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Mark Proksch genre=Comedy country=USA Release date=2019 &ref(https://m.media-amazon.com/images/M/MV5BOTg3YThjOWUtMGExNi00NzYyLTkwY2MtYmI1YTFiNjVlNDhjXkEyXkFqcGdeQXVyMjQ0NzcxNjM@._V1_SY1000_CR0,0,629,1000_AL_.jpg) Average Rating=8,3 / 10. KAAAAATE BUUUUUSHHHHHHHHHHH. A movie about a wave ? and title of movie name is the wave great job ?.
This is the beginning of the fall of mankind
Great cover. We need detachable wings. VHYes (2020) full movie. Wait is that the guy that teaches a space Masterclass. A bizarre retro comedy shot entirely on VHS, VHYes takes us back to a simpler time, when twelve-year-old Ralph mistakenly records home videos and his favorite late night shows over his parents' wedding tape. The result is a nostalgic wave of home shopping clips, censored pornography, and nefarious true-crime tales that threaten to unkindly rewind Ralph's reality.
Can we just embrace for a second that Prince shirt that guy is wearing? XD. The twisted comedy “VHYes” begins on Christmas morning, 1987, when a preteen boy named Ralph (Mason McNulty) gets a new camcorder from his parents, who show him how to plug the machine into the back of the TV to record shows. Eager to get rolling, Ralph grabs the first tape he can find ? which happens to be his mom and dads wedding video. Almost the entirety of “VHYes” is presented as if it were Ralphs raw tape. Its a hodgepodge of late ‘80s channel-surfing, intercut with shots of the boy goofing around with his best friend Josh (Rahm Braslaw. Occasionally, snippets from the original wedding video appear, flashing back to a much happier couple than the one we see arguing and moping around in the background of Ralphs home movies. “VHYes” was written and directed by Jack Henry Robbins, in collaboration with Nunzio Randazzo and Nate Gold, a team that worked together before on the surreal pop culture parody shorts “Painting With Joan” and “Hot Winter: A Film by Dick Pierre” (both of which are excerpted at length in this movie. Their comic sensibility should be familiar to fans of Cartoon Networks more out-there “Adult Swim” experiments. Theyre all about dark, deadpan re-creations of TV schlock. In the interest of getting laughs, Robbins team doesnt always maintain tight discipline over their premise. Some of the TV and movie parodies in “VHYes” are anachronistic for 1987; and some of the jokes wear thin quickly. But the filmmakers have attracted a cast of skilled comic actors (including Robbins parents, Tim Robbins and Susan Sarandon) and theyve successfully shaped a hit-and-miss collection of sketches and trippy digressions into an actual motion picture, with a larger point. The decay of Ralphs parents marriage ? pointedly contrasted with the scenes from their wedding ? cleverly and succinctly illustrates the way that kids can sometimes get so caught up in their own adventures that they dont realize a happy golden age is ending. Along the same lines, throughout “VHYes” Robbins and his collaborators intertwine their dopey old television broadcasts with glimpses at the 21st centurys biggest threats, like global warming and reactionary populist rage. Throughout, “VHYes” laces its nostalgia with bitter poison, reminding its audience that even in the carefree couch potato days of 1987, the end-times always loomed. 'VHYes' Not rated Running time: 1 hour, 12 minutes Playing: Lumiere Music Hall, Beverly Hills.
I'm only watching this because Charlie is it. I love you Charlie. Courtneys First one was sooo underrated its one of her funniest bits. Me: I cant wait till this comes out... Reality: Came out over 3 years ago... ?. Keanu Reeves is that you. You can't run from water lmao. Tom: questioningly eyes changing rack Toms conscience: anything is a prop if you really think about it Tom: pushes it at Shayne Toms conscience: that works just as well.
