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• User Ratings 7 of 10 Star
• &ref(https://m.media-amazon.com/images/M/MV5BZjlhOWE3YjktY2MzOC00ZmQ1LWIwNjgtZmVhZmFjZGExMzgyXkEyXkFqcGdeQXVyMDA4NzMyOA@@._V1_UY113_CR0,0,76,113_AL_.jpg)
• Creators Charles Randolph
• Jay Roach
• Margot Robbie
• scores 47060 Vote

Roger Ailes (John Lithgow) made women rich and famous at Fox News. He didn't see the harm in "demanding loyalty." Gretchen Carlson (Nicole Kidman) was terminated for not submitting to Roger and filed a personal lawsuit against him and not against Fox. She stood alone. No one would come to her aid and say "Me Too." Meanwhile, Megyn Kelly (Charlize Theron) had to make a career and monetary decision. Roger did not stand by her when Trump attacked her. The loyalty didn't work both ways. Payback is a b*tch. She decided that you can't be wrong to stand on the side of truth. And we know what happened to her career. I learned some interesting facts. Roger Ailes was such a disgusting pig, his parents ran away from home. Then there was, You can leave Fox, but Fox can't leave you." This refers to the stigmatism that no one will hire ex-Fox employees so they are stuck at Fox and have to suffer the indignities placed upon them in their white male-dominated world where women are ratings bait. And most importantly I learned that "Sushi is not liberal food." I loved the film. Margot Robbie demonstrates she can play a very sensitive woman as well as Harley Quinn. Kidman and Theron were great. I hope the liberals in Hollywood gives it 11 Oscars. They can skimp on the soundtrack. Guide: F-word. No sex or nudity.

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Bombshell - O escándalo. Bombshell - o esc c3 dalo remix. Bombshell - o esc c3 dalo pdf. I honestly felt I was in a meeting the entire time, and someone was going to go on stage after, and give us a quiz to fill out about what we just saw. It really sucks this is directed by a male (since he didn't add much) This editing is as horrible as Bohemian Rhapsody. I'm shocking it didn't go directly to On Demand (or to video) It gets street cred, since every so often it comes across as important, and a lot of people should watch it for that. But I can't recommend this to anyone, on the principle of it being a film.

Media & PR Bombshell Press Kit [Dropbox] General Inquiries © 2014-2016 Interceptor Entertainment and 3D Realms. Interceptor Entertainment and 3D Realms and related logos are registered trademarks of their respective owners in the U. S. and other countries. Bombshell is a registered trademark of 3D Realms. The Bombshell Character design, the Bomb and related logos are registered trademarks of 3D Realms. All other trademarks or trade names are property of their respective owners. All rights reserved. Won 1 Oscar. Another 21 wins & 51 nominations. See more awards ? Learn more More Like This Action | Adventure Comedy 2 3 4 5 6 7 8 9 10 6. 8 / 10 X In Jumanji: The Next Level, the gang is back but the game has changed. As they return to rescue one of their own, the players will have to brave parts unknown from arid deserts to snowy mountains, to escape the world's most dangerous game. Director: Jake Kasdan Stars: Dwayne Johnson, Jack Black, Kevin Hart Biography Drama History 7. 6 / 10 A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution. Todd Haynes Mark Ruffalo, Anne Hathaway, Tim Robbins Romance 6. 9 / 10 Legendary performer Judy Garland (Renée Zellweger) arrives in London in the winter of 1968 to perform a series of sold-out concerts. Rupert Goold Renée Zellweger, Jessie Buckley, Finn Wittrock 8 / 10 Jo March reflects back and forth on her life, telling the beloved story of the March sisters - four young women each determined to live life on their own terms. Greta Gerwig Saoirse Ronan, Emma Watson, Florence Pugh 7. 4 / 10 Based on the true story of a real-life friendship between Fred Rogers and journalist Lloyd Vogel. Marielle Heller Tom Hanks, Matthew Rhys, Chris Cooper 8. 1 / 10 American car designer Carroll Shelby and driver Ken Miles battle corporate interference and the laws of physics to build a revolutionary race car for Ford in order to defeat Ferrari at the 24 Hours of Le Mans in 1966. James Mangold Matt Damon, Christian Bale, Jon Bernthal 7. 