Shawn Hill

Estou contigo o tempo inteiro.

O tempo contigo en. Note: at the time of posting, it is only announced for Japan. This means it will be in Japanese with English subs. I wanted to make a post that may help others understand all the different bonuses and where to order them, but also for those that just want to find the cheapest one! I also added the soundtrack, which has been available worldwide for many months now, for those that want it too:) Releases: May 27th, 2020 Languages: All of them come in Japanese with Japanese, English, and Chinese subtitles. There is no English dub, but there is a version with the theme song in English. Available in 3 editions: All of them come with: Promotion video collection (theater notice, TV spot collection) Shinkai Makoto filmography DVD Standard Edition Price: ? 3, 800 + tax Blu-ray Standard Edition Price: ? 4, 800 + tax 4K Ultra HD Blu-ray 5-disk set Collector's Edition (Limited Edition) Price: ? 12, 000 + tax Contents: 2 main discs (one regular blu-ray, the other in 4K) + 3 bonus discs Withouter case 3 newly drawn digipacks drawn by Makoto Shinkai (director) & staff For content on the 3 bonus disks, read here or here. Notes: Prices differ from store because of benefits. For all stores except for TOHO Animation, CDJapan, Amazon Japan, I link to Amazon or CD Japan's listing. This is because it is much easier to order from them than from the original stores (from overseas). Personal tip: if you want the cheapest product, order the Amazon Japan (no bonus) options. They are discounted anywhere from ?1000-2000 over the original price (much more compared to the ones with bonuses). Store Bonus DVD Blu-ray 4K Blu-ray/Collectors Edition TOHO animation STORE Two Glasses feat. Hodaka and Hina drawings + A Framed High Definition Illustration (Collector's Edition Only) Link Link Link CD Japan / Link Link Link Amazon Japan (1) An Original Umbrella Cover + An A4 Clear Folder (Original Line Drawing) + A Photo-Framed Clock Link Link Link Amazon Japan (2) An Original Umbrella Cover + An A4 Clear Folder (Original Line Drawing) Link Link Link Amazon Japan (3) / Link Link Link Rakuten Books Two Mini Character Cushions ( Hina - Hodaka) Link Link Link Animate A Mug feat. A Cat named Ame Link Link Link GEO Original Steel Case Link Link Link TSUTAYA An Acrylic Stand Set (Size: A4) Link Link Link HMV/Loppi (1) CHARA-FINE GRAPH (Framed Original Illustration) + Two Clear Folders (Original / A4) / / Link HMV/Loppi (2) Two Clear Folders (Original / A4) Link Link Link Soundtrack (by RADWIMPS) Personal note: yes, the "complete" versions ironically are not complete... Original version Price: ? 3, 000 + tax for CD / ? 4, 800 + tax for vinyl Release Date: July 19, 2019 for CD / December 11, 2019 for vinyl Contents: Cover - Back 31 songs (including the five main theme songs) Came with a CD sized card bonus in different versions: 1, 2, 3, 4, 5. Note that the Vinyl was pre-order only, which is why it is either unavailable or very expensive. Complete version [Regular edition] Price: ? 1, 800 + tax Release Date: November 27, 2019 Contents: Cover - Back This edition includes the full-length versions the five main theme songs in Japanese. Complete version [CD+DVD / Limited Edition] Price: ? 7, 500 + tax Release Date: November 27, 2019 Contents: This edition consists of a CD, a DVD, and an art book in a special box packaging. The CD includes the full-length versions of the five main theme songs (plus an English version of "Is There Still Anything That Love Can Do? ". The DVD includes three music videos for Grand Escape, Is There Still Anything That Love Can Do?, and We'll Be Alright. Cover - Back Not included: Celebration MV Streaming/Digital purchase (Original version): Spotify - Apple Music - Amazon Music Streaming/Digital purchase (Complete version): Spotify - Apple Music - Amazon Music Store Bonus Original version (CD) Original version (Vinyl) Complete version [Regular edition] Complete version [Limited edition] CD Japan / Link Sold Out Link Link Amazon Japan / Link Link Link Link Amazon Japan CD sized card Link / / / Note: You can use a service such as Tenso or Zenmarket to ship items that can't be shipped outside Japan. Other items offered on the official TOHO Animation store (there are a lot and they are for the most part expensive). You can get them via CD Japan for easier shipping. Please state if you see any mistakes or things missing so I can correct them. I was thinking of adding books and stuff, but I think there are too many of those.

