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Lost in America is a movie starring Rosario Dawson, Halle Berry, and Tiffany Haddish. A documentary film that follows director Rotimi Rainwater, a former homeless youth, as he travels the country to shine a light on the epidemic of

Rating: 17 votes release Date: 2019 Rotimi Rainwater Country: USA 1 hours, 45 Min View photos Click here to read the full article. You might feel a sense of shame watching Rotimi Rainwater ’s “ Lost in America, ” an expansive documentary look at the issue of youth homelessness in a country where the problem seems unthinkable, and its victims are so often invisible. You are likely to ask yourself how many times you have passed by a homeless child and did not quite see them. The statistics are scary: According to a recent study, nearly 4. 2 million kids live out on the streets due to heartbreaking reasons which Rainwater examines in his caring film, chronicling his six-year journey across 15 cities to grasp the breadth of the epidemic. One thing will be certain after tagging along that trip with him: Your eyesight will never skip over the homeless youth again. That is mostly thanks to Rainwater’s approachable prose ? not a feat of filmmaking perhaps, but an absorbing act of compassion nevertheless. As a person who once was homeless himself (an experience that informed his 2013 narrative feature “Sugar”), Rainwater moves through “ Lost in America ” with hard-earned assurance, having an insider’s view into the suffering millions of kids encounter every day, with scores of them dying on a daily basis. (At the end of the film, the writer-director tells us for context that over the time it takes to watch his movie, one homeless youth passes away. ) He also receives generous amounts of help from the power of celebrity, as Tiffany Haddish, Jon Bon Jovi, Halle Berry, Sanaa Lathan, Miley Cyrus, Jewel and Rosario Dawson (the last two also being executive producers) appear throughout the film with insights and suggestions. While their words don’t add up to anything groundbreaking, their towering presence might just be what sells the film to the general public, both in theaters and on streaming platforms. More from Variety Tiffany Haddish, Willem Dafoe and Tye Sheridan Join Oscar Isaac in 'The Card Counter' SXSW Film Festival to Include Movies From Issa Rae, Pete Davidson and Tiffany Haddish Salma Hayek on Women in Hollywood: 'We're On the Right Path, and We're Not Going to Stop' Elsewhere, Rainwater demonstrates that he must have watched a few Michael Moore documentaries, walking away from them with effective ideas to send off waves of shock and distress among the audience. He applies them generously to his output ? like Moore, Rainwater often narrates and over-explains his scenes, plugs himself into almost all the interviews and dramatizes the story’s transitions by emphasizing them through voiceover. He also stops random people on the street and puts them on the spot with their misinformation. (In one of those instances, he exposes an enormous public misconception around why young people live on the streets: many falsely seem to think it’s by choice or to do drugs. ) This overt hand-holding oversimplifies the material to a degree, but keeps us engaged. Still, some of the writer-director’s less-than-elegant artistic choices matter very little when the homeless kids themselves take over with their own stories, each marked with unspeakable trauma. Rainwater sees patterns in their history and smartly organizes his film around various groups of homeless teens: those failed by the dysfunctional foster care system (Haddish herself identifies as “a foster care survivor”), others preyed on by sex traffickers or rejected by families due to their sexual orientation, and so on. (More than 40% of all homeless kids are LGBTQ youth, figures inform. ) We meet the likes of Calub, a transgender boy unwelcome by his parents; Crystal, who shares her harrowing account of being chained and sold for sex; Makayla and Conner, a couple who experience a traumatic miscarriage and cruel treatment by the healthcare staff while out in the streets; and others that somberly recall heartbreaking accounts of rejection, abuse and even rape. While listening to the kids, Rainwater makes sure we see the humanity and future potential in each and every one, treating his subjects with the respect they deserve. For larger context, we also get a mini lesson on the history of homelessness in America, a phenomenon a lot more recent than most people might think. Armed with factual numbers and talking-head experts, Rainwater ties its upsurge back to the ’80s, when Gordon Gekko-esque greed became the society’s main value stream under the Reagan presidency. He then examines the contemporary government’s elongated inaction, while a few senators such as Vermont’s Patrick Leahy and North Dakota’s Heidi Heitkamp fight the good fight to curb the countrywide crisis. “Lost in America” offers us a chance to be a part of these efforts, too. No contribution is too small, Rainwater and his subjects remind us. Not even a minor act of kindness like giving a warm, welcoming smile to a kid who could use the dignifying acknowledgement.

