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Genre - Crime &ref(https://m.media-amazon.com/images/M/MV5BMGYyZTk5MjYtNGY2ZS00NzRhLTgwMWMtZjhmMmQ4OGFkNTNiXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_UY113_CR0,0,76,113_AL_.jpg) Midnight Family is a movie starring Fer Ochoa, Josue Ochoa, and Juan Ochoa. In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent Scores - 391 Vote Luke Lorentzen Mexico.

Matt Zoller Seitz December 6, 2019 The night comes alive in "Midnight Family, Luke Lorentzen's film about a private ambulance service in Mexico City. This is?one of the great contemporary films about the look and feel of a big city after dark, luxuriating in the vastness of almost-empty avenues lit by buzzing streetlamps. It's a?real-life answer to fiction movies like?" Taxi Driver. Bringing Out the Dead, " Collateral. Nightcrawler "?and " The Sweet Smell of Success. "? And yet, despite?the film's careful attention to images and sounds?which is somewhat?unusual in nonfiction, a mode that too often relies on verbal?summaries, infographics, and talking heads?Lorentzen never allows "Midnight Family"?to become an empty stylistic exercise. He stays?tightly focused on his main characters, the Ochoa family, as they scramble?to survive in a brutal, unregulated economy. Advertisement The Ochoas?live and work in?a city with nine million people but only 45 government-operated ambulances. Their?ambulance is?nominally run by a father,?Fer, who has health problems and seems profoundly?depressed (some of the film's most haunting images are silent?closeups of his face lost in thought. But the real boss is Fer's 17-year old son Juan, who usually takes the lead in treating patients, dealing with finances and official regulations, and arguing with cops who hassle them in hopes of shaking loose a bribe. Juan also acts?as an adjunct father to his little brother?Josué, who gets frustrated at their hard existence (there's an argument over how many cans of tuna they can afford to buy)?but would rather be on the job?with his family than attend school.? It's a rough life.?The Ochoas?seem to live in the ambulance more so than in their small, cluttered?apartment.?A?lot of the Ochoas'?patients can't or won't pay them for their labor. They must compete with other ambulance services to get to a scene first, even street-racing a rival in a sequence that's reminiscent of the moment in " Gangs of New York " where the crews of two private?fire trucks brawl in front of a burning house.?Every month is a financial crap shoot.? The filmmaker, who shot and edited the movie in addition to directing and producing it, seems to have taken his cues from an earlier era of documentary cinema, represented by directors like the Maysles Brothers ( Salesman, " Gimme Shelter. and D. A. Pennebaker. Don't Look Back. The movie?captures moments of astonishing intimacy, not just with the Ochoas but with their patients, the police, and the citizens they interact with from moment to moment.?The camera looks at people and places and lets us think and feel things, rather than constantly and clumsily?trying to manage?our reactions.? There's implicit criticism of government ineptitude and corruption and?the viciousness of profit-driven life, particularly when it comes to?healthcare, but these concerns emerge organically from the situations the director shows us. The tone is empathetic but clear-eyed, presenting the world's indifference to struggle and suffering as a hard fact, as immutable as?the winter draft that chills the interior of the ambulance until Juan asks his dad to shut the doors.? There's no music.?The movie doesn't need it. It has traffic sounds, barking dogs, roaring auto engines and squealing tires, and the screams of injured people nearly drowning out the reassurances of paramedics trying to stop the bleeding. The sense of place is nearly overwhelming, and the editing finds little ways to re-emphasize it, such as?holding on an empty room or ambulance interior?for a beat or two after people have exited the frame. All the world's a stage, we're mere extras upon it, and there's no way to know if anyone's watching the play. Reveal Comments comments powered by.