7 / 10 A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles. Quentin Tarantino Leonardo DiCaprio, Brad Pitt, Margot Robbie Noah Baumbach's incisive and compassionate look at a marriage breaking up and a family staying together. Noah Baumbach Adam Driver, Scarlett Johansson, Julia Greer War A young boy in Hitler's army finds out his mother is hiding a Jewish girl in their home. Taika Waititi Roman Griffin Davis, Thomasin McKenzie, Scarlett Johansson Crime 6. 3 / 10 Inspired by the viral New York Magazine article, Hustlers follows a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients. Lorene Scafaria Constance Wu, Jennifer Lopez, Julia Stiles 7. 5 / 10 American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist. Clint Eastwood Paul Walter Hauser, Sam Rockwell, Brandon Stanley 4. 4 / 10 When a young systems engineer blows the whistle on a dangerous technology, Charlie's Angels are called into action, putting their lives on the line to protect us all. Elizabeth Banks Kristen Stewart, Naomi Scott, Ella Balinska Edit Storyline When Gretchen Carlson slaps Fox News founder Roger Ailes with a lawsuit alleging sexual harassment, not a soul could predict what would happen next. Her decision leads to Fox News correspondent Megyn Kelly coming forward with her own story, as well as multiple other women, inciting a movement that reverberates around the world. Written by Jwelch5742 Plot Summary Plot Synopsis Taglines: Based on a Real Scandal Details Release Date: 20 December 2019 (USA) See more ? Box Office Budget: $32, 000, 000 (estimated) Opening Weekend USA: $319, 157, 15 December 2019 Cumulative Worldwide Gross: $57, 963, 900 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia Kate McKinnon plays a character that works at Fox, but is a Democrat who has two pictures of Hilary Clinton in her house. Kate McKinnon played Hilary Clinton on Saturday Night Live. See more ? Quotes Roger Ailes: Gretchen Carlson could kill Fox News! Connections Referenced in Midnight Screenings: Bombshell (2019) Soundtracks Watching the World Go by Written by Sean Wiggins and Paul Houston Performed by Sean Wiggins and Lone Goat Courtesy of Wigmeister Music See more ? Frequently Asked Questions See more ?.
It was interesting to watch this after finishing THE LOUDEST VOICE just the week before. The latter focuses on Ailes rise to power by building Fox News, and, then, his fall because of his abuse of that same power. This movie looks at the Fox climate, and the systemic abuse of power through the lense of the women. The acting is superb from the whole cast but the three powerhouse female leads are perfection. (I want to take a minute to say that Kate McKinnon finally broke through as a dramatic actor. I had opined, in a review of YESTERDAY, that she needed to find the real people behind her caricatures, and, in this, she did! I knew she had it in her.) This is an important perspective and an interesting movie, which is why I rate this film a 9 (well told) out of 10. {Based on a Real Drama.
Bombshell Overview Bombshell is a sci-fi RPG with an isometric view from 3DREALMS. From the creators of 2013's Rise of the Triad and legendary game maker 3D Realms comes Bombshell, an isometric action role-playing game for PC and consoles. Bomb disposal technician turned mercenary for hire, Shelly "Bombshell" Harrison must strong-arm her way across 4 planets in an Unreal Engine-powered galactic adventure to rescue the president from an apocalyptic alien threat. With out-of-this-world enemies, a never-before-seen arsenal of devastating weaponry and a host of genre-crossing mechanics, Bombshell is set to blow you away. FEATURES Brave New Worlds | Traverse the dying world of Kyrron as it's consumed by its neighboring sun, discover the secrets of a civilization frozen in time on the distant world of Zeroth and travel to the epitome of technology -- a villain's vision which threatens to consume all that exists. Isometric Ingenuity | Brilliantly brutal isometric shooting layered with classic role-playing mechanics, including experience points, upgrades, side quests, and non-linear levels. All with a twist of first-person shooter mechanics. Robot-Armed and Dangerous | Shell, shock and shatter your way through vicious, bloodthirsty predators, an augmented alien species, and the remnants of an ancient race re-animated, with more than 10 weaponized arm modifications.