Lost in america (1985. Lost in america gathering field. Lost in america movie clips. Lost in america gambling scene. Lost in america youtube. Released February 28, 2020 1 hr 34 min Documentary Tell us where you are Looking for movie tickets? Enter your location to see which movie theaters are playing Lost in America (2020) near you. ENTER CITY, STATE OR ZIP CODE GO Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more. Lost in America: Trailer 1 1 of 1 Lost in America (2020) Synopsis Former Navy veteran and homeless youth, director Rotimi Rainwater shows viewers the realities of life on the streets as he travels the country to shine a light on the epidemic of youth homelessness in America. Read Full Synopsis Movie Reviews Presented by Rotten Tomatoes.

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Lost int. american airlines. Lost in america 2020. Lost in america nest egg. Lost in america alice cooper live. Lost in américain. Lost in america first. Synopsis A husband and wife in their 30s decide to quit their jobs, live as free spirits and cruise America in a Winnebago. David and Linda Howard are successful yuppies from LA. When he gets a job disappointment, David convinces Linda that they should quit their jobs, liquidate their assets, and emulate the movie Easy Rider, spending the rest of their lives travelling around a Winnebago! (This is a kind of large, luxurious mobile home which suits a 1980's yuppie more than the counterculture dropout approach of Easy Rider. ) His idealized, unrealistic plans soon begin to go spectacularly wrong. Downloaded 1761 times 4/24/2019 6:48:08 AM Movie Reviews Reviewed by 7/10 Who said Albert Brooks is an acquired taste? After watching "The Muse, "which until this day remains the FUNNIEST comedy I've ever seen, I've beencurious about Brooks's work. Since this had its place on the AFI's funniestcomedies of all time, I decided I'd check it out.

Though I didn't feel this was quite as funny as "The Muse, " Brooks delivershis trademark sarcastic comic gags. It's hilarious to watch Brooks, ayuppie businessman who just quit his job, try to apply for a job among thelower class. Asking if there are any "executive positions. "

Brooks has the best timing among all the comic actors. His style ofdelivering his brilliantly sarcastic dialogue is impeccable and almost neverfails to crack me up! Brooks's movies are not only funny, but they'rewell-written. Lots of the time comedies move on the sheer energy of thecast. In his films, the writing alone is energized enough and the cast addsto that energy. Brooks and Julie Hagerty have an incredible chemistry, andtheir conflicts are absolutely hysterical. "From now on, you will never beallowed to use the words 'nest' or 'egg' ever again! " That's a line I willalways remember. Brooks has that memorable, unique style of writing thatI'm sure comedy writers everywhere will either acknowledge thoroughly or tryto imitate (unsuccessfully, of course).

One thing I just cannot understand is the R-rating. Brooks, being one ofthe few tasteful, intelligent comedy writers in the biz, rarely usesprofanity in his movies. Only twice do we hear the "f" word, and for theright reasons (He was angry at his boss for God's sake! ). I'm well-awarethat the PG-13 rating wasn't invented when the movie came out, but "SixteenCandles" used the "f" word twice and got away with a PG, as well as a showerscene involving a female and a notorious close-up of her breasts. Don'texpect anything filthy in this movie, because of the stupidly-awardedR-rating. Brooks doesn't sink that low.

For all those who appreciate good, intelligent humor--an escape from cheapslapstick and gross-out gags. Not that I don't appreciate that type ofhumor ever, but this is REALLY what comedy is all about!