6:02 ? Of course sometimes ish goes down when there's a billion dollars on that elevator?. Ay people watch my try not to laugh! Its actually funny. Go back to memes bro family guy is not it. Its a ninja turtle on crack. 24 wins & 22 nominations. See more awards ?? Videos Learn more More Like This Documentary 1 2 3 4 5 6 7 8 9 10 7. 2 / 10 X A look at the life and work of Jewish-Israeli lawyer Lea Tsemel who has represented political prisoners for nearly 50 years. Directors: Philippe Bellaiche, Rachel Leah Jones Stars: Hanan Ashrawi, Tareq Barghout, Avigdor Feldman, War 7. 5 / 10 When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run. Director: Hassan Fazili Hassan Fazili, Nargis Fazili, Zahra Fazili History After becoming a mother, a filmmaker uncovers the untold history of China's one-child policy and the generations of parents and children forever shaped by this social experiment. Nanfu Wang, Jialing Zhang Zaodi Wang, Zhimei Wang 8. 6 / 10 FOR SAMA is both an intimate and epic journey into the female experience of war. Waad Al-Kateab, Edward Watts Hamza Al-Khateab, Sama Al-Khateab 63 Up (TV Movie 2019) 8. 2 / 10 Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years. Michael Apted Nicholas Hitchon, Lynn Johnson, Tony Walker Drama 8. 1 / 10 The last female bee-hunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. Tamara Kotevska, Ljubomir Stefanov Hatidze Muratova, Nazife Muratova, Hussein Sam 7. 7 / 10 Amidst air strikes and bombings, a group of female doctors in Ghouta, Syria struggle with systemic sexism while trying to care for the injured using limited resources. Feras Fayyad Amani Ballour, Salim Namour Biography 7. 9 / 10 Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre. Agnès Varda, Sandrine Bonnaire, Hervé Chandès Romance On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. Céline Sciamma Noémie Merlant, Adèle Haenel, Luàna Bajrami 7. 4 / 10 As her childhood turns into motherhood, teenage troublemaker Gemma comes of age in her fading Scottish steel town. But in a place where "you either get knocked up or locked up. innocent games can easily turn into serious crime. Ellen Fiske, Ellinor Hallin 7. 6 / 10 The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II. Terrence Malick August Diehl, Valerie Pachner, Maria Simon 6. 6 / 10 As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Chinonye Chukwu Alfre Woodard, Aldis Hodge, Richard Schiff Edit Storyline In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Plot Summary Add Synopsis Details Release Date: 21 February 2020 (UK) See more ?? Also Known As: Midnight Family Box Office Opening Weekend USA: 3, 030, 8 December 2019 Cumulative Worldwide Gross: 37, 818 See more on IMDbPro ?? Company Credits Technical Specs See full technical specs ??.
Nocna rodzinka watch docs. Midnight Family Directed by Luke Lorentzen Produced by Kellen Quinn Written by Luke Lorentzen Starring Fer Ochoa Josue Ochoa Juan Ochoa Release date 26?January?2019 (Sundance Film) Midnight Family is a 2019 crime documentary film, directed and written by Luke Lorentzen. The film is produced by Kellen Quinn under the banner of Hedgehog Films, and No Ficción. The film stars Fer Ochoa, Josue Ochoa, and Juan Ochoa. The film focuses on Ochoa family who run a private ambulance business. Plot [ edit] This section is empty. You can help by adding to it. January 2020) Cast [ edit] Fer Ochoa as Himself Josue Ochoa as Himself Juan Ochoa as Himself Release [ edit] Critical response [ edit] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 100% based on 52 reviews, with an average rating of 8. 06/10. The website's critical consensus reads, As narratively urgent as it is technically well-crafted, Midnight Family offers an enthralling and disquieting glimpse of healthcare in modern Mexico. 1] Metacritic, which uses a weighted average, assigned the film a score of 82 out of 100, based on 11 critics, indicating "Universal acclaim. 2] Carlos Aguilar writing for the Los Angeles Times wrote, Life-or-death incidents unfold before our eyes with intense urgency, yet the filmmaker finds breathing room to intimately profile a group of terribly underpaid heroes. 3] Monica Castillo of TheWrap wrote. Midnight Family does not shy away from showing the pressures they face from all sides and the constant exhaustion in their line of work, but we also come to understand their sense of loyalty to their patients. 4] Nick Schager writing for Variety wrote. Midnight Family illustrates that compensation is rarely in the cards here, as haggling leads to either polite apologies from those unable to pay, or harsher rejections from those simply unwilling to reimburse the paramedics for their trouble. 5] References [ edit] External links [ edit] Midnight Family on IMDb.