My notes on VHYES, which opens in US cinemas on January 17. Embedded in the collage-like VHYES are moments when 21 st century concerns ? from global warming to privacy in the age of all-access ? are laid over pastiches of 1980s ephemeral cable TV, from DIY shows to Waynes World-ish teens-in-a-basement-studio to late-night softcore with all the sex cut out.? Writer-director Jack Henry Robbins, who casts his parents Susan Sarandon and Tim Robbins in bits, weirdly fuses the vibe of things like The Kentucky Fried Movie and (especially) The Groove Tube with more considered fantasies about the dangers of the media landcsape, from Videodrome to The Blair Witch Project. For Christmas in 1987, young Ralph (Mason McNulty) gets a cam-corder which he uses to tape snippets of his own home life and his kid activities with best friend Josh (Rahm Bradshaw) but also to record perhaps-random, perhaps-forbidden snippets of television.? In Cloverfield style, we also get tiny glimpses of the tape hes recording over ? his parents wedding video ? that prompt some quite serious considerations about memory and the distinction between living a life and getting it preserved on tape. Some of the strands are pre-existing shorts, but even as the film skitters from one fractured sketch to another it weaves everything together.? A parodied true paranormal crime show reconstructs a town legend, about a sorority pledge burned as a witch thanks to the sheer stupidity of her sorority sisters, and the climax finds the intrepid kids, who are among the most convincing screen children Ive seen, setting out with their camera to explore the abandoned sorority house … which leads to a fusion of everything weve seen that plays like the bad dream at the end of Dead of Night or one of David Lynchs late-night barroom cabaret orgies … but with a possible out for the cyclical nightmare as the kids decide they could just stop filming and do something else instead. There are neat sketches: an antiques expert (Mark Proksch) is asked to appraise a toy long ago stolen from him by a bully (Thomas Lennon) in skinless spoof skinflicks a sexy climatologist living through ‘Hot Winter and three mechanically-gifted alien Swedish blondes face prejudice on Earth; a patient instructor on various topics (Kerri Kenney) becomes more eccentric with each revisit; an infomercial finds bland hosts hawking a range of products whose use as drug dealing paraphernalia goes over their heads; a nightmarish home security commercial involves an intruder being gunned down in a childs bedroom; and a teen (Charlyne Yi) suffers as her parents embarrassingly insist in sitting in on her indie music interviews.? A few skits are undeveloped ? a cloning sit-com, an earnest cop show ? but most get just enough exposure to be funny without killing the joke. Robbins has a knack for arcana like matching the harsh video lighting style of cheap 1980s television, but this is also surprisingly affecting ? getting past the videodromy stuff about how the invention of the cam-corder is the next step in human devolution to a rather sweet connection between Ralph and his kindly, tolerant, slightly disaffected Mom (Lindsley Allen. ? It doesnt outstay its welcome and a tight 71 minutes, but random moments oddly stick in the mind.
This movie is great! The acting is good, I felt all the emotions. The movie is realistic and strong.
Can we just embrace for a second that Prince shirt that guy is wearing? XD. The twisted comedy “VHYes” begins on Christmas morning, 1987, when a preteen boy named Ralph (Mason McNulty) gets a new camcorder from his parents, who show him how to plug the machine into the back of the TV to record shows. Eager to get rolling, Ralph grabs the first tape he can find ? which happens to be his mom and dads wedding video. Almost the entirety of “VHYes” is presented as if it were Ralphs raw tape. Its a hodgepodge of late ‘80s channel-surfing, intercut with shots of the boy goofing around with his best friend Josh (Rahm Braslaw. Occasionally, snippets from the original wedding video appear, flashing back to a much happier couple than the one we see arguing and moping around in the background of Ralphs home movies. “VHYes” was written and directed by Jack Henry Robbins, in collaboration with Nunzio Randazzo and Nate Gold, a team that worked together before on the surreal pop culture parody shorts “Painting With Joan” and “Hot Winter: A Film by Dick Pierre” (both of which are excerpted at length in this movie. Their comic sensibility should be familiar to fans of Cartoon Networks more out-there “Adult Swim” experiments. Theyre all about dark, deadpan re-creations of TV schlock. In the interest of getting laughs, Robbins team doesnt always maintain tight discipline over their premise. Some of the TV and movie parodies in “VHYes” are anachronistic for 1987; and some of the jokes wear thin quickly. But the filmmakers have attracted a cast of skilled comic actors (including Robbins parents, Tim Robbins and Susan Sarandon) and theyve successfully shaped a hit-and-miss collection of sketches and trippy digressions into an actual motion picture, with a larger point. The decay of Ralphs parents marriage ? pointedly contrasted with the scenes from their wedding ? cleverly and succinctly illustrates the way that kids can sometimes get so caught up in their own adventures that they dont realize a happy golden age is ending. Along the same lines, throughout “VHYes” Robbins and his collaborators intertwine their dopey old television broadcasts with glimpses at the 21st centurys biggest threats, like global warming and reactionary populist rage. Throughout, “VHYes” laces its nostalgia with bitter poison, reminding its audience that even in the carefree couch potato days of 1987, the end-times always loomed. 'VHYes' Not rated Running time: 1 hour, 12 minutes Playing: Lumiere Music Hall, Beverly Hills.