Bombshell - o esc c3 dalo review. Bombshell escandalo. Not even Charlize Theron can make me see Megyn Kelly as a hero. Charlize Theron, Nicole Kidman, and Margot Robbie in Bombshell. Lionsgate When Charlize Theron first appeared as the former Fox News anchor Megyn Kelly in Bombshell, sitting in full prime-time makeup behind a news desk, it took me a moment to sort through the layers of reality and artifice. Was that Kelly herself, pert-nosed and flaxen-haired, differentiable from the general pack of symmetrical blond Fox commentatrixes mainly by her husky voice? Was Theron wearing facial prosthetics, or had her image been digitally altered by one of those new deepfake filters that can make Robert De Niro look 20 years younger and cause the ghost of Tom Cruise to appear on Bill Hader’s features when and only when the comedian imitates the action star? Later, when John Lithgow showed up as Roger Ailes, a similar set of questions arose. Were those jowls the result of artfully applied silicone or green-screen wizardry? How much weight, if any, did Lithgow put on for the part? (Post-screening research revealed that makeup artist Kazuhiro Tsuji, who won an Oscar for turning Gary Oldman into Winston Churchill for The Darkest Hour, was responsible for Bombshell ’s many eerie physical transformations. ) I’m sure the director, Jay Roach, would prefer that the audience spend less time in these metafictional thickets and engage directly with the film’s story, which chronicles Kelly’s last days at the network in the larger context of the unfolding sexual harassment scandal at Fox. But that’s the risk you run when you make a movie in a subgenre I’ve come to think of as Bad Moments From Recent History, Recreated in Uncanny Detail. Two notable early examples of the form were HBO movies with then?A-list movie stars: 2008’s Recount with Kevin Spacey as a key Democratic operative in the Bush v. Gore election, and 2012’s Game Change with Julianne Moore as Sarah Palin?both of them directed by Jay Roach. Last year, Adam McKay’s Vice gave us a more playful, if ultimately unsatisfying, variant on the Recent Bad Moments template. Christian Bale’s bizarrely complete physical transformation into Dick Cheney took the stunt-casting angle to the extreme, while the fractured, gag-laden script abandoned all pretense of hyperrealism and committed fully to absurdity. McKay’s Oscar-winning script for The Big Short, his first foray into ripped-from-the-headlines political satire, was co-written with Charles Randolph, who also wrote Bombshell. So this movie comes with authorial bona fides to burn and a cast stacked with comic and dramatic talent. In addition to Theron as Kelly and Lithgow as Ailes, there’s Nicole Kidman as Fox anchor Gretchen Carlson and Margot Robbie as an associate producer at the network, a fictional character who’s a composite of various former Fox employees. Kate McKinnon, Allison Janney, Connie Britton, Richard Kind, Mark Duplass, and Rob Delaney all appear in supporting roles. But Bombshell ’s long pedigree also ensures that a lot about it feels familiar: the live tapings and production meetings shot with jiggly hand-held camera to instill a sense of tension and danger. The banks of TV screens whose overlapping talking heads fill in narrative gaps, like a Greek chorus with chyrons. There’s a grammar specific to this kind of movie that’s now common enough to have become all but invisible. That sense of overfamiliarity doesn’t entirely erase the impact of the distressing real-life events Bombshell recounts, but it can make the emotions they stir up easier to process. Which, for a movie about a workplace with a decadeslong history of rampant systemic abuse, isn’t always a good thing. And fine, we might as well get it out of the way upfront: I can think of more important whistleblower stories to hear about in detail (even more detail than we already got from this year’s Roger Ailes miniseries, The Loudest Voice) than Megyn Kelly’s. A person with a platform that size who uses her on-air time to argue vehemently that Santa Claus is white, as Kelly did with an ex-colleague of mine (a moment the movie briefly revisits), just isn’t that exciting