Im actually kind of excited about taking a more serious route this time. If I want Mushu Ill just watch the classic. Critics Pick In this outstanding documentary, a family of emergency medical workers struggles both to save lives and to make a living. Credit. 1091 Media Midnight Family NYT Critic's Pick Directed by Luke Lorentzen Documentary, Action, Crime, Drama 1h 21m More Information Periodically while watching “Midnight Family” you feel as if you cant look at the screen for another second. But you cant look away either. That tension encapsulates the push-pull of this documentary, a haunting portrait of a family of emergency medical worker s in Mexico City. Because as you tag along on another wild nighttime ride, and yet one more life-or-death race, the familys careening ambulance seems like an emblem both of their reality and of your own whiplashing position as a viewer. The family at its center, the Ochoas, own and operate one of the many private ambulances that serve Mexico City. The director Luke Lorentzen takes you right inside the ambulance, squeezing you in alongside the Ochoas and several others as they tend to traumatized victims and an occasional member of a patients family. Its no surprise that it can be a deeply distressing fit. Nearly as alarming, though, are those instances when the Ochoas race a rival ambulance to the next accident and the documentary enters that unsettling zone where the pleasures of the chase (and good filmmaking) slam into your ethical sensibility, which is to Lorentzens point. Your stomach may start jumping (your thoughts too) e ven before the movie and ambulance take off. After opening with some sober scene-setting ? a man washing blood off a bright yellow stretcher ? Lorentzen drops in some of the documentarys few informational details. “In Mexico City, ” reads text on a dark screen, “the government operates fewer than 45 emergency ambulances for a population of nine million. ” Much of the citys emergency health care, the note continues, is handled by “a loose system of private ambulances. ” The Ochoas belong to this informal network, tending to hundreds of patients each year from inside their red-and-white ambulance. Serving as his own cinematographer, Lorentzen spends a lot of time in the back of that van, a space that you settle into as workers and patients enter and exit. He regularly points the camera at the windshield, giving you front-row access to the chaos; every so often, he trains it on the rear-door windows, as if looking for an escape. Another camera, mounted on the top of the dashboard, enables you to see inside the van, where Fer, the Ochoa paterfamilias, is generally found riding shotgun beside one son, Juan, a 17-year-old with a meticulous fade haircut and the wheel skills of a NASCAR racer. When the sirens blare and lights flash, Fer and Juan can make a formidable, at times grimly diverting, tag team. “Get out of my way, bicycle! ” Fer yells over the ambulance loudspeaker in an early scene, as the intensely focused Juan drives and another of Fers sons ? the babyish-looking Josué, whos around 10 ? tries to steady himself in the rear. As Lorentzen cuts from the vans occupants to the darkly jeweled street and back again, everyone and everything passing by is told where to go. “Keep moving, bus! ” Fer yells, before slipping into street-philosopher mode. “This is why people die! ” he says, over a lingering shot of Josué. “Because people like you dont move! ” The juxtaposition of Josués face and Fers words are representative of Lorentzens method. Embracing a familiar observational approach, he doesnt talk you through “Midnight Family” but instead lets his filmmaking choices convey his thoughts on the Ochoas and the mercenary world they inhabit. (He edited the documentary and is one of its producers. Lorentzen never explains how he found the family, who not only granted him seemingly free access to their ambulance, but also brought him into their home. Hes more expansive in the production notes where he says that he introduced himself after he saw Juan cleaning the van while Josué was playing with a soccer ball. “Midnight Family” can be tough to watch, but it never feels unprincipled or indulgently exploitative. Some of the most traumatic incidents have, of course, occurred before the ambulance roars up, but not all. Even when the worst happens, Lorentzen doesnt turn the gore and tears into a spectacle, and its instructive that some of the most dreadful moments take place off-camera or are conveyed through the triage patter or in later conversations. He also tends to obscure the faces of the wounded and whether legally or ethically motivated, this discretion is a relief. Its humanizing for the victims (be warned that these include children) and for the viewer. One of the enduring hurdles in visual storytelling is how to represent the suffering of others without adding to it, a difficulty that Lorentzen has clearly weighed. Thats evident in his point of view, what he shows you and doesnt, and obvious in his empathetic portrayal of the Ochoas. Theyre an appealing, affecting collection of souls, and you too want the best for them, even when you grasp their role in a system plagued by class inequities and inadequate services, kickbacks and shakedowns. Here, if it bleeds, it leads right into everyones pocket ? the police, emergency workers, hospitals ? a truism that makes this documentary feel finally, appallingly, universal. Midnight Family Not rated. In Spanish, with subtitles. Running time: 1 hour 21 minutes.