I'm only watching this because Charlie is it. I love you Charlie. Courtneys First one was sooo underrated its one of her funniest bits. Me: I cant wait till this comes out... Reality: Came out over 3 years ago... ?. Keanu Reeves is that you. You can't run from water lmao. Tom: questioningly eyes changing rack Toms conscience: anything is a prop if you really think about it Tom: pushes it at Shayne Toms conscience: that works just as well.
My notes on VHYES, which opens in US cinemas on January 17. Embedded in the collage-like VHYES are moments when 21 st century concerns ? from global warming to privacy in the age of all-access ? are laid over pastiches of 1980s ephemeral cable TV, from DIY shows to Waynes World-ish teens-in-a-basement-studio to late-night softcore with all the sex cut out.? Writer-director Jack Henry Robbins, who casts his parents Susan Sarandon and Tim Robbins in bits, weirdly fuses the vibe of things like The Kentucky Fried Movie and (especially) The Groove Tube with more considered fantasies about the dangers of the media landcsape, from Videodrome to The Blair Witch Project. For Christmas in 1987, young Ralph (Mason McNulty) gets a cam-corder which he uses to tape snippets of his own home life and his kid activities with best friend Josh (Rahm Bradshaw) but also to record perhaps-random, perhaps-forbidden snippets of television.? In Cloverfield style, we also get tiny glimpses of the tape hes recording over ? his parents wedding video ? that prompt some quite serious considerations about memory and the distinction between living a life and getting it preserved on tape. Some of the strands are pre-existing shorts, but even as the film skitters from one fractured sketch to another it weaves everything together.? A parodied true paranormal crime show reconstructs a town legend, about a sorority pledge burned as a witch thanks to the sheer stupidity of her sorority sisters, and the climax finds the intrepid kids, who are among the most convincing screen children Ive seen, setting out with their camera to explore the abandoned sorority house … which leads to a fusion of everything weve seen that plays like the bad dream at the end of Dead of Night or one of David Lynchs late-night barroom cabaret orgies … but with a possible out for the cyclical nightmare as the kids decide they could just stop filming and do something else instead. There are neat sketches: an antiques expert (Mark Proksch) is asked to appraise a toy long ago stolen from him by a bully (Thomas Lennon) in skinless spoof skinflicks a sexy climatologist living through ‘Hot Winter and three mechanically-gifted alien Swedish blondes face prejudice on Earth; a patient instructor on various topics (Kerri Kenney) becomes more eccentric with each revisit; an infomercial finds bland hosts hawking a range of products whose use as drug dealing paraphernalia goes over their heads; a nightmarish home security commercial involves an intruder being gunned down in a childs bedroom; and a teen (Charlyne Yi) suffers as her parents embarrassingly insist in sitting in on her indie music interviews.? A few skits are undeveloped ? a cloning sit-com, an earnest cop show ? but most get just enough exposure to be funny without killing the joke. Robbins has a knack for arcana like matching the harsh video lighting style of cheap 1980s television, but this is also surprisingly affecting ? getting past the videodromy stuff about how the invention of the cam-corder is the next step in human devolution to a rather sweet connection between Ralph and his kindly, tolerant, slightly disaffected Mom (Lindsley Allen. ? It doesnt outstay its welcome and a tight 71 minutes, but random moments oddly stick in the mind.
This movie is great! The acting is good, I felt all the emotions. The movie is realistic and strong.
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