Filme o tempo contigo. O tempo contigo trailer. O Tempo contigny. O tempo contigo para. O tempo que passei contigo é intenso. [What Went Wrong with the 17th Volume] This is the final version. Very very sorry for the deletion & repost. Won’t do it again. [Prelude Op. 28, No. 15 in D-Flat Major (Raindrop)] I wrote this in order to understand my own discontent with the 17th volume. Feel free to give a comment. By the way, if you’re a cultured weeb, you’d surely know the Prelude in the title. Yes, you could hear it in Tenki no Ko. [Honobono Tokidoki Serious Soshite Harem] It’s the mantra of this story. You could find it written on the cover of the Japanese version of the light novels. It’s written in romaji so you could easily find it. Basically it translates to “heartwarming but sometimes serious harem”. So, yeah this story is mostly a heartwarming slice of life with the occasional actions & dramas here & there. Also, no argument, this is a harem literature alright. [How I Interpret This Story? ] Basically it’s the privileged, educated, cultured boys’ isekai. [The Usual Dramatic/Serious Isekai Repertoire] Damn I hate my current world. Thank god, I got isekai-ed. Heck yeah it’s a new start I can do whatever I want. Inner conflicts with the cultural differences. Inner conflicts with the different moral values & norms. Typical emotionally draining dramatic scenes. Found companions & got softened along the way. Hey it’s not so bad. I got my b*tches & bros. I’ll manage. I’ll take it step by step. Damn I got isekai-ed. I miss my previous world already. Damn this world is so unfair. Some MCs got betrayed & got mental shock at the beginning. To hell with this isekai & its people. I can do whatever I want! Do emo & edgy stuff. Found companions. Got softened along the way & got “healed” somehow. It’s not so bad with my b*tches & bros. I call this the man of action isekai. It’s for people who find dramas & emotional burdens much more relatable & realistic if you got isekai-ed. Both alphas & betas could love this type of isekai. Alphas love actions & dislike too much talking & thinking. Betas who hate when things get philosophical should love this type of isekai. They’ll find the dramas & situations relatable with their life. The MC usually gave them some kind of inspiration to get through their IRL life. [The Usual Slice of Life or Slow Life Isekai Repertoire] Got isekai-ed. Man, this is so much better than being a black company salaryman or a depressed hikiNEET or a highschooler/college student with no ambition or clear goal in mind in the land of the rising sun, Nippon. I’ll just take it easy this time. Usually focused on just one theme. Either agriculture, pharmacy, farming, cooking, industry, commerce, politics, or slow life adventuring. Found companions one by one, a harem is usually naturally included. Become a hugely successful person in another world. No clear main plot. Duh, it’s a slice of life. Sometimes you’ll get a bombshell main plot in the middle or near the ending. [How Do I See the Writer? ] An intellectual type. Intellectuals prefer philosophical stuff therefore this type tends to overthink & overanalyze things. Hence, intellectuals tend to have many opinions on many kinds of stuff. Terrorism & Criminalism. Parenting & Child Education. Religious Conservatism. Cultural & Traditional Stuffs. Bullying & Racism. Critics on Movies, TV Shows & Anime/Manga. Old Fashioned Values vs Progress & Development. Japanese Hospitality. Love & Friendship. Office & School Culture. You could find all of the above just from the “Satou here” section. [How the Writer Approach This Story? ] Basically, Satou is himself. This story is a what if story of himself got isekai-ed. He obviously prefers to take an isekai with a cool head. With rationalism, utilitarianism, the occasional hedonism (the foodgasms, the touring/sightseeing, his ladies-man/playboy activities with the girls & the occasional visits to onee-sans) & humanism based on Japanese ethics (moral values & norms) that he learned from his good ol’ Japanese parents & teachers. [What Justified This Privileged Mamas’ Boys Isekai? ] The man of action would surely hate this type of isekai. How could you face a world with different cultures & ethics with a cool head? The answer is the OP abilities. OP-ness justify the cool-headed-ness & the lack of dramas, mental breakdowns & emotional burdens. How could this story escape the generic isekai SOL/slow life then? The answer is the godhood theme. By using “lessons to godhood”, the writer could include practically everything in this story. Basically, the MC is destined to deal with everything in this world because duh, if a god is a kind of executive position in a company/firm called world then you should familiarize yourself with all the stuff in that world & think about how to handle all of those stuff. [How Did the Story Flow up until the 16th Volume? ] The story flowed smoothly with clear goals & schedules ahead. Hang out at Seiryuu. Decided to go to Selbira with a stop at Boruenan. Hang out at Muno & Oyugock along the way. Adventuring in Selbira. Went to the Royal Capital. Went back to Selbira. Got a job at the tourism ministry so here comes the touring. Got to finish an errand from the