A couple of close calls but the last one. Shiiieeeet ??. When basically said kpop was the same, and they all disagreed with him! i was like yeeessss thank you. What a fun family. I love watching you guys play games, it's hilarious. MOVIES 11:12 AM PST 2/11/2019 by Courtesy of Sundance Film Festival An intriguing perspective on health care in urban Mexico. A family-run ambulance business in Mexico City struggles to stay afloat in Luke Lorentzen's doc. A glimpse into the dysfunction of Mexico's patchwork of public and private health care, Luke Lorentzen's Midnight Family follows a family of EMTs through Mexico City as they struggle to make a living keeping other citizens alive. Though its micro view limits its usefulness in big discussions of public policy ??it's easy to imagine American partisans using it as evidence both for and against government-run health care ? it is a vivid reminder that all such policies are lived out by millions of individuals, who die every day when things aren't well run. Opening titles explain that in Mexico City, the government runs 45 public ambulances to serve a sprawled-out population of 9 million. That's nearly the entirety of what Lorentzen tells us directly in the film. Everything else we observe or infer during ride-alongs with the Ochoa family, who drive one of an unstated number of private ambulances that fill gaping holes in the city's delivery of health care. This observational approach gives the film its flavor, especially when it comes to family dynamics, but it makes things frustrating for viewers hoping to actually learn something. Lacking outside comment, we can guess but never be sure when the Ochoas are doing the right thing and when they're pushing an ethical line, maybe fatally. (Press notes make some things more explicit, but moviegoers don't get press notes. Whenever they pick up a patient who needs care they can't provide, for instance, they have choices to make: Go to a government-run hospital or a private one? Go to the closest facility or a further one that might be more affordable or better equipped? Leave the crowded-looking free hospital in favor of another down the road? At many junctures, the EMTs inform patients and/or their loved ones of the choices, speaking gently but usually presenting one option as smarter than others. They clearly have more experience than their customers with how the system works. But is their advice sometimes clouded by self-interest? After they've brought patients to a private facility in one scene, we see a staffer there hand over cash to the driver. Is this a shady kickback or part of a somehow legitimate transaction? The former seems likely, but we have no way of knowing for sure. We do, however, get a good sense that the role of police in this ecosystem is morally tainted. Ambulance drivers pay cops bribes in return for tips about accidents; cops hassle drivers, enforcing rules that seem to change arbitrarily. Questions of law and ethics aside, viewers get a visceral understanding here of the cutthroat nature of this private-ambulance business. Though they suffer through long bouts of boredom, the Ochoas leap into action when they hear reports of an accident: We race through the streets with them, often neck-and-neck with other vans trying to make it to the scene first. Whoever's riding shotgun mans the PA, shouting at drivers of other cars to heed the sirens and get out of the way. Juan Ochoa quickly becomes the film's star. Barely 17, he's far more professional than the older man we assume is his father. While slow-moving Dad tries to bum cash off his employee-children ??he appears to have emptied his pockets for cops ? perfectly groomed Juan hustles. He drives the ambulance, helps patients and reports on the night's frustrations in phone calls to his unseen girlfriend. He also does much of the undesirable job of asking for payment. Though Lorentzen mostly averts his camera's gaze when patients are around, he does listen in on some of the conversations about cost. A high-school girl who's been head-butted by her boyfriend weeps while she bleeds in the back of the van, meekly asking, Is this expensive. And shortly after, Can you please give me a hug to calm me down. Later on, another woman balks at the 3, 800 pesos the Ochoas charge for emergency transport (one of many items on their price list, that's roughly 200 U. S. When patients refuse to pay, that's that; as far as we can see, the EMTs have no recourse. What they do have is a matter-of-fact justification: When no government-provided ambulance arrived at the scene, what was your alternative? Production company: Hedgehog Director-director of photography-editor: Luke Lorentzen Producers: Kellen Quinn, Luke Lorentzen, Daniela Alatorre, Elena Fortes Composer: Los Shajatos Venue: Sundance Film Festival (U. Documentary Competition) Sales: Josh Braun, Submarine In Spanish 80 minutes.