to root for. No one deserves to be harassed at work, and the fact these women banded together to bring down an enormously powerful and malignant man is admirable. That doesn’t mean I want to spend two hours gazing at Megyn’s seemingly poreless face as she wrestles with whether and how to tell her truth, while continuing to play a highly public part in a media ecosystem based on lies. By 2016, the year the Fox harassment scandal gained momentum (more than a year in advance of Harvey Weinstein and #MeToo), the effect of that steady stream of disinformation was being felt in the presidential election. The bad juju of that awful summer hangs heavy over the world of Bombshell, which incorporates real news clips of, say, Trump braying about “ blood coming out of her wherever ” after Kelly asks him tough questions at a presidential debate. (Aren’t you glad we’re still talking about this so many years later? ) It was in the summer of 2016 that Gretchen Carlson, a former Fox & Friends anchor who had already been demoted after refusing to submit to Ailes’ sexual demands, was fired amid her complaints about the network’s atmosphere of sexism on-air and off-. Carlson sued Ailes for harassment in early July, and roughly two weeks later, after a series of stories came out about settlements the network had made with women going back decades, Kelly came forward with her own story. Bombshell is mainly concerned with what happened in Kelly’s and Carlson’s lives during those two weeks?the nice vacations ruined by paparazzi (again … trying to care? ), the urgent summoning of lawyers, the manic newsroom walk-and-talks. But there are too-seldom-visited side plots about far more interesting characters. Robbie’s fictional Kayla, a self-proclaimed “evangelical millennial, ” is not an easily classifiable political type but a believably odd bird. Though she seems to pride herself on being to the right of most of her network colleagues (she leaves Carlson’s show to work on Bill O’Reilly’s, to Carlson’s openly expressed disgust), she’s also a closeted lesbian, or maybe a bisexual struggling with her attraction to women. Luckily for us, Kayla doesn’t struggle too hard against falling into bed with the delightful Jess (McKinnon), a fellow producer who shares her cubicle. Jess also keeps her sexual orientation on the down-low at work, but her biggest secret is her support for the Democratic nominee. The scene where she and Kayla hook up at her place beneath a poster of Hillary Clinton, then engage in giggly pillow talk about their messed-up workplace, is as full of spontaneous energy and pleasure as this often-programmatic movie gets. Robbie also features in the movie’s toughest scene, the moment where we see Ailes not just angling to get one of the network’s many attractive young women alone in his office but doing what he does once they’re there. Under the guise of evaluating Kayla for an on-air spot, he asks her to stand up and twirl for him, then hike her skirt higher and higher while he watches. Robbie’s face as she tries to maintain a professional smile through all this is a painful wonder to watch. For Theron’s and Kidman’s characters, who occupy higher spots on the Fox totem pole, that kind of humiliation is further in the past, but they, too, keenly convey the misery of being constantly policed by one’s boss for physical appeal and proper feminine deference. (If their performances are in the end less memorable than Robbie’s, it’s only because flawlessly evoking the voice and manner of a famous real person is a less engaging task for an actor than creating someone entirely new. ) Watching these three join forces with other women at the network to engineer Ailes’ eventual firing brings a grim sense of satisfaction, but when you remember that Kelly herself was fired from NBC last year for defending blackface on air, it gets a bit harder to pump your fist in solidarity. Whatever beliefs they may hold about other people’s humanity, I’m glad these women finally received justice from the network that wronged them. I’m just not sure that translates into wanting to spend two hours in their company.

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