gods so here comes the gods’ trials. [How Does the Story Flow in the 17th Volume? ] It betrayed the previous volumes because we don’t have any clear goals & schedule in the 17th volume post visiting the Gods’ Realm. Hence, the regrettable time skips. We’re already familiar with the usual story flow then suddenly the 17th volume stopped that flow. It just doesn’t feel right. [Why the Time Skips are Unacceptable] It’s a freaking slice of life. It’s exactly because this is a slice of life, it doesn’t need any time skip. The idea of a slice of life is the scenes from everyday life. Time skip betrays that fundamental idea. We read this because we want to see our cute girls hanging out with each other & their beloved Satou. We’re already familiar with intermissions & different POVs so the expectations are high. But then the time skips came. *facepalm indeed We don’t have any clear schedule & goals in the earlier part of the 17th volume post visiting the Gods’ Realm. We already know that the gods basically are just bad administrators of the world. Should’ve gone straight to Dragon God instead of the unnecessary hangouts with those gods. Satou didn’t get any kind of godhood lesson post visiting the Gods’ Realm except for the “how to handle your emotions when your GF got harrassed & kidnapped”. We also read this for the romcom & the ladies man repertoire. Only the almighty Aze who got her share at the earlier part of the 17th volume. Way too little lovey dovey stuff for the other girls. Last but not least, the naval battles. Sure we got the Bridal Knights’ “Wedding Ceremony” but it doesn’t change the fact that the naval battles are at its climax. Did Satou ever talk to Zena about their engagement? Did Satou ever talk to Aze about his engagement with Zena? Did Satou ever talk to the girls about his engagement with Zena? What are the girls’ opinions on Satou’s relationship with Zena? How does Satou truly view his engagement with Zena? Did it manage to change his views on love & marriage? Did Satou’s engagement with Zena manage to give the other girls more chances? How does Satou truly see Sera? He’s very lenient to her touchy feely & intimacy after all. He even described her as his intimate friend. What is exactly an intimate friend? In other words, there’s so many unanswered questions, the harem is supposed to be in high tension (just ask all the 48 idol groups, they’ll sing “Heavy Rotation” for you). The time skips are surely out of place. It betrays our expectations. [How the Writer Justify the Time Skips? ] Through the purple towers. Weak. Especially if you already read the current 17-49. Demon God is dead. His defeat is truly the definition of absurdity. I don’t mind a lolicon getting killed by a loli but it just doesn’t justify the time skips & the chapters where he felt like some big shot end game boss. He died like a small fry. In the end his role is only for complementing the main plot & filling the plot holes. His importance is the same as the other pillar gods. Not Dragon God tier. Through the Zaikuon & Demon God fiasco. It’s okay-ish. It’s okay-ish because we got to see Satou get mad & went berserk after his GF got harrassed & kidnapped. But, the saving grace is only that. It would be better if the writer skipped the Zaikuon part & went straight to the Aze being kidnapped by the Demon God so we can skip Zaikuon & immediately focus on the Demon & Dragon God. Just replace the purple towers & time skips with cutesy & lovey-dovey stuff instead. It’s better to have the Demon God suddenly got huge reserves of miasma out of nowhere than those unnecessary time skips. [How the Writer Justify the Naval Battles? ] IMO just like he messed up with the story-flow. He also messed around with the power balance in the harem. He decided to bring the almighty Aze out of the forest. He decided to show us that she’s the top b*tch and all the other girls including the strong ones like Zena, Arisa & Sera suddenly turned into weak sideb*tches. Aze got so many strong flags in the earlier part of 17th volume. It’s crazy. Satou had tons of monologues inside his head saying how cute & pretty she is just from her being a cute klutz like usual. Satou fed her with a spoon in front of the sideb*cthes. Damn the hierarchy is hugely asserted. Satou thought about having a prayer to show his gratefulness because he got to meet her while he was in the Gods’ Realm. Tons of flags from her [harassed
Weathering with you is yet another great to look at japanese animated film,and it is obvious that only japanese animators can make a film like this and make it work,every scene is beautiful and detailed to maximum and it makes me wonder how can people able to make staff like this so clean and gorgeus to look at,characters in a film are fully developed and i ended up on their side and to care for them until the end,i only wished that we got to see some more staff in a story about controling weather and not just making clouds go away,i think that writers didnt have a bigger idea what to do with her abbilities and they satisfayed themselfs with simple and most obvious one,weathering with you is beautifully animated film that fans of this work will appriaciate it.
O tempo contigo 2. O Tempo contigné. O Tempo conmigo.