1:44 That's Rob Gronkowski. Nocna rodzinka film. For screenings and tickets Directed by Luke Lorentzen Produced by Kellen Quinn and Luke Lorentzen Producers: Elena Fortes and Daniela Alatorre Contact: krquinn[at] luke. lorentzen[at] Publicity: Jenna Martin, jmartin[at] Sales: Autlook,?Salma Abdalla, salma[at] AWARDS: Special Jury Award for Cinematography, Sundance Best Film, Guadalajara International Film Festival Best Director, Guadalajara International Film Festival Premio Guerrero de la Prensa, Red de Prensa Mexicana Special Jury Mention, F:act Award, CPH:DOX Best Documentary, Hong Kong International Film Festival Cine Latino Documentary Audience Award, MSPIFF Grand Prix, Kaliningrad Film Festival Special Jury Mention, Calgary Underground Film Festival Special Jury Prize for Cinematography, Montclair Film Festival Audience Award, Cine Las Americas TRT International Documentary Awards, Turkey, Third Place Bravery Award, Mammoth Lakes Film Festival Grand Jury Award, Sheffield Doc/Fest Top Prize, Underhill Fest, Montenegro Grand Jury Prize, Gimli Film Festival Best Mexican Documentary, Guanajuato Film Festival Best Documentary, Spirit of Freedom, Jerusalem Film Festival Best Mexican Documentary, DOQUMENTA, Queretaro Special Jury Mention, Monterrey International Film Festival Grand Prix, Message to Man Film Festival, Saint Petersburg Russian Press Prize, Message to Man Film Festival IFFS Prize, Message to Man Film Festival Special Jury Mention, Zurich Film Festival Best Documentary, Bergen International Film Festival IDA Documentary Awards, Winner, Best Editing IDA Documentary Awards, Nominee, Best Feature IDA Documentary Awards, Nominee, Best Cinematography Cinema Eye Honors, Best Film Nominee Cinema Eye Honors, Best Cinematography Nominee Cinema Eye Honors, Best Production Nominee Cinema Eye Honors, Unforgettables, Juan Ochoa, Nominee Golden Frog for Best Documentary, EnergaCAMERIMAGE Best Documentary, Films from the South, Oslo Maysles Brothers Award, Special Jury Mention, Denver Film Festival FIPRESCI Rellumes Award for Best Director, Gijón Film Festival Best Film, WatchDocs International Film Festival, Warsaw SELECTED PRESS: Outstanding. Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to whats happening. When they do, they leave you gasping. " ? Manohla Dargis, New York Times Critics' Pick “Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family?the gruff but compassionate Fer and his two underage sons, Juan and Josué?at intensely close range on these Sisyphean missions of mercy. “ ? Museum of Modern Art and Film Society of Lincoln Center Included in the “10 Best Movies of Sundance 2019" A deft mix of big-picture doc-making and intimate moments... not to mention a wild?and remarkably eye-opening?ride. ” ? David Fear, Rolling Stone “This 81-minute masterpiece will change the way you look at documentaries forever; its style reads like an action movie, its themes like a socio-political drama, and, yet, it still is very much a work of non-fiction, with a camera always exactly positioned to capture a society on the brink of moral collapse. " ? Jordan Ruimy, The Playlist “Profound and thrilling cinema verite filmmaking. The film is impeccably crafted by Luke Lorentzen… What matters most here is Lorentzens intuition?he knows during many stunning moments just where to put the camera in such close quarters, letting us observe as harrowing drama and cinematic poetry unfolds… 'Midnight Family' is extremely visceral in the best way. ” ? Nick Allen, Roger Included in “21 Must-See Movies” at Sundance "An intimate verite documentary. the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U. S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark. " ? Eric Kohn, Indiewire FESTIVAL SCREENINGS: Sundance Film Festival, Park City, January 2019 Cartagena International Film Festival, March 2019 Guadalajara International Film Festival, March 2019 Ambulante Mexico, March-May 2019 CPH:DOX, Copenhagen, March 2019 Hong Kong International Film Festival, March 2019 