My score: 7 (out of 10) Read More Reviewed by pooch-8 Albert Brooks and Monica Johnson have fashioned in their Lost in Americascreenplay a spot-on portrait of upper middle class malaise and itscorrespondent affluence atrophy -- and skewered it all with perfectvignettes of accomplished comic finesse. Most fans of this film -- and itcertainly has a cult following -- will gleefully cite scenes ranging fromthe legendary "nest egg" speech to the job service interview as examplesofterrific comedy, and I wholeheartedly agree: Lost in America is, who not only co-wrote the film but also stars and directs, onlyfalters a bit when it comes to the overall pacing (I thought the sectionthat opens the film spends too much time in Los Angeles before the coupledecides to head out for the open road), but this is a minor the time I am laughing too hard to point out any flaws. Read More LOST IN AMERICA (1985) ***1/2 Albert Brooks, Julie Hagerty, GarryMarshall. Hysterically funny film by Brooks about his character, David Howard, ayuppie who loses his job after his dream of a promotion falls through asanad exec and decides to take his scatter-brained wife (Hagerty) crosscountrya la "Easy Rider" but in a Winnebago but gets seriously side-tracked inLasVegas. Brooks has never been finer and gives the ultimate scene incinema'shistory of being fired and quitting at the same time! Read More Read more IMDb reviews.
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Lost in america gathering field lyrics. First look: Night Salvage on March 4, 2020 Just got this cover image from the publisher. Knowing what I culled down to, this book is gonna be the coolest one yet, with subject matter that everyone seems to love: Cars! Release date is 8/1/20. The Three Little Windows Posted by Troy on February 25, 2020 Abandoned miner’s cabin, hours down a Jeep trail, deep in the Mojave. Late at night, in total darkness. Protomachines flashlight throwing lime around the opening, then I squeezed thru without moving the door and skimmed it with red, making sure to catch the frayed jamb too. Next I bounced purple around the room from camera […] The Instrument Approach on February 24, 2020 Fisheyed and tight, in a DC-3 cockpit at Aviation Warehouse. From the archives, never posted before. Total darkness, red in the instruments, white straight down onto the throttle controls. The lighting probably took 20 seconds but I let it burn in for 2:14 to get some ambient moonlit lightness through the windshield. Ye Olde Desktop on February 19, 2020 In the madam’s trailer at an abandoned brothel in Nevada. Neutral white from the top right and purple reflected off the wall behind the camera in 58 seconds of open lens time. Working in total darkness in the middle of the night. The Pink Gills on February 16, 2020 One more electric-pepto image for magenta and jade week, here’s the forward flank of that mid-60s T-bird I posted a few days ago. Hot from top right, cool bounced into the lower body. All done quickly (for me), 35 seconds in deep shade before moonrise. Fender Feelers on February 13, 2020 Hard to find an attractive angle on the 1962 Dodge Dart, at least this one has the big engine. This beaut at Big M has funky home-made corner reflectors for extra added style. It took a minute and a half to throw the pink from above, green from below and reflect a white highlight onto […] Jetbird in Sneakers on February 12, 2020 1965ish Thunderbird by the gate at Big M. Been seeing these cars with big whitewalls lately, must be a thing. Pink and turquoise from the Protomachines flashlight in 1:01 of lens time. Left Hand Shifter on February 11, 2020 Flight deck of the first stand alone Imperial, 1955. On the line at Big M Auto Salvage. Pink straight down, green from the passenger side and warm white reflected inside for ambiance and pop in the chrome. It took 1:59 of open lens time to lay it all down. I think it’s accidentally gonna be […] The Pink Pentagram on February 10, 2020 Got out to Big M last night for a quick shoot. This malaise era Chrysler New Yorker sure feels out of place among all the fifties cars there. Total darkness, white backlight, pink rim light and green reflected, all in 1:29 of lens time. Corsair on a Reef on February 7, 2020 Edsel week ends at Pearsonville. This was late, the last shot of the night on one of the last trips I made before the final crush. I can’t imagine they’d crush a 1959 Edsel, but hey, they crushed everything else... 3-minutes of burned in full moon with skimmed white and reflected purple […].
