14, 2020 In a poem called Home Burial, Robert Frost wrote,?"from the time when one is sick to death/One is alone. " Those who are critically ill pass through the stages unforgettably defined by Elisabeth Kübler-Ross: denial, anger, bargaining, depression, acceptance. And they do it alone. Those around them, no matter how loving and how devoted, pass through their own stages. They face fear, grief, helplessness, compassion, loneliness, survivor guilt, exhaustion, and the guilt of feeling angry at the one who is dying. But they can never truly understand the experience of facing death, of seeing one's old life from the other side of an impenetrable glass wall. Advertisement "Ordinary Love" stars Liam Neeson and the exquisite Lesley Manville in the story of a couple who are navigating the world of serious illness, the euphemisms and delays, from initial tests that are "concerning" to the diagnosis: "the results weren't what we hoped. " Then there is surgery, radiation, and chemotherapy. Health care professionals are sympathetic but removed. Random encounters with other patients somehow become vitally important. This first screenplay by Irish playwright Owen McCafferty is inspired by his own wife's experience with breast cancer, and the smallest details are thoughtfully observed and portrayed with sympathetic honesty. Tom (Neeson) and Joan (Manville) have an amiable, affectionate relationship with a lot of gentle teasing that may sound like bickering but is really their form of banter, clearly honed over decades together. Her name may be a reference to Darby and Joan, a popular British term from an 18th century poem that has come to mean any unassuming ("ordinary"), long-time married couple who are deeply devoted. In the poem's terms, they are "ever uneasy asunder. " Uneasy and asunder is what Tom and Joan are about to be. In the shower, Joan feels a lump in her breast. Her last mammogram, eight months earlier, was clear, so the doctor's initial response is reassuring. But there must be tests, just to make sure. The results are not good. As they move forward, even the "good" results are not very good, and the treatments are brutal. Joan spots a familiar face in the hospital waiting room. It is Peter ( David Wilmot), another cancer patient. He was a teacher who once had Joan's daughter Debbie in his class. McCafferty understands the instant straight-to-the-point intimacy of fellow patients and the comfort that they get from being able to be frank with each other. Joan and Tom are completely comfortable with their companionable but indirect form of communication. Peter and Joan speak with the kind of directness that only comes when time is limited and choices are even more limited. McCafferty shows this in even the briefest of encounters, as with a fellow patient who gives Joan some advice on chemo. Later, another patient preparing for her first treatment gives Joan the chance to pass on that sympathetic reassurance, even as she looks at the young woman's long hair, knowing what is to come. Manville gives a performance of heartbreaking delicacy and courage. When her hair starts to come out in clumps, it is time for Tom to cut it all off and shave her head. Watch her face as she pretends?convincingly?to find it all funny as long as he is in the room. That same?look fades away as she confronts the image in the mirror when she is alone. Joan and Tom pay a tender farewell to her breasts in a scene so intimate it is almost intrusive. Manville has to go through a kaleidoscope of moods and emotions, and every one of them is precise, fearless, and searingly real. There is nothing ordinary about Tom and Joan, and their story shows us that there is nothing ordinary about love. Reveal Comments comments powered by. Free Ordinary lover. Free ordinary love sade.

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