Lost Weekend, Winchester, VA, March 2019 New Directors/New Films, MoMA, Lincoln Center, March 2019 DocVille Belgium, Brussels, March 2019 Houston Latino Film Festival, March 2019 Full Frame Documentary Film Festival, Durham, April 2019 Minneapolis International Film Festival, April 2019 Sarasota Film Festival, April 2019 ACT Human Rights Festival, Fort Collins, April 2019 San Francisco International Film Festival, April 2019 Night Visions, Helsinki, April 2019 Freep Film Festival, Detroit, April 2019 Dallas Film Festival, April 2019 DOC10, Chicago, April 2019 International Film Festival of Uruguay, April 2019 HotDocs, Toronto, April 2019 Calgary Underground Film Festival, April 2019 IFF Boston, April 2019 Riverside Saginaw Film Festival, Michigan, April 2019 TRT Documentary Days, Istanbul, April 2019 Kaliningrad Film Festival, April 2019 Cine Las Americas, Austin, May 2019 Montclair Film Festival, New Jersey, May 2019 EDOC, Quito, May 2019 Seattle Film Festival, May 2019 Mammoth Lakes Film Festival, May 2019 Krakow Film Festival, June 2019 Greenwich Film Festival, June 2019 Transylvania International Film Festival, June 2019 Sydney Film Festival, June 2019 Nantucket Film Festival, June 2019 Sheffield Doc/Fest, United Kingdom, June 2019 Curitiba International Film Festival, June 2019 Underhill Fest, Podgorica, Montenegro, June 2019 AFI DOCS, Washington, D. C., June 2019 Biografilm, Bologna, June 2019 Shanghai Film Festival, June 2019 Rooftop Films, New York City, June 2019 LA Latino Film Festival, July 2019 Semana de Cine Contemporáneo, Aguascalientes, July 2019 Taormina Film Festival, July 2019 Taipei Film Festival, July 2019 Maine Film Festival, July 2019 Durban International Film Festival, July 2019 New Zealand International Film Festival, July 2019 Guanajuato International Film Festival, July 2019 Gimli Film Fest, July 2019 Jerusalem Film Festival, July 2019 Traverse City, July 2019 Lima Film Festival, August 2019 Sakhalin on the Edge, August 2019 Stronger than Fiction, Canberra, August 2019 Melbourne International Film Festival, August 2019 DokuFest, Kosovo, August 2019 Lighthouse International, New Jersey, August 2019 Monterrey International Film Festival, August 2019 Martha's Vineyard International Film Festival, August 2019 Camden International Film Festival, September 2019 AFI Latin American Film Festival, September 2019 Message to the Man, St. Petersburg, September 2019 Festival de Cine México, Alemania CineMA, September 2019 Athens International Film Festival, September 2019 El Gouna International Film Festival, Egypt, September 2019 Helsinki International Film Festival, September 2019 IDFF Flahertiana, September 2019 Festival de Cine en el Desierto en Sonora, September 2019 Zurich Film Festival, September 2019 Vancouver International Film Festival, September 2019 Bergen International Film Festival, September 2019 Cineuropea, Santiago de Compostela, September 2019 Foro de Cineastas, Tamaulipas, September 2019 Black Canvas, Mexico City, October 2019 Brisbane International Film Festival, October 2019 Viva Mexico, Paris, October 2019 Film Fest Tuscon, October 2019 Peoria Film Festival, October 2019 FilmFest Cologne, October 2019 Hamptons International Film Festival, October 2019 Central Scotland Documentary Festival, October 2019 Lateinamerikanische Filmtage, Germany, October 2019 Tallgrass Film Festival, October 2019 Morelia Film Festival, October 2019 Latin American Doc Showcase, Puerto Rico, October 2019 True/False Community Screening, Colombia, October 2019 Vino Verite, Iowa City, October 2019 Hot Springs Documentary Film Festival, October 2019 Rockaway Film Festival, October 2019 Jio Mami, Mumbai, October 2019 Ânûû-rû Âboro Festival, New Caledonia, October 2019 Inconvenient Films, Lithuania, October 2019 Doctober, Pickford Film Center, Bellingham, October 2019 Teatteri Unio, Finland, October 2019 Unorthadocs, Wexner Arts Center, Colombus, October 2019 Cork Film Festival, Ireland, October 2019 Virginia Film Festival, October 2019 