Lost in america bill deasy. Lost in america this american life. Lost in america daniel kadawatha. Lost in America Theatrical release poster Directed by Albert Brooks Produced by Marty Katz Written by Albert Brooks Monica Johnson Starring Albert Brooks Julie Hagerty Music by Arthur B. Rubinstein Cinematography Eric Saarinen Edited by David Finfer Production company The Geffen Company Distributed by Warner Bros. Release date March?15,?1985 (U. S. ) Running time 91 minutes Country United States Language English Box office $10, 179, 000 Lost in America is a 1985 satirical road comedy film directed by Albert Brooks and co-written by Brooks with Monica Johnson. The film stars Brooks alongside Julie Hagerty as a married couple who decide to quit their jobs and travel across America. Plot [ edit] David and Linda Howard are typical 1980s yuppies in California who are fed up with their lifestyle. He works in an advertising agency and she for a department store. But after he fails to receive a promotion he was counting on and is instead asked to transfer to the firm's New York office, David angrily insults his boss and is fired. He coaxes his wife to quit her job as well and seek a new adventure. The Howards decide to sell their house, liquidate their assets, drop out of society, "like in Easy Rider ", and travel the country in a Winnebago recreational vehicle. They leave L. A. with a "nest egg" of a hundred thousand dollars but do not get very far. The plan goes awry when Linda loses all their savings playing roulette at the Desert Inn Casino in Las Vegas, where a desperate David tries in vain to persuade a casino manager to give the money back as a publicity gimmick. With nowhere to go, the couple quarrels at Hoover Dam, then ends up in Safford, Arizona. David unsuccessfully applies for a delivery job at a local pharmacy and resorts to an employment agency. After a counselor obnoxiously reminds him that he was fired from his high-paying job in advertising, David accepts the best position available ? as a crossing guard, taunted by local school kids. Linda, meanwhile, finds employment as the assistant manager at the local Der Wienerschnitzel, working under a kid half her age. Only a few days after beginning their pursuit of the dream of dropping out of society, David and Linda are living in a trailer park, almost broke, working dead end jobs and accountable to brats. They decide that it is better to get back to their old lifestyle as soon as possible. They point the Winnebago toward New York, where David begs for his old job back. Cast [ edit] Albert Brooks as David Howard Julie Hagerty as Linda Howard Maggie Roswell as Patty Michael Greene as Paul Dunn Garry Marshall as Casino Manager Donald Gibb as Ex-Convict Charles Boswell as Highway Patrolman Brooks originally did not want to direct himself and had wanted Bill Murray for the part of David Howard. [1] Reception and awards [ edit] Lost In America received mostly positive reviews from critics and holds a 97% rating on review aggregator Rotten Tomatoes, based on 32 reviews, with the consensus; "A satire of the American fantasy of leaving it all behind, Lost in America features some of Albert Brooks' best, most consistent writing and cultural jabs. " [2] The film was a commercial success, though not a blockbuster. The film's script won the National Society of Film Critics award for Best Screenplay. The film is number 80 on Bravo's "100 Funniest Movies". It is recognized by American Film Institute on these lists: 2000: AFI's 100 Years... 100 Laughs ? #84 [3] Home media [ edit] Warner Home Video initially released the film on VHS and Laserdisc in 1985 and reissued it twice on video, in 1991 and 1997. The film made its DVD debut on April 3, 2001, and was made available for streaming on Netflix on July 1, 2016. Criterion released the Blu-ray on July 25, 2017. References [ edit] External links [ edit] Lost in America on IMDb Lost in America at Rotten Tomatoes Lost in America at Box Office Mojo Lost in America: The $100, 000 Box an essay by Scott Tobias at the Criterion Collection.
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