Viennale, Vienna, October 2019 Denver Film Festival, October 2019 Windsor Film Festival, October 2019 Stockholm International Film Festival, November 2019 Brattleboro Film Festival, November 2019 Movies from the South, Oslo, November 2019 DOC NYC, November 2019 Camerimage, Poland, November 2019 KCRW - The Document, Los Angeles, November 2019 Gijon Film Festival, Spain, November 2019 RIDM, Montreal, November 2019 IDFA, Amsterdam, November 2019 Festival Margenes, Spain, November 2019 Sevastopol Film Festival, Crimea, November 2019 Guangzhou Documentary Film Festival, November 2019 This Human World, Vienna, December 2019 Watch Docs, Poland, December 2019 Havana Film Festival, Cuba, December 2019 Festival del Puerto, Oaxaca, December 2019 William and Mary Global Film Festival, January 2020 Budapest International Documentary Festival, January 2020 Americana Film Festival, Barcelona, March 2020.
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Critics Consensus As narratively urgent as it is technically well-crafted, Midnight Family offers an enthralling and disquieting glimpse of healthcare in modern Mexico. 98% TOMATOMETER Total Count: 54 76% Audience Score User Ratings: 17 Midnight Family Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Midnight Family Videos Photos Movie Info In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As the Ochoas try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Rating: NR Genre: Directed By: Written By: In Theaters: Dec 6, 2019 limited Runtime: 81 minutes Cast News & Interviews for Midnight Family Critic Reviews for Midnight Family Audience Reviews for Midnight Family Midnight Family Quotes News & Features.
It's a shame Lithgow's talent is wasted on some oscar-bait movie like this. I have seen this movie before and Hollywood will make it again next year. Nocna rodzinka. "Outstanding. Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to whats happening. When they do, they leave you gasping. " ? Manohla Dargis, New York Times Critics Pick “Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family?the gruff but compassionate Fer and his two underage sons, Juan and Josué?at intensely close range on these Sisyphean missions of mercy. ” ? Museum of Modern Art and Film Society of Lincoln Center Included in the “10 Best Movies of Sundance 2019" A deft mix of big-picture doc-making and intimate moments. not to mention a wild?and remarkably eye-opening?ride. ” ? David Fear, Rolling Stone “This 81-minute masterpiece will change the way you look at documentaries forever; its style reads like an action movie, its themes like a socio-political drama, and, yet, it still is very much a work of non-fiction, with a camera always exactly positioned to capture a society on the brink of moral collapse. ? Jordan Ruimy, The Playlist “Profound and thrilling cinema verite filmmaking. The film is impeccably crafted by Luke Lorentzen… What matters most here is Lorentzens intuition?he knows during many stunning moments just where to put the camera in such close quarters, letting us observe as harrowing drama and cinematic poetry unfolds… 'Midnight Family' is extremely visceral in the best way. ” ? Nick Allen, Roger Included in “21 Must-See Movies” at Sundance "An intimate verite documentary. the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U. S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark. ” ? Eric Kohn, Indiewire.
Nocna rodzina. Does anyone know when this is going to be released (in Canada) ?. Released December 6, 2019 1 hr 21 min Tell us where you are Looking for movie tickets? Enter your location to see which movie theaters are playing Midnight Family near you. ENTER CITY, STATE OR ZIP CODE GO Sign up for a FANALERT and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more. Midnight Family: Trailer 1 1 of 1 Midnight Family Synopsis In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance. Read Full Synopsis Movie Reviews Presented by Rotten Tomatoes. Nocna rodzinka online. Her singing of this song is better than the og.